Дисертації з теми "Stained glass window"
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Atkinson, Caroline Sarah. "William Peckitt's Great West Window at Exeter Cathedral." Thesis, University of Plymouth, 2011. http://hdl.handle.net/10026.1/887.
Повний текст джерелаMerchant, Sean Robert. "Tending the Broken Window." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1493285369498883.
Повний текст джерелаBetts, Edmund John. "The new East Window of St Martin-in-the-Fields Church, London : a window of opportunity for developing ordinary theology through a visual image." Thesis, University of Chester, 2014. http://hdl.handle.net/10034/611402.
Повний текст джерелаHarrison, Katherine. "Putting the stained glass window back together : helpful and unhelpful aspects of psychological therapy with women with breast cancer : a grounded theory analysis." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/putting-the-stained-glass-window-back-together-helpful-and-unhelpful-aspects-of-psychological-therapy-with-women-with-breast-cancer-a-grounded-theory-analysis(d890be65-b264-4c1d-8ea2-cf0e035b44e2).html.
Повний текст джерелаVoltolina, Stefano. "Studio e Rilievi per la Conoscenza e il Restauro della Grande Vetrata della Chiesa di San Giovanni e Paolo a Venezia." Doctoral thesis, Università degli studi di Padova, 2009. http://hdl.handle.net/11577/3426100.
Повний текст джерелаIn questo lavoro di tesi è stato eseguito uno studio approfondito dello stato di conservazione della Grande Vetrata della Chiesa di San Giovanni e Paolo a Venezia e delle problematiche connesse alla conservazione ed al restauro di questo incredibile esempio di arte vetratistica, unico nel suo genere a Venezia. Le vetrate sono opere complesse e poco conosciute. Non esistono metodologie chiare e consolidate per la loro conservazione. Il lavoro svolto in questi tre anni di dottorato è dunque partito proprio con la identificazione e la caratterizzazione dei sistemi costruttivi tecnologici e decorativi propri dell’opera vetrata e con la definizione delle problematiche connesse alla loro conservazione. Riguardo questo ultimo aspetto è stato molto utile lo studio della documentazione relativa agli interventi di restauro eseguiti nel corso dei secoli sulla Grande Vetrata: se infatti è importante conoscere gli ideatori e gli esecutori che hanno dato vita ad un’opera, non è da meno lo studiare le problematiche davanti alle quali si sono trovati i diversi restauratori e l’evoluzione delle metodologie di intervento nel tempo. Una volta compresa la natura dell’opera e delle sue possibili alterazioni sono stati eseguiti un rilievo metrico ed un rilievo fotografico ad alta definizione dell’intera vetrata. Contemporaneamente è stato effettuato un rilievo delle zone interessate dai fenomeni di degrado individuati precedentemente. I dati ottenuti dai rilievi metrico, fotografico e del degrado e dallo studio della storia della vetrata sono stati utilizzati per creare una mappa dello stato di conservazione dell’opera che possa costituire uno strumento di facile ed immediata lettura per chi dovesse trovarsi ad operare sulla vetrata. Il percorso conoscitivo si è concluso con il prelievo e l’analisi in laboratorio di un antello della vetrata. Questa operazione è stata condotta insieme ad un funzionario della Soprintendenza per i Beni Ambientali e Paesaggistici di Venezia e Laguna e ad esperti restauratori di vetrate ed ha costituito un importante momento di confronto e di apprendimento. La combinazione delle competenze relative alle problematiche di conservazione, alle tecnologie di intervento ed alla natura intima dei materiali hanno dato la possibilità di caratterizzare compiutamente lo stato di conservazione dell’antello in esame e di fornire quindi tuttti gli strumenti necessari per le progettazione di un corretto intervento di restauro.
Kline, Joshua. "A Tiffany Window In the Virginia Museum of Fine Arts and the Patronage of The Saunders Family of Richmond." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2890.
Повний текст джерелаSuganthan, Shanmugalingam. "Enhancement of images of stained glass windows." Thesis, University of Derby, 2003. http://hdl.handle.net/10545/213789.
Повний текст джерелаVillaro, Izaskun. "Analysis of the energy savings gained by protective glazing on stained single-glass windows at Uppsala cathedral." Thesis, Högskolan i Gävle, Avdelningen för bygg- energi- och miljöteknik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-22101.
Повний текст джерелаChurch project
Mills, Paula Jayne. "A study of the atmospheric corrosion of mediaeval stained glass windows in the United Kingdom." Thesis, University of York, 1995. http://etheses.whiterose.ac.uk/10858/.
Повний текст джерелаHoffman-Stonebraker, Jennifer C. "The history and use of stained glass windows in ecclesiastical buildings in Indianapolis, Indiana, 1865-1915." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1214382.
Повний текст джерелаDepartment of Architecture
McDade, Carrie Leah Ziskin Rochelle. "The discourse of identity John La Farge's stained glass windows for Congregation B'nai Jehudah, Kansas City, Missouri /." Diss., UMK access, 2004.
Знайти повний текст джерела"A thesis in art history. Typescript. Advisor: Rochelle Ziskin. Vita. Title from "catalog record" of the print edition Description based on contents viewed Feb. 27, 2006. Includes bibliographical references (leaves 139-153). Online version of the print edition.
Dluzak, Catherine M. "An investigation into the influence of the Tiffany Studios in the ecclesiastical stained glass windows commissioned in Indianapolis, Indiana between 1880-1930." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1118169.
Повний текст джерелаDepartment of Architecture
Ferrand, Jessica. "Le phénomène de brunissement des vitraux médiévaux : critères d’identification et nature de la phase d’altération." Thesis, Paris Est, 2013. http://www.theses.fr/2013PEST1174/document.
Повний текст джерелаThe medieval stained glass windows, which glass composition contain manganese, are often affected by an alteration commonly designated as "browning". This phenomenon results in the presence of Mn-rich brown spots at the surface or subsurface of the glass thus limiting the passage of light and hindering the interpretation of the artwork. Poorly documented, the occurrence of browning among stained glass windows is not precisely described. Currently, one of the major problems in terms of conservation and restoration is that long-term treatments are not available. In these conditions, the recommendations are not to treat the affected glasses, a solution that satisfies neither the architects nor the curators, nor the restorers. In order to answer the questions and expectations of curators and restorers the comprehension of this phenomenon is essential. In this work, a panel of 24 historical and 3 archaeological stained glass samples were studied by microscopic and spectroscopic methods in order to i) establish reliable criteria for identifying the browning phenomenon due to manganese and ii) obtain information on the nature of the dark phases and the oxidation state of manganese in these phases. In parallel with the study of ancient samples, synthetic glasses with medieval-like compositions were synthesized for: i) understanding the reaction between manganese and iron, as well as the influence of the process parameters on the color of glasses and ii) studying the influence of bacteria in the development of the browning phenomenon
Silva, Pedro Redol Lourenço da. "Os vitrais dos séculos XV e XVI do Mosteiro de Santa Maria da Vitória-estudo sobre o seu significado cultural e artístico, e sobre a sua conservação." Master's thesis, Instituições portuguesas -- UL-Universidade de Lisboa -- -Faculdade de Letras, 1999. http://dited.bn.pt:80/29121.
Повний текст джерелаPiniello, Françoise. "L’écriture de la lumière dans "A la Recherche du temps perdu" de Marcel Proust : étude stylistique." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE2155.
Повний текст джерелаLight is a recurring theme throughout Remembrance of Things Past - the magic lantern's importance is to be noted from the novel's beginning. Light is often used as a metaphor for artistic creation. Thus, I have chosen to study this motif focusing on light-induced patterns as well as how it becomes symbolic in the context of the novel. I will use lexicological and stylistic analysis to do so.I have first worked on words connected to creative light for which I will propose a semiasiological analysis including of the substantive light itself. I have also focused on some its para synonymous terms such as sun, moon, day, brightness, glow, lighting, shade, glint, beam...by looking for paradigms used instead in the novel.Secondly, I have examined whether some of light's properties – path sentences like rays of light ; transvertebration, stained glass window sentences - are part of the structure of Proust's sentences, since focus and fragmentation structure the author' insight into his world.Finally, I have selected literary devices - metaphors, syllepses and antanaclases in their stylistic function as well as some uses of the coordination conjunction and – and analysed them in so far as they convey the characteristics of light beyond the structure of sentences. The art of photography and its techniques are then shown metaphorically shedding light and interplaying with the art of Proust, the author of Remembrance of Things Past, progressively conjuring the image of photographice development process
Macedo, Adriane Roberta Ribeiro de. "O romance vitral de Adélia Prado." Pontifícia Universidade Católica de São Paulo, 2005. https://tede2.pucsp.br/handle/handle/14716.
Повний текст джерелаCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
The present dissertation has as objective to reflect on the process of construction of the narrative speech of Cacos para um vitral, workmanship of Adélia Prado, published in 1980. thus, we elaborate the following question: Knowing that the organization give to the composition to the romance Cacos para um vitral deives a digialogical construction, equivalent and multi-meaming, where is discursive dimension modality retakes the similar literal logic to the composition of stain glass window? Ahead of the object and the problematic one considered, we raise two hypotheses, first, the architextura of the composition of the stain glass window, second, the metalinguistic method cooperates with the assembly of double metaphor: stain glass window text. The research discloses, among other conclusions, that the organization of the text is brock up in direction, approaching the process of construction of the text and the composition of stain glass window
A presente dissertação tem como objetivo refletir sobre o processo de construção do discurso narrativo de Cacos para um vitral, obra de Adélia Prado, publicada em 1980. para tanto, elaboramos a seguinte pergunta: sabendo que a organização dada ao romance Cacos para um vitral deriva uma construção dialógica, equivalente e plurissignificativa, em que dimensão esta modalidade retoma a lógica textual similar à composição de um vitral? Diante do objetivo e da problemática propostos, levantamos duas hipóteses: primeira a arquitextura do romance Cacos para um vitral, retoma a modalidade discursiva metafórica da composição do vitral; segunda o método metalingüístico coopera com a montagem da dupla metáfora: texto-vitral. A pesquisa revela, entre outras conclusões, que a organização do texto é fragmentada no sentido de romper com as estruturas da linearidade. A metalinguagem é empregada no sentido operativo, aproximando o processo de construção do texto e a composição do vitral
Stevenin, Anne-Blanche. "Luc-Olivier Merson (1846-1920) : de la peinture d’histoire à la peinture décorative." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040268.
Повний текст джерелаIn 1869, when a student at the École des Beaux-Arts de Paris, Luc-Olivier Merson received the Rome Prize in history painting. The award allowed him to complete his training with four years of study in Italy. A well-known artist in his own time, Merson showed regularly at the Paris Salon before broadening the scope of his creative activity to include decorative painting and illustration. Beyond his taste for monumental painting, he evinced a keen interest in religious art, whose conventions he overturned, making use of recondite iconographic sources and unusual subjects. Suspended between Academism and Symbolism, Merson displayed a penchant for drawing, always privileging line, even as he maintained a subtle and refined sense of color. Having emerged from the shadow of his father, the art critic Olivier Merson, and endowed his work with a self-conscious archaism and idealism, Luc-Olivier Merson might justly be classed among the precursors of Symbolism. By studying the life and work of Merson, we may come to understand the aesthetic choices and the audacity of an artist too often—and too hastily—termed “Pompier” in twentieth-century art historiography
Gastinne-Biclet, Armelle. "Image et parole : le vitrail de Saint Lubin à Chartres : sens et fonction de ses images à la fin du XIIe siècle." Thesis, Bourgogne Franche-Comté, 2019. http://www.theses.fr/2019UBFCH040.
Повний текст джерелаThe enigma of saint Lubin stained glass window at Chartres, showing a wine story in the middle of the saint’s life, can be resolved by a symbolic interpretation of it’s images, if paying regard to the medieval mental schemes : the central Eucharistic mystery of the wine enables the young Lubin to achieve sainthood, through his own vocation of consecrated (the learned canon of XIIth century appearing under the VIth century monk), priest and bishop, Good Sheperd dispensing divine gifts. The unusual presence of small human figures at the outer framework of the stained glass window emphasises the important role to be played by the laity in the Eucharistic mysteries. It takes part, with the introductive images, to a preached exhortation of the window, inviting all spectators to be converted. It’s theological teaching imports as it’s means of expression the images of the Scriptures, as interpretated by glossa ordinaria, updated, and organised into a Theological Sum chapter, remaining faithfull to the Fathers’ teaching about figura and veritas, the relationship figura-veritas of the wine of the Last Supper and the blood of Christ being of the same ‘type’ as between the Old and the New Testaments, or between the Life of earthly Church and Eschatology, using the constructive resources of Logic, without submitting to its mystery devastating hegemony. Far from being an advertisement for the relic of the saint, for the bishop or the canons, the stained-glass window thus takes place in the contemporaneous stream of the Parisian ‘Biblico-moral School’, who shared with Saint-Victor, in particular with Richard, the project to lay foundations for a moral reformation of Clergy and Laity on the study, -as well historical as symbolic-, of the Bible, and on preaching
Baird, Shirley May. "The stained glass war memorial windows of Charles William Kelsey." Thesis, 1995. http://spectrum.library.concordia.ca/110/1/MM05144.pdf.
Повний текст джерелаChien, Miao-Ting, and 簡妙庭. "The Investigation of Catholic Church: "Stained Glass" Windows in Tainan." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/61971281815599017457.
Повний текст джерела國立臺南藝術大學
博物館學與古物維護研究所
103
Stained-glass windows, which are not well known in Taiwan, appeared first during the reign of Japan. In order to preserve them well, research and documentation should be undertaken. Therefore, in this paper, The Investigation of Catholic Church: “Stained Glass” Windows in Tainan City as an example for research. After introducing the development of stained glass windows, manufactured technology and materials in general, the field research presents not only the motifs with their iconography on glass windows and short history of these six churches with stained glass, but also the spreadsheet recorded the location of windows distribution in churches. Finally, the technology, materials used handheld XRF analyzer and the condition of the stained glasses from these churches will be examined and documented, as a basis for future preservation archives.
Pinto, Amanda Monteiro Corrêa. "Stained-glass windows of historical buildings from Belém do Pará (Brazil): a conservation approach." Doctoral thesis, 2018. http://hdl.handle.net/10362/57405.
Повний текст джерелаMA, JIA-LING, and 馬嘉伶. "A Study of the Application of Patterns of Church Stained Glass Windows on Wedding Dresses." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/u8b2zw.
Повний текст джерела建國科技大學
美容科技研究所
105
Stained glass is featured prominently in classical art and architecture. The Christian churches used the images from the Bible to preach. Observing that weddings often take place in churches, that the Bible contains stories of marriage, and that the design of weddings dress, dominated by white gown, lace, paillettes and jewelry, requires innovations, this thesis intends to bring together images of church stained glass and wedding dresses to demonstrate that the images can not only decorate buildings and objects, but also introduce new ideas into the visual design of wedding dress. The design of wedding dress is diverse and ever-changing, and conveying its significance with the Bible stories depicted by the stained glass may provide a uniqueness with different feelings and memories to every bride. Exploring wedding dresses as a union of Russian punch needle embroidery, French DMC embroidery floss, and Taiwanese yarn and satin, the thesis focuses on eight examples combining the Bible stories and wedding dresses. For example, stories such as the Creation of the Heavens and the Earth, the crucifixion of Jesus Christ, and Jesus walking hard road for fourteen days the connotation of mission which was emphasized on the illustrated Biblical stories. By reviewing literature and analyzing aesthetic ideas and images, the thesis presents wedding dresses with religious connotations. Transformed by the stained-glass images, they tell edifying, encouraging Bible stories that may inspire various artistic ideas. It hopes to stimulate profounder visual responses, and contribute to the development and prospect of cultural creativity.
Zylstra, Bernard, Evelyn Kuntz Hielema, and Marty Ruiter. "Perspective vol. 14 no. 2 (Apr 1980)." 2013. http://hdl.handle.net/10756/251305.
Повний текст джерела