Дисертації: "State of mirror"

1

Miller, Jeremy K. "The role of strategy and metacognition in the word frequency mirror effect." Diss., Online access via UMI:, 2005. http://wwwlib.umi.com/dissertations/fullcit/3164700.

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2

Barry, Gillian. "The effects of exergaming versus mirror matched gym based exercise with no virtual stimuli on technology acceptance, flow and postural control in a healthy young subject population." Thesis, Teesside University, 2014. http://hdl.handle.net/10149/337840.

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This thesis investigated the effect of exergaming versus mirror matched gym based exercise with no virtual stimuli on technology acceptance, flow and postural control in healthy young adults. Firstly a review of literature was performed analysing the effects of technology acceptance and flow on exergaming, and the effects of exergaming on postural control. Results showed the plausible nature of exergaming as an immersive environment and the potential to improve postural control. However, some major gaps in the literatures were identified. Technology acceptance had never been applied in exergaming and flow had only partly been applied to exergaming in limited studies. Additionally the effects of exergaming on postural control had shown some potential benefits, however no study had truly analysed the effects of exergaming on postural control by analysing mirror matched exercise with no virtual stimulus. The purpose of this thesis was to address these important areas of research and contribute novel evidence to the field. In two separate studies, 38 non active and 50 active young healthy adults took part in either exergaming based training or mirror matched gym based exercise with no virtual stimuli. Technology acceptance (behavioural intention), flow and postural control were measured at pre and post exercise intervention. Technology acceptance results showed that performance expectancy was significantly higher in the exergaming group in both studies, as well as being a significant predictor of behavioural intention at both pre and post exercise testing. In the second study, only, performance expectancy, social influences, and behavioural intention where statistically significantly higher for the exergaming group compared to the mirror matched gym based exercise with no virtual stimuli on technology acceptance, highlighting greater levels of acceptance into the exercise environment. Flow results showed greater levels immersion in the exergaming groups, especially in terms of clear goals, unambiguous feedback, action awareness merging, transformation of time and loss of self- consciousness. The effects of exergaming on postural control showed significant improvements in anterior- posterior standard deviation and range for the exergaming group in study one, and improvements in medio-lateral range in study two. Study two also showed significant improvement over time (pre-post exercise) for medio-lateral SD, range and centre of pressure. Evidence from both studies suggests that exergaming may offer an immersive environment for exercise which has a positive effect on behavioural intention to keep using the exergaming system in the future. With regards to postural control evidence from both studies suggest that exergaming may offer a new method of exercise to improve static postural control.

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3

Pepple, D. G. "Mirror organisation : an investigation into ethnic identify as a determinant of employee psychological ownership perception : a survey of public and private sector employees in River State, Nigeria." Thesis, University of Huddersfield, 2018. http://eprints.hud.ac.uk/id/eprint/34554/.

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The implementation of employee ethnic representation has become a widespread practice for organisations operating within multi ethnic societies. However, scholars disagree on its effectiveness in positively influencing employees’ perceptions. Also, the process through which ethnic identification positively influences employee perceptions is currently unknown. The purpose of this study is to investigate the process through which ethnic identification influences employee psychological ownership perception. To achieve this aim, the thesis first reviews relevant literature which highlights the gap in literature and support the need for this study. For example, existing studies have not considered the components of psychological ownership and how they are influenced. This study contributes by showing that psychological ownership perception is a formative construct comprised of three distinct components; employee self-efficacy, organisational self-identity and employee voice. A review of literature on the empirical context show the importance of this study within the Nigerian context specifically noting Nigerians displayed high levels of ethnic identification. The problem that persist for organisations was how ethnic identification may be channelled to organisational identification. A quantitative cross-sectional survey data collection approach was adopted for this study. Structural equation modelling was used to analyse survey responses from 1,525 employees of selected public and private sector organisations in Rivers State, Nigeria. Findings suggest the following relational framework for linking ethnic diversity and employee psychological ownership perception; that employees who overtly identify with their ethnicity at work will positively attract co-worker social support and this is possible in an organisational climate that promotes interpersonal fairness. Co-worker social support positively mediates the relationship between employee ethnic identification and employee psychological ownership perception. The practical implication for organisations operating within a multi ethnic environment is human resource practitioners to pay attention to ethnic identification because of its influence on co-worker social support and employee psychological ownership perception. The originality of this thesis is seen in the relational framework designed to link ethnic diversity to employee psychological ownership perception. This study contributes to existing literature by explaining how employees’ ethnic identification influences their perception of psychological ownership. The study provides new insights on the components of employee psychological ownership perception and how they relate to ethnic identity. The investigation of psychological ownership perception at the individual component level is novel and provides new insight into how psychological ownership relates with antecedents that influences it.

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4

Hertzog, Stéphanie. "La résistance thérapeutique dans la douleur chronique nociplastique : de la relation mère-enfant à la relation médecin-patient : expériences subjectives de femmes fibromyalgiques." Electronic Thesis or Diss., Strasbourg, 2023. http://www.theses.fr/2023STRAG023.

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La lutte contre la douleur chronique est un enjeu de santé publique, intriquée à la politique gouvernementale et à la pratique médicale. Face à la fibromyalgie, l’absence de preuves et les échecs thérapeutiques stigmatisent le récit des patients, entrave sa reconnaissance, et accentue l’incertitude des médecins, tout en remettant en cause leur rôle de soignant. C’est dans ce contexte que nous interrogeons la fonction de la résistance thérapeutique sur le plan inconscient. Notre hypothèse est mise au travail à travers une analyse de contenu de cinq entretiens de recherche, réalisés auprès de femmes atteintes de fibromyalgie, appuyés par les données d’un test de Rorschach. Une résistance inconsciente du sujet agit de façon constante et conjointe à la résistance physiologique, lorsque le sujet est aux prises avec une certaine image idéale de soi, spécifiquement celle du sacrifice et du dévouement aux autres
The fight against chronic pain is a public health issue, linked to the government politics and medical practices. Faced to the fibromyalgia, the lack of evidence and the therapeutics failures, stigmatize patient’s narratives, prevent its recognition and emphasize the uncertainty of doctors, while reconsidering their role of caregivers. It’s in this context that we question the function of therapeutic resistance on an unconscious level. Our hypothesis is put to work with a content analysis of five research interviews, leaded with women with fibromyalgia, supported by data from a Rorschach test. An unconscious resistance acts constantly and jointly with the physiological resistance, when the subject is struggling with a certain ideal self-image, especially that of sacrifice and devotion to others

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5

Fiorani, Fulvia M. "Active mirror alignment for free electron lasers." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2002. http://library.nps.navy.mil/uhtbin/hyperion-image/02Dec%5FFiorani.pdf.

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Thesis (M.S. in Applied Physics)--Naval Postgraduate School, December 2002.
Thesis advisor(s): Bruce C. Denardo, Thomas J. Hofler. Includes bibliographical references (p. 61). Also available online.

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6

Anderson, Warren G. "Moving mirrors and the Boulware state for black holes." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0003/NQ29020.pdf.

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7

Samman, Tanya. "Paleoecological assessment of Mirror Lake, Oregon, United States of America." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ50403.pdf.

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8

Hasan, Muhammad Massood ul. "Sputter deposition of short period multilayers for X-ray mirrors." Thesis, University of Cambridge, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.336541.

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9

Campbell, Thomas E. "Simulations of a short Rayleigh length 100 kW FEL and mirror stability analysis." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2002. http://library.nps.navy.mil/uhtbin/hyperion-image/02Dec%5FCampbell.pdf.

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10

Rossi, Giovanni. "Surmoi et destin du surmoi chez la mère de l'enfant en situation de handicap mental." Phd thesis, Université Nice Sophia Antipolis, 2013. http://tel.archives-ouvertes.fr/tel-00952971.

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La clinique de l'enfant en situation de handicap est une clinique très complexe. Les défenses psychiques mises en place par les familles et plus particulièrement par les mères pour faire face à la souffrance engendrée par le handicap rendent les relations transférentielles très difficiles à mettre en place. Les principales observations mettent en évidence des faits cliniques qui apparaissent avec une certaine fréquence dans la plupart des familles : omniprésence de la mère autour de la prise en charge de l'enfant et disparition du père symbolique du dispositif familial. L'absence de tiers paternel quiest sensé symboliser la métaphore oedipienne, entraîne une attitude de la mère ambivalente à la suite de laquelle l'enfant devient une sorte d'objet de jouissance à l'instar du fétiche pour le pervers. Sans altérité, sans tiers, faire le deuil du diagnostic devient bien souvent impossible et cela entraîne souvent un déni du handicap accompagné de l'apparition d'un discours teinté de persécution et d'une rivalité entre les différentes personnes qui gravitent autour de l'enfant et les mères. À l'instar de l'enfant unique qui, à la naissance d'un petit frère, peut régresser psycho-affectivement (ex : il était propre, il redevient sale) la mère à la suite du traumatisme engendré par l'annonce du handicap subirait une régression psychique causée par l'effondrement de l'idéal que l'enfant en situation handicap mental produit chez la mère. Cette thèse veut démontrer que ces attitudes sont, selon nous, le fruit d'un bouleversement principalement surmoïque. Nous avons voulu aborder cette thèse sous l'angle du Surmoi car nous pensons qu'aucune clinique comme celle de l'enfant en situation de handicap ne nous confronte autant à cette notion de critique, censure et jugement pour départager le normal du pathologique.Nous avons émis l'hypothèse que suite à l'annonce du handicap, la mère normalement pacifiée par le Surmoi paternel oedipien (le Surmoi Freudien), basculerait dans un positionnement surmoïque pré-oedipien (le Surmoi Lacanien etKleinien). À travers une étude du concept de Surmoi et la mise en lien avec le féminin nous nous proposons, par le biais de cette thèse, de faire des liens entre la clinique et la théorie. Plusieurs vignettes cliniques viendront étayer nos propos et in fine, nous décrirons notre démarche clinique thérapeutique qui vise à la ré-introduction du tiers paternel symbolique et de permettre à la mère de faire le chemin inverse.

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11

Leonardi, N. "The 'mirror with a memory' : vision, technology, and landscape in the United States, 1830-1880." Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1369752/.

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This dissertation analyses the social, cultural, and material construction of the landscape observer in the United States in mid-nineteenth century. Based on the aesthetic ideal of a perfect union between technology and nature, the reception of landscape entailed the notion of the artist/observer as a hybrid figure that comprised the human and the machine. This quasi-mechanical gaze, individual and corporate at the same time, played a determining role in the construction and diffusion of a nationalist model of democratic spectatorship embedded within pastoral ideology. In this cultural climate, the photographic apparatus, defined by Oliver Wendell Holmes as a ‘mirror with a memory,’ was adopted as a model for the landscape observer. Contrary to previous studies on the relationship among vision, technology, and modernity, in which modern visuality is considered as an abstract, totalizing, and homogeneous phenomenon based on a francocentric model, this dissertation emphasizes the ‘plurality’ of modern vision by situating visual practices and technologies within their specific local and material contexts. First, I discuss how the nineteenth-century enthusiasm for technology shaped the representation and reception of landscape within the visual arts, constituting the American spectator as a performative and collective cohabitation of the visual and the political. The analysis moves on to show how ‘high’ and popular culture embraced the model of the ‘mirror with a memory.’ Transforming landscape experience into a personal and collective ritual of nation formation, this model informed the paintings hanging in the homes of the élites, the large canvases by famous artists shown to the wide public as ‘Great Pictures Exhibitions,’ panorama and diorama spectacles, stereoscopic photography. Lastly, I investigate the relationships among scientific culture, survey photography, and landscape painting. Rather than questioning photography’s ‘artisticity,’ I look at the commercial and debased manifestations of painting and their relation with popular culture at the time of industrialization, media explosion, and the commodification of images.

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12

Elarem, Hajer. "A quest for selfhood : deconstructing and reconstructing female identity in Doris Lessing's early fiction." Thesis, Besançon, 2015. http://www.theses.fr/2015BESA1026/document.

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Écrivaine prolifique, anticonformiste, rebelle et provocatrice, Doris Lessing est considérée par la critique comme ayant été à l'avant-garde du féminisme, du communisme, de l'anticolonialisme et de la lutte contre l'apartheid. En lui accordant le prix Nobel de littérature en 2007, l'académie suédoise récompensait une « conteuse épique de l'expérience féminine, qui avec scepticisme, ardeur et une force visionnaire, scrute une civilisation divisée ». Cependant, ne retenir de Doris Lessing que des combats politiques d'ordre public, c'est oublier un thème essentiel et omniprésent dans ses écrits, celui de la quête de soi et du désir de connaissance de soi qui anime le sujet féminin. Pour atteindre ce but et au bout du compte se reconstruire, celui-ci passe d'abord par la déconstruction. C'est pourquoi ce travail se propose d'analyser l'approche déconstructionniste de Doris Lessing vis-à-vis de la question de l'identité féminine. Cette déconstruction ne doit pas être comprise au sens strictement derridien du terme, mais dans une perspective plus large qui est celle de la vision universelle et prophétique de l'auteure. En effet, Doris Lessing tente de déconstruire une conception essentialiste qui renverrait à une conception universaliste de l'identité féminine. Elle nie toute pensée logocentrique et remet en cause l'unité et le fixisme identitaire, et partant la généralité de la quête. Ceci révèle le nomadisme d'une pensée qui doit s'entendre, dans le sens deleuzien, comme une conception de l'identité de la femme comme fluide, changeante, sans frontières, ouverte à de nouvelles possibilités et avec un grand potentiel pour se re-désigner et se re-définir
A prolific, anti-conformist, rebellious and provocative writer, Doris Lessing has been considered by critics as the forerunner of feminism, communism, anti-colonialism and anti-aparteid. By attributing to her the Nobel Price for Literature in 2007, the Swedish Academy rewarded an « epicist of the female experience, who, with skepticism, fire and visionary power subjected a divided civilization to scrutiny ». Reducing her work, however, to political issues means overlooking a crucial and omnipotent theme related to the quest for selfhood and the desire for self-knowledge animating the female subject, In order to gain this goal, it is first important to go through the experience of deconstruction. This is why this work will analyse Doris Lessing's deconstructive approach to the female identity. This deconstruction is not to be understood in the strict Derridian sense but in a broader persepective residing in the writer's universal and prophetic vision. In fact, Doris Lessing endeavors to deconstruct an essentialist conception which would lead to a universal apprehension of the female identity. She denies all logocentric thinking and questions fixed and unified identities, and by the same token, the universality of the quest. This reveals a nomadic thought, which in Deleuzian sense, entails that the female identity is fluid, changing, without frontiers, open to all possibilities and with a great potential to re-construct and re-define itself

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13

Welsch, Jonathan T. "'The Mirror Stage' and other Poems and The Linguistic Subject of William Carlos Williams' Spring and All." Thesis, University of Manchester, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518824.

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The poems in this collection draw, firstly, on my interest in a tradition of American confessionalism, which, particularly in the poems of John Berryman, seems to re-articulate the 'fragmented self of Anglo-American Modernism. A second major interest is in the more radical dislocations oflyric voice in John Ashbery's poetry. In the following poems, these two influences combine in the exploration of linguistic constructions of SUbjectivity, especially that of a knowing and knowable author figure. Specific practical concerns which stem from this central interest include translation and focalization strategies, polyphony, and oblique responses to philosophical, cultural, and literary contexts. These poems also explore questions of lyrical SUbjectivity in relation to constructions of gender and sexuality, with a particular focus on masculinity. I work from the premise that the authorial voice and its claims to truth, power, and sexual and gendered identity are . continually undermined by inner incoherencies and contradictions, a process of selfsubversion which these poems work to emphasize. Inmany places, this emphasis relates to a tension between a 'disembodied' authorial/lyrical voice and the 'embodied' form of the poem, which exposes that voice to textual inconclusiveness. This tension is also examined through the problematics of lyrical address and gendered relations between the'!' and 'you'. The Linguistic Subject of William Carlos Williams' Spring and All This thesis explores the discourse of authorial subjectivity at work in the declarative prose of William Carlos Williams' 1923 book, Spring and All, now regarded as a seminal text of American Modernism. In order to re-examine what has proven for critics to be a variously interpretable relationship between subject and object in Williams' early thinking, I read Spring and All here through an interconnected chain of conceptual frameworks. More. specifically, in hopes of remapping Spring and All's fragmented notion of authorial SUbjectivity against a more diverse history of ideas, these four chapters bring the longestablished influences of visual arts and Romanticism on Williams into juxtaposition with the less biographically or historically derived contexts of structuralist linguistics and Lacanian psychoanalytic theory. By drawing on correspondences among these contexts.this thesis finally argues for a notion of radically 'linguistic' SUbjectivity underlying Williams' early poetics, which may be productively compared to earlier philosophies of a mutually constitutive dialectic between external objects and a persistent centrality of the self, as well as later 20th-century revisions which emphasize the formalistic and linguistic nature of this relationship.

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14

Henrion, Jean-Louis. "La logique collective de lacan, sa situation a l'egard de "massenpsychologie und ich-analyse" de freud." Paris 7, 1997. http://www.theses.fr/1997PA070064.

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De 1932 a 1949, lacan a construit une certaine logique collective caracterisee par la determination sociale des troubles mentaux, la discordance, la theorie du complexe, le temps logique et surtout la determination genetique du moi par autrui, laquelle s'ecarte resolument de la theorie freudienne. Dans une premiere partie, c'est a travers la these de lacan sur la paranoia d'autopunition que l'auteur examine l'hypothese que le delire signifie un desir qui s'exprime en un symbolisme social ainsi que la notion de discordance. Dans la seconde partie, la theorie du complexe de lacan est eclairee par la double reference au cours de kojeve sur hegel et a la psychologie de la forme (gestalttheorie). Enfin, une troisieme partie traite de la phenomenologie de heidegger, au regard du temps logique et du stade du miroir. Cette reconstruction achevee, l'auteur montre qu'en 1949, lacan substitue a cette logique collective la notion de fonction symbolique. Pour autant l'ecart avec freud est maintenu et meme reaffirme. Une quatrieme partie tente de repondre a la question de savoir comment situer la theorie du collectif de lacan a l'egard de massenpsychologie und ich-analyse de freud, sans perdre de vue que ceci implique, pour le moins et comme prealable, d'apprecier a quelle economie repond le retour a freud de lacan, quelle est sa fonction relativement a cet ecart. Le retour a freud reduit-il cet ecart ou le formalise-t-il? par cette operation, lacan rend-il explicite l'implicite du texte freudien ou faut-il considerer avec jean-claude milner qu'il existe a cote de l'oeuvre de freud, une autre oeuvre, celle de lacan ? pour conclure, l'auteur montre que l'essence de cet ecart reside dans la version du pere. Si celle de freud s'enracine dans la tradition juive, celle de lacan, a travers la notion de trinite, renvoie a la tradition chretienne
From 1932 to 1939, lacan built a collective logic characterized by the social determination of the mental disorders, the discordance, the theory of complex, the logical time and, especially, the genetic determination of ego by other, which deviates resolutely from the freudian theory. In a first part, the author examines the assumption that delirious means desire which is expressed in a social symbolism as well as the concept of discordance through the thesis of lacan on the paranoia of self-punishment. In the second part, the theory of the complex of lacan is lit by the double reference to kojeve and the psychology of the form (gestalttheorie). Lastly, a third part approaches the phenomenology of heidegger in comparison of the logical time and the mirror stage (looking-glass phase). After having completed this reconstruction, the author shows that in 1949, lacan substitutes for this collective logic the concept of function symbolic system. For as much, the variation with freud is maintained and even reaffirmed. A fourth part tries to answer the question of knowing how to locate the theory of the collective of lacan with regard to massenpsychologie und ich-analyse of freud ; without losing sight of the fact that this implies, at the very least and like precondition, to appreciate with which economy answer the "return to freud" of lacan, which are the function of the "return to freud" relative with this variation. Does the "return to freud" reduce this variation or does it formalize it ? by doing this operation, does lacan's return clarifies implicit text of freud or is it necessary there exist beside the work of freud, another work, that of lacan ? to conclude, the author shows that the essence of this variation resides in the version of the father. Freud's works roots in the jewish tradition, while lacan's, through the concept of trinity, returns to the christian tradition

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15

Paz, Sidrak Jos? da. "Infer?ncia do ponto de orvalho em amostras de g?s natural processado." Universidade Federal do Rio Grande do Norte, 2011. http://repositorio.ufrn.br:8080/jspui/handle/123456789/15819.

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Made available in DSpace on 2014-12-17T15:01:27Z (GMT). No. of bitstreams: 1 SidrakJP_DISSERT.pdf: 3365381 bytes, checksum: 55b6f324d82bc4f385aa87921831ed44 (MD5) Previous issue date: 2011-12-20
Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior
This dissertation aims to assess the representativeness of the manual chilled mirror analyzer (model II Chanscope 13-1200-CN-2) used for the determination of condensed hydrocarbons of natural gas compared to the indirect methods, based on thermodynamic models equation of state. Additionally, it has been implemented in this study a model for calculating the dew point of natural gas. The proposed model is a modification of the equation of state of Peng-Robinson admits that the groups contribution as a strategy to calculate the binary interaction parameters kij (T) temperature dependence. Experimental data of the work of Brown et al. (2007) were used to compare the responses of the dew point of natural gas with thermodynamic models contained in the UniSim process simulator and the methodology implemented in this study. Then two natural gas compositions were studied, the first being a standard gas mixture gravimetrically synthesized and, second, a mixture of processed natural gas. These experimental data were also compared with the results presented by UniSim process simulator and the thermodynamic model implemented. However, data from the manual analysis results indicated significant differences in temperature, these differences were attributed to the formation of dew point of water, as we observed the appearance of moisture on the mirror surface cooling equipment
O presente trabalho de disserta??o tem por objetivo avaliar a representatividade do analisador manual de espelho refrigerado (Chanscope II modelo 13-1200-C-N-2) usado para a determina??o do condensado de hidrocarbonetos de g?s natural frente aos m?todos indiretos, fundamentados em modelos termodin?micos de equa??o de estado. Adicionalmente, tem sido implementado neste estudo um modelo para c?lculo do ponto de orvalho de g?s natural. O modelo proposto constitui uma modifica??o na equa??o de estado de Peng-Robinson que admite a contribui??o de grupos como estrat?gia para calcular os par?metros de intera??o bin?ria kij(T) com depend?ncia da temperatura. Dados experimentais do trabalho de Brown et al. (2007) foram utilizados para comparar as respostas de ponto de orvalho do g?s natural com os modelos termodin?micos contidos no simulador de processo UniSim e com a metodologia implementada neste estudo. Em seguida, duas composi??es de g?s natural foram estudadas, sendo a primeira uma mistura padr?o de g?s sintetizada gravimetricamente e, a segunda, uma mistura de g?s natural processado. Tais dados experimentais foram tamb?m comparados com os resultados apresentados pelo simulador de processo UniSim e pelo modelo termodin?mico implementado. No entanto, os dados do analisador manual indicaram diferen?as significativas nos resultados de temperaturas, sendo estas diferen?as atribu?das ? forma??o de ponto de orvalho de ?gua, j? que foi observado o aparecimento de umidade sobre a superf?cie do espelho refrigerado do equipamento

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16

Ma, Chunhui. "Textbooks, a vivid mirror of culture : a comparative study of animal materials in American elementary reading textbooks and Chinese elementary language textbooks." Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/845935.

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Comparative research on the treatment of animal materials in Chinese elementary language textbooks and American elementary reading textbooks provides an interesting perspective on both Chinese and American cultures. The study uses both quantitative and qualitative methods. From the study, we notice that animals in Chinese textbooks are presented as animals, i.e., creatures closer to nature without human fantasy and illusion attached to them. Animals are used to communicate to children for moral education, wisdom development and so on. By comparison, animals in American textbooks are presented as much closer to humans. Animals dress and act like humans and are found in human setting. Animals can be more human than humans. Idealistic images and dreams are frequently linked to animals rather than humans. Textbooks are cultural mirrors. The different orientations of animal materials indicateenculturation of children. The cultural reasons beneath these surface differences are examined. Predictions are different cultural values and different goals for the provided on the animal enculturation in future China.
Department of Anthropology

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17

Godsland, Shelley. "Writing reflection, reflection on writing : Lacan's mirror stage and female self-construction in Helena Parente Cunha and Sylvia Molloy." Thesis, University of Liverpool, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364206.

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18

O'Hanlon, Kelsie C. "Medieval Views on Aging and Their Modern Implications: Analyzing Chaucer's Pardoner Through the Lens of a Second Mirror-Stage." Ohio Dominican University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=odu1512578183523566.

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19

Finn, Richelle V. "“More Human Than Human”: Lacan’s Mirror Stage Theory and Posthumanism in Philip K. Dick’s Do Androids Dream of Electric Sheep?" ScholarWorks@UNO, 2018. https://scholarworks.uno.edu/td/2460.

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In my thesis, Philip K. Dick's Do Androids Dream of Electric Sheep? is examined using French psychoanalyst Jacques Lacan's mirror stage theory. In the novel, humans have built androids that are almost indistinguishable from humans except that they lack a sense of empathy, or so the humans believe. The Voigt-Kampff Machine is a polygraph-like device used to determine if a subject shows signs of empathy in order to confirm if one is an android or a human. Yet, should empathy be the defining quality of determining humanity? In his article "The mirror stage as formative of the function of the ‘I’ as revealed in psychoanalytic experience," Lacan refers to a particular critical milestone in an infant's psychological development. When the baby looks in a mirror, they come to the realization that the image they are seeing is not just any ordinary image; it is actually themselves in the mirror. This "a-ha" moment of self-realization is what Lacan's Mirror Stage Theory is based on. According to Lacan's theory, the image that the child sees in a mirror becomes an "Other" through which they will always scrutinize and pass judgment on, for it is not how they have pictured themselves to be in their mind’s eye. I hypothesize that the androids are humans' artificial and technological Other. It is my thought that Dick uses the conflict of determining the biological from the artificial, the effort to differentiate humans from androids and biological animals from artificial ones, to illustrate Lacan's psychoanalysis of the mirror stage and its importance in our continual search for determining what humanity is and who we really are.

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20

Green, Kyle. "The Angry God in the Mirror Stage: Applications of Lacanian Psychoanalysis to the Naturalization of Violence in Men's Studies in Religion." Thesis, University of Ottawa (Canada), 2010. http://hdl.handle.net/10393/28865.

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In this thesis I discuss some relationships and conversations that occur---and some that could occur in the future---among authors in men's studies in religion and those who work with Jacques Lacan's psychoanalytical model. I focus on how "male violence" is discussed in men's studies in religion. I do this to make projections about why trends in men's studies in religion regarding concepts about violence appear as they do. In the first chapter I attempt to present my theoretical and methodological bias. I locate my interpretation in Judith Butler's theories regarding performance and citation. I then present significant working definitions for the following chapters that remain consistent throughout the thesis. In the second chapter I present a literature review regarding men's studies in religion. I present French feminist ideas about God and masculinity as contributing to motivational ideologies in the field. I then identify mythopoetic and masculinist authors as producing the field's momentum. I lastly present a number of current authors and themes that show a central focus regarding a link between masculinities and violence in the field. In the third chapter I present a literature review about Lacan's psychoanalytic theories regarding the subject and signification. I begin by analyzing Lacan's primary sources in his two most substantial works: Ecrits and The Four Fundamental Concepts of Psycho-Analysis. I then explore how contemporary Lacanian theorists shift his ideas in productive and interesting ways. I lastly show how Lacanian signification can be used to interpret the ways in which authors who contribute to men's studies in religion signify such concepts as "masculinities" and "violence". In the fourth chapter I build upon a Lacanian theoretical model using a Foucauldian framework regarding institutional knowledge. I show how authors in men's studies in religion methodologically and implicitly cite a perceived institutional understanding about violence. Using Jeremy Carrette's focus on the importance of utterances in institutions, I will show that feminist ideologies compose "mechanisms of coercion" for authors who signify violence and masculinity. In the fifth chapter I combine Foucault's work concerning institutional knowledge with Lacan's theories about signification. I show that signification in men's studies in religion is coerced by a feminist re-definition regarding violence. I argue that this re-definition is best defined as Lacanian trauma, and that this trauma is so effective in the field because the traumatic event has to do with re-defining Jewish and Christian conceptions regarding God's masculinity. This thesis has implications for possible ways in which authors in men's studies in religion can approach violence in future work. This thesis composes, or highlights, a conversation between Lacanian psychoanalysis and studies about masculinity. The contribution is thus to two fields because it presents new avenues for discussion that are not yet explored, while drawing on current, relevant and productive work from significant contemporary authors.

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21

Svensson, Andreas. "Forsake Thy Art, Forsake Thyself : A Lacanian Reading of Oscar Wilde's The Picture of Dorian Gray." Thesis, Högskolan i Gävle, Engelska, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-32531.

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This essay argues, with the help of Lacanian psychoanalysis, that Dorian Gray, the protagonist in Oscar Wilde’s novel, fails to abide by the rules governed by the culture of society. It is argued that Lacan’s theories about the mirror stage develop Dorian’s character and his realizations of his true self as part of the culture which shapes him. The mirror is represented by the four characters Basil Hallward, Lord Henry Wotton, Sibyl Vane, and Sibyl’s brother James. Basil, Henry, and Sibyl are all representations of different aspects of the mirror explained by Lacan’s theories, and these three characters help Dorian realize his true identity and self.

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22

Kella, Greta. "What? Do I look like this? : A qualitative study of mirrors’ impact on contemporary dance pedagogy students’ experiences of themselves." Thesis, Stockholms konstnärliga högskola, Institutionen för danspedagogik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-351.

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The purpose of this study was to describe how mirrors affect contemporary dance pedagogy students’experiences of themselves. Empirical material was collected through semi-structured interviews with four dance pedagogy students at the School of Dance and Circus, and analyzed with the help of post-humanistic perspective and Lacanian mirror stage theory. The results suggest that mirrors are active agents that participate in several things, for example they create an evaluating gaze, objectification, alienation from the subject as a unity, experience of two-dimensional bodies and distraction. The results also suggest that the mirrors actively create afront and direction, and therefore they shield dancers from sensing their ‘inner selves’ as well as others in theroom, time and space. The feeling of success and mood affect the way dancers feel about their mirror images and themselves. In summary, this study stresses that the mirror, an object, is active and agentic, instead of thinking that the dancer is the only active part in the dancer-mirror relationship.

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Oliveira, Rackel Hagen de. "A gênese da teoria lacaniana do estágio do espelho: os materiais para construção." Universidade Federal de Juiz de Fora (UFJF), 2017. https://repositorio.ufjf.br/jspui/handle/ufjf/5635.

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Esta pesquisa propõe investigar as principais referências teóricas utilizadas por Jacques Lacan para a construção da teoria do estágio do espelho e visa especificar o papel desempenhado por cada uma delas nessa construção. O intuito é contextualizar os principais conceitos relevantes ao tema a partir das suas fontes primárias e analisar a arquitetura conceitual interna dos trabalhos elegidos – tendo em vista as produções do autor publicadas no final da década de 1930 até meados dos anos 1950. Com a finalidade de recapitular essa trajetória, este trabalho visa traçar a gênese teórica de alguns conceitos fundamentais que marcaram o pensamento lacaniano no início de sua obra e resgatar as origens dos principais alicerces a partir dos quais Lacan constrói a teoria do estágio do espelho. Dentro desse quadro, aborda-se as principais referências da psicologia infantil do desenvolvimento, presentes nas obras de Charlotte Bühler, James Mark Baldwin e, sobretudo, Henri Wallon. Em seguida, recupera os experimentos da psicologia comparada, nos estudos de Louis Bolk e Wolfgang Köhler. Por fim, a partir das evidências apresentadas, trata-se de situar, precisamente, as principais perspectivas que Lacan aborda e adere em seu objeto de estudo, evidenciando as diferenças de concepções adotadas, quando estas forem relevantes ou importantes para a compreensão da teoria.
This research proposes to investigate the main theoretical references used by Jacques Lacan for the construction of the theory of the stage of the mirror and aims to specify the role played by each of them in this construction. The aim is to contextualize the main concepts relevant to the theme from their primary sources and to analyze the internal conceptual architecture of the chosen works - in view of the author's productions published in the late 1930s until the mid 1950s. To recapitulate this trajectory, this work aims to trace the theoretical genesis of some fundamental concepts that marked the Lacanian thought at the beginning of its work and to rescue the origins of the main foundations from which Lacan constructs the theory of the stage of the mirror. Within this framework, the main references of developmental child psychology are presented in the works of Charlotte Bühler, James Mark Baldwin and, above all, Henri Wallon. Then retrieves the experiments of comparative psychology in the studies of Louis Bolk and Wolfgang Köhler. Finally, from the evidence presented, it is a question of precisely situating the main perspectives that Lacan approaches and adheres to in his object of study, highlighting the differences of conceptions adopted, when these are relevant or important to the understanding of the theory.

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Moyano, Olivier. "Le stade du double : le double comme organisateur de l'espace psychique du moi et des processus identitaires." Lyon 2, 2000. http://theses.univ-lyon2.fr/documents/lyon2/2000/moyano_o.

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Le stade du double représente un moment organisateur fondamental dans le développement psychique de l'enfant. Il constitue le point de départ des mécanismes de l'attachement et de la vectorisation de la relation du sujet aux objets en même temps qu'il fonde l'édification de l'existence de la conscience de soi. Il participe à la constitution, à travers le déploiement de la relation d'objet primaire, de la matrice de la structure spatiale endopsychique. Le stade du double est composé de trois sous-stades qui s'échelonnent environ sur les deux premières années de la vie : le double unaire, le double narcissique, le double spéculaire. Ce stade évolutif est à l'origine d'une triade psychopathologique que l'on peut retrouver complète, chez certains sujets, composée d'une pathologie psychosomatique (allergie), de troubles des apprentissages (cognition et représentation spatiale) et de la dépersonnalisation-déréalisation. Le stade du double vient inscrire, du point de vue de la métapsychologie, un stade du développement qui, singulièrement, n'est pas un stade traitant du développement libidinal. Cette réflexion soutiendra un développement théorique sur la place centrale de l'objet appelé double originaire ou unaire comme un objet d'attachement caractérisé par un type spécifique de relation d'objet
The stage of double represents a fundamental organizer moment into child's psychical development. It makes up the origin of the attachment mechanisms and organization of the relationship between a subject and his objects, like it founds the existence of self-awareness. It founds too the matrix of the psychical endopsychic spatial structure, through the deployment of primary object relationship. The stage of double is made of three layers which exist along the two firts years of the life : The "unaire" double, the narcissic double, and the specular double. This stage represents the origin of a specific psychopathology : psychosomatic pathology (allergy), learning disorders, and depersonalization-derealization. The stage of double is not a stage describing libidinal development. This fact will be the origin of a theoric development about the central place of the originary object ("unaire" double) like an object of attachment characterized by a specific object relationship

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Moyano, Olivier Ménéchal Jean. "Le stade du double le double comme organisateur de l'espace psychique du moi et des processus identitaires /." [S.l.] : [s.n.], 2000. http://demeter.univ-lyon2.fr/sdx/theses/lyon2/2000/moyano_o.

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26

Liu, Xiaoqian. "The state through its mirrors : an anthropological study of a 'Respect-the-Elderly Home' in rural China at the turn of the 21st century." Thesis, London School of Economics and Political Science (University of London), 2013. http://etheses.lse.ac.uk/3103/.

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This thesis represents an endeavour to study and rethink bureaucracy through an ethnography of the bureaucratic organisation called ‘Respect-the-Elderly Home’ (REH) in rural China in the first decade of the 21st century. Its contextual concern is to examine the phenomenon of old age support being transferred from primary groups (family and village) to the state in the processes of modern state formation, a context in which elderly support is portrayed by both the Chinese government and mainstream academic discourse as a symptom of family dysfunction and moral crisis; and a state project to build up REHs to host the welfare category of ‘Five-Guarantee Elderly’ is hailed to be practically therapeutic and ideologically significant. Based on long term fieldwork in one REH in southwestern China and more REHs generally (April 2010 – June 2011), this thesis reveals a secret function of this organisation, namely, ‘accommodative inversion’, and argues for a heterotopian looking-glass perspective to conceptualise it. The first chapter outlines the fieldwork setting in a way that its heterotopian qualities are simultaneously presented. The following chapters are divided into two parts. The first part delineates the realities of the institution-defined order and disorders of dining, spatial layout and temporal orientation, and explores the mechanisms which make the presumable incompatibility of these distinct orders practically irrelevant. The second part explores the dialectics of state and family in service delivery, guarantee and deprivation, and the condition of the residents as the served and the serving, and explains why structural inversions are inevitable through institutional processes beyond individual intention. This research brings the myth of our era – of bureaucracy and in particular of the Chinese bureaucracy – into a dialogue with the literature on bureaucratic organisation that has emerged in social science since the 1960s. More significantly, by disclosing and expounding the violent nature of state welfare, it presents a fundamental challenge to conventional understandings of benefactor and beneficiary in state provision.

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Younge, James Gavin Forrest. "The mirror and the square : a study of ideology within contemporary art systems with special reference to the American avant-garde in the period 1933-1953." Master's thesis, University of Cape Town, 1987. http://hdl.handle.net/11427/16370.

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Bibliography: pages 232-240.
This dissertation argues that abstract art is not ideologically neutral. In spite of many artists' anti-fascist stance early in their careers, the mantle of neutrality was assumed as a reaction to the protracted struggle between the two major ideologies confronting artists living in Europe and the United States of America in the period 1933-1953, namely capitalism and communism. These ideologies were not peripheral to artists lives, but were actively debated by both artists and intellectuals and resulted in the establishment of powerful cultural organisations. The ensuing growth in prestige and influence of left-wing artist's organisations was countered by a campaign which included direct suppression of left-wing artists as well as a form of ideological control. This control was vested in what has been called the specifics of patronage and is reflected in the establishment of the Arts Council in Britain and the private art museums in the United States. Changes in the art market have meant that, together with dealers and critics, these institutions wielded almost complete economic control over artists. The prevailing ideology of liberal humanism, which glorified individualism and defined democracy as a middle ground between the left and the right, favoured the development of a seemingly apolitical abstract art style. Analysis of the demise of the Artists International Association and the American Artist's Congress supports the conclusion that the figurative tradition lost prestige as a result of the stigma attached to Socialist Realism and the idealised realism demanded by National Socialism in Germany. Account is also taken of the attempt by well-positioned and influential commentators to identify all forms of realism with totalitarianism. It is not surprising therefore, that it was commonly believed that to paint in an abstract modern style was to strike a blow against fascism. In the same way that realism was identified with the regimentation of Soviet society, the avant-gardes' abstract experiments came to symbolize democracy. Drawing on the texts of writers, critics, artists and theorists, this dissertation shows that the force of the identification of progressive realism with totalitarianism, prepared the way for acceptance of the idea that freedom of expression epitomised freedom in general. In this way, anti-Stalinism and the post-war liberal philosophy of individual freedom, coupled with a search for 'essences' and the 'universal', directed artists inward to the medium of art as relevant subject-matter. This dissertation argues that this identification was ideologically motivated in respect to the balance of social and political power in America.

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Moore, Lorna. "In[bodying] the other : performing the digital other as a component of self through real-time video performance." Thesis, University of Wolverhampton, 2014. http://hdl.handle.net/2436/319914.

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Through practice-led research this thesis will explore the phenomenology of interactions between the digital 'other', and the lived experience of the subject through real-time video performance practice. It challenges the assumption that the digital video image is merely or simply other to the subject and aims to re-position the 'other' as an integral part of self where we perform the other. It does this by drawing on Jacques Lacan's Mirror Stage and claims that through digital performance we can suspend divisions between the self and the digital other. By being immersed within the real-time video image the thesis argues we re-enter the Mirror Stage and become captivated within the digital counterpart. Through a disruption in the proprioception of the body there is a crossover of the actual self and digital other which are suspended in each other. Through the use of Head Mounted Display Systems in the work In[bodi]lmental it is claimed that the actual body can In[body] the other subject as part of self. The thesis argues that the digital other is a component of self mediated through new digital technologies to be understood as an augmented self. Therefore it is through an In[bodied] Mirror Stage we momentarily access the loss of the Lacanian real encountered through the uncanny experience. This investigation has been conducted in the form of four digital performance projects defined as Inter-Reactive Explorations I-REs (i-iv).The I-REs were subjected to critical analysis and reflection using a variety of disciplines including: psychoanalysis, philosophy, the study of perception, phenomenology, and ethnography. The methodological framework for this research has been coined 'auto-ethnophenomenology'; a mixed-method approach utilizing auto-ethnography and the phenomenological lived experiences of informants. This model has enabled both the 'I' of the researcher and the other to be equally represented from both first person and third person perspectives. The symbiotic relationship between the theory and the practice is exemplified through the phenomenology of interactions between the digital 'other', and the lived experience of the subjects supported by the writings of Sigmund Freud, Jacques Lacan, Maurice Merleau-Ponty, Drew Leder and Rane Willerslev.

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Benedetti, Gabriele. "Implementation of a class D amplifier in a galvanometric system for industrial laser marking applications." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021.

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El.En. S.p.A. is one of the world’s leader in the production of lasers, with products that cover a wide variety of application fields, such as medical, industrial, art restoration and many others, all completely realized inside the company. For products in the industrial field, beam deflection management is extremely important, since it affects their operating speed, precision and dimensions. This system consists of one focusing lens and two mirrors, each controlled by an electronic board and subsequently actuated by a brushless motor known as galvanometer. The aim of this thesis work was to understand the controlling board behaviour, study its class AB power output stage and develop an alternative power output stage centered around the use of a class D amplifier, with subsequent analysis of pros and cons between the two solutions. The main advantage carried by this research is the difference in theoretical efficiency between amplifiers of these two classes; while the former has a maximum efficiency below 78.5%, the latter has a 100% maximum efficiency if ideal switching MOSFETs are considered, and around 90% for the best realistic cases. The second purpose of this work was to start the process of unbinding the production of the controlling board from the AB amplifier currently in use, which the manufacturing company, Texas Instruments, has recently deemed obsolete, stopping its fabrication.

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Vigourt-Oudart, Sylvie. "L'image spéculaire chez les sujets souffrant d'une lésion hémisphérique droite et présentant une anosognosie." Nancy 2, 1995. http://www.theses.fr/1995NAN21001.

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La lecture historico-critique de l'appareil théorique et la confrontation de l'hémiplégique gauche à sa propre image spéculaire constitueront deux approches complémentaires visant à appréhender avec méthode l'anosognosie. Notre approche théorico-clinique a pour principal but de recourir au miroir afin de donner au patient qui méconnait sa pathologie, l'opportunité de se "re-connaître", de visu, en tant qu'être frappé dans son entité corporelle. Notre objectif princeps réside dans la comparaison entre les réactions verbales et comportementales du sujet vis-à-vis de sa paralysie, et ce avant sa rencontre avec la psyché, et ensuite la façon avec laquelle il réagit face à son image reflétée. Qu’observons-nous à l'issue de cette épreuve du miroir ? L’individu hémiplégique gauche se trouve-t-il amené, à l'issue de cette expérience, à réviser son propre jugement eu égard à sa pathologie (anosognosie ou anosodiaphonie) et ou à modifier son attitude à l'égard de son hémicorps gauche (hemiasomatognosie ou hemiaspontaneite motrice gauche) ? Nous constatons que le sujet, face à son image reflétée, fait la part des choses entre sa croyance et ce qu'il perçoit de son corps en réflexion. C’est en ce sens que nous pouvons parler "des preuves du miroir. . . " confronté à l'inobservable (puisque que son hémicorps gauche ne répond pas aux ordres de son cerveau), le sujet s'interroge sur son état de santé, c'est le début de sa prise de conscience. . . Il finit par découvrir le conflit qui existe entre ce qu'il voit de son corps en action et ce qu'il éprouve de son bras et de sa jambe gauches comme sensation. Il passe alors de la méconnaissance à la connaissance de son déficit et à la reconnaissance de sa pathologie. Au sein des différentes théories de l'anosognosie, l'étiologie retenue est soit organique, soit psychologique. Toutefois, aucune d'entre elles ne se penche sur le fait que la prise de conscience d'une hémiplégie gauche, et de ses répercussions physiques, est fonction de l'auto-perception visuelle du déficit moteur par le sujet, seule conséquence objective de ladite maladie. C’est ce que nous avons tenté de démontrer
An historical and critical reading of the theorical material and the confrontation of left hemiplegic individuals with their own mirror picture are going to be two complementary ways methodically used for understanding anosognosia. The main purpose of theorical and clinical approach is, by the use of a mirror, to provide the patient who "disregards" his affection with the opportunity to "regard" himself as a bodily struck individual. The first aim is to compare both verbal and behavioral reactions of the person towards his paralysis, before he sees himself in the mirror, with while he is seeing himself in that mirror. What do we observe at the outcome of this mirror trial? Does it make left hemiplegic individual change his opinion about his pathology (anosognosia or anosodiaphoria) and or does it make him change his attitude towards the left half of his body (hemiasomatognosia or left half motor spontaneity) ? We record that the individual in front of his mirrored picture takes it into consideration. The mirror trial brings evidences confronted with that cannot be observed (since the left half of his body doesn't respond to the orders o his brain) the person wonders about his health and starts to be aware of his state. . . He finally discovers a strife between what he perceives of his motioning body and what he feels inside his left arm and leg. From this appreciation of his deficiency he switches then to admission of his own pathology. Among various theories concerning anosognosia the considered etiology is whether an organically or a psychological one. However none takes into consideration that realization of left hemiplegic and its repercussions on the body varies according to the visual self perception of his motor deficiency by the hemiplegic person. This deficiency being the sole outwards consequence of the disease and that's what has been tried to be demonstrated

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Smith, Enoch Shane. "The Presence of Jacques Lacan's Mirror Stage and Gaze in Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde and in Rouben Mamoulian's 1931 Film." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/75.

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For many years, theorists have turned to popular movies and books to help interpret the difficult principles of Jacques Lacan. However, one story that has gotten very little attention is Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde and its derivative body of film adaptations. Both the novella and Rouben Mamoulian’s 1931 film are a small part of an intertextual body of work which contains scenes that play out the Lacanian principles of the mirror stage and the gaze very well. Since art imitates life, an in depth exploration of the way that these scenes play out can illuminate how Lacan’s abstract theories might look in the real life formation of identity and in male/female relations.

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Milletari, Mirco [Verfasser], Bernd [Akademischer Betreuer] Rosenow, and Walter [Gutachter] Metzner. "Non-equilibrium transport in quantum hall edge states / Mirco Milletari ; Gutachter: Walter Metzner ; Betreuer: Bernd Rosenow." Leipzig : Universitätsbibliothek Leipzig, 2013. http://d-nb.info/1238527116/34.

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Gold, Daniel. "Lobbying Regulation in Canada and the United States: Political Influence, Democratic Norms and Charter Rights." Thesis, Université d'Ottawa / University of Ottawa, 2020. http://hdl.handle.net/10393/40908.

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Lobbying should be strictly regulated – that is the major finding of this thesis. The thesis presents many reasons to enact stricter regulations. The principle one being that, as lightly regulated as it is, lobbying is corroding democracy in both Canada and the United States. The thesis opens with a deep investigation of how lobbying works in both countries. There are examples taken from the literature, as well as original qualitative interviews of Canadian lobbyists, former politicians, and officials. Together, these make it clear that there is an intimate relationship between lobbying and campaign financing. The link between the two is sufficiently tight that lobbying and campaign financing should be considered mirrors of each other for the purposes of regulatory design and constitutional jurisprudence. They both have large impacts on government decision-making. Left lightly regulated, lobbying and campaign financing erode the processes of democracy, damage policy-making, and feed an inequality spiral into plutocracy. These have become major challenges of our time. The thesis examines the lobbying regulations currently in place. It finds the regulatory systems of both countries wanting. Since stricter regulation is required to protect democracy and equality, the thesis considers what constitutional constraints, if any, would stand in the way. This, primarily, is a study of how proposed stronger lobbying regulations would interact with the Canadian Charter of Rights and Freedoms, s. 2 (free expression and association rights) and s. 3 (democratic rights). The principal findings are that legislation which restricted lobbying as proposed would probably be upheld by the Canadian court, but struck down by the American court, due to differences in their constitutional jurisprudence. The thesis contends that robust lobbying regulations would align with Canadian Charter values, provide benefits to democracy, improve government decision-making, increase equality, and create more room for citizen voices. The thesis concludes with a set of proposed principles for lobbying reform and an evaluation of two specific reforms: limits on business lobbying and funding for citizen groups. Although the thesis focuses on Canadian and American lobbying regulations, its lessons are broadly applicable to any jurisdiction that is considering regulating lobbying.

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Akrout, Souad. "La traversée du miroir : le théâtre de Giraudoux, écritures et théâtralité." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA193.

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L’écriture théâtrale de Giraudoux est une traversée du miroir. Elle donne à l’évanescence du reflet les contours définis d’une réalité nouvelle. Il suffit d’ailleurs de situer l’œuvre de Giraudoux dans son contexte historique et littéraire et de se débarrasser de l’image convenue d’un écrivain précieux pour apprécier toute la modernité du texte. Car c’est au cœur même de cette pratique du langage dramatique qu’éclate avec le plus de force la particularité de Giraudoux. En apportant au théâtre la force incantatoire d’une langue littéraire, l’auteur affirme son refus du prosaïque. Notre problématique s’inscrit dans une optique de création et d’agencement, le théâtre est un art de la composition. L’auteur dramatique compose avec les différents éléments de l’écriture théâtrale : le langage, la construction du personnage, le temps, l’espace ou encore les différents impératifs du système dramatique. Par ailleurs, le succès de Giraudoux doit beaucoup au talent de Jouvet qui, en véritable artisan du théâtre, a su transposer sur scène, avec un mélange subtil de sensibilité et de grandeur, de passion et d’émotion, le texte à entendre et le texte à voir, l’éclat unique du théâtre de Giraudoux.Giraudoux a cette particularité d’introduire une sorte de jeu avec les poncifs du langage dramatique pour en tirer des effets inattendus. Le jeu, c’est peut-être là le maître mot du théâtre de Giraudoux tant son écriture joue avec le texte et se joue des contraintes du genre. Son écriture didascalique, sans pour autant complètement s’affranchir des canons classiques, se transforme ainsi en espace d’écriture ; sans être un didascale prolixe, Giraudoux est l’un de ceux qui redorent le blason d’un texte circonscrit jusque-là dans une fonction purement utilitaire. L’espace, le temps, les personnages, les conventions dramatiques tout obéit chez Giraudoux à une sorte de pratique ludique de l’écriture qui s’inscrit bien souvent à contre-courant des attentes critiques. On veut coûte que coûte le faire entrer dans une case alors qu’il échappe aux codes de classification établis. Son écriture refuse de se soumettre aux confinements génériques. Son théâtre repose sur un désir de transcender le réel en donnant à la fantaisie les couleurs du quotidien et au quotidien les allures d’une féerie, Intermezzo, Ondine ou encore La Folle de Chaillot sont des exemples parfaits de cette dichotomie qui traverse toute l’œuvre. Nous nous sommes posé deux questions mais qui nous semblent essentielles : Comment se construit l’écriture théâtrale de l’auteur? Et comment s’opère cette traversée du miroir qui est le propre du passage du texte à la scène ?
Redefining the reality, Giraudoux’s playwriting seems to be a sort of passing through the looking glass.Only when situating Giraudoux’s work in its historical and literary context and getting rid of the conventional image of preciousness that one can appreciate the modernity of the text. For it is in the deep of the playwriting practice that Giraudoux’s virtuosity appears.Bringing the incantatory power of a poetic language to the theatre, the author affirms his rejection of prosaic. Playwriting is an art of composition. The playwright is dealing with the different elements of dramaturgy: language, character, time, space, and dramatic impulse… Moreover, the success of Giraudoux owes much to the talent of Jouvet. The theatre director knew how to transpose on stage, with a subtle blend of sensitivity and grandeur, passion and emotion, the unique glow of Giraudoux's poetic fantasy.In this thesis we intend to demonstrate that Giraudoux's playwriting is an area of an undiscovered modernity. His specificity is to play with the clichés of dramatic language in order to produce unexpected effects. This study starts with the specifics of the playwriting: language, stylistic elegance, stage directions, characters, time, space and play structure. Then, we investigate in Jouvet’s direction through the play’s premiere and finally we try to point out the specifics of the close collaboration between the two men

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35

Deleonardo, Susan M. "A voice intended for the spirits themselves analysis of excavations at El Mirador (the Lookout) of Cerro de Trincheras and nearby residential area B7 /." Diss., Online access via UMI:, 2005.

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36

Hadjigeorgiou, Myrto. "A l'orée du langage." Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCC116.

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La réflexion fut inspirée par la terrain de l'accueil enfants-parents, au modèle de la maison verte de Françoise Dolto. Ce qui a était mis en lumière était le moment essentiel dans la vie de l'être humain, qui est marqué par l'accès au langage, l'univers de la parole, les mots. Selon François Cheng dans un de ses poèmes, ce gui tremble entre frayer et appel, entre regard et silence, est le vrai échange. Le mouvement psychique chez l'infans, - pendant ce moment essentiel - , opère dans un mode analogue, et le sort de son état d'aphone, en ouvrant la voie à l'univers du langage. Il s'agit d'un échange entre l'infans et l'autre, l'être humain d' à côté, ou le Nebenmensch, selon Freud
This thesis treats the period before the child's capacity do speak. We explore the process that might existe, in order to transform the sounds of the baby's univers, into words. The work has been inspired by the work in the "Maisons vertes" created by François Dolto in Paris, 1979. We welcomed familles with children form 0 to 4 years old, and whidnessed the process of dévélopping, and relations. The concept of Nebenmensch de Freud, il one of the principal axes of our reserche, as also the "Stade de miroir, de Jacques Lacan". Is about the transformation of the sounds and singings of the baby, into the humain language and its complexity

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Brandstedt, Nathalie. "The Complexity of Motherhood in Dystopian Novels : A comparative study of Margaret Atwood’s The Handmaid’s Tale and Lois Lowry’s The Giver." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-44202.

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This study explores how motherhood is depicted in Margaret Atwood’s and Louis Lowry’s dystopian novels The Handmaid’s Tale and The Giver. It examines the negative social and psychological consequences of forced surrogacy in the novels’ state-constructed nuclear families, looking closely at a lack of maternal love and care. Using feminist and psychoanalytic criticism, this essay examines the link between the broken connection of mother and child and the protagonists’ search for maternal love in other relationships. It contrasts the protagonists’ rebellion to the social backlash effect and shows how motherhood emerges as a form of resistance against the social engineering of the dystopian societies.

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Schorn, Mariana da Costa. "O eu e o espelho (do cinema) : ficção e realidade." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/33316.

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Situé dans le paradigme psychanalytique et en conformité avec une éthique qui valorise les produits culturels et artistiques en tant que fournisseur de matières riches pour les analystes, ce document propose un dialogue entre la psychanalyse et le cinéma. Le point de départ est constitué dans le déroulement de la notion de stade du miroir, de Lacan, ce qui crée space par lequel l'auteur fait allusion à l'écran du cinéma comme un miroir, en ce sens que Lacan lui a donné. Parmi les nombreux aspects de la dialectique spéculaire, cet travail s‟occupe de l'espace dans lequel l'image spéculaire - de caractère identifiant – laisse qu‟on voie sa constitution fictionnelle. Ainsi, l'objectif est de travailler dans la tension entre fiction et réalité, située dans la logique spéculaire – au miroir et à l‟écran. Pour cela, l'écriture se fait entre des coupures cinématographiques, littéraires et théâtrales. Le film «Abraços partidos » de Pedro Almodovar, le livre «Cem anos de solidão » de Gabriel García Márquez et la pièce « O Balcão » de Jean Genet partagent la scène avec les concepts théoriques. Le pari est que les produits de différents arts peuvent aider dans l‟élaboration argumentative de la recherche. Il est devant le miroir, de l'autre, que le moi devient, autant qu‟identité fictive. Mais seulement en présence d'un tiers le sujet peut se situer dans le collectif social. Dévié de la puissance de capture que l‟image apporte, la parole devient l'outil avec lequel il peut construire quelque chose. Image et parole sont liés. En raison de la fragilité des instances imaginaire et symbolique qui le soutient – il s‟agit de constructions, pas de structures fixes – le sujet ne cesse pas de les reconstruire. Le développement du texte aboutit à la compréhension de que la fiction et la réalité coïncident à la fois dans la structure psychique. Le processus de désidentification - ce qui est déclenchée lorsque l'identification devient conscient, visé par l‟analyse, peut également être produit par de certaines constructions imagétiques. Mais ne sont pas toutes les images qui ont le pouvoir de montrer ce qui les soutient.
Situado no paradigma psicanalítico e em acordo com uma ética que valoriza as produções artísticas e culturais enquanto provedoras de um rico material aos analistas, o presente trabalho propõe um diálogo entre a psicanálise e o cinema. O ponto de partida se constitui no desdobramento do conceito de estádio do espelho, de Lacan, o qual cria cancha para que a autora faça alusão à tela do cinema como um espelho, no sentido que lhe conferiu Lacan. Dentre os muitos aspectos ligados à dialética especular, esta dissertação se ocupa do espaço em que a imagem especular – de caráter identificatório - deixa entrever sua constituição ficcional. Assim, o objetivo é trabalhar na tensão entre ficção e realidade, situada na lógica especular - no espelho e no cinema. Para tanto, a escrita se entrelaça a recortes cinematográficos, literários e teatrais. O filme “Abraços Partidos” de Pedro Almodóvar, a obra “Cem anos de solidão” de Gabriel García Márquez e a peça “O Balcão” de Jean Genet dividem a cena com os conceitos teóricos. A aposta é de que produtos de diferentes artes podem contribuir na elaboração argumentativa da pesquisa. É diante do espelho, do outro, que o eu advém, enquanto identidade imaginária. Mas somente na presença de um terceiro o sujeito pode se situar no coletivo social. Desviado do poder de captura que a imagem comporta, a palavra vem a ser a ferramenta com a qual ele pode construir algo. Imagem e palavra estão ligadas. Devido à fragilidade das instâncias imaginária e simbólica que o sustenta – por se tratarem de engendramentos, não estruturas fixas – o sujeito não cessa de reconstruí-las. O desenvolvimento do texto culmina na compreensão de que a ficção e a realidade coincidem lado a lado na estruturação psíquica. O processo de desidentificação – este que se desencadeia quando a identificação se torna consciente, visado na análise, pode também ser produzido por certas construções imagéticas. Mas não são todas as imagens que têm potência para fazer mostrar isso que as sustentam.

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Calvora, Robert. "Les dégénérés : le rest, le double et l'éternel, retour du même : approche psychopathologique et torique." Paris 13, 2009. http://www.theses.fr/2009PA131019.

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Nous avons pris pour objet les dégénérés tels qu'ils ont été développés dans les théories de la dégénérescence. Nous sommes partis de la question "pourquoi les dégénérés ?" Nous les avons interrogés comme le lieu d'une mise en scène où ils sont exposés en tant que témoins d'un passé jamais venu à la conscience. Ils sont l'infigurable que seule la défiguration rend accessible. Issus d'une déviation dont on ne sait rien, ils sont la figure d'un reste précédant tout partage. Ils sont donc le précédent qu'on ne peut situer. Ils occupent l'espace du non lieu. Ainsi, les dégénérés sont une présence qui échappe à toute reconnaissance. Nous les avons suivis à travers la méconnaissance où s'engage la connaissance paranoïaque du sujet telle qu'elle parvient à être dégagée du stade du miroir où le sujet se reconnaît dans son image à travers un autre, ce qui implique son aliénation. Nous avons plus largement recherché les déterminations de la place des dégénérés en corrélation avec la formation de la vie psychique. Les théories de la dégénérescence s'efforcent de spécifier l'humain en précisant ce qui le distingue du vivant. A travers les dégénérés, elles ouvrent sur l'immémorial dans le temps. Elles ont alors affaire à ce qui est toujours déjà perdu. Le statut réservé apparaît aux dégénérés. Comme l'effet des tensions entre le refoulement et le retour du refoulé. Les théories de la dégénérescence sont l'exposé d'un impossible qui constitue le creux de toute société. Elles finissent par renvoyer au double que toute société doit identifier pour le rejeter. Nous avons terminé ce travail avec les pulsions de mort comme les forces agissantes dans la rencontre du reste et du double
It is our aim to study degenerates as they have been defined in theories on degeneracy. Our initial questions was "Why degenerates"? We studied them as though viewing them in a stage setting in which they are exposed as witnesses of o past which has never reached consciousness. They are the indescribable which can only be understood their disfigurement. Resulting from a deviation about which nothing is known, they are the remainder of what precedes any division. They are therefore the precedent that cannot be located. They occupy the space of spacelessness. And that is why degenerates are a presence that eludes all recognition. We followed them through their misunderstandings which result from the paranoiac nature of the knowledge of the subject. And from there it becomes separated from the mirror stage in which the subject recognizes him/. Herself in his/her reflection through another, a process which implies his/her alienation. We have further sought to define the place occupied by degenerates in correlation to the formation of psychic life. Theories on degeneration aim to define what constitute humans by specifying what distinguishes these from the living. Through degenerates, these theories enter time immemorial. Thus they deal with what is always already lost. Their reserved status appears to be like the effect of the tension between repression and the return of the repressed. Theories on degeneration are an account of an impossible that constitutes the emptiness of any society. They end up reflecting the double that every society must identify in order to reject it. We concluded our study with the death impulses that are like active forces in the encounter between the rest and the double

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Haden, Heather Jean. "The Aesthetics of Unease: Telepresence Art and Hyper-Subjectivity." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1429862881.

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Nyoni, Triyono Johan. ""It's the Englishness" : Bildung and Personality Forming as Postcolonial Criticism in Tsitsi Dangarembga’s Nervous Conditions." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-95354.

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Through a close reading of Tsitsi Dangarembga’s Nervous Conditions, this essay shows the key links between the novel and Frantz Fanon’s major works. In addition to providing a deeper understanding of Dangarembga’s narrative as a whole, it takes into particular consideration the embedded criticism of colonialism in the text. The psychological conditions implied by the title play a central role: the essay shows how these conditions relate to the colonial situation and how refusing to consent to subjugation can be understood as radical criticism of colonial, Christian, as well as patriarchal superstructures as well as forming clear opposition to the colonial institution. The analysis is primarily based on Fanon and his comprehension of other theorists. It also draws on the ideas of Homi K. Bhabha, which will provide an additional level of understanding regarding questions about colonial identities in general, and Dangarembga’s characters Tambu, Nyasha, and Babamukuru in particular.

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Hashim, Khuteibe. "Thick Love : A Psychoanalytical Study of Mother-Daughter Relationships in Toni Morrison’s Beloved." Thesis, Högskolan i Gävle, Avdelningen för utbildningsvetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-35880.

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This study employs psychoanalytical theories to explore how the conscious, unconscious, and subconscious workings of the mind, combined with a search for identity, are presented and dealt with in Toni Morrison’s novel Beloved (1987). It is done through a close reading and in-depth textual analysis of thematic concerns raised in the work. Previous research has primarily relied on some specific aspects of psychoanalytic theory and applied it to Beloved. The theoretical framework provides a rationale for this paper to research two events in particular that highlight the mother-daughter relationships between Sethe and her Ma’am and between Sethe and her daughter Beloved. These relationships are consequently analyzed by employing psychoanalytical concepts offered by Freud, Lacan and Kristeva. By utilizing psychoanalytical criticism, the characters’ conscious and unconscious motives and feelings are revealed and explained, as well as the meanings and the undercurrents that lie underneath the text’s consciousness. The results suggest that Sethe murdered her daughter Beloved to keep her from becoming a slave and enduring the dreadful and traumatic consequences of slavery, which was similar to what Sethe went through when she was abandoned by her Ma'am. Sethe’s childhood psychological principles and trauma shaped her identity as a mother as she witnessed her mother abandoning her at a young age by being tortured and killed. The events around Sethe’s mother’s death and the fact that Sethe never identifies her mother’s dead body, scar Sethe for life and instill in Sethe a sense of “lack” and an abnormal feeling of maternal love where she is ready to kill her children to save them from the horror of slavery.

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Vasquez, Monica. "Le lieu de l’échange invisible entre le regard du spectateur et le tableau dans l’œuvre de Francis Bacon." Paris 8, 2013. http://www.theses.fr/2013PA083904.

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La bouche ouverte dans un cri représentée dans l’œuvre "Étude" d’après le portrait du Pape Innocent X par Vélasquez, 1953, est l’élément pictural par lequel nous nous sommes intéressés à l’œuvre de l’artiste peintre Francis Bacon. Elle a été aussi le moyen par lequel nous rentrons dans l’espace fictif du tableau. Elle apparaît de manière inattendue au regard du spectateur. Elle introduit une première énigme, car isolée par notre regard dans la toile, elle neutralise et laisse au second plan, les autres éléments picturaux. Elle est un élément essentiel, car elle convoque et capture notre regard, nous fixant dans la toile. Cette expérience insolite du regard, nous amène à penser à l’existence d’un point précis dans l’œuvre, à savoir, un lieu d’échange invisible entre le regard du spectateur et le tableau par lequel nous rentrons dans l’espace fictif des toiles. Nous l’avons appelé « le point d’accroche à l’œuvre ». Il a été le pivot, le fil conducteur dans cette recherche. Il a été articulé à trois axes également fondamentaux : l’étude de ce que l’œuvre donne à voir, notre regard de spectateur et artiste, et certains concepts de la psychanalyse. Cette articulation a permis de nous débarrasser de stéréotypes liés depuis longtemps à l’œuvre, car elle ne peut pas s’expliquer simplement aux sentiments d’effroi, et d’étrangeté qu’elle suscite. Cette articulation a permis d’approfondir, de contourner, de configurer, de réorienter, d’analyser et de regarder autrement les toiles de l’artiste. Pour ce faire, nous avons avancé quatre hypothèses afin d’aller à la rencontre du « point d’accroche à l’œuvre » et ainsi comprendre comment et pourquoi le spectateur est affecté par celle-ci
The screaming open mouth represented in the work Study after Velasquez’s portrait of Pope Innocent X, 1953, is the pictorial element which aroused our interest in the work of the painter Francis Bacon. It is also the means by which we enter the fictitious space of the painting. It presents itself unexpectedly to the spectator’s eyes. It introduces a first enigma as, isolated by our look into the canvas, it neutralizes the other pictorial elements and relegates them to a position of secondary importance. It is an essential element as it summons and captures our look and anchors us to the canvas. This unusual experience of the look brings us to think of the existence of a precise point in the work, namely, a place of invisible exchange between the spectator’s look and the painting through which we enter the fictitious space of paintings. We have called this place “the point that hooks one to the work”. It was the pivot, the vital lead in this research. It has been articulated according to three axes which are equally fundamental: the study of what the work offers to the sight, the way we look at it as spectators and artists, and certain concepts of psychoanalysis. This articulation has allowed us to get rid of stereotypes long linked to the work, as the latter cannot just be explained through the feelings of fear and strangeness it arouses. This articulation has made it possible to deepen, bypass, configure, reorient, analyze and watch in a different way the artist’s paintings. To do so, we have advanced four hypotheses in order to be able to meet “the point that hooks one to the work” and thus understand how and why the spectator is affected by this work

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Richier, Christine. "Josef Svoboda, poète de l'immatériel : une étude de la place de la lumière et autres moyens immatériels de la scénographie – projection, réflexion, cinétique – dans l’oeuvre de Josef Svoboda." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSE2116.

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Le scénographe tchèque Josef Svoboda (1920 – 2002), auteur de près de sept cents scénographies sur les scènes du monde entier, est souvent présenté comme un maître de la lumière et de l’utilisation de technologies avancées à la scène. Mais quel est le contexte qui lui a permis de cumuler tant de réalisations et faire entrer en scène tant de procédés innovants, tout en vivant derrière le rideau de fer ? Quelle place tiennent la technique, l’image et la lumière dans sa pensée de l’espace dramatique ? Et quelle est la nature exacte de cette maîtrise de la lumière qu’on lui attribue ?Pour répondre à ces questions, cette étude s’articule autour d’entretiens inédits menés avec Josef Svoboda en 1993. Elle invite à le suivre en coulisses, pour découvrir la façon dont la lumière se pense et se construit au théâtre et à l’opéra. L’étude emprunte aux écrits sur le théâtre des contributeurs du Cercle Linguistique de Prague (1928 – 1939), dont la pensée, méconnue en France, a forgé celle de Svoboda et éclaire d’un jour nouveau les interactions entre les différents composants de la représentation. Il est ici question de lumière, mais aussi de réflexion, de projection, de cinétique scénique ou de traitement du signal en temps réel, autant de moyens immatériels, impalpables dans leur manifestation scénique, que Svoboda a développés et qui sont devenus les ingrédients majeurs de la scénographie du XXIe siècle
The Czech scenographer Josef Svoboda (1920 - 2002), author of approximately 700 scenographies performed around the world, is often presented as a master of light and advanced technologies for the stage. The thesis questions the contextual conditions which enabled him to cumulate so many achievements and introduce numerous innovative processes for the stage, while living behind the Iron Curtain? What place does technique, image and light have in his thinking of dramatic space? And what is the precise nature of the mastery of the lighting that we endow him ?To answer these questions, this study is based on unpublished interviews with Josef Svoboda which took place in 1993. The study invites us to examine off stage content to discover how light is reflected and built in theatre and opera. The thesis builds on the writings of the Linguistic Circle of Prague (1928 - 1939), whose thoughts, unknown in France, forged that of Svoboda and shed new light on the interactions between the different components of performance. This addresses the question of light, but also of reflection, projection, kinetics and signal processing in real time.The accumulation of these immaterial means that Svoboda developed, impalpable by their scenic manifestation for actors and spectators, have become the major ingredients of scenography of the 21st century

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Lowther, John. "To Keep on Knowing More(?): Seminar XVILL, The Other Side of Psychoanalysis." Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/english_theses/65.

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This is an explication of Lacan’s Seminar XVII. The introduction situates the Seminar in its time and in relation to other theories of discourse. In part one I examine the changes which it brings to a variety of ideas already known in Lacan’s oeuvre such as Jouissance, Master Signifier(s) and Oedipus. Part two looks the four discourses in detail after considering the positions common to each. I provide accounts of each discourse as taking place internally to a subject and between subjects. The coda examines areas where further research is possible, reviews and critiques some scholarship on this seminar and inquires into the use value of the discourse theory, both generally and as a means of getting beyond Lacan.

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Masson, Olivier. "L'invention lacanienne : du retour à Freud (1951-1957) à la construction de l'objet a (1958-1963). Une archéologie critique de la pensée de Jacques Lacan." Thesis, Université de Paris (2019-....), 2019. http://www.theses.fr/2019UNIP7147.

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Proposant une lecture archéologique de la construction de l’objet a dans l’enseignement de Lacan entre 1958 et 1963, l’auteur interroge les conditions de possibilité de l’invention lacanienne. Prenant comme point de départ le retour à Freud que Lacan opère entre 1951 et 1957 sur le chemin de Lévi-Strauss, la thèse vise à inscrire la découverte du psychanalyste dans le mouvement de sa pensée qui se développe sur l’horizon des débats épistémologiques les plus importants en sciences sociales depuis le début du XXe siècle. Après avoir montré dans un premier temps que Lacan trouve la boussole de la linguistique structurale dans l’anthropologie de Lévi-Strauss à partir de la fonction symbolique (1951-1957), il sera possible, dans un second temps, d’isoler la question de l’autonomie du registre symbolique, à l’origine de la révolution en laquelle consiste l’introduction du phallus dans son enseignement (1956-1958), comme le point à partir duquel se séparent les parcours de Lacan et de Lévi-Strauss. Finalement, il sera possible de montrer comment Lacan construit l’objet a (1958-1963) à partir de ce qui se présente comme le résidu de l’analyse structurale
Offering an archaeological reading of the construction of object a in Lacan’s teaching between 1958 and 1963, the author questions the conditions in which the lacanian invention are made possible. By taking Lacan’s return to Freud by means of Levi-Strauss as a starting point (1951-1957), the thesis aims to situate lacan’s thought in the horizon of the most important debates of the 20th century in social sciences. Firstly, Lacan finds structural linguistics through Levi-Strauss’s notion of symbolic function (1951-1957). Secondly, through the autonomy of the symbolic order causing the phallus revolution in his teaching, he can no longer follow Levi-Strauss in his path (1956-1958). Finally, Lacan is able to elaborate the object a (1958-1963) from the remnant of structural analysis

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Martin, Jocelyn S. "Re/membering: articulating cultural identity in Philippine fiction in English." Doctoral thesis, Universite Libre de Bruxelles, 2010. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210163.

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This dissertation examines how Philippine (or Filipino) authors emphasise the need for articulating or “re/membering” cultural identity. The researcher mainly draws from the theory of Caribbean critic, Stuart Hall, who views cultural identity as an articulation which allows “the fragmented, decentred human agent” to be considered as one who is both “subject-ed” by power but/and one who is capable of acting against those powers (Grossberg 1996 [1986]: 157, emphasis mine). Applied to the Philippine context, this writer argues that, instead of viewing an apparent fragmented Filipino identity as a hindrance to “defining” cultural identity, she views the “damaged” (Fallows 1987) Filipino history as a the material itself which allows articulation of identity. Instead of reducing the cultural identity of a people to what-they-could-have-been-had-history-not-intervened, she puts forward a vision of identity which attempts to transfigure these “damages” through the efforts of coming-to-terms with history. While this point of view has already been shared by other critics (such as Feria 1991 or Dalisay 1998:145), the author’s contribution lies in presenting re/membering to describe a specific type of articulation which neither permits one to deny wounds of the past nor stagnate in them. Moreover, re/membering allows one to understand continuous re-articulations of “new” identities (due to current migration), while putting an “arbitrary closure” (Hall) to simplistic re-articulations which may only further the “lines of tendential forces” (such as black or brown skin bias) or hegemonic practices.

Written as such (with a slash),“re/membering” encapsulates the following three-fold meaning: (1) a “re-membering”, to indicate “a putting together of the dismembered past to make sense of the trauma of the present” (Bhabha 1994:63); as (2) a “re-membering” or a re-integration into a group and; as (3) “remembering” which implies possessing “memory or … set [ting] off in search of a memory” (Ricoeur 2004:4). As a morphological unit, “re/membering” designates, the ways in which Filipino authors try to articulate cultural identity through the routes of colonisation, migration and dictatorship.

The authors studied in this thesis include: Carlos Bulosan, Bienvenido Santos, N.V.M. Gonzalez, Nick Joaquin, Frank Sionil José, Ninotchka Rosca, Jessica Hagedorn, and Merlinda Bobis. Sixty-years separate Bulosan’s America is in the Heart (1943) from Hagedorn’s Dream Jungle (2003). Analysis of these works reveals how articulation is both difficult and hopeful. On the one hand, authors criticize the lack of efforts and seriousness towards articulation of cultural identity as re/membering (coming to terms with the past, fostering belonging and cultivating memory). Not only is re/membering challenged by double-consciousness (Du Bois 1994), dismemberment and forgetting, moreover, its necessity is likewise hard to recognize because of pain, trauma, phenomena of splitting, escapist attitudes and preferences for a “comfortable captivity”.

On the other hand, re/membering can also be described as hopeful by the way authors themselves make use of literature to articulate identity through research, dialogue, time, reconciliation and re-creation. Although painstaking and difficult, re/membering is important and necessary because what is at stake is an articulated Philippine cultural identity. However, who would be prepared to make the effort?

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Cette thèse démontre que, pour les auteurs philippins, l’articulation ou « re/membering » l'identité culturelle, est nécessaire. Le chercheur s'appuie principalement sur la théorie de Stuart Hall, qui perçoit l'identité culturelle comme une articulation qui permet de considérer l’homme assujetti capable aussi d'agir contre des pouvoirs (cf. Grossberg 1996 [1986]: 157). Appliquée au contexte philippin, cet auteur soutient que, au lieu de la visualisation d'une identité fragmentée apparente comme un obstacle à une « définition » de l'identité culturelle, elle regarde l’histoire philippine «abîmée» (Fallows 1987) comme le matériel même qui permet l'articulation d’identité. Au lieu de réduire l'identité culturelle d'un peuple à ce qu’ ils auraint pû être avant les interventions de l’histoire, elle met en avant une vision de l'identité qui cherche à transfigurer ces "dommages" par un travail d’acceptation avec l'histoire.

Bien que ce point de vue a déjà été partagé par d'autres critiques (tels que Feria 1991 ou Dalisay 1998:145), la contribution de l'auteur réside dans la présentation de « re/membering » pour décrire un type d'articulation sans refouler les plaies du passé, mais sans stagner en elles non plus. De plus, « re/membering » permet de comprendre de futures articulations de « nouvelles » identités culturelles (en raison de la migration en cours), tout en mettant une «fermeture arbitraire» (Hall) aux ré-articulations simplistes qui ne font que promouvoir des “lines of tendential forces” (Hall) (tels que des préjugés sur la couleur brune ou noire de peau) ou des pratiques hégémoniques.

Rédigé en tant que telle (avec /), « re/membering » comporte une triple signification: (1) une «re-membering », pour indiquer une mise ensemble d’un passé fragmenté pour donner un sens au traumatisme du présent (cf. Bhabha, 1994:63); (2) une «re-membering» ou une ré-intégration dans un groupe et finalement, comme (3)"remembering", qui suppose la possession de mémoire ou une recherche d'une mémoire »(Ricoeur 2004:4). Comme unité morphologique, « re/membering » désigne la manière dont les auteurs philippins tentent d'articuler l'identité culturelle à travers les routes de la colonisation, les migrations et la dictature.

Les auteurs inclus dans cette thèse sont: Carlos Bulosan, Bienvenido Santos, NVM Gonzalez, Nick Joaquin, Frank Sionil José, Ninotchka Rosca, Jessica Hagedorn, et Merlinda Bobis. Soixante ans séparent America is in the Heart (1943) du Bulosan et le Dream Jungle (2003) du Hagedorn. L'analyse de ces œuvres révèle la façon dont l'articulation est à la fois difficile et pleine d'espoir. D'une part, les auteurs critiquent le manque d'efforts envers l'articulation en tant que « re/membering » (confrontation avec le passé, reconnaissance de l'appartenance et cultivation de la mémoire). Non seulement est « re/membering » heurté par le double conscience (Du Bois 1994), le démembrement et l'oubli, en outre, sa nécessité est également difficile à reconnaître en raison de la douleur, les traumatismes, les phénomènes de scission, les attitudes et les préférences d'évasion pour une captivité "confortable" .

En même temps, « re/membering » peut également être décrit comme plein d'espoir par la façon dont les auteurs eux-mêmes utilisent la littérature pour articuler l'identité à travers la recherche, le dialogue, la durée, la réconciliation et la re-création. Bien que laborieux et difficile, « re/membering » est important et nécessaire car ce qui est en jeu, c'est une identité culturelle articulée des Philippines. Mais qui serait prêt à l'effort?

Doctorat en Langues et lettres
info:eu-repo/semantics/nonPublished

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48

Hýl, Petr. "Slovinské národní divadlo v Lublani." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2009. http://www.nusl.cz/ntk/nusl-215582.

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49

Tsai, Sheng-Wei, and 蔡勝偉. "High Power diode-pumped Passively Mode-Locked Solid-State Laser with Nonlinear Mirror." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/41738692396359291666.

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碩士
國立交通大學
光電工程所
88
We investigated the performance of the high-power diode-end-pump CW mode-locked laser with the non-linear mirror technology. With 15-mm KTP crystal, greater than 5.7W of average output power at a repetition rate of 148 MHz was obtained at 17-W absorbed pump power. The minimum duration of the mode-locked pulses was obtained with 3-mm KTP length; and its value was around 10-ps at the average output power of 4.9-W. We also studied the design criteria of the parameters, including the length of KTP crystal and the reflectivity of output coupler. The experimental results were found to be in good agreement with the theoretical analysis.

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50

Chiang, Cheng-yeh, and 江承燁. "Tunable V-shaped Cavity Single Longitudinal Mode Ti:sapphire Solid-State Laser System Using Volume Bragg Grating as Laser Mirror." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/4rg55e.

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碩士
國立中央大學
光電科學研究所
97
Lasers with narrow linewidth and wavelength tunability are important for spectroscopy applications. To reach such performance, several methods with different optical elements have to be introduced to the cavity designs. However, the insertion of these optical elements gives extra loss to the cavity and results in alignment complexity. A new optical element, Volume Bragg Grating (VBG), can work as a wavelength tuning and mode selection element at the same time inside the cavity to achieve desired laser performance. This thesis demonstrated three types of laser cavity designs. Linear cavity setup used dielectric mirror and VBG as the output coupler. V-shaped cavity setup used VBG as laser folding mirror and dielectric mirror as the output coupler. Ti:sapphire crystal was chosen to be the gain medium since it has an extensively large laser tuning range from 700 nm to 1100 nm. The V-shaped cavity setup achieved tuning range from 783.5 nm to 741.6 nm by using one single VBG which has its central reflection wavelength at 790.3 nm. Laser output performance including Fabry-Perot interference spectral measurement, laser threshold, slope efficiency, and M2 measurement were analysed in detail.

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Дисертації з теми "State of mirror"

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