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Статті в журналах з теми "Streaming perception"
Jati, Rocky Prasetyo, and Mira Herlina. "Hubungan antara Radio Streaming dengan Persepsi dan Kepuasan Audiens di PT MNC Skyvision Jakarta." Jurnal ASPIKOM 2, no. 1 (July 17, 2013): 589. http://dx.doi.org/10.24329/aspikom.v2i1.37.
Повний текст джерелаDupoux, Emmanuel, Vincent de Gardelle, and Sid Kouider. "Subliminal speech perception and auditory streaming." Cognition 109, no. 2 (November 2008): 267–73. http://dx.doi.org/10.1016/j.cognition.2008.06.012.
Повний текст джерелаGregory, Andrew H. "Timbre and Auditory Streaming." Music Perception 12, no. 2 (1994): 161–74. http://dx.doi.org/10.2307/40285649.
Повний текст джерела杨, 铮., 亮. 董, and 新军 蔡. "Toward cooperative multi-agent video streaming perception." SCIENTIA SINICA Informationis 53, no. 1 (January 1, 2023): 46. http://dx.doi.org/10.1360/ssi-2021-0179.
Повний текст джерелаCiocca, Valter, and Albert S. Bregman. "The effects of auditory streaming on duplex perception." Perception & Psychophysics 46, no. 1 (January 1989): 39–48. http://dx.doi.org/10.3758/bf03208072.
Повний текст джерелаAtzori, Luigi, Alessandro Floris, Giaime Ginesu, and Daniele D. Giusto. "Quality perception when streaming video on tablet devices." Journal of Visual Communication and Image Representation 25, no. 3 (April 2014): 586–95. http://dx.doi.org/10.1016/j.jvcir.2013.08.013.
Повний текст джерелаZhenzhong Chen, Maodong Li, and Yap-Peng Tan. "Perception-Aware Multiple Scalable Video Streaming Over WLANs." IEEE Signal Processing Letters 17, no. 7 (July 2010): 675–78. http://dx.doi.org/10.1109/lsp.2010.2046193.
Повний текст джерелаLohmann, Sam, and Linda Frederiksen. "Faculty Awareness and Perception of Streaming Video for Teaching." Collection Management 43, no. 2 (November 2, 2017): 101–19. http://dx.doi.org/10.1080/01462679.2017.1382411.
Повний текст джерелаSchadwinkel, Stefan, and Alexander Gutschalk. "Transient bold activity locked to perceptual reversals of auditory streaming in human auditory cortex and inferior colliculus." Journal of Neurophysiology 105, no. 5 (May 2011): 1977–83. http://dx.doi.org/10.1152/jn.00461.2010.
Повний текст джерелаWatanabe, Katsumi, and Shinsuke Shimojo. "Attentional Modulation in Perception of Visual Motion Events." Perception 27, no. 9 (September 1998): 1041–54. http://dx.doi.org/10.1068/p271041.
Повний текст джерелаДисертації з теми "Streaming perception"
Ciocca, Valter. "Effects of auditory streaming upon duplex perception of speech." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75866.
Повний текст джерелаOldiges, Beth Ann. "PERCEPTION AND USAGE OF VIDEO STREAMING/ELECTRONIC MEDIA IN NUTRITION EDUCATION FOR KENTUCKY INDIVIDUALS." UKnowledge, 2012. http://uknowledge.uky.edu/foodsci_etds/6.
Повний текст джерелаPalaniappan, Ramanathan. "Scalable video communications: bitstream extraction algorithms for streaming, conferencing and 3DTV." Diss., Georgia Institute of Technology, 2011. http://hdl.handle.net/1853/42732.
Повний текст джерелаManchester, Geoffrey W. ""Beyond the Clouds": Insider Perceptions on the Transmutation of Terrestrial Radio In Canada." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23121.
Повний текст джерелаJiang, Mei Jun. "From online live streaming platform to taobao :a preliminary study on perceptions of Wanghong." Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3952609.
Повний текст джерелаLauvin, Grégoire. "Split Soundscape, le diorama sonore : la reconstitution de l'espace sonore en temps réel." Thesis, Aix-Marseille, 2018. http://www.theses.fr/2018AIXM0591.
Повний текст джерелаSplit Soundscape is a practice based research project that revisits the concepts of Soundscape and Schizophonia originally introduced by the composer R. Murray Schafer. The artistic practice consists of a series of sound installations that focus on the reconstitution of sound space in real time. A number of “Open” microphones located in given territories are employed to transmit the local sonic environment via the internet in real time (using audio streaming technologies). A new soundscape is composed from these transmitted soundscapes and played through loudspeakers in a dedicated (exhibition) listening space. The theoretical research investigates geographical, sociological and philosophical definitions of space. The concept of soundscape as defined by Schafer is called into question and reconsidered from the perspective of sound archeology and as a social construct. This in turn, leads to the positioning of listening as being central in the construction of soundscape. The notion of Schizophonia (the separation of an original sound from his technical reproduction) is examined in detail and compared with Pierre Schaeffer’s definition of the sound object or objet sonore as an alternative consequence of mechanical reproduction. The artistic practice is contextualized in relation to the field of contemporary sound art and more specifically the concepts of flux, indeterminism in composition. The tools developed to facilitate the practice are described, and the evolution of the art project is presented as a succession of experiments informed by the academic research
HSU, PO-KAI, and 許博凱. "SDN-based QoS Routing Improving Perception Quality for Adaptive Streaming." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/q69z9t.
Повний текст джерела國立中正大學
資訊工程研究所
105
We use different devices to watch high-quality video streaming events, TV episodes, or personal broadcasts. For streaming quality requirements, it is foreseeable that there will be more than 4K high resolution live stream. The characteristic of HD video of high bitrate raises problems from the server-side real-time encoding, and how to effectively solve the network transmission congestion problem. The buffer space become not that enough and resulting steaming suspended. This paper proposed a distributed cloud computing with SDN architecture. Live transcoding at Edge node near the broadcaster, and dismiss video segments to other CDN node reducing streaming latency. SDN monitors the network traffic status and uses the rerouting algorithm proposed in the paper to find an optimal path with high stability and low latency. Adaptive mechanism at the client side dynamically change streaming quality, conform to current network status. The results show that the network utilization rate is increased by 45%. Client in most of the time (80%) can have a good playback quality by using the rerouting mechanism.
Huang, Chun-Ya, and 黃群雅. "The Influence of the Customer’s Satisfaction to Purchase Intention for the Streaming Music-Marketing Strategy Perception as Moderator." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/ea87z3.
Повний текст джерела東吳大學
企業管理學系
104
The purpose of this study is to understand the relationship between Customer’s satisfaction and purchase intention in Streaming music platform , it designs to confirm the effect of customer’s marketing Strategy Perception, and provides some useful marketing suggestions to Taiwan’s stream music platform. The Streaming music platform in Taiwan includes: KKbox, Omusic, myMusic and Spotify.This study takes customer’s marketing strategy perception as moderator to affect the relationship among Customer’s satisfaction and purchase intention in stream music platform. This research collected 315 valid feedback questionnaires on internet. The result of this study shows that customer’s marketing strategy of product and promotion improves purchase intention. Furthermore, customer’s marketing strategy of price and place isn’t affect customer’s satisfaction and purchase intention. According to the result, Streaming music platform can change their marketing strategy of product and promotion to increase user’s purchase intention.
Hsun, Wu Ping, and 吳秉勳. "A Preliminary Study of The audience Perception of Female Broadcaster,Satisfaction of seeing Live-Streaming and the interaction mode." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/02533065718891139566.
Повний текст джерела國立中正大學
傳播學系電訊傳播研究所
104
There are three dimensions in this preliminary research, one is the audience’s perception of female broadcasters ,another is the satisfaction of seeing live-streaming and the other is the interaction mode. The results shows as follows : 1.the audience’s perception of female broadcasters are the rare, inexpert gaming skill, and easy to highlight the feminity by their wearing. 2.the two parts about Audience’s satisfaction of seeing Live-Streaming are the curiosity be satisfied and entertainment mentality.3.the majority of audience just see it without any interaction with the female broadcasters. According to the results,the classification of the type about female broadcasters and the message appeared often in interaction are the significant progress by observation for more complete research.
BobSandy and 施明宏. "Consumers’ Perception of Music Streaming Features and Consumption Emotion as Determinants of Consumer Satisfaction and Purchase Intention: Insight of applying the S-O-R Theory." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/msuc83.
Повний текст джерелаКниги з теми "Streaming perception"
Amato, Alberto. Semantic Analysis and Understanding of Human Behavior in Video Streaming. New York, NY: Springer New York, 2013.
Знайти повний текст джерелаAmato, Alberto, Vincenzo Piuri, and Vincenzo Di Lecce. Semantic Analysis and Understanding of Human Behavior in Video Streaming. Springer, 2012.
Знайти повний текст джерелаAmato, Alberto, Vincenzo Piuri, and Vincenzo Di Lecce. Semantic Analysis and Understanding of Human Behavior in Video Streaming. Springer New York, 2014.
Знайти повний текст джерелаHamburger, Kai. The Enigmatic Enigma Illusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0067.
Повний текст джерелаLangford, Barbara R. Hidden streaming within the destreamed classroom: High school teachers' perceptions of the destreaming initiative and infusion of thinking skills. 1996.
Знайти повний текст джерелаЧастини книг з теми "Streaming perception"
Li, Mengtian, Yu-Xiong Wang, and Deva Ramanan. "Towards Streaming Perception." In Computer Vision – ECCV 2020, 473–88. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-58536-5_28.
Повний текст джерелаDenham, Susan L., Kinga Gyimesi, Gábor Stefanics, and István Winkler. "Stability of Perceptual Organisation in Auditory Streaming." In The Neurophysiological Bases of Auditory Perception, 477–87. New York, NY: Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-5686-6_44.
Повний текст джерелаSela, Gur-Eyal, Ionel Gog, Justin Wong, Kumar Krishna Agrawal, Xiangxi Mo, Sukrit Kalra, Peter Schafhalter, et al. "Context-Aware Streaming Perception in Dynamic Environments." In Lecture Notes in Computer Science, 621–38. Cham: Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-19839-7_36.
Повний текст джерелаKashino, Makio, Minae Okada, Shin Mizutani, Peter Davis, and Hirohito M. Kondo. "The Dynamics of Auditory Streaming: Psychophysics, Neuroimaging, and Modeling." In Hearing – From Sensory Processing to Perception, 275–83. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-73009-5_30.
Повний текст джерелаMicheyl, Christophe, Shihab A. Shamma, and Andrew J. Oxenham. "Hearing Out Repeating Elements in Randomly Varying Multitone Sequences: A Case of Streaming?" In Hearing – From Sensory Processing to Perception, 267–74. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-73009-5_29.
Повний текст джерелаElhilali, Mounya, Juanjuan Xiang, Shihab A. Shamma, and Jonathan Z. Simon. "Auditory Streaming at the Cocktail Party: Simultaneous Neural and Behavioral Studies of Auditory Attention." In The Neurophysiological Bases of Auditory Perception, 545–53. New York, NY: Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-5686-6_50.
Повний текст джерелаElhilali, Mounya, Ling Ma, Christophe Micheyl, Andrew Oxenham, and Shihab Shamma. "Rate Versus Temporal Code? A Spatio-Temporal Coherence Model of the Cortical Basis of Streaming." In The Neurophysiological Bases of Auditory Perception, 497–506. New York, NY: Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-5686-6_46.
Повний текст джерелаSundet, Vilde Schanke. "Industry Perceptions of Streaming." In Television Drama in the Age of Streaming, 33–49. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-66418-3_2.
Повний текст джерелаWang, Yimin, Wenrui Liang, Shaokang Chen, and Dai Yonglin. "Research on the Multidimensional and Sustainable Design Strategy of Streaming Media Under the Integration of User Experience and Perceptive Technology in Greater Bay Area." In Proceedings of the 2022 2nd International Conference on Computer Technology and Media Convergence Design (CTMCD 2022), 696–714. Dordrecht: Atlantis Press International BV, 2022. http://dx.doi.org/10.2991/978-94-6463-046-6_81.
Повний текст джерела"Pitch-based Streaming in Auditory Perception." In Musical Networks. The MIT Press, 1999. http://dx.doi.org/10.7551/mitpress/4812.003.0008.
Повний текст джерелаТези доповідей конференцій з теми "Streaming perception"
Yang, Jinrong, Songtao Liu, Zeming Li, Xiaoping Li, and Jian Sun. "Real-time Object Detection for Streaming Perception." In 2022 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2022. http://dx.doi.org/10.1109/cvpr52688.2022.00531.
Повний текст джерелаGu, Yongxiang, Qianlei Wang, and Xiaolin Qin. "Real-time Streaming Perception System for Autonomous Driving." In 2021 China Automation Congress (CAC). IEEE, 2021. http://dx.doi.org/10.1109/cac53003.2021.9728221.
Повний текст джерелаSong, Seungho, Youjip Won, and Injae Song. "Empirical study of user perception behavior for mobile streaming." In the tenth ACM international conference. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/641007.641076.
Повний текст джерелаWu, Chao, Wenwu Zhu, Qiushi Li, and Yaoxue Zhang. "Rethinking HTTP Adaptive Streaming with the Mobile User Perception." In MM '17: ACM Multimedia Conference. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3123266.3123357.
Повний текст джерелаZhang, Jialin, Hongyun Zheng, Yongxiang Zhao, and Yuchun Guo. "Bystander: QoE Perception for Dynamic Video Streaming from Encrypted Traffic." In 2019 IEEE International Conference on Consumer Electronics - Taiwan (ICCE-TW). IEEE, 2019. http://dx.doi.org/10.1109/icce-tw46550.2019.8991782.
Повний текст джерелаLiang, Yongsheng, Xu Chen, Wei Liu, and Jihong Zhang. "Progressive Description of Video Streaming Media Based on Subjective Perception." In 2011 First International Conference on Instrumentation, Measurement, Computer, Communication and Control (IMCCC). IEEE, 2011. http://dx.doi.org/10.1109/imccc.2011.78.
Повний текст джерелаHeyse, Joris, Maria Torres Vega, Tim Wauters, Femke De Backere, and Filip De Turck. "Effects of Adaptive Streaming Optimizations on the Perception of 360° Virtual Reality Video." In 2018 30th International Teletraffic Congress (ITC 30). IEEE, 2018. http://dx.doi.org/10.1109/itc30.2018.00021.
Повний текст джерелаKara, Peter Andras, Laszlo Bokor, and Sandor Imre. "Seeing is Believing and Vice Versa: Investigation of the Altered Perception during Subjective Assessment of Streaming Multimedia." In 2014 Tenth International Conference on Signal-Image Technology & Internet-Based Systems (SITIS). IEEE, 2014. http://dx.doi.org/10.1109/sitis.2014.38.
Повний текст джерелаWeinberger, Maor, and Dan Bouhnik. "The Emergence of Music Streaming Applications and Its Effect on Changes in Personal Information Management and Privacy Related Issues [Abstract]." In InSITE 2020: Informing Science + IT Education Conferences: Online. Informing Science Institute, 2020. http://dx.doi.org/10.28945/4523.
Повний текст джерелаNezhivleva, K. I., A. A. Davydova, A. M. Drebuzhan, A. I. Mozhaeva, and Andrei Balobanov. "Comparing of Modern Methods Used to Assess the Quality of Video Sequences During Signal Streaming with and Without Human Perception." In 2022 Systems of Signal Synchronization, Generating and Processing in Telecommunications (SYNCHROINFO). IEEE, 2022. http://dx.doi.org/10.1109/synchroinfo55067.2022.9840983.
Повний текст джерела