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Статті в журналах з теми "Spectator categorization"
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Meân, Lindsey J., and Jeffrey W. Kassing. "Identities at Youth Sporting Events: A Critical Discourse Analysis." International Journal of Sport Communication 1, no. 1 (March 2008): 42–66. http://dx.doi.org/10.1123/ijsc.1.1.42.
Повний текст джерелаАнотація:
The purpose of this study was to examine identity and spectator/fan communication at youth sporting events. Data were collected through naturalistic observation of 44 youth sporting events. The median age range of the athletes was 6–11 years. Critical discourse analysis revealed the enactment of overlapping and conflicting identities (sports fan/spectator, coach, and parent) and the re/production of the ideology of winning (at all costs) and aggressive competition, rather than participation, support, and “unconditional” encouragement. In particular, the enactment or performance of sports identities, including identification with athletes, was observed to overlap with the enactment of parental identities and identification with children in ways that suggested that the salient issue was enhancement of parent self-categorization as sports spectator/fan, coach, and parent of a great athlete through the success of the child-athlete. That is, talk and identity performance were less about the children and more about parents’ identities.
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Branscombe, Nyla R., and Daniel L. Wann. "Role of Identification with a Group, Arousal, Categorization Processes, and Self-Esteem in Sports Spectator Aggression." Human Relations 45, no. 10 (October 1992): 1013–33. http://dx.doi.org/10.1177/001872679204501001.
Повний текст джерела
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Goyvaerts, Samuel, and Fokke Wouda. "Dutch Responses to Lockdown Liturgies. Analysis of the Public Debate on Sacraments During the COVID-19 Pandemic." Yearbook for Ritual and Liturgical Studies 36 (December 31, 2020): 3–17. http://dx.doi.org/10.21827/yrls.36.3-17.
Повний текст джерелаАнотація:
Analyzing the discourse around sacraments – most notably the Eucharist – in Dutch newspapers in the first months of restrictions issued to combat the coronavirus pandemic, this article categorizes the various manifestations of liturgical life encountered and presents the main theological interests at stake. The article is structured according to the four types of adaptations to liturgical life displayed in the sample of articles, readers’ letters, and opinion pieces included in this study: abstinence, spectator liturgy, private domestic liturgy, and embedded domestic liturgy. This categorization helps to track the theological presuppositions involved, some of which have been explicitly articulated in the sample. These arguments are then collected and discussed. In doing so, this article lists significant responses to the liturgical practices that emerged during the first lockdown of 2020 in the Netherlands and analyses the most important themes involved, formulating some of the implications for the future of liturgical practice and thought.
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Rotstein, Andrea. "Mousikoi Agones and the Conceptualization of Genre in Ancient Greece." Classical Antiquity 31, no. 1 (April 1, 2012): 92–127. http://dx.doi.org/10.1525/ca.2012.31.1.92.
Повний текст джерелаАнотація:
This article inquires into the shaping force that competition at musical contests exercised on ancient perceptions of literary genres, particularly for the non-choral and non-dramatic kinds of the Classical Period. Three musical contests of the fourth century BCE, the Panathenaia, the Amphiaraia, and the Artemisia, are taken as case studies. After a reconstruction of their programs, principles of categorization that spectators might have inferred from the contests are deduced, and modes in which categories of competition and literary genres interacted are put forward. The article concludes by suggesting that, by enacting taxonomies, either strengthening or weakening the specificity of traditional types, institutionalized poetic and musical competitions contributed to the ancient conceptualization of literary genres.
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Almarzouki, Hatim Z. "Deep-Learning-Based Cancer Profiles Classification Using Gene Expression Data Profile." Journal of Healthcare Engineering 2022 (January 7, 2022): 1–13. http://dx.doi.org/10.1155/2022/4715998.
Повний текст джерелаАнотація:
The quantity of data required to give a valid analysis grows exponentially as machine learning dimensionality increases. In a single experiment, microarrays or gene expression profiling assesses and determines gene expression levels and patterns in various cell types or tissues. The advent of DNA microarray technology has enabled simultaneous intensive care of hundreds of gene expressions on a single chip, advancing cancer categorization. The most challenging aspect of categorization is working out many information points from many sources. The proposed approach uses microarray data to train deep learning algorithms on extracted features and then uses the Latent Feature Selection Technique to reduce classification time and increase accuracy. The feature-selection-based techniques will pick the important genes before classifying microarray data for cancer prediction and diagnosis. These methods improve classification accuracy by removing duplicate and superfluous information. The Artificial Bee Colony (ABC) technique of feature selection was proposed in this research using bone marrow PC gene expression data. The ABC algorithm, based on swarm intelligence, has been proposed for gene identification. The ABC has been used here for feature selection that generates a subset of features and every feature produced by the spectators, making this a wrapper-based feature selection system. This method’s main goal is to choose the fewest genes that are critical to PC performance while also increasing prediction accuracy. Convolutional Neural Networks were used to classify tumors without labelling them. Lung, kidney, and brain cancer datasets were used in the procedure’s training and testing stages. Using the cross-validation technique of k-fold methodology, the Convolutional Neural Network has an accuracy rate of 96.43%. The suggested research includes techniques for preprocessing and modifying gene expression data to enhance future cancer detection accuracy.
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Bacholle, Michèle. "For a fluid approach to Céline Sciamma's Portrait of a Lady on Fire." French Cultural Studies, May 29, 2022, 095715582210996. http://dx.doi.org/10.1177/09571558221099637.
Повний текст джерелаАнотація:
This paper argues that Céline Sciamma's Portrait of a Lady on Fire (2019) goes beyond the lesbian or queer categorization that critics have often hastily reduced it to. Set in pre-revolutionary France, Portrait is a film from 'the 2019th century' (Sciamma) that addresses contemporary issues (consent, patriarchal and heteronormative order, women's silencing, women's desire and sexuality). It offers a reflection on 'fluid' time and historicizes and archives both disappeared women artists and same-sex women's relations in French painting and cinema. Sciamma reeducates her spectators’ (male) gaze, precludes voyeurism and the objectification and fetishization of her heroines’ bodies, bestows agency upon them, and displays equality and respect in both form and content. Despite its Queer Palme award at Cannes, Portrait calls for a qualifier better suited to our changing times, as this fluid approach attempts to show.
Дисертації з теми "Spectator categorization"
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Roschmann, Regina. "Zuordnungsprozesse bei Fußballzuschauern - Zur Salienz teambezogener Kategorien." Doctoral thesis, Universitätsbibliothek Chemnitz, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-121214.
Повний текст джерелаАнотація:
Sport im Allgemeinen und Fußball im Besonderen erfreuen sich nicht nur unter aktiven Sportlern, sondern auch unter Zuschauern aktuell hoher Beliebtheit. Angesichts teils enormer Einschaltquoten scheint es wahrscheinlich, dass Fußballspiele nicht nur von Fans der beteiligten Mannschaften verfolgt werden. Dies kann sowohl gänzlich neutrale Zuschauer als auch Anhänger anderer Teams betreffen. Während Fans allerdings durch die Literatur bereits ausführliche Aufmerksamkeit erfahren haben und durch relativ eindeutige und verlässliche Denk- und Verhaltensweisen gekennzeichnet scheinen, bleibt dies für ‚sonstige‘ Zuschauer bisher unbeleuchtet. Aufbauend auf der Theorie der Selbstkategorisierung (Turner et al. 1987) widmet sich die vorliegende Arbeit deshalb – ohne explizite Einschränkung auf Anhänger einer Mannschaft – der Zuordnung von Zuschauern zu den beteiligten Teams eines Fußballspiels und beleuchtet, inwieweit diese teambezogenen Kategorien als Grundlage für das Denken und Handeln herangezogen werden. Hierfür werden theoretische Annahmen über eine Selbstkategorisierung zweiter Ordnung formuliert, welche das Entstehen salienter Selbstkategorien auch ohne das Vorliegen hoher Identifikation mit dem Team erklären. Die durchgeführten empirischen Studien stützen die Annahmen und zeigen, dass auch von Spiel zu Spiel wechselnde Selbstzuordnungen auftreten können.
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Nohejl, Jiří. "Obraz jako příklad a vzor v kontextu jeho vlivu a rozšíření na prožívání života člověka." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-307518.
Повний текст джерелаАнотація:
The main theme of this dissertation is to define an image as a visual experience. The human interaction is described by the author himself as a perception of the image, which serves as an information unit that could be presented as a possibility, example and pattern for the individual. There is an emphasis on the process of perception itself and on the way of interaction of an individual emphasizing the context of social learning and imitation in this text. The analysis of the principles of this interaction leading into introduction of the partial interactive models covering these processes is formed by the essential plane. The structure of the thesis is divided into ten main chapters in which the author tries to introduce a category of perception, a definition of the image and imitation as a tool of cultural transmission, presentation of the units of this transmission, the process of the interaction itself and analogous example of the fundamental role that a person in this interaction holds. There are also three analogies of these roles, which refer to the anthropological universal interaction describing the man as a gatherer and hunter. Their main purpose is to illustrate the form of a human experience better. Finally, there are reflections on the topic above. The possibilities and results, which...
Книги з теми "Spectator categorization"
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White, Bretton. Staging Discomfort. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401544.001.0001.
Повний текст джерелаАнотація:
Staging Discomfort examines how queer bodies are theatrically represented on the Cuban stage in order to re-evaluate the role of categorization as one of the state’s primary revolutionary tools. These performances concentrate on an aesthetics of fluidity, and thus upset traditional understandings of performer and spectator, and what constitutes the ideal Cuban citizenry. New affective modes are produced when performing bodies highlight—often in uncomfortably intimate, grotesque, or raw ways—the unavoidability of spectators’ bodies, and their capacity for queerness. Here the imagining of new continuities and subjectivities can lead to a reconfiguration of forms of Cuban citizenship. The affective responses from the closeness experienced in the performances in Staging Discomfort are challenges to the Cuban state’s self-designated role as primary provider for the needs of its citizens’ bodies. Through the lens of queer theory, the manuscript explores the body’s centrality to the state’s deployment of fear to successfully marginalize gay life, which this group of works seeks to defuse through an articulation of intimacies, shame, the death drive, cruising, and failure. These affective experiences shape Cuban subjectivities that emerge out of queerness, but whose focus on inclusivity necessarily involves all Cubans. Several of the central questions that guide Staging Discomfort are: How is Cuban theater agile in its critiques considering the state’s limitations on expression? How do queer performances allow for new understandings about the effects of the state’s failing socialist utopian contract with its citizens? And, can Cuban bodies that come together in queer ways re-imagine Cuban citizenship?
Частини книг з теми "Spectator categorization"
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Coates, Jennifer. "Theorizing Excess and the Abject." In Making Icons. Hong Kong University Press, 2017. http://dx.doi.org/10.5790/hongkong/9789888208999.003.0007.
Повний текст джерелаАнотація:
This chapter establishes a theoretical framework for chapter 7, which deals with characterizations and tropes that resist categorization. Using Art Historical theorizations of the abject, including the work of Hal Foster and Julia Kristeva, abject bodies and national identities are explored in the historical context of early post-war Japan. The impact of abject imagery on the spectator is hypothesized using Ella Shohat and Robert Stam’s account of the ‘schizophrenic spectator.’ Case studies include Teshigahara Hiroshi’s Woman of the Dunes (Suna no onna, 1964).
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Ravetto-Biagioli, Kriss. "Self-Uncanny." In Digital Uncanny, 17–58. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190853990.003.0002.
Повний текст джерелаАнотація:
Self-Uncanny looks at the interface between humans and digital technologies in the work of Rafael Lozano-Hemmer, focusing on the screen as a site of encounter that is shadowed by surveillance and profiling devices. It begins by examining how interactive screens reposition us as users rather than just spectators. While the contemporary shift from spectator to user seems to offer more agency, it also questions our subjectivity. We are no longer treated as subjects or addressees, but as sources of information that is collected, analyzed, and sorted by algorithms—algorithms that see us as members of categories (age, gender, buying power, political outlook, etc.). We do experience the effects of such categorizations (like being turned down for a mortgage or denied access to healthcare), but we are not capable of experiencing how the categories our data profile has been put in affect our lives.
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Sendyka, Roma. "Chapter 3 Bystanders as Visual Subjects: Onlookers, Spectators, Observers, and Gawkers in Occupied Poland." In Probing the Limits of Categorization, 52–71. Berghahn Books, 2022. http://dx.doi.org/10.1515/9781789200942-005.
Повний текст джерела
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Taithe, Bertrand. "Compassion Fatigue." In Emotional Bodies, 242–62. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042898.003.0012.
Повний текст джерелаАнотація:
This chapter investigates the emergence, evolution, and performance of the concept of “compassion fatigue” in the humanitarian context. It tracks the uses made by humanitarians of bodily responses to their work or representations of their work from a discourse on a danger of humanitarian excess to its redefinition as the embodiment of caregivers’ dilemmas and, finally, as a metaphor for understanding the potential for public disengagement with fundraising campaigns. This chapter seeks to determine how compassion fatigue has been embodied, represented, addressed, and politically used in humanitarian contexts. Its focus points are the social and political organizations that have framed the emotions of humanitarian actors and spectators as “compassion fatigue” as well as the effects that this categorization has had in both the understanding of the humanitarian work and of its political agenda.