Готові списки джерел за темами / Sweeney, John

Добірка наукової літератури з теми "Sweeney, John"

Автор: Grafiati

Опубліковано: 27 липня 2024

Оновлено: 29 липня 2024

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Статті в журналах з теми "Sweeney, John"

Shaw, J. W. "John (Jack) Bernard Sweeney QC: Trade Union Lawyer." Labour History, no. 91 (2006): 169. http://dx.doi.org/10.2307/27516158.

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Turner, Steve Sweeney, and John Cage. "John Cage's Practical Utopias: John Cage in Conversation with Steve Sweeney Turner." Musical Times 131, no. 1771 (September 1990): 469. http://dx.doi.org/10.2307/1193658.

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Wolf, Stacy. "An interview with John Doyle1." Studies in Musical Theatre 17, no. 3 (December 1, 2023): 277–81. http://dx.doi.org/10.1386/smt_00141_7.

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Director John Doyle is one of the foremost re-interpreters of Sondheim’s musicals. His productions of Sweeney Todd and Company introduced the practice of actor–musicianship to UK and US audiences and transformed assumptions about how those shows could be produced. As artistic director of Classic Stage Company (CSC), Doyle directed groundbreaking productions of Assassins and Pacific Overtures; before taking on the leadership of CSC, he directed a re-imagined version of Passion. Doyle also worked with librettist John Weidman and Sondheim to revise what had been Wise Guys and Bounce into Road Show. In this candid and illuminating interview, Doyle discusses his relationship with Sondheim and his approach to Sondheim’s musicals.

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Sharpe, M. E. "America Needs a Raise by John J. Sweeney, David Kusnet." Challenge 40, no. 1 (January 1997): 127–29. http://dx.doi.org/10.1080/05775132.1997.11471957.

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Kiely, Kevin, and Lee M. Jenkins. ""I Hope I Haven't Made Another Lampshade": Stevens and John L. Sweeney." Wallace Stevens Journal 37, no. 1 (2013): 91–98. http://dx.doi.org/10.1353/wsj.2013.0013.

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Jones, Robert C. "Jonson and the Psychology of Public Theater by John Gordon Sweeney III." Comparative Drama 20, no. 3 (1986): 275–77. http://dx.doi.org/10.1353/cdr.1986.0015.

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Simms, Anngret, Proinnsias Breathnach, F. H. A. Aalen, James H. Johnson, A. J. Parker, Frank Oldfield, and John Sweeney. "REVIEWS OF BOOKS." Irish Geography 23, no. 2 (August 2, 2016): 142–47. http://dx.doi.org/10.55650/igj.1990.600.

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IRLAND: EINE GEOGRAPHISCHE LANDESKUNDE, by Helmut Jäger. Darmstadt: Wissenschaftliche Buchgesellschaft, 1990. DM 59. ISBN 3 534 07619 2. Reviewed by ANNGRET SIMMSTHE MODERN INDUSTRIALISATION OF IRELAND 1940–1988, by Liam Kennedy. Studies in Irish Social and Economic History 5 (Economic and Social History Society of Ireland, c/o Department of Modern History, Trinity College, Dublin 2), 1989. 74pp. IR£3.95p. ISSN 0 790 2913. Reviewed by PROINNSIAS BREATHNACHPOCKET GUIDE TO THE IRISH LANDSCAPE, by J.C. Brindley. Belfast: Appletree Press, 1989. 72pp. IR£2.95. ISBN 0 86281 226 7. Reviewed by F.H.A.AALENGEOGRAPHICAL PERSPECTIVES ON THE BELFAST REGION, edited by Paul Doherty. Dublin: Geographical Society of Ireland Special Publications No.5, 1990. 114pp. IR£6.00. ISBN 0 9510402 5 1. Reviewed by JAMES H. JOHNSONTHE IVEAGH TRUST: THE FIRST HUNDRED YEARS.I890–1990, by F.H.A. Aalen. Dublin: The I veagh Trust, 1990.98pp. I R£8.00. ISBN 0 951594206 Reviewed by A.J. PARKERURBANIZATION AND URBAN DEVELOPMENT: RECENT TRENDS AND STRATEGIES IN A GLOBAL CONTEXT, edited by Michael J. Bannon, Larry S. Bourne and Robert Sinclair. Dublin : Service Industries Research Centre, University College Dublin, 1991. 249pp. IR£15.00. ISBN 1870089 43 X. Reviewed by A.J. PARKERTHE IRISH SEA: A RESOURCE AT RISK, edited by John C. Sweeney. Dublin : Geographical Society of Ireland Special Publications No.3, 1989. 192pp. IR£8.00. ISBN 0 9510402 3 5. Reviewed by FRANK OLDFIELDTHE BRITISH SEAS: AN INTRODUCTION TO THE OCEANOGRAPHY AND RESOURCES OF THE NORTH-WEST EUROPEAN CONTINENTAL SHELF, by J. Hardisty. London: Routledge, 1990. 272pp. £35.00 stg. ISBN 0 415 03586 4. Reviewed by JOHN SWEENEY

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Kiszely, Philip. "First Left, Guv? Mapping the Class-encoded Agency of Commercial Television's Spy-cop Archetype, 1967–78." Journal of British Cinema and Television 16, no. 4 (October 2019): 462–83. http://dx.doi.org/10.3366/jbctv.2019.0495.

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This article examines depictions of class-encoded agency in the English spy operative and police detective protagonists that appeared on commercial television during the late 1960s and 1970s. Its purpose is to discover connections between constructions of this agency and class-based discourses relating to what Michael Kenny (1995) has termed the ‘first New Left’ (1956–62). The focus of attention is The Sweeney's DI Jack Regan (John Thaw), the most recognisable and fluent expression of the male ‘anti-hero’ archetype in question; but in order to frame an analysis that deals with interrelationships at the level of metanarrative, the article also traces a process of genre interconnection and development. Considerations of class in series such as The Sweeney (ITV, 1975–8), Callan (ITV, 1967–72) and Special Branch (ITV, 1969–74) tend to offer meaning along the lines drawn by the likes of E. P. Thompson, Raymond Williams and Richard Hoggart, as well as other figures associated with the first New Left. The article proposes that key first New Left themes – working-class men finding ‘voice’; empiricism/theory binaries; and discourses of Americanisation and anti-Americanism – not only provide a historical/contextual lens through which to view class-encoded agency, but also constitute a mechanism through which it is expressed.

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Percival, Mark. "Britain's ‘Political Romance’ with Romania in the 1970s." Contemporary European History 4, no. 1 (March 1995): 67–87. http://dx.doi.org/10.1017/s096077730000326x.

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‘King takes Queen’. This is how John Sweeney summed up his view of the state visit by Romanian President Nicolae Ceausescu to Britain in June 1978, an event which marked the high point of what theTimesreferred to as ‘Britain's political romance with Romania’ in the 1970s. Sweeney's book, in common with other post-revolutionary writing on Romania, roundly condemns Britain's foreign policy-makers for supporting a repressive regime.1However, in the 1970s the situation was not viewed in such clear-cut terms. In the early part of the decade, books by British writers praised Ceausescu, and Romania often received favourable coverage in the British press.2It was almost universally seen as a country which, although internally rigidly communist, pursued an independent foreign policy and was consequently a thorn in the flesh of the Soviet Union. It was keen to industrialise and to expand its economic ties with the West in order to do so. Apologists for British policy would argue that it was therefore both politically and economically beneficial to support Ceausescu. Politically it would weaken Moscow's control over the Eastern Bloc, and economically it would benefit British industry. Indeed, the two were related – the more economic ties Ceausescu had with the West, the stronger his political independence from Moscow would become.

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J. Minchin, Timothy. "‘Labor is back?’: The AFL-CIO during the presidency of John J. Sweeney, 1995–2009." Labor History 54, no. 4 (October 2013): 393–420. http://dx.doi.org/10.1080/0023656x.2013.807099.

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Більше джерел

Дисертації з теми "Sweeney, John"

Lorenson, Zachary Steven. "An examination of works for wind band: an english folk setting arranged by John Edmondson, a childhood hymn by David r. Holsinger, Mister Joe by Harold Bennet arranged by Larry Clark, and Celtic Air and Dance arranged by Michael Sweeney." Kansas State University, 2011. http://hdl.handle.net/2097/10719.

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Master of Music
Department of Music
Frank C. Tracz
This report will present a detailed analysis of An English Folk Setting arranged by John Edmondson, A Childhood Hymn by David R. Holsinger, Mister Joe by Harold Bennett arranged by Larry Clark, and Celtic Air and Dance arranged by Michael Sweeney. The analyses are modeled on the “Teaching Music Through Performance in Band” series edited by Richard Miles, and the Macro-Micro-Macro score analysis form created by Dr. Frank Tracz. Chapter 2 will discuss the importance of music education as part of a well-rounded curriculum. Chapter 3 will discuss the importance of the use of quality literature, and how to determine if a piece of music is of high quality.

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Книги з теми "Sweeney, John"

Ontario. Commission to Review the Matter of Disclosure of Adoption Information. Disclosure of Adoption Information: The Report of the Special Commissioner, Ralph Garber to the Honorouble John Sweeney, Minister of Community and Social Services. S.l: s.n, 1985.

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Sweeney, Emma. As always, Jack: A wartime love story. Boston: Little, Brown, 2002.

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Garber, Ralph. Disclosure of adoption information: Report of the Special Commissioner, Ralph Garber, D.S.W. to the Honourable John Sweeney, Minister of Community and Social Services, Government of Ontario. Toronto: [Ministry of Community and Social Services], 1985.

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Garber, Ralph. Disclosure of adoption information: The report of the Special Commissioner, Ralph Garber, D.S.W., Dean of the Faculty of Social Work, University of Toronto, to the Honourable John Sweeney, Minister of Community and Social Services, Government of Ontario. [Toronto]: the ministry, 1985.

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Decorative Arts & History Staff National Museum of Ireland, Numismatic Society of Ireland Staff, and Gerard Rice. Irish Tavern Tokens : The John Sweeney Collection: Supplemented by Other Collections. Unknown Publisher, 2017.

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Living with a Serial Killer. Penguin Random House, 2017.

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Living with a Serial Killer. Ebury Publishing, 2023.

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Sweeney, Emma. As Always, Jack: A Wartime Love Story. Little, Brown, 2002.

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Sweeney, Emma. As Always, Jack: A World War II Love Story. Axios Press, 2012.

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Частини книг з теми "Sweeney, John"

Berger, Roland, David Grusky, Tobias Raffel, Geoffrey Samuels, and Christopher Wimer. "John Sweeney." In The Inequality Puzzle, 117–23. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-15804-9_11.

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Harte, Liam. "John Sweeney, At Scotland Yard: Being the Experiences during Twenty-Seven Years’ Service of John Sweeney." In The Literature of the Irish in Britain, 101–5. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230234017_23.

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Minchin, Timothy J. "Saying No to the Status Quo." In Labor Under Fire. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469632988.003.0009.

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This chapter explores the 1995 race for the AFL-CIO presidency, which witnessed the first contested election in the Federation’s forty-year history. These were extraordinary and divisive events, and the chapter brings them to life through access to interviews with key participants, including both Tom Donahue and John Sweeney, who faced off for the presidency after Lane Kirkland was challenged by the Sweeney-led reformers and resigned. New written records are also mined here, including the AFL-CIO’s Papers and Donahue’s private papers. Sweeney ultimately proved victorious, winning by promising to commit far more resources to organizing, to overhaul the Federation’s political program, and to connect the AFL-CIO more clearly to grassroots workers, particularly women and racial minorities. While acrimonious and divisive, the 1995 race launched a new era in the Federation’s history.

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Minchin, Timothy J. "Epilogue." In Labor Under Fire. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469632988.003.0012.

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This epilogue surveys developments since September 2009, when Richard Trumka replaced John Sweeney as AFL-CIO president. It covers events up to the end of 2015, when the research period of this project ended. Overall, Trumka continued many of Sweeney’s reforms, placing a big emphasis on organizing, political mobilization, and connecting with women and minority workers. He also continued to diversify the AFL-CIO’s leadership; in 2009, for example, for the first time, two of the Federation’s top three officials were women. Trumka also had to confront many negative developments, especially in the wake of the Tea Party elections of 2010. Many Republican governors now sought to take on unions, especially in the public sector, with the high-profile battle in Wisconsin (2011) being the best example. Despite being more “under fire” than ever, the AFL-CIO continued to fight back, defending important progressive legislation and remaining as the only mass membership, national organization fighting for working Americans.

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McCartin, Joseph A. "The Legacy of Justice for Janitors and SEIU for the Labor Movement." In Purple Power, 207–26. University of Illinois Press, 2023. http://dx.doi.org/10.5622/illinois/9780252044717.003.0011.

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Here, Stephen Lerner, the architect of Justice for Janitors (J4J), Service Employees International Union (SEIU)’s most successful organizing campaign of the 1990s and early 2000s, recalls J4J’s evolution and assesses its legacy for SEIU and the larger labor movement. He describes the experiences he gained working with the United Farm Workers and other unions prior to his arrival at SEIU under union president John Sweeney and organizing director Andy Stern, and SEIU’s decision to revamp organizing of the union’s core janitorial workforce. He recalls janitors’ campaigns in Denver, Atlanta, Washington, D.C., Los Angeles, Houston, and Miami; security guard organizing; and efforts to internationalize SEIU’s organizing model. He concludes by reflecting on J4J’s legacy for the larger labor movement and initiatives such as Bargaining for the Common Good.

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Jacoby, Sanford M. "Breaking Barriers, Building Bridges." In Labor in the Age of Finance, 87–104. Princeton University Press, 2021. http://dx.doi.org/10.23943/princeton/9780691217208.003.0005.

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This chapter mentions union-influenced pension plans that had the will but not always the way to become shareholder activists. A big problem was the Securities and Exchange Commission (SEC), which historically was a brake on their efforts and multiemployer plans had additional problems. The chapter mentions John Sweeney, who became AFL-CIO (American Federation of Labor and Congress of Industrial Organizations) president and put in place an infrastructure to encourage their activism. The chapter describes union investors that reached out to players in the investing world — the big public plans, Chartered Insurance Institute (CII), and proxy advisors such as ISS. The SEC's proxy voting rules had for years been stacked in management's favor, but in 1989, the California Public Employees' Retirement System (CalPERS) took the lead in challenging the agency, offering nearly fifty separate proposals to loosen up proxy rules.

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Louth, Andrew. "Γλυκορρήμων (‘Sweetly Speaking’): John the Poet." In St John Damascene, 252–82. Oxford University Press, 2002. http://dx.doi.org/10.1093/0199252386.003.0009.

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Bauer, Mark S. "John Clare (1793–1864)." In A Mind Apart, 140–44. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195336405.003.0046.

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Abstract I Am I am—yet what I am, none cares or knows; My friends forsake me like a memory lost:— I am the self-consumer of my woes;— They rise and vanish in oblivion’s host, Like shadows in love’s frenzied stifled throes:— And yet I am, and live—like vapours tost Into the nothingness of scorn and noise,— Into the living sea of waking dreams, Where there is neither sense of life or joys, But the vast shipwreck of my lifes esteems; Even the dearest, that I love the best Are strange—nay, rather stranger than the rest. I long for scenes, where man hath never trod A place where woman never smiled or wept There to abide with my Creator, God; And sleep as I in childhood, sweetly slept, Untroubling, and untroubled where I lie, The grass below—above the vaulted sky.

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Holman, Peter. "‘Evenly, Softly, and Sweetly Acchording to All’:The Organ Accompaniment of English Consort Music." In John Jenkins and his Time, 353–82. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198164616.003.0013.

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Abstract In a famous passage about the consort music of his youth, Thomas Mace remembered that ‘We had for our Grave Musick, Fandes of 3, 4, 5, and 6 Parts to the Organ; Interpos’d (now and then) with some Pavins, Allmaines, Solemn, and Sweet Delighiful Ayres,’ and added: These Things were Performed, upon so many Equal, and Truly-Sciz’d Viols; and so Exactly Strung, Tun’d, and Play’d upon, as no one Part was any Impediment to the Other; but still (as the Composition required) by Intervals, each Part Amplified, and Heightened the Other; The Organ Evenly, Softly, and Sweetly Acchording to All.

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