Дисертації з теми "Talismanry"
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Schick, Irvin Cemil. "The Legitimation of Esoteric Practices of Dubious Orthodoxy : magic and Divination as Textual Practices in Early Modern Ottoman Islam." Electronic Thesis or Diss., Paris, EHESS, 2024. http://www.theses.fr/2024EHES0053.
Повний текст джерелаThe Qurʾān indicates that the Unseen (al-ghayb) is predetermined; that is, it is written from the beginning of time and for all eternity. At the same time, the Qurʾān makes it clear that the Unseen is beyond the reach of ordinary humans. And yet, occult practices of divination and magic aiming to look into and intercede in the Unseen are and have often been practiced throughout the Muslim World. This thesis asks how pious Muslims have reconciled occult practices with the Qurʾānic injunction against human interaction with the Unseen. What stories have pious Muslims historically told themselves in order to legitimate their transgression of such unambiguously stated sanctions? I seek answers to this question by focusing on three case studies: oneiromancy, physiognomy, and talismanry. I am not saying that these widespread practices are illicit; rather, I argue that for the sake of internal consistency, they should have been illicit, and the fact that they are not therefore requires an explanation.Although my main focus is on the early modern Ottoman Empire, much of the written documentation pertaining to the occult sciences during that period are translations and/or adaptations of mediaeval or early modern Arabic texts, which are themselves often heavily indebted to antecedents including Mesopotamian, Egyptian, Greek, and Jewish sources. In an effort to highlight what is “specifically Islamic” about the practices in question, I have tried to compare them with their pre-Islamic precursors and sought to see how they were “Islamicized” and thereby became accepted in the Ottoman Empire. I show that there were three main avenues for the legitimation of occult practices:• Exegetic legitimation. The large majority of the treatises analyzed in the three case studies begin with numerous citations from the Qurʾān and the ḥadīths as well as passages that interpret them in ways that appear to legitimate the practice in question. This is named al-dalāʾil al-naqliyyah, that is, “relayed evidence.”• Hagiographic legitimation. Again, many of the treatises analyzed here contain anecdotes that link the practice in question to one or more important religio-historical individuals—ranging from Greek philosophers to the Prophet’s companions and beyond—thus legitimating them by association. This is named al-dalāʾil al-ʿaqliyyah, that is, “rational evidence.”• Semiotic legitimation. Although I do discuss exegetic and hagiographic legitimation, my principal claim in this thesis is that in the Muslim World, divination and magic are generally conceived as reading and writing practices. As a result, what should in theory have been considered illicit practices have gained legitimacy thanks to the centrality of the concepts of reading and writing in Islam.This last point is based on the fact that the notion of text, and the closely related concepts of writing and reading, permeate Islam through and through. The Prophet is related as having said that the first thing God created was the pen, while the first word of the Revelation is “Read.” For Islam, all of Creation is a text, as is the sequence of events that unfolds in it. The Qurʾān is a text that explicates God’s creation, and the large body of exegetic literature, together with individual believers’ everyday experiences, are texts that in turn explicate the Qurʾān. It is impossible to imagine Islam as a religio-cultural system without text, writing, and reading. I argue that this centrality underlies the legitimation of occult practices, so that, for example, the interpretation of dreams is seen as deciphering text read from the Preserved Tablet, while talismanry is seen as activating the power of writing as a conduit of divine power
Reed, Graham Conan. "The talisman." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001817.
Повний текст джерелаFaraone, Christopher A. "Talismans and Trojan horses : guardian statues in ancient Greek myth and ritual /." New York : Oxford University Press, 1992. http://www.loc.gov/catdir/enhancements/fy0636/91024775-d.html.
Повний текст джерелаHamès, Constant. "L'art talismanique en Islam d'Afrique occidentale : personnes, supports, procédés, transmission. Analyse anthropologique et islamologique d'un corpus de talismans à écritures." Paris, EPHE, 1997. http://www.theses.fr/1997EPHE5023.
Повний текст джерелаWeder, Christine. "Erschriebene Dinge Fetisch, Amulett, Talisman um 1800." Freiburg, Br. Berlin Wien Rombach, 2005. http://bibpurl.oclc.org/web/24991.
Повний текст джерелаWeder, Christine. "Erschriebene Dinge : Fetisch, Amulett, Talisman um 1800 /." Freiburg : Rombach, 2007.
Знайти повний текст джерелаGerdes, Brigitte Simone. "Johann Nestroy's Der Talisman, an English performance translation." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq21131.pdf.
Повний текст джерелаAlsaleh, Yasmine F. ""Licit Magic": The Touch And Sight Of Islamic Talismanic Scrolls." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11479.
Повний текст джерелаHistory of Art and Architecture
Almirall, Arnal Elena. "Los dones de Rea: Utilización de gemas en la Antigua Grecia." Doctoral thesis, Universitat de Barcelona, 2019. http://hdl.handle.net/10803/667220.
Повний текст джерелаThe goal of this doctoral thesis is to analyze the use of gems in the Greek world, based mainly on classical sources. For this, the research has been divided into three clearly distinct sections. The first one involves a study on the practical or civil use of them as well as on their therapeutic or magical use. To do this, on one hand, both stamps and jewelry or other household objects, as well as lenses and magnifying glasses, the eyes of statues and, finally, the manufacture of pigments from certain stones have been investigated; and, on the other hand, the existing information on lapidaries, amulets and talismans has also been analyzed. In the second section of the work, the focus of the study is the manufacture and the treatment of the gems in the Greek world, having as a base, above all, the work of Pliny the Elder and the texts of the Papyrus of Stockholm. Finally, the last section of the research analyzes, one by one, all the gems mentioned in the classical sources, highlighting the problems of translation and mistakes of interpretation that are found in some of the revised versions in different modern languages. In addition, it provides a summary chart with the gemological information of each stone as well as a study of the various quotes that mention them.
Vassaf, Hamid-Reza. "Les sources préislamiques dans l’iconographie des amulettes et talismans iraniens chiites." Thesis, Lyon 2, 2013. http://www.theses.fr/2013LYO20104.
Повний текст джерелаIf we consider the important role of magic in Islam as well as in Muslim countries and possibly considering its important role in the making of the symbolic universe of Islamic art, the artistic study of magical items can be a new way for historians of Islamic art.The studies and comments developed in the framework of this thesis are two-fold: first, to discover the thematic and visual sources of the symbolic universe of Iranian Shiite amulets and talismans. Or in other words, to find a clear and precise answer to the question whether the composing elements of the iconography of Iranian Shiite amulets and talismans are strictly based on Islamic sources and primitive traditions of Arabic Muslim. Otherwise, can we consider other sources for these elements like the myths and the artistic traditions of oldest Mesopotamia and Persia?On the second hand, our goal is to attract the attention of historians of Islamic art on the themes of symbols - and their regional past - shown on Iranian Shiite magic items specifically and more generally on Islamic art.This work is based on a stylistic and artistic study as well as a thematic and comparative study between the textual and visual elements on the 166 Iranian Shiites amulets and talismans - collected from three collections: « Les cachets, bulles et talismans islamiques » from « Département des Monnaies, médailles et antiques de la Bibliothèque Nationale de Paris », from « Collection des objets » from « Musée du Quai Branly » in Paris et from « Collection des objets talismaniques iraniens (ou des objets magiques iraniens) » from « Musée civilisations Europe Méditerranée de Marseille (MuCEM) » – with those in the pre-Islamic art of Mesopotamia and Persia.This work shows that both textual and pictorial components of these objects have a thematic relationship based on a cosmic and mythical pre-Islamic perspective. In addition, our analysis shows that the birth of the decorative and figurative writing could be the result of an ideological and cultural conflict between the Arabic Muslim conquerors and the intellectuals of conquered countries. Our study also shows that the symbolic universe of Iranian Shiites amulets and talismans was formed under the influence of many disagreements between primitive Islam imported by Arabic Muslims and new Muslims of conquered countries. Our analysis is only based on the three collections of French museums and it is essential to enrich it with other items from other museums around the world
Pelayo, García-Bustelo Begoña Cristina. "TALISMAN: desarrollo ágil de Software con Arquitecturas Dirigidas por Modelos." Doctoral thesis, Universidad de Oviedo, 2007. http://hdl.handle.net/10803/35683.
Повний текст джерелаLyons, Renee C. "Silver Talisman or Moral Compass: Empathetic Experiences in Thimble Summer." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/5841.
Повний текст джерелаStéfanini, Marie-Hélène. "Talisman : une architecture multi-agents pour l'analyse du français écrit." Grenoble 2, 1993. http://www.theses.fr/1993GRE21015.
Повний текст джерелаThe domain of this thesis is the analysis of written french sentences. The problem is to find an approach allowing the best interaction between morphological and syntactic knowledge in order to reduce the generation of ambiguities. Am iguities may occur within any general system of analysis operating in a sequential manner. For a start, we study the existing formalisms, theories and systems. We show that any linguistic formalism and linguistic theory can not solve our problem. Then we study the limits of the sequential architecture of the natural language understanding system crisstal, that was at the root of work. We have recourse to technics of multi-agents systems for the construction of talisman architecture, and we introduce the concept of "law", stemmed from systems governed by laws, in order to manage the communication between agents. The architecture of talisman includes cognitive agents accounting for complex linguistic phenomena (morphology, syntax, segmentation, transformation, coordination, negation, ellipsis), a direct communicationby message sending, and laws governing the behavior of the society. Our linguistic contribution concerns the resolution of morphological ambiguities by means of statistical ones) and the development of linguistic strategies allowing a cooperation between different linguistic phonomena
Russell, J. Stuart. "National security in Canada: A critical perspective of the state's talisman." Thesis, University of Ottawa (Canada), 1990. http://hdl.handle.net/10393/5996.
Повний текст джерелаFarhangpour, Parvaneh Nikkhesal. "Transformative learning through a youth enrichment programme in search of talisman /." Diss., Pretoria : [s.n.], 2002. http://upetd.up.ac.za/thesis/available/etd-08182003-094840/.
Повний текст джерелаOnassoglou, Artemis. "Die talismanischen Siegel /." Berlin : Gebr. Mann, 1985. http://catalogue.bnf.fr/ark:/12148/cb37060623w.
Повний текст джерелаUrieli, Assaf. "Analyse syntaxique robuste du français : concilier méthodes statistiques et connaissances linguistiques dans l'outil Talismane." Phd thesis, Université Toulouse le Mirail - Toulouse II, 2013. http://tel.archives-ouvertes.fr/tel-00979681.
Повний текст джерелаUrieli, Assaf. "Robust French syntax analysis : reconciling statistical methods and linguistic knowledge in the Talismane toolkit." Phd thesis, Université Toulouse le Mirail - Toulouse II, 2013. http://tel.archives-ouvertes.fr/tel-01058143.
Повний текст джерелаPereira, Débora Regina Marques. "Desempenho agronômico da melancia por semeadura direta e transplantio de mudas." Universidade Federal de Goiás, 2017. http://repositorio.bc.ufg.br/tede/handle/tede/7195.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
The watermelon [Citrullus lanatus (Thunb.) Matsum. & Nakai] is traditionally grown by direct sowing, however, due to the high value of the seeds of improved materials, the production of seedlings appears as an interesting alternative. In order to evaluate the agronomic performance of the watermelon by direct sowing and transplanting of seedlings, two experiments were conducted under field conditions in the Horticulture Sector of the Agronomy School of the Federal University of Goiás, Goiânia, Goiás. (DBC) with four replications in a 2 x 4 factorial scheme (two hybrids: Manchester and Talisman and four types of crops: no-tillage, seedlings with (15, 20 and 25 days).) In the second experiment The treatments were composed of three stages of no-tillage and three ages of seedlings (15, 20 and 25 days). When the F test (5%) was significant for Age variation, regression analysis was performed, and when Tukey test (5%) was applied. The comparison of the planting method (direct sowing versus seedling age) was performed through orthogonal contrasts. The number of leaves (NF), height and dry mass (DM) per seedlings were evaluated. The length of the branches was evaluated at 34, 55 and 75 days after transplanting (DAT), and the incidence of diseases was monitored. In the second experiment, the beginning of flowering was also evaluated, and in both experiments the average cycle of each treatment was determined. In the harvesting phase, fruit length and width, mass, white part thickness and soluble solids content were evaluated. Seedlings with greater age (25 days) presented superiority in relation to number of leaves and dry mass on the day of transplanting. Variables indicating productivity (mass) and fruit quality (soluble solids content, white thickness, fruit length and width) were not influenced by the treatments. There was no significant difference for viral and fusariosis infections. The treatment of direct seeding presented plants with an earlier cycle in both the 2015 and 2016 crops, followed by seedlings with 15 days. The cultivation of watermelon by direct seeding shows less cycle, but did not influence the characteristics as in the indicative of production and quality of the fruits.
A melancia [Citrullus lanatus (Thunb.) Matsum. & Nakai] é tradicionalmente cultivada por semeadura direta, porém, em função do alto valor das sementes de materiais melhorados, a produção de mudas surge como uma alternativa interessante. Com objetivo de avaliar o desempenho agronômico da melancia por semeadura direta e transplantio de mudas, foram conduzidos dois experimentos em condições de campo, no Setor de Horticultura da Escola de Agronomia da Universidade Federal de Goiás, Goiânia, Goiás. No experimento realizado em 2015 foi utilizado o delineamento experimental em blocos ao acaso (DBC) com quatro repetições em esquema fatorial 2 x 4 (dois híbridos: Manchester e Talisman e quatro tipos de cultivos: semeadura direta, mudas com (15, 20 e 25 dias). No segundo experimento realizado em 2016 utilizou-se também o DBC com seis repetições. Os tratamentos foram constituídos por três etapas de semeadura direta e três idades de mudas (15, 20 e 25 dias). Quando o teste F (5%) foi significativo para fonte de variação idade, realizou-se a análise de regressão, e quando houve efeito da variedade foi aplicado teste de Tukey (5%). A comparação do método de plantio (semeadura direta versus idade de muda) foi realizada através de contrastes ortogonais. Foram avaliados o número de folhas (NF), altura e massa seca (MS) por plântula. Avaliou-se o comprimento das ramas aos 34, 55 e 75 dias após o transplantio (DAT), e foi monitorada a incidência de doenças. No segundo experimento avaliou-se também o início do florescimento, e em ambos os experimentos determinou-se o ciclo médio de cada tratamento. Na fase de colheita avaliou-se: comprimento e largura do fruto, massa, espessura da parte branca e teor de sólidos solúveis. Mudas com maior idade, (25 dias), apresentaram superioridade em relação a número de folhas e massa seca no dia do transplantio. Variáveis que indicam produtividade (massa) e qualidade dos frutos (teor de sólidos solúveis, espessura da parte branca, comprimento e largura do fruto) não foram influenciadas pelos tratamentos. Não houve diferença significativa para as infecções de viroses e fusariose. O tratamento de semeadura direta apresentou plantas com ciclo mais precoce tanto na safra de 2015 quanto em 2016, seguido de mudas com 15 dias. O cultivo de melancia por semeadura direta apresenta menor ciclo, mas não influencia nas características quanto em indicativas de produção e qualidade dos frutos.
Codenhoto, Christiane Damien. "Na senda das Noites: \"les quatre talismans\" de Charles Nodier e \'Les mille et une nuits\'." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8154/tde-04122007-113925/.
Повний текст джерелаNights [Alf layla wa-layla] were first translated and published by the French orientalist Antoine Galland in the beginning of the XVIII century. In his translation, Galland not only followed the conception of his time to adapt the literary work to the French taste, but also inserted new stories in its version that didn\'t belong to the original, so that his Les mille et une nuits didn\'t constitute a real portrait of the Arabian Nights. And was this literary work that, finding a triumphal success since its publication, disclosed the stories of Nights to the whole West, and inspired new literary productions. In the XIX century, many Romantic writers searched the enrichment of their imagination in the colors of the oriental wonder; among them is Charles Nodier, who registered his interest for Les mille et une nuits in many of his theoretical and literary texts. In this sense, in the field of the compared literature, it is possible to notice that his tale entitled \"Les quatre talismans\" shares some similarities with the following stories of Les mille et une nuits: prologue- frame, \" Histoire du pêcheur\", \"Histoire du roi grec et du médecin Douban\", \" Histoire de trois calenders fils de rois et de cinq dames de Bagdad\", \"Histoire du seconde calender\", \"Histoire du petit bossu\" , \"Histoire que raconta le marchand chrétien\" - all of them translated by Galland from the Arabian manuscript of Nights - \"Histoire d\'Aladdin\" and \"Histoire de l\'aveugle Baba-Abdalla\"- both absent in Nights, corresponding, therefore, insertions from the orientalist in his version. Comparatively, the analyses of elements, such as narrative technique, the themes and the reasons of the stories, certify not only the appropriation of Nodier from Les mille et une nuits, but also the originality of the author itself, that transforms the model of the stories from Nights and from the narratives inserted by Galland, criating, thus, a peculiar tale.
Ménonville, Siena-Antonia de. "Image in decency : an anthropology of Christian Orthodox image production in Ethiopia today." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCB221.
Повний текст джерелаThis dissertation is a study of Orthodox image-producers and how they are perceived in Ethiopia today. Its central thesis is that the image-producer creates objects that not only mediate relationships and exercise social power or agency, but also have the capacity to incite a moral discourse. Images in this context can have a spiritual impact that entangles their producers in a web of relationships with the visible, invisible; the material and immaterial: they necessitate an examination of the social agency that defines and obscures them. The focus of this study is restricted to two types of image-producer: the Ethiopian Orthodox Tewahedo Church painter and the creator of talismanic images (known as a debtera). I argue that the debtera is perceived to be more morally problematic than the church painter because his images are intended to interact in the spiritual realm to treat certain forms of physical and emotional suffering. The kinds of emotions that a talismanic image treats however are "socially reprehensible" (eschewed by official Church doctrine, and as such condemned morally) as are those who interact with these emotions through image production- the debtera. I situate this thesis at the crossroads of the anthropology of religion, imagery and morality. Here, personhood, relationships and the dialogue between materiality and immateriality must be taken into account. This dissertation's intent is to articulate some of the nuances in object-mediated social relations that are made apparent through gossip. I stipulate that, in this culture, certain officially proscribed emotions require objects (such as the talismanic images) to be expressed. As a consequence of this proscription, the image-producer responsible for the creation of that object is subject to moral opprobrium. In a sense, given the full range of human conduct and emotions, the strict limits that the Ethiopian Orthodox Tewahedo Church places on what is acceptable in these realms creates a vacuum in which the proscribed conduct and emotions must be expressed in the shadows of the Church. And because of the particular importance this culture places on the image as the instrument that acts in these domains, the debtera and the talisman achieve a centrality that rivals that of the Church-sanctioned image producers
Stagnitta, Mattia <1991>. "Il ruolo strategico delle risorse umane nei processi Lean: i casi Talisman e Pietro Fiorentini." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/8198.
Повний текст джерелаApovo, Cossi Jean-Marie. "Anthropologie du Bo : théorie et pratique du grigri." Paris 5, 1995. http://www.theses.fr/1995PA05H084.
Повний текст джерелаIn this work we will try to shaw that man is a being in situation and to cope with this situation ha has recourse to the bo to adapt himself to the nature and to the society. The bo is part of the African culture in general and part of bonese culture in particular. Is the bo an object of science or of beliefe? To make it an object of science we will try to elaborate its definition, gensis and typology. This typology will help us to understand how the bonese determines his s social relationship full of hatred, jealousy and hope for self control. Then the bo has a social dimension shown in the names borne by persons, names called in fon "bonyko". " The antropology is daughter of anthroponimy and patronimy. Although it has god as source of its officiency, the bo is not a religion; it is rather a power of adaptation to the nature, a meens of domination. Our method is pluridisciplinary one with emphasis on psychology
Debenedetti, Ana. "Dans l’antre des nymphes : études sur les rapports entre la pensée magique de Marsile Ficin et les premières théories de l’art à Florence au XVe siècle." Thesis, Paris, EPHE, 2015. http://www.theses.fr/2015EPHE4004.
Повний текст джерелаIn fifteenth-century Florence, the philosopher Marsilio Ficino (1433-1499) wrote the De vita coelitus comparanda, i.e. “how to capture life from the heavens”, which would later form the last and third book of a larger volume titled De vita libri tres. The latter exposes the means to preserve the health and extend the life of man of letters afflicted by their intense studies. The former deals with the apotropaic and prophylactic power of the talismans also called “astrological images”, following a learned concept which appeared in Western Europe in the mid-thirteenth century, and focuses on the materiality, form and appearance of these images. Ficino hence develops a new reflexion that focuses on the process of making which seems to echo new artistic theories devised during the same period in Florence. Ficino redeems the figure of the ancient magus by enhancing man’s creative power and his status as a philosopher and a humanist. The assumption of a late influence of Ficino’s neoplatonic thought on the arts in the sixteenth century has led to several studies but its genesis and its potential links with the artistic world and, especially his fellows artist-theoreticians, remained to be fully investigated. This thesis aims therefore to investigate the role of the artistic references within Ficino’s magic thought, the influence of contemporary ideas on the art practice upon his conception of “astrological image”, and the nature of specific artworks typical of fifteenth-century Florence, which seem to respond to both a magical and an artistic purpose
Zhang, Qingqing. "Amid otherworld stages." Thesis, Konstfack, Ädellab, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6342.
Повний текст джерелаDouiri, Farida. "La sémiologie de la mort dans le roman maghrébin d'expression française : Dans Nedjma et Pygnone étoilé de Kateb Yacine, la Mémoire tatouée, le Livre du sang et Amour bilingue de A. Khatibi et dans Talismano et Phantasia de A. Meddeb." Paris 13, 2005. http://www.theses.fr/2005PA131032.
Повний текст джерелаThe genesis of the North African French-speaking novel is part of the identity claim that constitutes one of its major characteristics. Indeed, cultural annihilation and oppression during the colonization were expressed most clearly along the post-independence years. The overwhelming presence of Death in the novels by Kateb, Khatiri and Meddeb, portrays a strategy for self-defense and quest. These authors interest us much for their diffusing the image of death in their writing than for the various ways they use to express their concern. (although it would be far useful to tie up identity loss, double identity, identity quest with the image of death). Be it "fana" or "self-annhilation" in the language or the body dissolution in the text in order to achieve self-recognition, or simply a subversion act that each author practises excessively, language is at the heart of most operations. In these novels, and unable to contain death, wrinting frees it off
Mercier, Annie. "La construction du regard de l'ethnographe-cinéaste : démarche croisée entre pratique et théorie." Paris 7, 2007. http://www.theses.fr/2007PA070032.
Повний текст джерелаThe film image has a profound ambivalence : it produces an effect of « reality » and a certain documentary « objectivity », at the same time as it stages the filmmaker's world picture and subjective point of view. This ambivalence, creating a complex relationship between the reality studied and its film representation, has marked the history of ethnographic cinema. The first part of this thesis analyses the construction procedures of the ethnographer-filmmaker's view, from the first ethnographic chronophotographs emanating from a supposedly « objective » approach, to the cinema of Jean Rouch proposing a first person subjective viewpoint. In the second part, the author reflects upon the construction of her own viewpoint as ethnographer-filmmaker through three of her films (on the Tati-Barbès department store, the Goutte d'or neighbourhood, and the decorative art of Pakistani lorries). The author describes her own practice as experimental, always taking into account the subjectivity of her own perspective as ethnographer and filmmaker (visible in the image but nevertheless not easily traceable) as an unavoidable parameter of her research. In the aim of recounting her film experiences, stressing each time the observation devices in use, the author re-examines her own film productions in written and in multimedia form (one multimedia per film), analysing and explaining the way her subjectivity participates in the cinematic research and writing. Finally, the author explores new the perspectives regarding writing and the restitution of field material (still or animated images, sounds, texts) offered today by the multimedia to the ethnographer-filmmaker
Machaňová, Sanda. "Komično v dramatu Johanna Nepomuka Nestroye Der Talisman." Master's thesis, 2009. http://www.nusl.cz/ntk/nusl-275368.
Повний текст джерелаLIN, YU-WEN, and 林俞彣. "Talisman and Territory: The Study of Cimei at Penghu County." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/444cab.
Повний текст джерела國立雲林科技大學
文化資產維護系
104
Cimei Island locates on the Southeast tip of Penghu County. The island contains a great variety kinds of talismans. Using The use of talismans is an integral part of Chinese culture, so as the daily lives in Taiwan. Despite the abundance of researches on talismans in Taiwan, very few of them are done in Cimei. Recently, the talismans of Cimei is undergoing a dramatic change, the present research focuses on three aspects. First, it attempts to present a general survey the placements, positions and characteristic of local talismans. The second question is how inhabitants in Cimei settled the talismans to ensure the cleanness of their living territories. Third, this paper wonders if the living territories change, will the habits of using talismans change accordingly? The researcher stayed in Cimei for about three months, to investigate the amount of talisman by General Survey Method, and to observe how people use talismans by Participant Observation and In-depth Interview. The paper presents following findings. First, due to the harsh environment of Cimei, local people use a lot of talismans to fill in the visual gaps on the territories t to complete them. Meanwhile, in order to stay in harmony with others, they also facilitate a special talisman outside their houses, and build a big talisman in the village for all members’ happiness. Second, because of the change of works and overall economy, the spaces of houses and villages have also been altered, resulting in the change of territory as well. Therefore, inhabitants in Cimei begin to use different talismans to protect their own territories. Since the territory and the talisman are constantly changing, more extensive researches are certainly needed for future studies.
Steavu-Balint, Dominic Emanuel Bielefeldt Carl Faure Bernard Pregadio Fabrizio. "The three sovereigns tradition talismans, elixirs, and meditation in early medieval China /." 2010. http://purl.stanford.edu/sz439qw2285.
Повний текст джерелаCheng, Fu-jen, and 鄭福仁. "A cultural study on the sword-bitten lion talismans in Anping area in Taiwan." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/34936875621224433061.
Повний текст джерела國立臺南大學
國語文學系教學碩士班
97
Talismans are protective objects acted to repel evils. Cultures and beliefs derived from these talismans represent one of the distinctive traditional aspects in Taiwan. The Han nationality believe in animism, the belief in the existence of spirits inhabiting not only in humans and animals but also in natural objects and phenomena, and to fulfill the need for comfort and secure the harmony between the human and supernatural domains, people develop talismans cultures, composed of rituals and talismans themselves, to ward off bad lucks and encourage good ones. Anping is one of the oldest Mainland immigrant settlements in Taiwan, and due to its long strain of history, the communities here are over-crowded to cause a problem called “sha” or “shar” in household Feng Shui, which is the Chinese word for “unfavorable energy,” incurred by hard edges, angles, roads, or uncomfortable partitions and clutter. To eliminate the “sha,” talismans are what the residents need. Among all kinds of talismans in Anping neighborhood, those placed above the door headers are in the largest number and the type of “the sword-bitten lion” is the most common. This paper chose the sword-bitten lion talismans adopted in Aping area as the study case and classified them into “the still existing,” “the disappeared,” and “the ones as private collections.” With the materials came from the field study and documents, this paper was aimed to analyze the types, materials and outward appearances of these talismans in detail and elaborate the meanings carried with them. The study worked out a guide map of the sword-bitten lion talismans as well for the purpose of a further discussion on the talismans’ influence over local cultures and on the talismans in Anping area nowadays.
Drayton, Ralph. "Medicine and religion in late medieval culture : the case of astrological talismans at the University of Montpellier /." 2001. http://www.library.wisc.edu/databases/connect/dissertations.html.
Повний текст джерелаHartman, Tomáš. "Kaligrafie na blízkovýchodních kovových předmětech." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-404958.
Повний текст джерелаManning, Mary C. "Homemade magic : concealed deposits in architectural contexts in the eastern United States." 2012. http://liblink.bsu.edu/uhtbin/catkey/1698821.
Повний текст джерелаCultural-historical background -- Witch bottles and other bottle charms -- Concealed footwear and associated deposits -- Concealed cats -- Other concealments -- Discussion and conclusions -- Recommendations for practical applications and future research.
Department of Anthropology
Šedivý, Antonín. "Vliv ne-luriánské kabaly na novověký východoevropský chasidismus." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-348647.
Повний текст джерела