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Статті в журналах з теми "Temps raconté"
Thierry, Solange. "Temps raconté, temps vécu dans la tradition khmère." École pratique des hautes études, Section des sciences religieuses 102, no. 98 (1989): 42–67. http://dx.doi.org/10.3406/ephe.1989.18303.
Повний текст джерелаRimoldi, Luca. "Quand le terrain est raconté." Emulations - Revue de sciences sociales, no. 22 (December 11, 2017): 67–81. http://dx.doi.org/10.14428/emulations.022.005.
Повний текст джерелаGiroux, Dalie. "Le territoire de l’âme, l’écriture, la matière. Politique de la parole de Pierre Perrault." Globe 15, no. 1-2 (March 6, 2013): 265–85. http://dx.doi.org/10.7202/1014635ar.
Повний текст джерелаPorée, J. "Le temps humain à l’épreuve de la technique." Psycho-Oncologie 14, no. 1-2 (March 2020): 08–11. http://dx.doi.org/10.3166/pson-2020-0111.
Повний текст джерелаClément, Anne-Marie. "Le temps compté. Analyse du temps narratif dans Agonie de Jacques Brault." Études 17, no. 3 (August 30, 2006): 485–94. http://dx.doi.org/10.7202/200981ar.
Повний текст джерелаHuglo, Marie-Pascale. "Le secret du raconteur." Raconter, no. 2 (August 9, 2011): 45–62. http://dx.doi.org/10.7202/1005456ar.
Повний текст джерелаMartín Rodríguez, Mariano. "Poema en prosa y mundos especulativos: en torno a Les chasseurs du temps de Daniel Walther." Çédille 12 (April 1, 2016): 224. http://dx.doi.org/10.21071/ced.v12i.5622.
Повний текст джерелаMorel Journel, Guillemette. "Un été 1928." LC. Revue de recherches sur Le Corbusier, no. 6 (September 29, 2022): 72–99. http://dx.doi.org/10.4995/lc.2022.18261.
Повний текст джерелаMontreuil, Sophie. "Petite histoire de la nouvelle « Un jardin au bout du monde » de Gabrielle Roy." Études 23, no. 2 (August 29, 2006): 360–81. http://dx.doi.org/10.7202/201371ar.
Повний текст джерелаRieger, Dietmar. "Ein Jahr Fluchtreise Und Emigration: Ein anonymer royalistischer ’récit de voyage‘ von 1790." Romanische Forschungen 134, no. 3 (September 1, 2022): 344–62. http://dx.doi.org/10.3196/003581222835797783.
Повний текст джерелаДисертації з теми "Temps raconté"
Picard, Manon. "La smartfiction : une fiction interactive à lire, un rôle à incarner ou une partie à jouer sur son smartphone ?" Electronic Thesis or Diss., Compiègne, 2022. http://www.theses.fr/2022COMP2681.
Повний текст джерелаA smartfiction is a story to be read and played on the smartphone. Taking the technical, aesthetic, social and cultural codes of the smartphone to reinvest them in the framework of a fiction, smartfiction relies on a reflexive dimension in relation to the smartphone. By using the conventions of ordinary smartphone practices, the user of a smartfiction must project themself as a smartphone user when reading, interpreting and acting out a fictional life story. Indeed, the very nature of the story is to tell a life that is no longer mine or that is not mine. Me listening, I coincide with a telling time which projects me in the told time. The writing of the story and the devices make the telling time a construction of the reading self. Within the framework of the smartfictions, this game on time relies in particular on the instant (fictional) chat and the notifications (which I name notifictions to indicate fictional notifications). That way, the user has a framework for blending into the time of the story by articulating it to a reading time. But they interpret this story as an actor interprets a role in the theater. By embodying the role assigned to him, the user lives the time of the story as a time played in the first person. To do this, they must approach their role as if they were playing a game and thus transform the time of the story into a time of play. They must “play the ga.Me”. Narrative, theater and game are then three temporal modalities of the lived time that are reset by the smartfiction : a story that one plays and that one incarnates. A smartfiction has thus a double status, phenomenological and semiotic. Indeed, the reader-actor-player interacts with the smartfiction and synchronizes their flow of consciousness with the different objects composing it in order to live the experience of reading in the first person. They synchronize their living time with the time of the fiction. This synchronization is punctuated by the interaction with the specific codes related to the use of a smartphone, which becomes the semiotic and pragmatic framework of the smartfiction. This framework allows both the contextualization of the smartfiction and functions as a defamiliarization of the smartphone. The study, based on a corpus of eleven smartfictions, thus articulates a double phenomenological and semiotic approach. A smartfiction is a story on a smartphone that happened to someone, a story that is a game in which the user plays as an actor. With the smartfiction, we witness the birth of a format, even of a genre. The emergence of a new genre invites us to question its articulation with existing genres, or even their reconfiguration: does smartfiction correspond to another way of telling, another form of staging, another practice of acting? These questions also refer to the role of the device which stands out in these creative modes. In particular, smartfiction invites us to objectify the role of a smartphone in a narrative. Smartfiction is thus a laboratory for the analysis of creative genres and for the understanding of the role of the medium and the devices
Speidel, Klaus. "Narration visuelle et récit iconique : raconter une histoire en une image." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040195.
Повний текст джерелаBased on his analysis of the possibility of iconic narrative – « telling a story » with a single still picture – Klaus-Peter Speidel develops a new foundation for visual narratology based on cognitive theory and reception aesthetics. Speidel's work is at the intersection of various disciplines : art history, literary theory, semiotics, philosophy of art and picture theory. While the thesis aims at reconstructing the foundations of a theory of visual narrative, the author does not try to replace the existing approaches with a new theory created ex nihilo. The new foundations emerge from his analysis of existing theories as well as a diverse array of pictures which play an important role in the argument. Classical theories of narrative are absorbed rather than rejected. In order to solve the main problem for visual narrative, the problem of time, the author offers a new conceptualisation of the temporal structure of still images. His taxonomy takes into account both the chronology of the story being told and perception time. The final part of the work offers a reinterpretation of G. E. Lessing's Laocoon (1766) a work that has played a major role for modern scepticism concerning the possibility of telling a story with a picture. The author shows that the discussion around Lessing has been biased by a confusion between the possibilities of the picture as such and the aims of artistic pictures. According to Speidel, Lessing's theory has lost much of its value as a theory of art but is still valuable as a theory for certain kinds of pictures, namely pictures that aim at “transparency”
Книги з теми "Temps raconté"
Temps et récit: Le temps raconté. Paris: Du Seuil, 1985.
Знайти повний текст джерелаOrbigny, Association Raconte-moi. Raconte-moi Orbigny: Au fil du temps, un village de Touraine et ses traditions. [Chemillé-sur-Indrois]: Chivré, 2013.
Знайти повний текст джерелаLes Temps changent: Une génération se raconte. Montréal: Fides, 1987.
Знайти повний текст джерелаLes Temps changent: Une generation se raconte. Fides, 1988.
Знайти повний текст джерелаRaconte-Moi Cinq Belles Histoires. Scholastic, 2010.
Знайти повний текст джерелаRuiz, Guillaume. La socialisation temporelle des apprentis. Le cas des médiamaticiens et assistantes en soins et santé communautaire dans le canton de Vaud. Éditions Alphil-Presses universitaires suisses, 2021. http://dx.doi.org/10.33055/alphil.03181.
Повний текст джерелаMathieu-Tanguy, Angélique. 28 Merveilleux Contes Amérindiens: Histoires Courtes à Raconter à Vos Enfants et les Faire Voyager en Même Temps ! Independently Published, 2021.
Знайти повний текст джерелаAffectuekins, avril. Notre Histoire: Livre Qui Raconte Votre Histoire d'Amour à Remplir à Deux... . Idée Cadeau Original Pour Couple Amoureux , Mariage, Saint Valentin, NoëL. Carnet de Couple Qui Fait Revivre les Beaux Vieux Temps. Independently Published, 2021.
Знайти повний текст джерелаcafé, Autour d'un. Autour d'un Café: Prendre le Temps d'écrire Quelques Phrases, des Notes Avec Ce Livret Ligné. Etudier, Raconter, Dessiner... l'art de Prendre un Café ! 100 Pages 17 X 25 Cm. Independently Published, 2019.
Знайти повний текст джерелаAutour d'un Café: Prendre le Temps d'écrire Quelques Phrases, des Notes Avec Ce Livret Ligné. Etudier, Raconter, Dessiner... l'art de Prendre un Café ! 100 Pages 17 X 25 Cm. Independently Published, 2019.
Знайти повний текст джерелаЧастини книг з теми "Temps raconté"
Tison, Guillemette. "Chapitre I. Le temps raconté." In Une Mosaïque d’enfants, 341–64. Artois Presses Université, 1998. http://dx.doi.org/10.4000/books.apu.3631.
Повний текст джерелаZanone, Damien. "Chapitre 5. Les Mémoires, ou l’histoire racontée." In Écrire son temps, 187–242. Presses universitaires de Lyon, 2006. http://dx.doi.org/10.4000/books.pul.11912.
Повний текст джерелаAllirot, Marie-Thérèse, Maryvonne Legall, and Laure Nivel-Craplet. "Quelle histoire se raconte quand le temps est compté ?" In Quel temps psychique pour les bébés ?, 25. ERES, 2010. http://dx.doi.org/10.3917/eres.ratia.2010.01.0025.
Повний текст джерелаGRASSI, Andrea. "La Résistance à l’épreuve du Lager." In Théâtre Mythologique, 55–68. Editions des archives contemporaines, 2022. http://dx.doi.org/10.17184/eac.4714.
Повний текст джерелаDi Pede, Elena. "LES TROIS PREMIERS CHAPITRES D’OSÉE ET LA GESTION DU TEMPS DANS LA MANIÈRE DE RACONTER L’ALLIANCE." In Temporalite et intrigue, 117–28. Peeters Publishers, 2018. http://dx.doi.org/10.2307/j.ctv1q26hrp.15.
Повний текст джерелаRau, Susanne. "Raconter et organiser l’espace et le temps : l’atlas historico-géographique de Karl von Spruner (Gotha, XIXe siècle)." In Forme du savoir, forme de pouvoir, 393–418. Publications de l’École française de Rome, 2022. http://dx.doi.org/10.4000/books.efr.27340.
Повний текст джерелаТези доповідей конференцій з теми "Temps raconté"
Marcotte, Sophie. "Le calme après la tempête. Le pouvoir symbolique de l'eau dans l'œuvre de Gabrielle Roy." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2527.
Повний текст джерела