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Статті в журналах з теми "Sonic objects"
Godøy, Rolf Inge. "Images of Sonic Objects." Organised Sound 15, no. 01 (March 11, 2010): 54. http://dx.doi.org/10.1017/s1355771809990264.
Повний текст джерелаAl-Taie, Inas, Paola Di Giuseppantonio Di Franco, Michael Tymkiw, Duncan Williams, and Ian Daly. "Sonic enhancement of virtual exhibits." PLOS ONE 17, no. 8 (August 24, 2022): e0269370. http://dx.doi.org/10.1371/journal.pone.0269370.
Повний текст джерелаEdelstein, Phil. "Sonic Objects, Resonance and Chaotics." Leonardo Music Journal 22 (December 2012): 54. http://dx.doi.org/10.1162/lmj_a_00093.
Повний текст джерелаPanourgia, Eleni Ira, Finbar Wheelaghan, and Xue Yang. "Digital interactions." Airea: Arts and Interdisciplinary Research, no. 1 (June 13, 2018): 3–10. http://dx.doi.org/10.2218/airea.2732.
Повний текст джерелаGrond, Florian, and Piet Devos. "Sonic boundary objects: negotiating disability, technology and simulation." Digital Creativity 27, no. 4 (October 2016): 334–46. http://dx.doi.org/10.1080/14626268.2016.1250012.
Повний текст джерелаWorrall, David. "Computational Designing of Sonic Morphologies." Organised Sound 25, no. 1 (March 4, 2020): 15–24. http://dx.doi.org/10.1017/s1355771819000426.
Повний текст джерелаWendt, Florian, Gerriet K. Sharma, Matthias Frank, Franz Zotter, and Robert Höldrich. "Perception of Spatial Sound Phenomena Created by the Icosahedral Loudspeaker." Computer Music Journal 41, no. 1 (March 2017): 76–88. http://dx.doi.org/10.1162/comj_a_00396.
Повний текст джерелаLiu, Shaowei, Junqiang Bai, Peixun Yu, Bao Chen, and Boxiao Zhou. "Aerodynamic Optimization Design on Supersonic Transports Considering Sonic Boom Intensity." Xibei Gongye Daxue Xuebao/Journal of Northwestern Polytechnical University 38, no. 2 (April 2020): 271–78. http://dx.doi.org/10.1051/jnwpu/20203820271.
Повний текст джерелаDoel, Kees van den, and Dinesh K. Pai. "The Sounds of Physical Shapes." Presence: Teleoperators and Virtual Environments 7, no. 4 (August 1998): 382–95. http://dx.doi.org/10.1162/105474698565794.
Повний текст джерелаCHAKRABARTI, K., M. M. MAJUMDAR, and SANDIP K. CHAKRABARTI. "ACCRETION ONTO COMPACT OBJECTS VIEWED AS A FLOW IN CONVERGING-DIVERGING DUCTS." International Journal of Modern Physics D 17, no. 05 (May 2008): 799–814. http://dx.doi.org/10.1142/s0218271808012504.
Повний текст джерелаДисертації з теми "Sonic objects"
Wells, Craig. "Sonic stuff : objects and objectiles." Thesis, University of Newcastle upon Tyne, 2016. http://hdl.handle.net/10443/3220.
Повний текст джерелаPalombini, Carlos Vicente de Lima. "Pierre Schaeffers typo-morphology of sonic objects." Thesis, Durham University, 1993. http://etheses.dur.ac.uk/1191/.
Повний текст джерелаMortimer, Elizabeth R. "Sonic properties of silks." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:687a0e08-41e3-4e6d-85c0-b7ddf12762f1.
Повний текст джерелаRogers, Paul John. "The beauty of sonic waste : the transformation of sound debris and junk objects within environmentally based compositional practice : a methodology." Thesis, Manchester Metropolitan University, 2017. http://e-space.mmu.ac.uk/618450/.
Повний текст джерелаLavender, James Huitson. "The call for sonic thinking : Gilles Deleuze and the object of sound studies." Thesis, University of Leeds, 2015. http://etheses.whiterose.ac.uk/12489/.
Повний текст джерелаStraehli, Benjamin. "La basse fondamentale de Jean-Philippe Rameau et son objectivité : une approche phénoménologique." Thesis, Lille 3, 2015. http://www.theses.fr/2015LIL30019/document.
Повний текст джерелаJean-Philippe Rameau has claimed that the fundamental bass is the principle of harmony. He also presents this fundamental bass as something which can be felt in musical practice. Nevertheless, he doesn't consider that feeling as a sufficient justification for his principle. As a consequence, he doesn't explain precisely what that feeling consists in, and he prefers to develop some physical and mathematical arguments to prove his theory.This thesis deals with the following issue: what is it like to feel the fundamental bass, and does this feeling really offer no sufficient justification for that concept? To answer those questions, attention has to be paid to the operations by which Rameau's reader is supposed to cultivate his own sensibility to harmony; and they shall be commented with the help of husserl's phenomenology. To provide a phenomenology of the fundamental bass, it is necessary to describe sounds more precisely than Rameau does in his treatises. Such a description shall be achieved thanks to Pierre Schaeffer's generalized solfeggio.But to make it possible, some preliminary work is required. An introduction shall argue that there is nothing strange in using Schaeffer's work to deal with harmony of the eighteenth century. The first four chapters are intended to clarify the concept of fundamental bass. The last four chapters are intended to produce a phenomenology of some aspects of sound, harmony and fundamental bass. At the end of this thesis, it appears that feeling can justify the fundamental bass to be considered as the principle of rules; but this justification does not have the strength Rameau was looking for
Gatinet, Brice. "Chorégraphier le son." Thèse, 2013. http://hdl.handle.net/1866/10757.
Повний текст джерелаDurant ces trois dernières années, mon langage musical a évolué vers une dialectique de plus en plus gestuelle. Par l’intermédiaire de cet élément, j’ai recherché comment on pouvait « chorégraphier » la musique. Ces réflexions m’ont poussé à choisir une approche basée aussi bien sur le mouvement que sur la temporalité afin d’en déduire certains aspects musicaux. La finalité est de mêler d’une manière cohérente le geste chorégraphique, le geste musical et le geste instrumental. J’ai choisi de présenter mes pièces en ordre chronologique afin de montrer les liens qui subsistent entre elles, aussi bien dans leurs caractères que dans l’évolution de mon discours compositionnel. Ces oeuvres, qui utilisent toutes certains paradigmes électroacoustiques, exhibent une forte disparité énergétique et démontrent un intérêt marqué pour les extrêmes. Ces éléments sont au coeur de mon écriture et de ma pensée musicale. Ces considérations m’ont permis de faire évoluer un concept de « musique chorégraphique » dans lequel le discours musical s’oriente à travers différents types d’événements gestuels.
During these last three years, my language evolved constantly towards a more gestural vocabulary. Through this, I searched for a way to « choreograph » music. During this research, I gave as much importance to movement as to temporality in order to highlight certain aspects that are purely musical. The objective is mixing the pure choreographical movement, the musical gesture, and the instrumental gesture. I choose to present my pieces chronologically in order to analyze their relation, the compositional evolution that I experimented. These pieces use very different energy dynamics, a tendency for the extremes and the paradigm of electroacoustic music. These elements are intrinsic both in my writing and my musical thinking. Taking this into consideration, I was able to generate the concept of « choreographical » music, where the music is expressed through different types of gesture.
Книги з теми "Sonic objects"
Sonic The Hedgehog: Look and Find. Lincolnwood, IL: Publications International, Ltd., 1995.
Знайти повний текст джерелаWalker, Elsie. The Seventh Continent. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190495909.003.0003.
Повний текст джерелаAghoro, Nathalie. The Acoustics of the Social on Page and Screen. Bloomsbury Publishing Plc, 2022. http://dx.doi.org/10.5040/9781501361418.
Повний текст джерелаWhitesell, Lloyd. Stardust. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190843816.003.0007.
Повний текст джерелаGallerneaux, Kristen. High Static, Dead Lines: Sonic Spectres and the Object Hereafter. Strange Attractor, 2018.
Знайти повний текст джерелаHudson, Dale. Blood, Bodies, and Borders. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423083.003.0002.
Повний текст джерелаFleury, Sonia. Estado sin ciudadanos: seguridad social en América Latina. De la UNLa - Universidad Nacional de Lanús, 2021. http://dx.doi.org/10.18294/9789874937834.
Повний текст джерелаЧастини книг з теми "Sonic objects"
Godøy, Rolf Inge. "Sonic Object Cognition." In Springer Handbook of Systematic Musicology, 761–77. Berlin, Heidelberg: Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-55004-5_35.
Повний текст джерелаWishart, Trevor. "Phonemic Objects." In On Sonic Art, edited by Simon Emmerson, 287–98. Routledge, 1996. http://dx.doi.org/10.4324/9781315077895-17.
Повний текст джерела"Introduction: On Objects, Humans, and Machines." In Sonic Writing. Bloomsbury Academic, 2019. http://dx.doi.org/10.5040/9781501313899.0006.
Повний текст джерела"Perceptual Evaluation of Sound-Producing Objects." In Sonic Interaction Design. The MIT Press, 2013. http://dx.doi.org/10.7551/mitpress/8555.003.0007.
Повний текст джерела"Simulating Contacts between Objects in Virtual Reality." In Sonic Interaction Design. The MIT Press, 2013. http://dx.doi.org/10.7551/mitpress/8555.003.0021.
Повний текст джерелаBarringer, Tim. "Sonic Spectacles of Empire: The Audio-Visual Nexus, Delhi-London, 1911-12." In Sensible Objects, 169–96. Routledge, 2020. http://dx.doi.org/10.4324/9781003086611-9.
Повний текст джерелаStearns, Matthew. "Toward a New Economics of Sound, Objects, and Genitalia." In Sonic Youth's Daydream Nation, 70–83. Bloomsbury Publishing Inc, 2007. http://dx.doi.org/10.5040/9781501397332.ch-006.
Повний текст джерела"Listening to the Sounding Objects of the Past: The Case of the Car." In Sonic Interaction Design. The MIT Press, 2013. http://dx.doi.org/10.7551/mitpress/8555.003.0003.
Повний текст джерелаParker, James EK. "Gavel." In International Law's Objects, 214–24. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198798200.003.0018.
Повний текст джерела"Programming Interlude IV: Under the IceCap: Sonic Objects and "BioLogging"." In Climate Change and Museum Futures, 249–52. Routledge, 2014. http://dx.doi.org/10.4324/9780203752975-23.
Повний текст джерелаТези доповідей конференцій з теми "Sonic objects"
Haller, Kristian C. E. "Three Nonlinear NDE Techniques On Three Diverse Objects." In INNOVATIONS IN NONLINEAR ACOUSTICS: ISNA17 - 17th International Symposium on Nonlinear Acoustics including the International Sonic Boom Forum. AIP, 2006. http://dx.doi.org/10.1063/1.2210324.
Повний текст джерелаMarston, Philip L. "Acoustic Radiation Force On Elliptical Cylinders And Spheroidal Objects In Low Frequency Standing Waves." In INNOVATIONS IN NONLINEAR ACOUSTICS: ISNA17 - 17th International Symposium on Nonlinear Acoustics including the International Sonic Boom Forum. AIP, 2006. http://dx.doi.org/10.1063/1.2210403.
Повний текст джерелаNikolaeva, Anastasiia V., Maxim A. Kryzhanovsky, Sergey A. Tsysar, Wayne Kreider, and Oleg A. Sapozhnikov. "Experimental study of acoustic radiation force of an ultrasound beam on absorbing and scattering objects." In RECENT DEVELOPMENTS IN NONLINEAR ACOUSTICS: 20th International Symposium on Nonlinear Acoustics including the 2nd International Sonic Boom Forum. AIP Publishing LLC, 2015. http://dx.doi.org/10.1063/1.4934404.
Повний текст джерелаAlbers, Albert, Markus Dickerhof, and Wolfgang Burger. "Condition-Monitoring Based on Structure-Borne Ultrasound Analysis." In ASME 2008 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/detc2008-49408.
Повний текст джерелаKalonaris, Stefano, and Iannis Zannos. "High-Order Surrogacy for the Audiovisual Display of Dance." In ICAD 2021: The 26th International Conference on Auditory Display. icad.org: International Community for Auditory Display, 2021. http://dx.doi.org/10.21785/icad2021.001.
Повний текст джерелаGupta, Naman, and Ambuj Kumar Agarwal. "Object Identification using Super Sonic Sensor: Arduino Object Radar." In 2018 International Conference on System Modeling & Advancement in Research Trends (SMART). IEEE, 2018. http://dx.doi.org/10.1109/sysmart.2018.8746951.
Повний текст джерелаIazzetta, Fernando. "The Politics of Computer Music." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10464.
Повний текст джерелаMonacchi, David. "The sonic heritage of ecosystems." In SOIMA 2015: Unlocking Sound and Image Heritage. International Centre for the Study of the Preservation and Restoration of Cultural Property, 2017. http://dx.doi.org/10.18146/soima2015.3.12.
Повний текст джерелаRath, Matthias, and Sascha Bienert. "Integrated modelling of sonic vibration and macroscopic object movement." In the 3rd international conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1413634.1413675.
Повний текст джерелаMadaghiele, Vincenzo, and Sandra Pauletto. "Investigating Real-Time Feedback of Energy Consumption and Emission Data Through Sonic Interaction Design." In ICAD 2022: The 27th International Conference on Auditory Display. icad.org: International Community for Auditory Display, 2022. http://dx.doi.org/10.21785/icad2022.020.
Повний текст джерелаЗвіти організацій з теми "Sonic objects"
Mayas, Magda. Creating with timbre. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.686088.
Повний текст джерела