Добірка наукової літератури з теми "Sonic Ecology"
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Статті в журналах з теми "Sonic Ecology"
Larsen, Gretchen. "Musical Works: Denora's Sonic Ecology." Symbolic Interaction 38, no. 4 (October 1, 2015): 638–40. http://dx.doi.org/10.1002/symb.189.
Повний текст джерелаKnight, Lauren Elizabeth. "‘Creator gave us two ears and one mouth’." Stream: Interdisciplinary Journal of Communication 13, no. 1 (November 5, 2021): 37–50. http://dx.doi.org/10.21810/strm.v13i1.297.
Повний текст джерелаChaves, Rui, and Thaís A. Aragão. "Localising Acoustic Ecology: A critique towards a relational collaborative paradigm." Organised Sound 26, no. 2 (August 2021): 190–200. http://dx.doi.org/10.1017/s1355771821000236.
Повний текст джерелаAtkinson, Rowland. "Ecology of Sound: The Sonic Order of Urban Space." Urban Studies 44, no. 10 (September 2007): 1905–17. http://dx.doi.org/10.1080/00420980701471901.
Повний текст джерелаMulder, Jos. "Sound Resources: Environmental Installation." Leonardo Music Journal 23 (December 2013): 18–19. http://dx.doi.org/10.1162/lmj_a_00145.
Повний текст джерелаDeluca, Erik. "Selling Nature to Save It: Approaching self-critical environmental sonic art." Organised Sound 23, no. 1 (January 24, 2018): 71–79. http://dx.doi.org/10.1017/s1355771817000292.
Повний текст джерелаEgan, Mark. "Book Review: Sonic Warfare: Sound, Affect, and the Ecology of Fear." Organization Studies 34, no. 10 (October 2013): 1563–65. http://dx.doi.org/10.1177/0170840613493712.
Повний текст джерелаvan Veen, tobias c. "Sonic Warfare: Sound, Affect, and the Ecology of Fear (Steve Goodman)." Dancecult 2, no. 1 (2011): 102–6. http://dx.doi.org/10.12801/1947-5403.2011.02.01.09.
Повний текст джерелаChattopadhyay, Budhaditya. "Sonic Menageries: Composing the sound of place." Organised Sound 17, no. 3 (January 11, 2012): 223–29. http://dx.doi.org/10.1017/s1355771811000422.
Повний текст джерелаRudenko, O. V., and Yu N. Makov. "Sonic Boom: From the Physics of Nonlinear Waves to Acoustic Ecology (a Review)." Acoustical Physics 67, no. 1 (January 2021): 1–25. http://dx.doi.org/10.1134/s1063771021010036.
Повний текст джерелаДисертації з теми "Sonic Ecology"
Pontén, Emeli. "Acoustic Design in Urban Development : analysis of urban soundscapes and acoustic ecology research in New York City." Thesis, Högskolan Dalarna, Ljud- och musikproduktion, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:du-4836.
Повний текст джерелаHarnetty, Brian P. "Performing Sonic Archives: Listening to Berea, Sun Ra, and the Little Cities of Black Diamonds." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1417170787.
Повний текст джерелаCarvalho, Sara Boal Robalo Rosado de. "Sonic ecologies : a journey through music, space and sensations in jazz live performances." Master's thesis, 2021. http://hdl.handle.net/10400.14/37019.
Повний текст джерелаNo mundo moderno, a música tem vindo a tornar-se numa forma de cultura dominante e popularizada, produzida e reproduzida pelas massas. Parecer que a ideia de uma separação contínua do humano em relação ao ‘não-humano’ criou um espaçamento profundo relativamente à conceptualização de práticas orgânicas e harmoniosas para um desenvolvimento sustentável das esferas económicas, culturais e sociais do nosso mundo. De acordo com uma perspetiva individualista, parece que a ideia de comunidade e elo entre o mundo exterior e o homem caíram no esquecimento. A cultura e as indústrias musicais, impulsionadas por um grande processo tecnológico global, têm permitido uma viagem internacional de som com traços e características de diferentes culturas, rituais e práticas de conceção musical. A música é uma forma de ligação com o mundo. Especificamente, o género musical jazz aborda a mudança nas práticas musicais e performativas, preservando uma conexão com as suas raízes, tradições e rituais. Distingue-se de outros géneros musicais através das suas características instrumentais, diálogos musicais e traços intrínsecos que se referem à sua história e influência sociocultural. Visando uma reconciliação do meio ambiente e da civilização, juntamente com a intersecção do mundo não humano e humano, as esferas física e cultural por intermédio da composição sonora, esta dissertação explora o género musical jazz e suas performances ao vivo num determinado ambiente. Após uma extensa revisão da literária, este trabalho explora os aspetos fundamentais da música, espaço, público, performance e performatividade. O trabalho percorre as sensações e relações que se integram no sistema performativo ecológico. De forma a questionar como o espírito e a sensação de um lugar, por meio de uma abordagem ecológica, afetam a performance de um produto cultural como o jazz ao vivo, e ainda, como isso influencia a performance/atores e o público, o trabalho aborda três blocos principais: a cooperação social na música e sua relação instrumental, a interseção entre ator-performance-público e a inserção da performance num ambiente específico.
Chappell, Clive. "The ecology of sodic sites in the Eastern Transvaal Lowveld." Thesis, 1992. http://hdl.handle.net/10539/22405.
Повний текст джерелаThe effect of sodium on clays dominates the formation and ecology of granitic eatenas in the Eastern Transvaal Lowveld. This study reviews the process involved and explains the soil, vegetation and erosion patterns in this landscape. Weathering parent rock gives rise to sodium in sufficient amounts to promote clay dispersion. Dispersed, mobile, clays respond to seasonal pulses of laterally moving soil water resulting in alternating zones of clay illuviation and clay deposition down hillslopes [Abbreviated Abstract. Open document to view full version]
AC2017
Holmstedt, Janna. "Are you ready for a wet live-in? : explorations into listening." Doctoral thesis, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-139510.
Повний текст джерелаAvhandlingen är även utgiven i serien: Malmö Faculty of Fine and Performing Arts, Lund University: DoctoralStudies and Research in Fine and Performing Arts, 16. ISSN: 1653-8617
Kleyn, Linda Gail. "A spatial model to determine the location and extent of sodic sites in the Shingwedzi and Ripape river catchments of the Kruger National Park using remote sensing classification techniques and satellite imagery." Thesis, 2012. http://hdl.handle.net/10539/11222.
Повний текст джерелаSodic soils are salt-affected soils which are high in sodium in relation to magnesium and calcium. Commonly called sodic sites in the Kruger National Park (KNP), these patches exhibit unique functional characteristics due to the high levels of sodium which cause surface crusting, cracking and the dispersion of clay particles. The aim of this study is to use satellite imagery to map sodic sites in the KNP at different spatial and spectral scales, giving the best option for a repeatable, semi-automated classification. The resultant map of sodic sites for the KNP will be used as a management tool and for future research projects. A field test for sodicity was necessary to collect sufficient ground truth samples for robust accuracy assessment of the image classification. Sodic soils are identified by measuring EC, pH and SAR which are highly variable within site and between testing methods, and therefore not useful for rapid ground truth classification of sodic soils in the field. The sodium level at which clay particle dispersion takes place varies between soils, but is measurable in the field using the Emerson dispersion test. Laboratory tested sodic soil sites from previous research re-tested in this study showed positive results for dispersion of clay particles in water. The physical properties of sodic sites described in the literature and observed in the field were applied to classify sodic sites in the KNP in the field using a decision tree, together with results from the dispersion test and the observed presence of the grass species Sporobolus iocladus. Landsat 7 and SPOT 5 imagery cover the whole park, with ASTER, CAO hyperspectral, LiDAR and black and white orthophotos available for selected areas. The topography elements of crest and footslope were derived from the STRM 90m digital elevation model (DEM). Image preprocessing to top of atmosphere reflectance was performed where necessary and visual enhancement techniques and transformations were applied to derive the normalised difference vegetation index (NDVI) and other indices. Spectral signatures were checked against spectral signature libraries, and the class separation was tested using the cluster analysis of spectral signatures. MODIS NDVI averages placed the imagery in phenological context. Object-based image analysis using eCognition was applied to classify the sodic sites of the Shingwedzi and Ripape River catchments. The input imagery was segmented into ecologically meaningful patches and classification accuracy was assessed using the field samples collected using the decision tree to identify four classes: sodic sites (bare and woody), river sand, riverine vegetation and savanna areas. Comparison of the accuracy assessments for the Shingwedzi study site showed that the Landsat 7 and SPOT 5 classification algorithms gave an overall kappa index accuracy of 89% and 78% respectively, and a sodic site kappa index of 90% and 89%. Validation results using the ground truth samples gave an overall kappa index accuracy of 61% for Landsat 7 and 52% for SPOT 5, with a sodic site kappa index of 49% and 39% respectively. The classification algorithms were applied to the Ripape study site for Landsat 7 and SPOT 5 with repeatable results for the SPOT 5 imagery of 88% overall kappa index and 81-93% kappa index for sodic sites using similar seasonal imagery in the wet to early dry season. The Landsat 7 classification algorithm was applied to the entire KNP based on the repeatability results of 56% overall kappa index and 60% sodic site kappa index for the Ripape site. The quest for a repeatable algorithm to classify sodic sites from satellite imagery has been met by the SPOT 5 imagery using scenes acquired at similar seasonal stages. The late wet season or early dry season imagery was used to apply the classification algorithm with the best success. Changes in size or shape of sodic sites over time requires very high resolution imagery and further studies to understand where the edge of sodic sites are detected from imagery, and how the phenology of the vegetation growing on these sites affects detecting any change in size of the sodic site.
Книги з теми "Sonic Ecology"
Sonic warfare: Sound, affect, and the ecology of fear. Cambridge, MA: MIT Press, 2010.
Знайти повний текст джерелаPijanowski, Bryan C. Principles of Soundscape Ecology: Discovering Our Sonic World. University of Chicago Press, 2023.
Знайти повний текст джерелаMusic-in-Action: Selected Essays in Sonic Ecology. Taylor & Francis Group, 2011.
Знайти повний текст джерелаPijanowski, Bryan C. Principles of Soundscape Ecology: Discovering Our Sonic World. University of Chicago Press, 2023.
Знайти повний текст джерелаManning, Erin, Steve Goodman, and Brian Massumi. Sonic Warfare: Sound, Affect, and the Ecology of Fear. MIT Press, 2012.
Знайти повний текст джерелаGoodman, Steve. Sonic Warfare: Sound, Affect, and the Ecology of Fear. MIT Press, 2012.
Знайти повний текст джерелаGoodman, Steve. Sonic Warfare: Sound, Affect, and the Ecology of Fear. MIT Press, 2012.
Знайти повний текст джерелаЧастини книг з теми "Sonic Ecology"
Farina, Almo. "Sonic Characteristics of the Landscape." In Soundscape Ecology, 29–41. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-7374-5_2.
Повний текст джерелаFarina, Almo. "Sonic Patterns I: The Noise." In Soundscape Ecology, 143–92. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-7374-5_6.
Повний текст джерелаLobel, Phillip S., James G. Garner, Ingrid M. Kaatz, and Aaron N. Rice. "Sonic Cichlids." In The Behavior, Ecology and Evolution of Cichlid Fishes, 443–502. Dordrecht: Springer Netherlands, 2021. http://dx.doi.org/10.1007/978-94-024-2080-7_13.
Повний текст джерелаFarina, Almo. "Sonic Patterns II: The Animal Choruses." In Soundscape Ecology, 193–208. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-7374-5_7.
Повний текст джерелаBarclay, Leah. "Engaging communities in listening to ecosystems: Case studies from acoustic ecology research in Australia and Mexico." In Sonic Engagement, 270–84. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003164227-25.
Повний текст джерелаFarina, Almo. "Sonic Patterns III: Sounds and Vibrations from Soils." In Soundscape Ecology, 209–20. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-7374-5_8.
Повний текст джерелаFontana, Federico, Hanna Järveläinen, and Stefano Papetti. "Augmenting Sonic Experiences Through Haptic Feedback." In Sonic Interactions in Virtual Environments, 353–81. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-04021-4_12.
Повний текст джерелаGrimshaw, Mark, and Tom Garner. "Embodied Acoustic Ecology." In Sonic Virtuality, 63–88. Oxford University Press, 2015. http://dx.doi.org/10.1093/acprof:oso/9780199392834.003.0004.
Повний текст джерела"1677: Ecology of Speeds." In Sonic Warfare. The MIT Press, 2009. http://dx.doi.org/10.7551/mitpress/7999.003.0022.
Повний текст джерела"4. Radio’s Dark Ecology." In Eco-Sonic Media, 110–41. University of California Press, 2019. http://dx.doi.org/10.1525/9780520961494-006.
Повний текст джерелаТези доповідей конференцій з теми "Sonic Ecology"
Kalonaris, Stefano, and Iannis Zannos. "High-Order Surrogacy for the Audiovisual Display of Dance." In ICAD 2021: The 26th International Conference on Auditory Display. icad.org: International Community for Auditory Display, 2021. http://dx.doi.org/10.21785/icad2021.001.
Повний текст джерела