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Статті в журналах з теми "Television and the blind – Technological innovations"
Lesage, Frederik. "The Technological Imagination of Public Media." Stream: Interdisciplinary Journal of Communication 6, no. 1 (July 12, 2014): 12–14. http://dx.doi.org/10.21810/strm.v6i1.84.
Повний текст джерелаNashikyan, Elena Egisheevna. "“Aging” viewer of modern Russian television." Человек и культура, no. 3 (March 2021): 96–110. http://dx.doi.org/10.25136/2409-8744.2021.3.29475.
Повний текст джерелаMcLaren, P. M., J. P. Watson, A. B. Summerfield, and M. Lipsedge. "Interactive television in psychiatry." Psychiatric Bulletin 16, no. 5 (May 1992): 288–91. http://dx.doi.org/10.1192/pb.16.5.288.
Повний текст джерелаKleege, Georgina. "Audio Description Described." Representations 135, no. 1 (2016): 89–101. http://dx.doi.org/10.1525/rep.2016.135.1.89.
Повний текст джерелаArtesani, James, Valerie Smith, and Deborah Goessling. "Collaborative Instruction over Interactive Television: The Agony and the Ecstasy." Rural Special Education Quarterly 17, no. 1 (March 1998): 3–11. http://dx.doi.org/10.1177/875687059801700102.
Повний текст джерелаĆitić, Tatjana. "Artificial intelligence in media systems: Radio and television." Socioloski pregled 54, no. 4 (2020): 1329–45. http://dx.doi.org/10.5937/socpreg54-29621.
Повний текст джерелаBiederman-Anderson, L. "Braille Telecaptioning: Making Real-Time Television Accessible to Deaf-Blind Consumers." Journal of Visual Impairment & Blindness 83, no. 3 (March 1989): 164–65. http://dx.doi.org/10.1177/0145482x8908300311.
Повний текст джерелаFelczak, Mateusz. "System, technologia i wernakularne innowacje. Piotr Sitarski, Maria B. Garda, Krzysztof Jajko, Nowe media w PRL, Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2020, ss. 250." Przegląd Kulturoznawczy, no. 2 (48) (2021): 470–77. http://dx.doi.org/10.4467/20843860pk.21.030.14087.
Повний текст джерелаStephen, Alison M., Tsz Ning Mak, Emily Fitt, Sonja Nicholson, Caireen Roberts, and Jill Sommerville. "Innovations in national nutrition surveys." Proceedings of the Nutrition Society 72, no. 1 (January 21, 2013): 77–88. http://dx.doi.org/10.1017/s0029665112002923.
Повний текст джерелаLins Cajazeira, Paulo Eduardo, and Thiago Pedro Malkowski. "COMO É POSSÍVEL AS UNIVERSIDADES ACOMPANHAREM AS INOVAÇÕES NO TELEJORNALISMO BRASILEIRO?" Revista Observatório 4, no. 2 (April 1, 2018): 692. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n2p692.
Повний текст джерелаДисертації з теми "Television and the blind – Technological innovations"
Hatrisse, Xavier. "New components for passive optical network and cable television." Thesis, Georgia Institute of Technology, 1997. http://hdl.handle.net/1853/15002.
Повний текст джерелаJewett, Lorraine E. "Technological innovations and the evolving role of the television news broadcaster : towards a U.S. history." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63805.
Повний текст джерелаUpchurch, Jeremy Eugene. "Religious Television and New Technologies: Managing Change in the Broadcast Environment." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5336/.
Повний текст джерелаMusvibe, Ray. "COIN : a customisable, incentive driven video on demand framework for low-cost IPTV services." Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1006650.
Повний текст джерелаTeX output 2012.03.02:1241
Adobe Acrobat 9.2 Paper Capture Plug-in
Sirakan, Sikares. "Digital television in Thailand (2006-2007)." Phd thesis, Australia : Macquarie University, 2008. http://hdl.handle.net/1959.14/22214.
Повний текст джерелаBibliography: p. 348-366.
Introduction -- Globalisation and network society -- Digital television -- Communication policy and development of Thai TV -- Research design -- Results : DTV: Thailand at the crossroads -- Results: National DTV policy and trends -- Results: Thai TV stations in technological transition (part 1) -- Results: Thai TV stations in technological transition (part 2) -- Discussion and conclusion.
The evolution of television and broadcasting technology from analogue to digital brings about changes in the global television industry. This technological transition is related to a political push which is highly concerned with national public interest in relation to socio-economic forces. Thailand's TV industry has also adopted and used digital television (DTV) technologies since the late 1990s in its TV production and broadcasting. The Thai government broadcasting regulators are expected to play a key role in launching and issuing national DTV policy. However, they seem to be involved in a conflict of interest which has negatively impacted Thailand's DTV transition. --This study selects Thailand's TV industry as a case study of a developing country in response to global technological transition. The thesis aims to explore major drives influencing Thai broadcasting in the shift from analogue to digital. It provides recommendations vis-à-vis the establishment of national DTV policy, and the current use of DTV technologies by Thai TV stations. The research project was conducted in Bangkok, Thailand, between October 2006 and October 2007, after the September coup in 2006. Two research methodologies employed in the study are (1) in-depth interviews with 26 experts (TV station administrators and mass communication scholars), and (2) observations of the nine TV stations. --Theoretical concepts in globalisation of communication echnologies and communication policy are reviewed. The research reveals two major pushes significantly forcing Thailand's TV industry into a newly administrative sphere. These are: (1) global push, and (2) domestic push; both are extensively addressed in this thesis.
Mode of access: World Wide Web.
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Tavares, Bruno Rogério. "Mapas dos processos de criação de formatos de programas televisivos: uma proposta metodológica." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20310.
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Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq
There is a new panorama of audiovisual content construction that has been opened with the expansion of the TV format formats industry in the world. The emergence and popularization of television can be considered one of the most relevant phenomena in the 20th century in social communication, in the context of Brazilian television productions, the present study aimed to create a methodology for creating new formats of television programs, Based on the analysis of the creative processes used by TV channels, broadcasters and producers, with reference to a new market for the export of audiovisual ideas. This research is justified by the fact that Brazil still has a gap to be filled, since it is not configured as an exporter of television formats. The guiding hypothesis of this research was whether the lack of systematization of the creative process for TV program formats inhibits the development of new ideas for entertainment programs. The hypotheses were also analyzed that the vertical model of the TV stations discourages the development of new projects of formats of programs in Brazil; And that most TV stations do not have creative teams because they do not know how to stimulate or evaluate the creations of new programs. The method used to develop this study was qualitative, using the techniques of exploratory research, bibliography, documentary analysis and cartography, including maps and diagrams. The theoretical framework is based on studies of communication, genres and formats, on theories of genetic criticism, creativity, creative processes, innovation, design thinking and business modeling, as well as the interpretation of data from the Brazilian television scenario. The development of the research finds scientific and methodological support in the line of research Creation Processes in the Media and in the Research Group CCM - Communication and Creation in the Media, aligned with approach of the studies of the professor Lucia Leão
Há um novo panorama de construção de conteúdos audiovisuais que foi aberto com a expansão da indústria de formatos de programas para TV no mundo. O surgimento e a popularização da televisão podem ser considerados dois dos fenômenos mais relevantes no âmbito da comunicação social do século XX. No contexto das produções televisivas brasileiras, o presente estudo teve como objetivo criar uma metodologia para criação de novos formatos de programas de televisão, a partir da análise dos processos criativos utilizados por canais, emissoras e produtoras de TV, tendo como referência um novo mercado para exportação de ideias audiovisuais. Esta pesquisa justifica-se pelo fato de o Brasil ainda ter uma lacuna a ser preenchida, já que não se configura como exportador de formatos televisivos. A hipótese norteadora dessa pesquisa foi se a falta de sistematização do processo criativo para formatos de programas de TV inibe o desenvolvimento de novas ideias para programas de entretenimento. Foram analisadas também as hipóteses de que o modelo vertical das emissoras de TV desestimula o desenvolvimento de novos projetos de formatos de programas no Brasil; e que a maioria das emissoras de TV não possuem equipes de criação por não saberem como estimular ou avaliar as criações de novos programas. O método empregado para desenvolver este estudo foi o qualitativo, tendo sido utilizadas as técnicas de pesquisa exploratória, bibliográfica, análise documental e cartografia, incluindo mapas e diagramas. O referencial teórico baseia-se nos estudos da comunicação, dos gêneros e formatos, nas teorias da crítica genética, da criatividade, dos processos criativos, da inovação, do design thinking e de modelagem de negócios, além da interpretação de dados do cenário televisivo brasileiro. O desenvolvimento da pesquisa encontra respaldo científico e metodológico na linha de pesquisa Processos de Criação nas Mídias e no Grupo de Pesquisa Comunicação e Criação nas Mídias – CCM, alinhados com abordagem dos estudos da orientadora Profa. Dra. Lucia Leão
Robinson, F. J. "The feasibility of regional television (RTV) in South Africa : a study of the official process towards the issuing of licenses for RTV and subsequent developments." Thesis, Stellenbosch : Stellenbosch University, 2007. http://hdl.handle.net/10019.1/19648.
Повний текст джерелаENGLISH ABSTRACT: This is a qualitative study on the question whether regional television can be feasible in South Africa with particular reference to the official process to introduce regional television (RTV), the various reports and opinions on the subject, new technological developments and the exploration of alternatives. It is an effort to make a contribution towards the debate about how the public broadcaster can deliver better dedicated services to the diverse language groups of the country wherever they live, while also keeping pace with the challenges of an ever changing global digital world. The study indicated that various public broadcasters internationally struggled to find a financially viable model for regional television to serve diverse communities. The general option was the use of “windows” – specific limited time allocated on national networks for regional break-aways. Yet, increasingly technology provided answers but still at a relative expensive fee for the average citizen. In South Africa the windows model was implemented for a limited period between 1996 and 2003. It was discontinued because of lack of financial support from the state. The researcher indicates how the process to implement regional television already started with transformation envisaged in the Independent Broadcasting Authority Act of 1993 through to the Broadcast Amendment Act of 2003 instructing the SABC to apply within nine months to the Independent Broadcasting Authority of South Africa (ICASA) for regional licenses that “should reflect the diversity of all sections of the population and represent the plurality of views and opinions of the audience” (ICASA, 2003a:11). ICASA published its Discussion Paper on Regional Television in September 2003 inviting comments while emphasizing the importance of serving the various language groups and providing local content. It recognised the problems concerning funding. Its Position Paper was released in November 2003. ICASA clearly took the view that the introduction of regional services in the various (especially marginalised) languages were imperative and that it had to be offered to the exclusion of English. The state had to fund the services while advertising would not be permitted. The study was approached within the framework of normative mass media theories, and in particular the developmental theory. Through content analysis the ICASA documents and the SABC’s application for RTV in December 2003 was assessed and the stark points of difference indicated, such as the use of English, local content (especially drama) and advertising income. By using the methodology of in-depth interviews and a social survey based on a structured questionnaire more information and perspective was gained. In its application for regional television the SABC suggested two channels for 10 indigenous languages in the nine provinces delivered through the outdated but cheaper analogue technology. Throughout 2004 ICASA and the SABC communicated in letters and at hearings to resolve differences without much success. The SABC’s main concerns remained funding and the lack of capacity and skills to offer the services required. ICASA decided in June 2005 to grant the SABC two regional licenses without issuing it until the funding issue could be resolved with the state. It relented to allow some advertising but remained opposed to the use of English. Towards the end of the study the researcher gives an overview of the fast developing international trends in digital broadcasting. Various options to serve regional communities are offered. News reports on international trends and the opinions of experts are then related to the situation in South Africa. One conclusion is that the state and the country would have to weigh up the cost of subsidising regional television to other pressing social needs of citizens. It appeared that the cost would be too high in the short term. Preparations for the staging of the 2010 Soccer World Cup in South Africa might lay the foundation for more sophisticated and affordable services later.
AFRIKAANSE OPSOMMING: Hierdie is ʼn kwalitatiewe studie van die proses om streekstelevisie in Suid-Afrika in te stel, ʼn bespreking van die verskillende verslae en menings oor die onderwerp, nuwe tegnologiese ontwikkelings en die oorweging van alternatiewe. Dit is ʼn poging om ʼn bydrae te maak tot die debat oor hoe die openbare uitsaaier beter en meer toegewyde dienste kan lewer aan die verskillende taalgroepe in die land, waar hulle woon. Terselfdertyd moet ook tred gehou word met die uitdagings van ʼn steeds veranderende internasionale digitale wêreld. Die studie dui aan dat openbare uitsaaiers wêreldwyd sukkel om ʼn lewensvatbare finansiële model vir die lewering van streekstelevisie aan verskillende gemeenskappe te vind. Die algemene keuse was die gebruik van “vensters” – dit is die toekenning van beperkte spesifieke tydsgleuwe op nasionale netwerke vir streekuitsendings. Tog begin tegnologie al hoe meer antwoorde verskaf, maar nog steeds teen redelike duur tariewe vir die deursnee-burger. Die venster-model van streekstelevisie is vir ʼn beperkte tyd van 1996 tot 2003 in Suid-Afrika toegepas. Dit is gestaak weens gebrek aan geldelike ondersteuning van die staat. Die navorser dui aan hoe die proses om streekstelevisie in te stel reeds begin het met die transformasie wat in die vooruitsig gestel is in die Wet op die Onafhanklike Uitsaai-Owerheid van 1993. Dit het later gelei tot die Uitsaai-Wysigingswetsonwerp van 2003. Daarin is die SAUK beveel om binne nege maande by die Onafhanklike Kommunikasie-Owerheid van Suid- Afrika (algemeen bekend as ICASA) om lisensies aansoek te doen vir streekstelevisie wat “die diversitieit van alle seksies van die samelewing sal reflekteer en die verskillende sienings en menings van die gehoor verteenwoordig” (ICASA, 2003a:11). ICASA het sy Besprekingsdokument oor Streekstelevisie in September 2003 gepubliseer. Daarin is klem gelê op die belangrikheid van dienslewering aan die verskillende taalgroepe en die lewering van plaaslike inhoud. Die kommentaar van belanghebbendes is gevra. In die dokument het ICASA erkenning gegee aan die struikelblokke rakende befondsing. ICASA se Standpuntdokument is in November 2003 vrygestel. ICASA het onomwonde verklaar dat die lewering van dienste aan die verskillende (maar veral aan die gemarginaliseerde) taalgemeenskappe voorkeur moes geniet en dat Engels uitgesluit moes word. Die staat sou die dienste moes finansier terwyl advertensies nie toegelaat sou word nie. Die ondersoek is benader binne die raamwerk van die normatiewe teorieë van massamedia kommunikasie en veral die ontwikkelingsteorie. Deur inhouds-analise het die navorser ʼn omvattende ontleding gedoen van die ICASA dokumente en van die SAUK se aansoek vir streekstelevisie. Die aansoek is in Desember 2003 by ICASA ingedien. Die skerp verskille met ICASA is uitgewys, naamlik die gebruik van Engels in die dienste, die lewering van plaaslike inhoud (veral drama) en oor advertensie-inkomste. Die navorser het die metode van diepteonderhoude en ʼn openbare menings-ondersoek, gegrond op ʼn gestruktureerde vraelys, gebruik om meer inligting en perspektiewe te bekom. Die SAUK het twee kanale vir streekstelevisie voorgestel vir die tien inheemse tale in die nege provinsies. Dit sou gelewer word met die goedkoper, maar uitgediende analoog-tegnologie. In 2004 het ICASA en die SAUK deurlopend gekommunikeer in briewe en by openbare verhore in ʼn poging om verskille te oorbrug, maar sonder veel sukses. Deurgaans was die SAUK bekommerd oor die kwessie van befondsing en die beskikbaarheid van bronne en vaardighede om sulke dienste aan te bied. ICASA het in Junie 2005 besluit om twee lisensies vir streekstelevisie aan die SAUK toe te ken, maar dit is nie uitgereik nie, hangende duidelikheid oor finansiering van die staat. Die owerheid het skiet gegee oor die geskil rondom advertensies, maar voet by stuk gehou dat Engelse uitsendings nie toegelaat sou word nie. Aan die einde van die studie gee die navorser ʼn oorsig van die vinnig ontwikkelende internasionale digitale tegnologiese tendense in die uitsaaiwese en die moontlikhede wat dit vir streeksgemeenskappe bied. Nuusberigte oor internasionale ontwikkelings en die menings van deskundiges word in verband gebring met streekstelevisie in Suid-Afrika. Een gevolgtrekking is dat die land die koste van subsidies vir streekstelevisiedienste sal moet opweeg teen die dringende maatskaplike behoeftes van burgers. Die het geblyk dat sulke subsidies te duur sou wees in die korter termyn. Voorbereidings vir die aanbied van die Wêreldbeker Sokkertoernooi in 2010 kan die basis skep om later wel meer gesofistikeerde en bekostigbare streeksdienste te lewer.
Human, J. F. "Effektiewe klankopnames vir enkelkamera-televisieverslaggewing." Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/49676.
Повний текст джерелаENGLISH ABSTRACT: The most neglected element in television reporting is the sound track. The problem is illustrated by the fact that there are currently no specialised textbooks, or training courses, on sound recording for television reporting, anywhere in the world. Textbooks that deal with television reporting dedicate very little space to sound recordings. With the growing competition in television news, news teams are increasingly becoming smaller. It is common practice these days to have a news team consisting of only a cameraperson and a reporter. The cameraperson is also responsible for the sound. Two television stations, namely NYl in New York and Channel One Television in England, have already dispensed with the cameraperson and send out only a reporter. This dissertation addresses the above-mentioned problem by doing research on the sound equipment, recording techniques and production techniques that are useful for effective sound recordings during single camera television reporting. Chapter two explains the functions of the different departments in a television station, as well as the duties of the staff. Chapter three explains basic television principles, terminology and equipment that the sound person uses daily and needs to understand to perform his work optimally. Chapterfour gives the basic terms that are needed to follow a conversation on sound recording. Terms like decibel, stereo and digital sound are explained. The chapter also covers basic electricity and sound equipment. Chapter five covers microphones under three headings, namely: electrical characteristics, acoustic characteristics and microphone design. The chapter also covers associated equipment, explains the sound facilities on video cameras and gives a list of possible sound equipment that can be used during a production. Chapter six covers sound recordings, principles and techniques under the following headings: • Perspective and boom swinging, which deals with sound perspective and boom swinging. • Rigging of cables, which gives practical tips for laying cables inside and outside buildings. • Recording principles, which gives practical tips on sound recordings. • Interviews, which includes recording tips for television interviews and reporting. • Reporting, which covers reporting, media conferences and public events. • Commentary recordings, which deals with the preparation and recording of voice over. • Music recordings, which deals with instruments and bands, and suggests microphone positions. • Telephone lines, which covers the use of telephone lines for reporting. • Location reconnaissance, which gives practical tips on pre-production planning. • Guidelines for sound persons during productions, which concludes the chapter and the dissertation with practical tips on behaviour during local, foreign and/or dangerous productions.
AFRIKAANSE OPSOMMING: Die veranderlike wat die meeste afgeskeep word in televisieverslaggewing, is die klankbaan. Die probleem word onderstreep deur die feit dat daar wêreldwyd tans geen gespesialiseerde handboeke of opleidingskursusse bestaan wat oor klankopnames vir televisieverslaggewing handel nie. Handboeke wat handeloor televisieverslaggewing wy ook baie min ruimte aan klankopnames. Met die groeiende kompetisie in televisienuus raak nuusspanne toenemend kleiner. Dit is reeds algemene praktyk dat die nuusspan slegs uit 'n kamerapersoon en 'n verslaggewer bestaan. Die kamerapersoon moet dus ook die klankopnames doen. Twee televisiestasies, naamlik NYl in New York en Channel One Television in Engeland, het reeds die kamerapersoon uitgeskakel en stuur slegs 'n verslaggewer uit. Hierdie verhandeling spreek bogenoemde probleem aan deur navorsing te doen oor die klanktoerusting, opnametegnieke en produksietegnieke wat nuttig is vir effektiewe klankopnames tydens enkelkameratelevisieverslaggewing. Hoofstuk twee verduidelik die funksies van die verskillende departemente in 'n televisiestasie sowel as die pligte van die personeel. Hoofstuk drie verduidelik basiese televisiebeginsels, -terminologie en -toerusting wat die klankpersoon daagliks mee werk en dus moet verstaan om sy werk optimaal te verrig. Hoofstuk vier gee die basiese terme wat nodig is om 'n gesprek oor klankopnames te volg. Begrippe soos desibel, stereo en digitale klank word verduidelik. Die hoofstuk behandelook basiese elektriese beginsels en klanktoerusting. Hoofstuk vyf bespreek mikrofone onder drie indelings naamlik: elektriese eienskappe, akoestiese eienskappe en mikrofoonontwerp. Die hoofstuk dek ook aanverwante toerusting, verduidelik die klankfasiliteite op videokameras en gee 'n lys van klanktoerusting wat tydens produksies gebruik kan word. Hoofstuk ses is die belangrikste en bespreek klankopnames, beginsels en tegnieke onder die volgende opskrifte: • Perspektief en boomhantering, waaronder klankperspektief en boomhantering behandel word. • Lê van kabels, wat praktiese wenke gee vir die lê van kabels binne en buite geboue. • Opnamebeginsels, wat praktiese wenke gee in verband met klankopnames. • Onderhoude, wat opnamewenke gee in verband met televisieonderhoude en verslaggewing. • Verslaggewing, wat verslaggewing, nuuskonferensies en openbare geleenthede dek. • Kommentaaropnames, wat handeloor die voorbereiding vir, en opneem van kommentaar. • Musiekopnames, wat musiekinstrumente en orkeste bespreek en mikrofoonposisies voorstel. • Telefoonlyne, waaronder die gebruik van telefoonlyne vir verslaggewing bespreek word. • Terreinverkenning, wat praktiese riglyne gee vir voorproduksie-ondersoeke. • Riglyne vir klankpersone tydens produksies, wat die hoofstuk en die studie afsluit met praktiese wenke vir gedrag tydens plaaslike, buitelandse en/of gevaarlike produksies.
Arrebola, Talita Lima Chechin Camacho. "Nada será como antes? as transformações no Jornal Nacional." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21621.
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Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq
The objective of this work is to analyze the hybrid communication strategies of the voice and the presence of the journalists in the presentation of the Jornal Nacional da Rede Globo through the processes of hybridization of languages, starting from the changes occurred on April 27, 2015, in relevant sections. As hypothesis of this research it is believed that the change in the communicational device of the voice and the presence of the presenters invites the public to the proximity and bond. However, the changes in the communicational processes did not promote substantial changes in the discursive plan of the telejournalism. If, on the one hand, they allowed the opening of a polysemic sense to the body and the voice of the communicators, on the other hand, it is not enough for an effective re-signification in the telejournalism presentation, since the relations between the voice and the presence are the extreme ends in the processes of hybridization of this new proposal of presentation of the Jornal Nacional. For this, the study is based on the theory of the authors Arlindo Machado, Beatriz Becker, Yvana Fechine, Norval Baitello Junior and Paul Zumtor, as well as on the analysis instrument related to the critical approach of extremities of Christine Mello, which consists in observe an audiovisual product analyzing it, from three procedures: deconstruction, contamination and sharing. With the changes in the presentation of the Jornal Nacional, professionals began to value the presence of the body, in addition to reinventing itself with emerging technologies, maintaining or re-establishing the bond with its public
O objetivo deste trabalho é analisar as estratégias hibridas de comunicação da voz e a presença dos jornalistas na apresentação do telejornal Jornal Nacional da Rede Globo mediante os processos de hibridização das linguagens, a partir das mudanças ocorridas em 27 de abril de 2015, em trechos relevantes nos quais se expuseram que relataram esses fenômenos. Como hipótese desta pesquisa acredita-se que a mudança no dispositivo comunicacional da voz e da presença dos apresentadores convida o público à proximidade e vínculo. No entanto as alterações nos processos comunicacionais não promoveram modificações substanciais no plano discursivo do telejornal. Se, por um lado, propiciaram a abertura de um sentido polissêmico ao corpo e à voz dos comunicadores, por outro, não é suficiente para uma ressignificação efetiva na apresentação do telejornal, pois as relações entre a voz e a presença são as pontas extremas nos processos de hibridização desta nova proposta de apresentação do Jornal Nacional. Para isso, o estudo está apoiado na teoria dos autores Arlindo Machado, Beatriz Becker, Yvana Fechine, Norval Baitello Junior e Paul Zumtor, bem como no instrumental de análise relacionada a abordagem crítica das extremidades de Christine Mello, que consiste em observar um produto audiovisual analisando-o, a partir de três procedimentos: desconstrução, contaminação e compartilhamento. Com as transformações na apresentação do Jornal Nacional, os profissionais passaram a valorizar a presença do corpo, além de, reinventar-se junto às tecnologias emergentes, mantendo ou refazendo o vínculo com seu público
Debiasi, Carlos Alberto. "O caso Santa Maria na TV: narrativa contemporânea como semiose." Universidade Tecnológica Federal do Paraná, 2014. http://repositorio.utfpr.edu.br/jspui/handle/1/1196.
Повний текст джерелаThis work investigates elements of contemporary journalistic narrative present in television programming and discusses the hybrid character of communication technologies . From the analysis of programs that depict the tragedy that took place in the city of Santa Maria in January 2013,semiotic and analytical bases are used in order to include common reference by which this type of communication operates in the transmission of messages on reality . It brings as a result the evidences of representation strategies within the analyzed cut. The conclusion serves as evidence of the constant reaffirmation of general discourse about social phenomena, reissued in new technological basis.
Книги з теми "Television and the blind – Technological innovations"
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Знайти повний текст джерелаЧастини книг з теми "Television and the blind – Technological innovations"
Karbaum-Padilla, G. "Technological Innovations in the Production of Peruvian Television Newscasts During the Emergence of Covid-19." In Communication and Applied Technologies, 555–65. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-6347-6_50.
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Повний текст джерелаDiamond, Arthur M. "Hope for a Better Future." In Openness to Creative Destruction, 181–92. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190263669.003.0013.
Повний текст джерелаТези доповідей конференцій з теми "Television and the blind – Technological innovations"
Kalra, Jay, and Patrick Seitzinger. "Implications and Consequences of Artificial Intelligence in Healthcare Quality and Medical Training." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002109.
Повний текст джерелаЗвіти організацій з теми "Television and the blind – Technological innovations"
Southwell, Brian, and Vanessa Boudewyns, eds. Curbing the Spread of Misinformation: Insights, Innovations, and Interpretations from the Misinformation Solutions Forum. RTI Press, December 2018. http://dx.doi.org/10.3768/rtipress.2018.cp.0008.1812.
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