Добірка наукової літератури з теми "Temps racontant"
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Статті в журналах з теми "Temps racontant"
TAUVERON, Catherine. "La rêverie d'essor ou comment Marcelle, ne pouvant se mouiller les pieds dans la mer, y plonge ses songes." Ondina - Ondine, no. 2 (March 17, 2019): 5–16. http://dx.doi.org/10.26754/ojs_ondina/ond.201822786.
Повний текст джерелаGagnon, Alex. "La France malade et ses récits." Études françaises 55, no. 1 (May 2, 2019): 137–59. http://dx.doi.org/10.7202/1059372ar.
Повний текст джерелаBégin, Richard. "« […] d’un temps qui a déjà servi »." Protée 35, no. 2 (February 5, 2008): 27–36. http://dx.doi.org/10.7202/017464ar.
Повний текст джерелаSandy, Nancy. "STSQEY’ULÉCW RE ST'EXELCEMC (ST’EXELEMC LAWS FROM THE LAND)." Windsor Yearbook of Access to Justice 33, no. 1 (January 29, 2017): 187. http://dx.doi.org/10.22329/wyaj.v33i1.4817.
Повний текст джерелаCONNAN-PINTADO, Christiane. "Voyages oniriques dans l’album iconotextuel." Ondina - Ondine, no. 2 (March 17, 2019): 17–33. http://dx.doi.org/10.26754/ojs_ondina/ond.201823400.
Повний текст джерелаViau, Robert. "Éternelle Évangéline." Études, no. 18-19 (July 9, 2012): 33–50. http://dx.doi.org/10.7202/1010297ar.
Повний текст джерелаDe Carlo, Maddalena. "littérature peut tout!" Langues & Parole 4 (November 30, 2019): 111–28. http://dx.doi.org/10.5565/rev/languesparole.52.
Повний текст джерелаVilla, Sergio Moratiel. "L'Ecole espagnole du nouveau droit des gens." Revue Internationale de la Croix-Rouge 74, no. 797 (October 1992): 430–49. http://dx.doi.org/10.1017/s0035336100088262.
Повний текст джерелаIreland, Susan, and Patrice J. Proulx. "Infernal Journeys in Marie-Célie Agnant’s Femmes au temps des carnassiers." Quebec Studies 71, no. 1 (June 1, 2021): 111–32. http://dx.doi.org/10.3828/qs.2021.9.
Повний текст джерелаCook, Samantha. "L’accompagnement du lecteur dans Lointaines de Lise Gaboury-Diallo." Dossier thématique 30, no. 1 (May 16, 2018): 81–102. http://dx.doi.org/10.7202/1045596ar.
Повний текст джерелаДисертації з теми "Temps racontant"
Picard, Manon. "La smartfiction : une fiction interactive à lire, un rôle à incarner ou une partie à jouer sur son smartphone ?" Electronic Thesis or Diss., Compiègne, 2022. http://www.theses.fr/2022COMP2681.
Повний текст джерелаA smartfiction is a story to be read and played on the smartphone. Taking the technical, aesthetic, social and cultural codes of the smartphone to reinvest them in the framework of a fiction, smartfiction relies on a reflexive dimension in relation to the smartphone. By using the conventions of ordinary smartphone practices, the user of a smartfiction must project themself as a smartphone user when reading, interpreting and acting out a fictional life story. Indeed, the very nature of the story is to tell a life that is no longer mine or that is not mine. Me listening, I coincide with a telling time which projects me in the told time. The writing of the story and the devices make the telling time a construction of the reading self. Within the framework of the smartfictions, this game on time relies in particular on the instant (fictional) chat and the notifications (which I name notifictions to indicate fictional notifications). That way, the user has a framework for blending into the time of the story by articulating it to a reading time. But they interpret this story as an actor interprets a role in the theater. By embodying the role assigned to him, the user lives the time of the story as a time played in the first person. To do this, they must approach their role as if they were playing a game and thus transform the time of the story into a time of play. They must “play the ga.Me”. Narrative, theater and game are then three temporal modalities of the lived time that are reset by the smartfiction : a story that one plays and that one incarnates. A smartfiction has thus a double status, phenomenological and semiotic. Indeed, the reader-actor-player interacts with the smartfiction and synchronizes their flow of consciousness with the different objects composing it in order to live the experience of reading in the first person. They synchronize their living time with the time of the fiction. This synchronization is punctuated by the interaction with the specific codes related to the use of a smartphone, which becomes the semiotic and pragmatic framework of the smartfiction. This framework allows both the contextualization of the smartfiction and functions as a defamiliarization of the smartphone. The study, based on a corpus of eleven smartfictions, thus articulates a double phenomenological and semiotic approach. A smartfiction is a story on a smartphone that happened to someone, a story that is a game in which the user plays as an actor. With the smartfiction, we witness the birth of a format, even of a genre. The emergence of a new genre invites us to question its articulation with existing genres, or even their reconfiguration: does smartfiction correspond to another way of telling, another form of staging, another practice of acting? These questions also refer to the role of the device which stands out in these creative modes. In particular, smartfiction invites us to objectify the role of a smartphone in a narrative. Smartfiction is thus a laboratory for the analysis of creative genres and for the understanding of the role of the medium and the devices
Книги з теми "Temps racontant"
Benamou, G. M. C'était un temps déraisonnable: Les premiers résistants racontent. Paris: Laffont, 1999.
Знайти повний текст джерелаYalom, Marilyn. Le temps des orages: Aristocrates, bourgeoises et paysannes racontent. Paris: Maren Sell, 1989.
Знайти повний текст джерелаBaudouin-Matuszek, M. N. La Vendée au temps des guerres de religion: Trois témoins racontent. La Roche-sur-Yon: Centre vendéen de recherches historiques, 2013.
Знайти повний текст джерелаBenamou, Georges-Marc. C'était un temps déraisonnable : Les Premiers Résistants racontent. Pocket, 2002.
Знайти повний текст джерелаЧастини книг з теми "Temps racontant"
Henry, Hélène. "Table ronde pour conclure." In Marina Tsvetaeva et l'Europe, 293–304. Editions des archives contemporaines, 2021. http://dx.doi.org/10.17184/eac.3379.
Повний текст джерела