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Книги з теми "Sixth Avenue"

Щоб переглянути інші типи публікацій з цієї теми, перейдіть за посиланням: Sixth Avenue.

Автор: Grafiati

Опубліковано: 14 березня 2023

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1

There's a building on Sixth Avenue. New York: Hyperion Books for Children, 1991.

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2

author, Kurshan Virginia, ed. Brooklyn Public Library, Park Slope Branch, 431 Sixth Avenue, aka 427-441 Sixth Avenue, 350-354 8th Street, and 377-383 9th Street, Brooklyn: Built 1906; architect, Raymond F. Almirall. New York, N.Y.]: Landmarks Preservation Commission, 1998.

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3

Smith, W. Eugene. The jazz loft project: Photographs and tapes of W. Eugene Smith from 821 Sixth Avenue, 1957-1965. New York: Knopf, 2009.

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4

Eugene, Smith W. The jazz loft project: Photographs and tapes of W. Eugene Smith from 821 Sixth Avenue, 1957-1965. New York: Knopf, 2009.

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5

Sam, Stephenson, ed. The jazz loft project: Photographs and tapes of W. Eugene Smith from 821 Sixth Avenue, 1957-1965. New York: Knopf, 2009.

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6

Eugene, Smith W. The jazz loft project: Photographs and tapes of W. Eugene Smith from 821 Sixth Avenue, 1957-1965. New York: Knopf, 2009.

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7

author, Savage Charles C., ed. Greenwich Savings Bank (now Crossland Federal Savings Bank), 1352-1362 Broadway, aka 985 Sixth Avenue, Borough of Manhattan: Built 1922-24; Architects York & Sawyer. New York, N.Y]: Landmarks Preservation Commission, 1992.

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8

author, Davis Amanda Beth, ed. Sunset Play Center, including the bath house, swimming pool, diving pool, wading pool, bleachers, filter house, perimeter walls and fencing enclosing these structures, linking pathways, street level fieldstone retaining walls, and the southernmost portion of the paved allee aligned with Sixth Avenue ; Seventh Avenue between 41st Street and 44th Street, Sunset Park, Brooklyn: Constructed 1934-1936; Herbert Magoon, lead architect; Aymar Embury II, Henry Ahrens and others, consulting architects; Gilmore D. Clarke and others, landscape architects. New York, N.Y.]: Landmarks Preservation Commission, 2007.

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9

Hennezel, Marie de. Sex and sixty: Un avenir pour l'intimité amoureuse : [la sexualité et l'amour ne sont pas le monopole de la jeunesse!]. Paris: R. Laffont, 2015.

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10

Banks, Stephen A. Looking backward: Don Banks, one TBF turret gunner's story. Springfield, Va: S.A. Banks, 2008.

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11

author, Shockley Jay, ed. Seventh Regiment Armory Interior first floor interior consisting of the Entrance Hall, the main corridor, the grand Stair Hall and staircase leading to the basement and to the second floor, the Veterans' Room, the Library, the Reception Room, the Board of Officers Room (Colonel Emmons Clark Memorial Room), the Colonel's Room, the Adjutant's Room, the Equipment Room, the Outer Committee Room, the Inner Committee Room, the Field and Staff Room, and the Drill Room (excluding the storage rooms beneath the gallery, but including the four comer stairs and the passageways to the Lexington A venue and administration building entrances); the second floor interior consisting of the main corridor, the grand Stair Hall and staircase leading to the third floor, the staircases at the north and south ends of the main corridor leading to the third floor, the Company A (First Company) Room, the Company B (Second Company) Room, the Company C (Third Company) Room, the Company D (Fourth Company) Room, the Company E (Fifth Company) Room and western alcove, the Company F (Sixth Company) Room and western alcove, the Company G (Seventh Company) Room, the Company H (Eighth Company) Room, the Company I (Ninth Company) Room, the Company K (fenth Company) Room, the Company L (Eleventh Company) Room, and the Company M (Twelfth Company) Room; and the fixtures and interior components of these spaces, including but not limited to, wall, ceiling, and floor surfaces, woodwork, cabinets, fireplaces, doors and door hardware, chandeliers, light fixtures, stained-glass window screens, stair railings, radiators, affixed paintings, attached decorative elements, and Drill Room roof trusses; 643 Park Avenue, Manhattan: Built 1877-81, architect Charles W. Clinton : additions and alterations, Robinson & Knust, 1909-11. New York]: NYC Landmarks Preservation Commission, 1994.

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12

Press, Found Image. Vintage Journal Broadway and Sixth Avenue, New York City. Found Image Press, 2022.

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13

Antonio Recalcati: Third Street at Sixth Avenue, 11 Avril - 30 Mai 1986. Paris: Editor ATVS, 1986.

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14

Kelley, Robin D. G. Jazz Loft Project: The Photographs and Tapes of W. Eugene Smith from 821 Sixth Avenue, 1957-1965. University of Chicago Press, 2023.

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15

(Editor), Terri Windling, ed. The Year's Best Fantasy and Horror: Sixth Annual Collection. 6th ed. St Martins Pr, 1993.

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16

Lombardo, Robert M. Street Crew Neighborhoods. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037306.003.0009.

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This chapter focuses on the organized crime neighborhoods of Chicago, with particular emphasis on five communities in the metropolitan area with a history of being associated with organized crime: Taylor Street, Grand Avenue, Twenty-sixth Street, the North Side, and the suburb of Chicago Heights. These communities are the locations of the five original “street crews,” or branches, of the Chicago Outfit. In addition to these areas, a number of other Chicago communities have a reputation of being associated with organized crime. These communities differ, however, in that they are all descendant from the five original street crew neighborhoods. The chapter reviews the history of organized crime in each of these street crew neighborhoods and offers a sociological explanation for their emergence in conformance with social organizational theories of crime. It argues that Mafia traditions had no bearing on the existence of racket subcultures in these neighborhoods; instead, organized crime was the direct result of machine politics and the differential organization of these communities.

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17

Rovner, Joshua. Intelligence and National Security Decision Making. Edited by Derek S. Reveron, Nikolas K. Gvosdev, and John A. Cloud. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190680015.013.22.

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This chapter provides a brief overview of the history of the modern U.S. intelligence community, with specific reference to the causes and consequences of major reform efforts. Pearl Harbor generated intense pressure to build an intelligence system capable of providing warning of future attacks, culminating in the creation of the modern intelligence community in 1947. Sixty years later, the September 11 attacks led to another round of organizational changes. This chapter describes and evaluates those changes, noting that the jury is still out on basic questions about the relationship between organizational design and intelligence performance. It then turns to contemporary debates over analysis, intelligence-policy relations, and politicization. The conclusion suggests avenues of future research on these issues.

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18

Chittick, Andrew. The Jiankang Empire in Chinese and World History. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190937546.001.0001.

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This work offers a sweeping reassessment of the Jiankang Empire (third to sixth centuries CE), known as the Chinese “Southern Dynasties.” It shows how, although one of the medieval world’s largest empires, Jiankang has been rendered politically invisible by the standard narrative of Chinese nationalist history, and proposes a new framework and terminology for writing about medieval East Asia. The book pays particular attention to the problem of ethnic identification, rejecting the idea of “ethnic Chinese,” and delineating several other, more useful ethnographic categories, using case studies in agriculture/foodways and vernacular languages. The most important, the Wuren of the lower Yangzi region, were believed to be inherently different from the peoples of the Central Plains, and the rest of the book addresses the extent of their ethnogenesis in the medieval era. It assesses the political culture of the Jiankang Empire, emphasizing military strategy, institutional cultures, and political economy, showing how it differed from Central Plains–based empires, while having significant similarities to Southeast Asian regimes. It then explores how the Jiankang monarchs deployed three distinct repertoires of political legitimation (vernacular, Sinitic universalist, and Buddhist), arguing that the Sinitic repertoire was largely eclipsed in the sixth century, rendering the regime yet more similar to neighboring South Seas states. The conclusion points out how the research reorients our understanding of acculturation and ethnic identification in medieval East Asia, generates new insights into the Tang-Song transition period, and offers new avenues of comparison with Southeast Asian and medieval European history.

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19

Sennis, Antonio. Fame and its Vagaries in the Middle Ages. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198777601.003.0020.

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One of the many new avenues of research that Chris has opened up for us in the past decades is the study of fama in medieval contexts. In his important work on twelfth-century Tuscany, Chris considered fama as a form of superior hearsay, derived from gossip and talk, which could involve every member of the social group and to which some credibility could be given in court. This chapter attempts to develop this line of enquiry in a cultural perspective. I seek to show how the way in which the members of a social group bestow fame and celebrity (or their opposites) on some individuals can reveal a lot of the cultural context in which they operate; in other words, how the fame of certain individuals can, within their lifetime and after their death, alternate dramatically according to the way in which some members of future generations view the world in which they had lived. In this perspective, particularly revealing is the case of Theodoric, an individual who, in his lifetime, was famous almost in a modern sense, carving for himself a major role in the geopolitics of Late Antiquity. But Theodoric also become a paradigm, and the vagaries of his fame reveal a lot of the battle of memories and texts that took place in Italy, and more broadly in Europe, between the sixth and the ninth centuries.

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