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Статті в журналах з теми "Spatial response correspondence"
Hommel, Bernhard. "S-R Compatibility Effects without Response Uncertainty." Quarterly Journal of Experimental Psychology Section A 49, no. 3 (August 1996): 546–71. http://dx.doi.org/10.1080/713755643.
Повний текст джерелаWühr, Peter, and Herbert Heuer. "The impact of response frequency on spatial stimulus–response correspondence effects." Acta Psychologica 162 (November 2015): 13–19. http://dx.doi.org/10.1016/j.actpsy.2015.09.012.
Повний текст джерелаAzaad, Shaheed, and Simon M. Laham. "Sidestepping spatial confounds in object-based correspondence effects: The Bimanual Affordance Task (BMAT)." Quarterly Journal of Experimental Psychology 72, no. 11 (May 31, 2019): 2605–13. http://dx.doi.org/10.1177/1747021819852216.
Повний текст джерелаLambert, Anthony, Matthew Roser, Ian Wells, and Caroline Heffer. "The spatial correspondence hypothesis and orienting in response to central and peripheral spatial cues." Visual Cognition 13, no. 1 (January 2006): 65–88. http://dx.doi.org/10.1080/13506280500264460.
Повний текст джерелаBradley, A., B. C. Skottun, I. Ohzawa, G. Sclar, and R. D. Freeman. "Visual orientation and spatial frequency discrimination: a comparison of single neurons and behavior." Journal of Neurophysiology 57, no. 3 (March 1, 1987): 755–72. http://dx.doi.org/10.1152/jn.1987.57.3.755.
Повний текст джерелаTreccani, Barbara, Roberto Cubelli, Sergio Della Sala, and Carlo Umiltà. "Flanker and Simon effects interact at the response selection stage." Quarterly Journal of Experimental Psychology 62, no. 9 (September 2009): 1784–804. http://dx.doi.org/10.1080/17470210802557751.
Повний текст джерелаStyrkowiec, Piotr. "Space and Motion Stimulus-Response Correspondence (SRC) Effects in a Single Task." Experimental Psychology 63, no. 5 (September 2016): 297–306. http://dx.doi.org/10.1027/1618-3169/a000335.
Повний текст джерелаWühr, Peter, and Wilfried Kunde. "Precueing spatial S-R correspondence: Is there regulation of expected response conflict?" Journal of Experimental Psychology: Human Perception and Performance 34, no. 4 (2008): 872–83. http://dx.doi.org/10.1037/0096-1523.34.4.872.
Повний текст джерелаTanabe, Seiji, and Bruce G. Cumming. "Delayed suppression shapes disparity selective responses in monkey V1." Journal of Neurophysiology 111, no. 9 (May 1, 2014): 1759–69. http://dx.doi.org/10.1152/jn.00426.2013.
Повний текст джерелаBardi, Lara, Ryota Kanai, Daniela Mapelli, and Vincent Walsh. "TMS of the FEF Interferes with Spatial Conflict." Journal of Cognitive Neuroscience 24, no. 6 (June 2012): 1305–13. http://dx.doi.org/10.1162/jocn_a_00223.
Повний текст джерелаДисертації з теми "Spatial response correspondence"
Lam, Melanie Yah-Wai. "Modulation of joint action correspondence effects by task context : examination of the contributions of social, spatial, and response discrimination factors." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/43893.
Повний текст джерелаPrpic, Valter. "SNARC-like effects for visual and auditory musical stimuli: the relation between space and different music parameters." Doctoral thesis, Università degli studi di Trieste, 2014. http://hdl.handle.net/10077/10072.
Повний текст джерелаThis thesis aimed to investigate the spatial association for different music parameters through four experimental studies, showing consistent SNARC-like effects for note height, note value/duration, music tempo and pitch height. Visually presented notes on the stave showed relatively low/high notes to be associated to left/right response key-presses in musicians with formal education, while no signs of such an association were found in amateur musicians. A further experiment revealed that the direction of the association is constant among musicians and is not influenced by the disposition of notes on the keyboard of specific instruments (i.e., piano and flute). Note value/duration showed to be spatially coded when duration magnitude was processed directly, while no such evidence was revealed in the order-irrelevant task. The direction of the association surprisingly revealed a reversed pattern from the expected one, namely large duration values were coupled with left key-presses, while the opposite was true for small duration values. This evidence seems to support the predominance of over-learned ordinal sequences as opposed to stimuli's magnitude, in the spatial association effects. Auditory presented beat sequences showed to be spatially coded even in non musicians. Indeed, participants revealed a left/right key-press advantage for relatively slow/fast music tempo when tempo processing was mandatory, while no evidence of a spatial association appeared in the order-irrelevant task (i.e., timbre judgment). Evidence of a spatial association in non musicians suggests that experience with tempo is widespread among the population and its influence overcomes the music domain. The spatial association for pitch height was assessed through an alternative response coding to close and far key-presses, instead of the classically used left-right key-presses. Results showed a relative advantage for close responses to middle-range pitches with piano timbre, suggesting a linear representation for piano tones. However, further investigations are needed to certainly discriminate predictions based on different theoretical accounts. Overall, this thesis provides a complete review of the spatial association for musical stimuli, showing that various parameters of music share many features in common with numbers, ordinal sequences and other magnitudes. Furthermore, music showed to be an interesting domain for investigating more general properties that require interactions among time, space and quantity.
Questa tesi si pone l'obiettivo di studiare l'associazione spaziale per diversi parametri musicali attraverso quattro studi sperimentali, dimostrando consistenti evidenze di effetti simil-SNARC per l'altezza delle note, il valore/durata delle note, il tempo musicale e l'altezza tonale. Le note, presentate visivamente sul pentagramma, hanno indicato un vantaggio nella risposta con il tasto sinistro/destro per le note gravi/acute in musicisti che hanno svolto studi formali, mentre non ci sono state evidenze di quest'associazione nei musicisti amatoriali. Un esperimento successivo ha rivelato che la direzione dell'associazione è costante tra i musicisti e non è, dunque, influenzata dalla disposizione delle note in strumenti specifici (nel nostro caso, pianoforte e flauto traverso). Il valore/durata delle note ha dimostrato di essere codificato spazialmente quando veniva richiesto un processamento di tipo esplicito, mentre non ci sono evidenze in proposito nel compito indiretto. Sorprendentemente, la direzione dell'associazione ha mostrato un andamento inverso rispetto a quello atteso, ovvero valori di durata maggiore erano associati a risposte con il tasto sinistro, mentre l'opposto avveniva per valori di durata minore. Quindi, negli effetti di associazione spaziale, ciò sembra supportare la preponderanza della direzione di apprendimento nelle sequenze ordinali rispetto al valore intrinseco della magnitudo degli stimoli. Anche le sequenze acustiche di battiti hanno dimostrato di essere codificate spazialmente, perfino in soggetti non musicisti. Infatti, i partecipanti hanno evidenziato un vantaggio nella risposta con il tasto sinistro/destro per tempi musicali lenti/veloci quando veniva loro chiesto di elaborare esplicitamente il tempo musicale, mentre non sono state trovate tracce di un'associazione spaziale nel compito indiretto (giudizio sul timbro). L'esistenza di un'associazione spaziale nei non musicisti suggerisce che l'esperienza con il tempo sia largamente diffusa nella popolazione e che la sua influenza prevarichi il puro dominio musicale. L'associazione spaziale per i toni musicali è stata investigata con una codifica alternativa dei tasti di risposta, ovvero "vicino" e "lontano" rispetto alla classica codifica "sinistra/destra". I risultati mostrano un vantaggio per le risposte eseguite con il tasto "vicino" per i toni intermedi con timbro di pianoforte, indicando una possibile rappresentazione lineare, piuttosto che dicotomica, per i toni del pianoforte. Ciononostante, ulteriori indagini sono necessarie per discriminare con maggiore certezza le previsioni derivanti dalle diverse teorie esistenti in quest'ambito. Concludendo, questa tesi fornisce una complessa panoramica sul fenomeno dell'associazione spaziale degli stimoli musicali, dimostrando come diversi parametri musicali presentino caratteristiche comuni con i numeri, le sequenza ordinali ed altre tipologie di magnitudo. Inoltre, il dominio della musica ha confermato di essere un proficuo campo di ricerca per investigare le proprietà generali degli stimoli che richiedono l'interazione tra tempo, spazio e quantità.
XXVI Ciclo
1985
(8795786), Isis Chong De La Cruz. "TOWARD AN UNDERSTANDING OF AUTOMATIC GRASPING RESPONSES IN THE ABSENCE OF LEFT-RIGHT CORRESPONDENCE." Thesis, 2020.
Знайти повний текст джерелаSeveral researchers have claimed that passively viewing manipulable objects results in automatic motor activation of affordances regardless of intention to act upon an object. Support for the automatic activation account stems primarily from findings using stimulus-response compatibility paradigms in which responses are fastest when there is correspondence between one’s response hand and an object’s handle. Counter to this view is the spatial coding account, which suggests that past findings are a result of abstract spatial codes stemming from salient object properties and their left-right correspondence with responses. Although there is now considerable support for this account, there has been little attention paid to determining whether evidence in favor of the automatic activation account will be evident after accounting for the spatial issues demonstrated by the spatial coding account.
The present study involved five experiments conducted to bridge this gap in two steps. First, I aimed to demonstrate the importance of considering spatial issues and left-right correspondence when studying object-based motor activation by numerous objects championed by past researchers who attempted to similarly address the aforementioned issue (Experiments 1 and 2). Second, I sought to determine whether evidence favoring the automatic activation account could be obtained when the possibility for left-right correspondence was absent in a novel set of stimuli created specifically for this purpose (Experiments 3, 4, and 5).
Experiment 1 examined a stimulus set that some researchers have suggested can more definitively tease apart evidence for automatic activation from the influence of spatial factors studies. Experiment 2 was more narrowly focused and investigated a single object presented in different horizontal orientations. These experiments effectively demonstrated the importance of giving more consideration to the nature of the stimuli used in object-based compatibility studies and how they are presented. The results of Experiment 1 suggest that a stimulus set that has been claimed to sidestep spatial confounds does not, in fact, do so. Moreover, Experiment 2 demonstrated that performance could be influenced by simple rotation of the object to which a response was required.
Having established the importance of controlling the stimuli used to investigate automatic activation of afforded responses, I turned to determining whether a novel stimulus set would yield findings favoring the automatic activation account even after accounting for left-right correspondence (Experiments 3, 4, and 5). Three sets of novel object stimuli were developed that do not allow for left-right correspondence and could iteratively assess support for the automatic activation account based on criteria for activation that have been put forth in the literature. The three sets of stimuli contained no information about shape nor functionality (i.e., silhouette iteration) or information about shape and functionality (i.e., functional iteration), or they were an intermediate between the two other types (i.e., intermediate iteration).
Critically, the three latter experiments progressively approached the conditions that researchers have suggested are ideal for automatic activation of afforded responses to occur. Experiment 3 tasked participants with completing a color discrimination task in which they viewed only one of the three object iterations and responded with button presses. Experiment 4 used the same experimental configuration, but instead, required participants to respond with a grasping response. Finally, Experiment 5 required participants to complete a reach-and-grasp response in an object discrimination task using both the silhouette and functional iterations.
Across Experiments 3, 4, and 5, no support for the automatic activation account of afforded responses was found. Although the automatic activation account would predict that individuals should be fastest at responding to the functional stimuli than to the other two object iterations, no such evidence was observed. Given that the possibility for left-right correspondence was removed from the novel stimulus set studied here, these results provide indirect support for the spatial coding account of prior results and further indicate that past findings favoring the automatic activation account have largely been a result of left-right correspondence.
Книги з теми "Spatial response correspondence"
Blacklock, Mark. A Square. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198755487.003.0004.
Повний текст джерелаЧастини книг з теми "Spatial response correspondence"
Uemura, Kimihiro, Hikari Yukawa, Kota Kitamichi, Mina Shibasaki, Kouta Minamizawa, and Yoshihiro Tanaka. "Spatial Compatibility of Visual and Tactile Stimulation in Shared Haptic Perception." In Haptics: Science, Technology, Applications, 84–92. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-06249-0_10.
Повний текст джерелаVeech, Joseph A. "Other Techniques Related to Habitat Analysis." In Habitat Ecology and Analysis, 193–208. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198829287.003.0011.
Повний текст джерелаТези доповідей конференцій з теми "Spatial response correspondence"
Kurt, Mehmet, Heng Chen, Young S. Lee, D. Michael McFarland, Lawrence A. Bergman, and Alexander F. Vakakis. "System Identification of a Vibro-Impact Beam With a View Toward Structural Health Monitoring." In ASME 2012 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/detc2012-71517.
Повний текст джерела