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1
Pacheco, Mara Regina. "Rastros de oralidade em Taunay e Serejo." Universidade Estadual de Londrina. Centro de Letras e Ciências Humanas. Programa de Pós-Graduação em Letras, 2016. http://www.bibliotecadigital.uel.br/document/?code=vtls000209114.
Повний текст джерелаАнотація:
A pesquisa tem como objetivo mapear os rastros de oralidade pertencentes a uma comarca oral nas narrativas de Visconde de Taunay (1843-1899) e Hélio Serejo (1912-2007). A comarca oral é pautada nos estudos de Carlos Pacheco (1992), no qual se constatam marcas de uma cultura oral na ficção latino-americana. A ideia pachequeana é de que a ficção produzida na América Latina é firmada na oralidade e justificada historicamente pela cultura oral que a constitui. A comarca oral se constitui pelas etiquetas, normas e condutas sociais transmitidas oralmente, definindo o papel do indivíduo em relação ao grupo social a que pertence. O modo de contar dos narradores em Taunay e Serejo apontam os contextos do lugar de fala de cada um, bem como a ficcionalização da oralidade de um lócus específico: a região de fronteira do Brasil com o Paraguai. Com o narrador taunayniano verificou-se uma profusão de discursos que apontam a movência do autor em trânsito, ora dentro, ora fora da comarca, fazendo alternância de pronomes, num jogo de alteridade que faz sobressair o olhar pelo diferente, pelo novo, via estranhamento. Já no caso do narrador serejiano, há um diferencial: certo peso de carga afetiva devido ao forte traço da memória de pertencimento, já que o narrador extrai da sua vivência as vozes outrora auscultadas, conduzindo o registro escrito (ZUMTHOR, 1993).<br>The research aims to map the orality traces belonging to a comarca oral in Visconde de Taunay (1843-1899) and Hélio Serejo (1912-2007) narratives. La comarca oral is guided in Carlos Pacheco´s (1992) studies, in which exhibit marks of an oral culture in Latin American fiction. The pachequeana idea is that the fiction produced in Latin America is signed on orality and historically justified by the oral culture. La comarca oral is constituted by labels, norms and social behaviors transmitted orally, defining the role of the individual in relation to the social group to which he/she belongs. The narrator style of telling in Taunay and Serejo works point out the context of the place of speech of each one, as well as the fictionalization of orality of a specific locus: the border region between Brazil and Paraguay. With taunayniano narrator there was a profusion of speeches pointing to mouvence of the author in transit, sometimes inside, sometimes outside the region, making switching pronouns, an otherness game that brings out the look for different, the new, by estrangement. In the case of serejiano narrator, there is a difference: right weight emotional charge due to the strong trait of belonging memory, as the narrator draws the voices once auscultated from his experience, leading the written record (ZUMTHOR, 1993).
2
Beck, Sergej [Verfasser], Jochen [Akademischer Betreuer] Blath, Michael [Akademischer Betreuer] Scheutzow, and Sergey [Akademischer Betreuer] Foss. "New classes of large claim size distributions : introduction, properties and applications / Sergej Beck. Gutachter: Jochen Blath ; Sergey Foss ; Michael Scheutzow. Betreuer: Jochen Blath ; Michael Scheutzow." Berlin : Technische Universität Berlin, 2014. http://d-nb.info/1067386289/34.
Повний текст джерела
3
Rijo, Gomes Sérgio. "Production d'hydrogène par reformage dans la boucle EGR." Poitiers, 2010. http://theses.edel.univ-poitiers.fr/theses/2010/Rijo-Gomes-Sergio/2010-Rijo-Gomes-Sergio-These.pdf.
Повний текст джерелаАнотація:
Le travail de recherche de cette thèse concerne l'étude de la production d'hydrogène par reformage catalytique dans le circuit de recyclage des gaz d'échappement (REGR) des véhicules essence. Cette technologie permet de réduire de manière significative la consommation en carburant et les émissions de polluants, sans changer radicalement les motorisations. Plusieurs catalyseurs, contenant 1wt% de Rh sur supports à base d'alumine dopée par de la cérine, Al(Cex) et/ou du baryum, AlBa(Cex) ou à base de zircone dopée par les oxydes de terres rares, ZLNY(Cex), entre autres, ont été caractérisés et évalués dans les conditions REGR à haute température (580°C), et à basse température (450°C). Les catalyseurs du type Rh(1wt%)/ZLNY(Cex) présentent le meilleur compromis entre activité et stabilité, le catalyseur Rh(1wt%)/ZLNY étant le plus sélectif pour la production d'hydrogène. A partir de la meilleur formulation catalytique, deux études fondamentales ont été réalisés dans les conditions REGR dans le but de comprendre le rôle des co-réactifs et des espèces de surface sur les performances et sur la désactivation du catalyseur, et d'établir le schéma réactionnel pour les principales réactions (vaporeformage, reformage à sec, et la formation de méthane) mises en jeu<br>This research work is devoted to the study of catalytic reforming of exhaust gas recirculation (REGR) for gasoline engines. The aim of this technology is to improve fuel economy and to reduce pollutant emissions, keeping practically the same engine. A lot of catalysts, containing 1wt% of Rh, supported on alumina doped by ceria, Al(Cex) and/or baryum, AlBa(Cex) or on zirconia doped by rare earth oxides ZLNY(Cex), were characterized and evaluated in REGR conditions for high (580°C) and l ow (450°C) temperatures. The Rh(1wt%)/ZLNY(Cex) catalysts present the best activity and/or stability, the Rh(1wt%)/ZLNY catalyst being the most selective for hydrogen production. From the best catalytic formulation, two fundamental studies were carried out in REGR conditions in order to understand the role of the co-reactants and the surface species on the catalyst performance and deactivation, and to determine the reaction scheme for the main reactions (steam reforming, dry reforming and methane formation)
4
Goncharov, Sergey [Verfasser]. "Kleene monads / Sergey Goncharov." München : Verlag Dr. Hut, 2010. http://d-nb.info/1009972480/34.
Повний текст джерела
5
Ožana, Petr. "Sergej Prokofjev (klavírní dílo)." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-177788.
Повний текст джерелаАнотація:
The base of this work is analysis of Prokofiev´s piano compositions. It isn´t a scientific work. It´s rather analysis of form, melody and harmony in context with his others piano works. At chapter about surroundings dislocation generation of piano concertos I am based on the author´s testation a with him I try to find his ideas right in this work. Also I introduce the poem wich is inspired by the conceptus of this work, was written by poet Balmont. At the last chapter I tout about a view on Prokofiev like friend pianist, colleague, composer by the eyes his contemporaries both his students and teachers, colleagues, pianist, friends but aswell his enemy. TZhe greatest personalities like Neuhaus, Rostropovich, Oistrach remember him. Life´s facts I touch very too little with regard to quantity indeed more far specialist literature.
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Anastacio, Elismar Bertoluci de Araujo [UNESP]. "Hélio Serejo: por uma literatura entre as orilhas da fronteira." Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/122247.
Повний текст джерелаАнотація:
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000813368.pdf: 845664 bytes, checksum: e0f3337c52d18d960076e11e5afd70ab (MD5)<br>O presente estudo tem como objetivo geral investigar, em narrativas de Hélio Serejo (1912-2007), a maneira como a fronteira está inserida e as formas pelas quais se relacionam os sujeitos que passam a transitar na “fronteira abandonada” em tempo de pós-Guerra e ocupação territorial. Para tanto, selecionamos as seguintes obras do autor: Homens de aço: a luta nos ervais (2008), Vida de Erval (2008), Pelas Orilhas da Fronteira (2008), Caraí (2008), O Tereré que me inspira (2008), Pialando...no Más (2008), Carai Ervateiro (2008) e No Mundo Bruto dos Ervais (2008), uma vez que os contos, causos, crônicas, os textos inseridos nessas obras, deslocam-se, sobretudo, da/na fronteira Brasil – Paraguai e seus personagens reais/ficcionalizados vivem uma espécie de nomadismo dispersivo em uma zona de fronteira imaginária, entrecortada – mata adentro - pelos caminhos da Companhia Matte Larangeira (1877-1944). A possibilidade de analisar, nos vãos que se abrem, a partir do cruzar – contínuo e temporal – o sujeito fronteiriço, poderá levar-nos a reconhecer possíveis representações identitárias ainda pouco estudadas. Sustentará esta investigação, o enfoque teórico-crítico advindo dos Estudos Culturais tendo como referência os autores: Bhabha (2003), Hall (2003) Canclini (2003) e Achugar (2006), pois trataremos de uma temática que transita pelas relações entre literatura e aspecto de formação identitária. Defendemos que o fazer literário serejiano esteja no narrar aquilo que viu e ouviu, o que aconteceu e o que teria acontecido na lembrança e no resgate do esquecido. Estudar a obra de Hélio Serejo é uma forma de (re)descobrir aspectos de “posições de sujeitos” velados pela história oficial, ainda mais quando se trata de uma fronteira “onde o Brasil, já foi Paraguay”<br>The current study aimed at investigating through Helio Serejo´s narratives (1912-2007), the way border is inserted and the way by which subjects who transit in the “abandoned border” in times of postwar and territorial occupation. In order to do so, the following plays were selected: Homens de aço: a luta nos ervais (2008), Vida de Erval (2008), Pelas Orilhas da Fronteira (2008), Caraí (2008), O Tereré que me inspira (2008), Pialando...no Más (2008), Carai Ervateiro (2008) and No Mundo Bruto dos Ervais (2008), due to the tales, stories and chronics, texts inserted into these plays shift particularly in the borders of Brazil-Paraguay and their real and fiction characters experience a sort of dispersive nomandism in an imaginary border zone, – in the forest – by the paths of Matte Laranjeira company (1877-1944). The possibility of analyzing through the spaces, from the crossing – continuous and by the time – the border subject may lead us to recognize possible identity representations with few studies. The investigation lies on the critical theoretical approach based on the cultural studies: Bhabha (2003), Hall (2003) Canclini (2003) e Achugar (2006), once the main themes transit by the relationship between literature and the identity formation aspects. We argue that serejian literary work is in narrating what was seen and listened, what happened and what would have happened in the memory and in the forgiven revival. Studying Hélio Serejo play is a way of (re)descovering aspects of “subjects´positioning” hidden by official history, particularly when the “border Brazil was once Paraguay” is concerned
7
Anastacio, Elismar Bertoluci de Araujo. "Hélio Serejo : por uma literatura entre as orilhas da fronteira /." São José do Rio Preto, 2014. http://hdl.handle.net/11449/122247.
Повний текст джерелаАнотація:
Orientador: Norma Wimmer<br>Banca: Mail Marques de Azevedo<br>Banca: Giséle Manganelli Fernandes<br>Banca: Manuel Fernando Medina<br>Banca: Nelson Luis Ramos<br>Resumo: O presente estudo tem como objetivo geral investigar, em narrativas de Hélio Serejo (1912-2007), a maneira como a fronteira está inserida e as formas pelas quais se relacionam os sujeitos que passam a transitar na "fronteira abandonada" em tempo de pós-Guerra e ocupação territorial. Para tanto, selecionamos as seguintes obras do autor: Homens de aço: a luta nos ervais (2008), Vida de Erval (2008), Pelas Orilhas da Fronteira (2008), Caraí (2008), O Tereré que me inspira (2008), Pialando...no Más (2008), Carai Ervateiro (2008) e No Mundo Bruto dos Ervais (2008), uma vez que os contos, causos, crônicas, os textos inseridos nessas obras, deslocam-se, sobretudo, da/na fronteira Brasil - Paraguai e seus personagens reais/ficcionalizados vivem uma espécie de nomadismo dispersivo em uma zona de fronteira imaginária, entrecortada - mata adentro - pelos caminhos da Companhia Matte Larangeira (1877-1944). A possibilidade de analisar, nos vãos que se abrem, a partir do cruzar - contínuo e temporal - o sujeito fronteiriço, poderá levar-nos a reconhecer possíveis representações identitárias ainda pouco estudadas. Sustentará esta investigação, o enfoque teórico-crítico advindo dos Estudos Culturais tendo como referência os autores: Bhabha (2003), Hall (2003) Canclini (2003) e Achugar (2006), pois trataremos de uma temática que transita pelas relações entre literatura e aspecto de formação identitária. Defendemos que o fazer literário serejiano esteja no narrar aquilo que viu e ouviu, o que aconteceu e o que teria acontecido na lembrança e no resgate do esquecido. Estudar a obra de Hélio Serejo é uma forma de (re)descobrir aspectos de "posições de sujeitos" velados pela história oficial, ainda mais quando se trata de uma fronteira "onde o Brasil, já foi Paraguay"<br>Abstract: The current study aimed at investigating through Helio Serejo's narratives (1912-2007), the way border is inserted and the way by which subjects who transit in the "abandoned border" in times of postwar and territorial occupation. In order to do so, the following plays were selected: Homens de aço: a luta nos ervais (2008), Vida de Erval (2008), Pelas Orilhas da Fronteira (2008), Caraí (2008), O Tereré que me inspira (2008), Pialando...no Más (2008), Carai Ervateiro (2008) and No Mundo Bruto dos Ervais (2008), due to the tales, stories and chronics, texts inserted into these plays shift particularly in the borders of Brazil-Paraguay and their real and fiction characters experience a sort of dispersive nomandism in an imaginary border zone, - in the forest - by the paths of Matte Laranjeira company (1877-1944). The possibility of analyzing through the spaces, from the crossing - continuous and by the time - the border subject may lead us to recognize possible identity representations with few studies. The investigation lies on the critical theoretical approach based on the cultural studies: Bhabha (2003), Hall (2003) Canclini (2003) e Achugar (2006), once the main themes transit by the relationship between literature and the identity formation aspects. We argue that serejian literary work is in narrating what was seen and listened, what happened and what would have happened in the memory and in the forgiven revival. Studying Hélio Serejo play is a way of (re)descovering aspects of "subjects'positioning" hidden by official history, particularly when the "border Brazil was once Paraguay" is concerned<br>Doutor
8
Rivera, Bogdanic Pablo. "Biblioteca regional de La Serena." Tesis, Universidad de Chile, 2009. http://www.repositorio.uchile.cl/handle/2250/115806.
Повний текст джерела
9
Gudino, Maria Lourdes. "Los peces de Sergio Fernandez." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ43880.pdf.
Повний текст джерела
10
Gudiño, María Lourdes. "Los peces de Sergio Fernández." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28056.
Повний текст джерелаАнотація:
This thesis focuses on the novel of Sergio Fernandez Los peces. Given the linguistic and thematic complexity of this literary work, such approach is a mere effort to discover clues for an interpretation of it.<br>Working toward this goal, the first chapter of the thesis unfolds the search for origins of the secret doctrine of Israel at the beginning of the Christian era, focusing specifically on the symbolism of the fish, Clam's role, the white goddess's function, Gabriel's role as the embodiment of Jehovah and Beelzebub and the presence of the new religion following the weddings.<br>The second chapter talks about the aesthetic of repentance as formulated by Baltasar Gracian and present in the work of sor Juana Ines de la Cruz; the relationship between the latter and the narrator of Los peces, the conception of art as a deception of the senses, as well as the narrator's androgynous voice or voices.<br>Finally, the third chapter concentrates on the poetics of Fernandez's text. More concretely, the spirituality of the narrator and his or her relationship with the writer. The relationship between desire, language, and religion, and the analysis of space are also the focal point in this chapter.<br>The conclusion summarizes what was studied throughout the thesis and raise questions.
11
Fitenko, Nikita. "Sonata for Piano (1963) by Sergei Michailovich Slonimsky: Musical Analysis and Discussion on Interpretation and Performance." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3147/.
Повний текст джерелаАнотація:
The essay begins with the overview of Russian-Soviet piano music from the second half of the 19th century to the end of the 20th century. Then, biographical information about Sergei Slonimsky and an overview of his major compositions is provided. The majority of the paper focuses on Slonimsky's Sonata for Piano (1963). A brief discussion of the Sonata's compositional history is followed by the formal analysis of the overall structure of the work. Slonimsky's original principle of organization of the music is emphasized: the system of constant interrelation of the main thematic material combined with elements of the sonata-allegro form. In the analysis of the harmonic language of the piece, the composer's extensive use of Russian folk elements such as diatonic melodies, sigh motives, parallel triads, and simultaneous use of the lower third with the major triad is pointed out. The rest of the paper focuses on issues of interpretation and performance. Special notice is given to the problem of incorporating a percussive type of playing with the elements of folk cantilena singing. The paper concludes with the history of Sonata's performances and a discussion of current recordings.
12
Sousa, Flaviana Rodrigues de. "Povos indígenas e saúde mental: a luta pelo habitar sereno e confiado." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/47/47132/tde-19072018-102952/.
Повний текст джерелаАнотація:
Esta pesquisa empirica discute pontos de tensoes emergidos no dialogo interetnico em torno das questoes de saude indigena, dando enfase ao tema da saude mental. As tensoes foram analisadas segundo diferentes pontos de vista sobre a promocao da saude indigena, identificadas a partir da producao de um mapeamento que expressa os conteudos discursivos marcados por um grande divisor: de um lado a perspectiva ocidental, composta pelo Estado, compreendido atraves das Politicas Publicas de Saude Indigena; do Sistema Unico de Saude e sua assistencia a saude; pelos Conselhos Federal e Regional de Psicologia e pela Organizacao Mundial da Saude. Do outro lado esta a perspectiva dos indigenas, especialmente do povo Mbya Guarani, analisados com apoio da literatura antropologica, a partir da nocao de Teko Pora (Bem Viver); dos noticiarios produzidos e veiculados por coletivos indigenas; do conteudo narrativo contido no documentario Teko Rexa - Saude Guarani Mbya e dos discursos presentes nos noticiarios produzidos por entidades indigenistas. As nocoes de saude e saude mental discutidas por Gadamer (2006), bem como as nocoes de saude e de ethos refletidas por de Figueiredo (2008), referencial teorico-metodologico assumido nesta dissertacao fundamentam sobre a importancia do territorio nos processos de saude/doenca para os povos indigenas, bem como auxiliam a refletir sobre as tensoes presentes em ambas as perspectivas. Os dados foram analisados a partir da nocao de multiplicacao dialogica (Guimaraes, 2013) no ambito do construtivismo semiotico-cultural em psicologia. A partir da identificacao de tensoes presentes, foram levantadas questoes a respeito de como estruturar o cuidado em psicologia, refletindo sobre as possibilidades de seu transito entre diferentes perspectivas em saude<br>This empirical research discusses points of tension emerging in the interethnic dialogue around indigenous health issues, emphasizing the theme of Mental Health. The tensions were analyzed according to different points of view on the promotion of indigenous health, identified from the production of a mapping that expresses the discursive contents marked by a great divide: on the one hand the western perspective, composed by the State, understood through Policies Public Health Indigenous; of the Unified Health System and its health care; by the Federal and Regional Councils of Psychology; and the World Health Organization. On the other side is the perspective of the indigenous people, especially the Mbya Guarani people, analyzed with the support of anthropological literature, based on the notion of Teko Pora (Bem Viver); of the news produced and transmitted by indigenous collectives; of the narrative content contained in the documentary \"Teko Rexa - Saude Guarani Mbya\" and the speeches present in the news produced by indigenist entities. The notions of \"health\" and \"mental health\" discussed by Gadamer (2006), as well as the notions of \"health\" and \"ethos\" reflected by de Figueiredo (2008), theoretical and methodological reference assumed in this dissertation, importance of the territory in health / disease processes for indigenous peoples, as well as helping to reflect on the tensions present in both perspectives. The data were analyzed from the notion of dialogical multiplication (Guimaraes, 2013), within the scope of semiotic-cultural constructivism in psychology. From the identification of present tensions, questions were raised about how to structure care in psychology, reflecting on the possibilities of its transit between different perspectives in health
13
Duarte, Adriana Cristina Vieira. "Frontiera: uma introdução a Vittorio Sereni." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-17112015-115719/.
Повний текст джерелаАнотація:
O poeta italiano Vittorio Sereni (1913-1983) é ainda inédito e pouco conhecido no Brasil. A fim de introduzir o autor ao público brasileiro, este trabalho tem como objeto de estudo seu livro de estreia, Frontiera, de 1941. A partir de um panorama que percorre de maneira sucinta o surgimento dos poetas modernos da Itália, e que situa o leitor acerca da posição ocupada por Vittorio Sereni nesse cenário, esta pesquisa investiga os caminhos cursados pelo poeta em sua juventude, no início de sua produção literária. Tal percurso, conforme se demonstrará, foi determinante para sua completa formação humana, cultural e intelectual, abrangendo, por exemplo, as aulas do filósofo Antonio Banfi na Universidade de Milão, a experiência como redator da revista \"Corrente di vita giovanile\", e a admiração e amizade com os poetas Eugenio Montale, Giuseppe Ungaretti e Umberto Saba. Ademais, este trabalho discute o polêmico tema do pertencimento ou não de Sereni ao movimento hermético italiano dos anos 30/40. Finalmente, por meio de análises de quatro poemas do livro selecionado, \"Inverno\", \"Inverno a Luino\", \"Strada di Zenna\" e \"Ecco le voci cadono\", serão especificadas algumas linhas temáticas centrais de Frontiera recorrentes em outras composições de sua primeira publicação.<br>Italian poet Vittorio Sereni (1913-1983) is still unpublished and relatively unknown in Brazil. In order to introduce the author to the Brazilian public, this research studies his debut book, Frontiera, 1941. Through a brief overview of the history of the Italian modern poets, the present study investigates the path followed by Vittorio Sereni during his youth, at the beginning of his literary career. Such path, as will be shown later, was of the utmost importance for the poets humanitarian, cultural and intellectual development, and includes the philosophy lectures given by Antonio Banfi at the University of Milan, the time spent as a writer at the magazine \"Corrente di vita giovanile\" and the admiration of and friendship with fellow poets Eugenio Montale, Giuseppe Ungaretti and Umberto Saba. Moreover, this research addresses the controversial debate on whether Sereni integrated or not the Italian hermetic movement in the 1930s and 40s. Lastly, through the study of four poems from the selected book, \"Inverno\", \"Inverno a Luino\". \"Strada di Zenna\" e \"Ecco le voci cadono\", recurrent central themes in Frontiera will be presented and analyzed.
14
Rosík, Alexej. "Sergej Prokofjev a jeho komorní tvorba." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2010. http://www.nusl.cz/ntk/nusl-79392.
Повний текст джерелаАнотація:
I was very interested in Sergej Prokofjev music when I had studied his Sonata for violin and piano D - major, op. 94.I make a short evalution of his life and publication in this work. In more details I decribe his chamber music work, Violin sonata D - major, op. 94 , orchestra and vocal pieces too. In conclusion I present the full list of his composition.
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Lenz, Felix. "Sergej Eisenstein: Montagezeit Rhythmus, Formdramarturgie, Pathos." Paderborn München Fink, 2005. http://d-nb.info/988603152/04.
Повний текст джерела
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Acero, González Sergio [Verfasser]. "Topological State Engineering / Sergio Acero González." Berlin : Freie Universität Berlin, 2020. http://d-nb.info/1222029456/34.
Повний текст джерела
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Stevanato, Luisa <1963>. "Serena Vitale. Tra storia e romanzo." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4015.
Повний текст джерелаАнотація:
La presente tesi propone un'analisi delle opere della scrittrice e nota slavista Serena Vitale, in particolare dei componimenti misti di storia ed invenzione, resi nella forma di romanzo-saggio. All'interno dei possibili percorsi di lettura viene esaminato soprattutto l'aspetto della creazione artistica a partire dalle fonti primarie. Si sono prese in considerazione segnatamente tre opere. "Il bottone di Puskin" (1995), unisce serietà metodologica e passione, per ricostruire gli eventi che portarono al duello che causò la morte dell'ancora giovane scrittore russo. "L'imbroglio del turbante" (2006), ricompone la vita del rinnegato piemontese Giovanni Battista Boetti, coinvolto nelle complesse vicende caucasiche di fine '700 che, a parere dell'autrice, influenzarono in maniera decisiva i principali avvenimenti della storia euro-asiatica. "A Mosca, a Mosca!" (2010), ripercorre gli ultimi quarant'anni di storia russa, attraverso ricordi, sogni e sentimenti personali.
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SACCONAGHI, CARLO. "VITTORIO SERENI TRADUTTORE DI EZRA POUND." Doctoral thesis, Università degli Studi di Milano, 2017. http://hdl.handle.net/2434/471648.
Повний текст джерелаАнотація:
My dissertation focuses on Vittorio Sereni’s translations of eight poems from Pound’s "Lustra", and investigates the influence that these translations exercised on Sereni’s own poetry.
The first chapter outlines the context in which the translations were conceived. I detail the main inputs through which Sereni approached Pound’s poems in the early 1950’s: Luciano Anceschi and the group of young poets — later organized in the Neo-Avant-Gardist “63 Group” — who considered Pound as a master; the praise for Pound that T.S. Eliot had stated on several occasions; and the “Pound case”, which stimulated political and poetical discussions among Italian intellectuals after his arrest, extradition and internment. In this context, Sereni translated some poems from Lustra at the insistence of Pound’s main Italian publisher, Vanni Scheiwiller.
The second chapter concerns the critical edition and a commentary of Sereni’s translations. In this section I collate the manuscripts, drafts and editions curated by Sereni and I record the author’s variants, which show the creative process preceding the final text. An overall interpretation of each poem is followed by a detailed analysis of Sereni’s stylistic choices and his translational attitude, which fluctuates between the assimilation and rejection of Pound’s technique.
The last chapter reveals how the translations of Pound’s poems inspired Sereni’s own poetry. While searching for a renewed poetic language, Sereni was deeply intrigued by Pound’s poems because of their original aesthetic paradigm. I identify several textual elements which show Pound’s influence on the poems that Sereni wrote immediately after his translations — such as the combination of different languages, the extension of the verses’ measure, the assimilation of rhetorical devices as the iteration, and also, according to Pound’s aesthetics habit, the insertion of literary references. These stylistic features are not present in Sereni’s writings which precede Pound’s translations, and they characterize Sereni’s third book, "Gli strumenti umani" (1965).
In conclusion, my research reveals the contribution that the translations from Pound’s early poems gave to the poetical development of Vittorio Sereni, and it represents a significant case study of the impact that Anglo-American modernist poetry had on the Italian post-hermetic poetic progress.
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CRIPPA, MARIE LOUISE. "L'ATTIVITÀ CRITICO-EDITORIALE DI SERGIO ANTONIELLI." Doctoral thesis, Università degli Studi di Milano, 2018. http://hdl.handle.net/2434/551058.
Повний текст джерелаАнотація:
My study reconstructs the intellectual profile of Sergio Antonielli, writer, critic and professor of Modern and Contemporary Italian Literature at the University of Milan in the second half of twentieth century. My research consisted of analysis of essays, articles and monographs dedicated to Italian contemporary writers and examination of unpublished documents kept at “Apice” (Archives of the Word, Image and Editorial Communication), and at the “Arnoldo and Alberto Mondadori Foundation”: a rich correspondence with influential figures of italian literature, notes for lectures and speeches, reading opinions written for Mondadori and Editori Riuniti.
Through the work of Sergio Antonielli, it is possible to retrace critical dynamics of the twentieth century (Ermetismo and post-Ermetismo, Realism and neo-realism), creative phases of some poets (Eugenio Montale, Vittorio Sereni, Andrea Zanzotto, Mario Luzi) and processes of the publishing companies in the second half of twentieth century.
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Kosmykov, Mykhaylo [Verfasser], Sergey [Akademischer Betreuer] Dashkovskiy, and Fabian [Akademischer Betreuer] Wirth. "Hybrid dynamics in large-scale logistics networks / Mykhaylo Kosmykov. Gutachter: Sergey Dashkovskiy ; Fabian Wirth. Betreuer: Sergey Dashkovskiy." Bremen : Staats- und Universitätsbibliothek Bremen, 2011. http://d-nb.info/1071898051/34.
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Cangalaya, Sevillano Luis Miguel. "Espacios urbanos y tradición migrante en Pálido, pero sereno, de Carlos Eduardo Zavaleta." Master's thesis, Universidad Nacional Mayor de San Marcos, 2016. https://hdl.handle.net/20.500.12672/5011.
Повний текст джерелаАнотація:
Indaga sobre las características de la relación entre los sujetos migrantes y los espacios urbanos en la novela Pálido, pero sereno, de Carlos Eduardo Zavaleta, en el marco de la tradición literaria a la cual pertenece. Establecer la relación entre migrante y migrancia de los espacios urbanos en la narrativa peruana contemporánea. Identifica las características del protagonista migrante en Pálido, pero sereno. Tipifica los sujetos de la tradición literaria vinculada con la migrancia a la cual pertenece la mencionada novela. Utiliza una metodología estructural-funcional, basada en la lectura crítica de la novela para determinar los aspectos narrativos en la construcción de los personajes y la representación de los espacios. De igual forma, esta perspectiva permite establece las líneas directrices para ubicar la novela de Carlos Eduardo Zavaleta en una tradición literaria específica como es la tradición migrante. Es una investigación teórica con una leve base historiográfica, que aplica la técnica descriptivo-analítica y realiza el fichaje de las fuentes de información para su análisis e interpretación.<br>Tesis
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Ley, Lisa Maria. "Kunst im Zeichen der Aufklärung : Sergels Menschenbild vor dem Hintergrund philosophischer, historischer, gesellschaftspolitischer und psychologischer Ideen des 18. Jahrhunderts." Hamburg Kovač, 2007. http://www.verlagdrkovac.de/978-3-8300-2751-5.htm.
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Howell, Chelsea Gayle. "Multidisciplinary performance issues in Sergei Prokofiev's Trapèze." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1459902831&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
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Cheng, Ruby. "Rachmaninoff the composer-pianist aspects of pianism in his Piano concerto no. 3 in D minor /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1835512501&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
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Vanderlei, Alexandre Bahia. "Sergio Bernardes: el desafío de la técnica." Doctoral thesis, Universitat Politècnica de Catalunya, 2017. http://hdl.handle.net/10803/458359.
Повний текст джерелаАнотація:
Sergio Bernardes is considered one of the most important architects of the second generation of cariocas modern architects. Little is known about the work of Bernardes. Until today there are few publications about the architect, only three monographic books have been published. Few academic researches were dedicated exclusively to the work of Sergio Bernardes. There was no chronological overview of his work and systematic study that would identify the importance of the technique in his known work. These gaps, confronted with our doubts, brought us the question: How important is the technique in the development of the work of Sergio Bernardes? The aim of this thesis is to analyze both the work and the context of Sergio Bernardes, in order to understand the aspects of his methodology and references, in addition to the extent and influence of his work. A panorama, whose axis is a timeline, was built. To this timeline, was added an analytical study of the structural type of each project that resulted in a graphical overview of all projects. Four chronological periods were identified in the work of the architect. In addition, his international influences and references were recognized as well as the drift from the carioca modernism. The study was limited to the projects conceived in the 1950s, corresponding to the stages of formation and development of his work. From the intersection of data identified on the panorama with the projects available in the archive of architect, three different projects were selected as the main objective of this thesis: The Lota House (1951), The Companhia Siderúrgica Nacional Pavilion - CSN (1954) and The Brazilian Pavilion at the World Exhibition in Brussels (1958). Regarding the Lota House (1951), the owner singular character definitely influenced the architect¿s work. Employing constructive elements Sergio Bernardes puts in value the modernity that the assignment should contemplate. In the topological field, landscape and topography were substantial project conditionings. It was in the field of technique, that greater possibilities arose during the design and construction of the house. The metal cover was a confrontation with other building systems, distinct from reinforced concrete, assuming the inherent risks of his empirical field decisions. In the CSN Pavilion (1954), the need for the CSN to stimulate use of steel in architecture influenced the architect elections for the project. With the whole field of metal architecture to be explored, it was appropriate to expose the functional and technical possibilities of materials manufactured by the company. The refined insertion of an ephemeral building, considering a specific point of the stream, became a permanent bridge that connects and facilitates people meeting in a public space. The project was developed seeking to improve its functionality and structural behaviour. The management of structural types, which Bernardes had experienced throughout his work, has allowed the use of structural types from another context. The aim of the Brazilian Pavilion at the World Exhibition in Brussels (1958), was to reveal the country as a nation in industrialization process, with a modern architecture aligned with building types, materials and vocabulary existing in developed countries. In regard to the site, the architect selected two positions, one related to the basement and the ramp and the other related to the roof. To the empirical tests performed by the architect during the design and construction of his works, was added technical support from structural engineering. In summary, the analysis of these works, concerning the aspects of life, site and technology, identifying structural types, tracing links and demonstrating that beyond the plurality of Bernardes¿ forms lays a unique work based on the technical dimension that has been refined throughout the time.<br>Sergio Bernardes está considerado uno de los arquitectos más importantes de la segunda generación de modernistas cariocas. Hay pocas publicaciones sobre el arquitecto, son apenas tres libros monográficos. Pocas también son las investigaciones académicas dedicadas exclusivamente a su obra. No había un panorama cronológico de su obra y ni tampoco había un estudio que identificase la importancia de la técnica en el conjunto de su obra. Estos vacíos, confrontados con nuestras dudas, nos llevaron a la pregunta: ¿Qué importancia tiene la técnica en el desarrollo de la obra de Sergio Bernardes? El objetivo es analizar tanto la obra como el contexto de Bernardes, con el fin de entender aspectos de su metodología y referencias, además las directrices y la esfera de influencia de su obra. Se construyó un panorama, cuyo eje es una línea de tiempo. Se añadió un estudio analítico de la tipología estructural de cada proyecto que resultó en un resumen gráfico. Se identificó cuatro períodos cronológicamente en su obra. Además, se dedujo las influencias internacionales y se identificó las referencias - y también el desvío - a la corriente carioca del modernismo brasileño. Se limitó el estudio en detalle a los proyectos de la década de 1950. A partir del cruce de datos apuntados por el panorama con los proyectos disponibles en el archivo del arquitecto, se seleccionó más dos obras, además de la Casa Lota (1951), como objetos de estudio, los pabellones de la Compañía Siderúrgica Nacional (1954) y de Brasil en la Exposición Universal de Bruselas (1958). Con respeto a la Casa Lota (1951), fueron las condiciones sociales de una señora de carácter peculiar, que ha influenciado las decisiones de proyecto. A través de unos elementos constructivos Sergio Bernardes puso en valor la modernidad que el encargo debía connotar. En el campo topológico, el paisaje y la topografía son los condicionantes sustanciales del proyecto. Fue en el campo de la técnica, que se abrieron mayores posibilidades para el arquitecto durante el diseño y construcción de la casa. La cubierta metálica hizo un enfrentamiento, con otros sistemas constructivos, diferentes del hormigón armado, asumiendo los riesgos inherentes a sus decisiones en obra de manera empírica. En el Pabellón de CSN (1954), la necesidad de CSN de estimular el consumo del acero en la arquitectura influyó las elecciones del arquitecto durante el proyecto. Con todo el campo de la arquitectura metálica a ser explorado, convenía divulgar, las posibilidades utilitarias y técnicas de los materiales fabricados por CSN. El afinado encaje para un edificio efímero, que consideró un punto específico del arroyo, se convirtió en un puente permanente que conecta y facilita el encuentro entre personas en el espacio público de la ciudad. El proyecto se desarrolló buscando la mejora de su funcionalidad y comportamiento estructural. El manejo de los tipos estructurales, que Bernardes había experimentado, a lo largo de su obra, le ha facilitado el uso de tipologías estructurales procedentes de otro contexto. El objetivo del Pabellón de Brasil en la Exposición Universal de Bruselas (1958), fue la divulgación del país como una nación en proceso de industrialización, con una arquitectura moderna - alineada con los tipos constructivos, los materiales y el vocabulario vigente en los países desarrollados. Con relación al sitio, el arquitecto tomó dos posiciones, una en relación al zócalo y la rampa y otra, en relación a la cubierta. A los ensayos empíricos practicados por el arquitecto durante el proceso de proyecto y construcción de sus obras, fue añadido el aporte técnico proveniente de la ingeniería estructural. En definitiva, el análisis de estas obras, en relación a los aspectos de la vida, el sitio y la técnica, identificando tipos estructurales, trazando vínculos y demostrando que tras la pluralidad de formas de Bernardes reside un único proyecto fundamentado en la noción técnica que fue perfeccionado a lo largo del tiempo.
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Törnquist, Maria, and Susanne Matsson. "Marknadsföringsstrategier inom läkemedelsbranschen : Fallstudie av Serono Nordic." Thesis, Stockholm University, School of Business, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-6439.
Повний текст джерелаАнотація:
<p>Mycket av den moderna sjukvården bygger på ett omfattande användande av läkemedel. Inom läkemedelsbranschen är det en förutsättning att produkterna håller en hög kvalitet eftersom de påverkar användarnas hälsa. Marknadsföring av läkemedel är strikt reglerad och riktar sig inte främst till slutkunden utan till förskrivande vårdpersonal. Läkemedelsföretag är vinstmotiverade och strävar efter lämpliga marknadsföringsstrategier för att kunna överträffa konkurrenternas erbjudanden. Syftet med denna kandidatuppsats var att få en fördjupad förståelse för hur marknadsföring kan ske i läkemedelsbranschen. För att utreda detta har en fallstudie på bioteknikföretaget Serono Nordic utförts. Ett delsyfte med uppsatsen var att på uppdrag av Serono Nordic utvärdera en enkät. Den riktade sig till barnmorskor och sjuksköterskor inom IVF i Sverige och behandlade deras kompetens och arbetsinnehåll. De metoder som användes för datainsamling var intervjuer, observationer och en enkätundersökning. Intervjuerna som genomfördes behandlade Serono Nordics marknadsföring och de observationer som skedde på IVF-kliniker genomfördes för att få en ökad förståelse för infertilitet och dess behandling. Marknadsföring inom läkemedelsbranschen går huvudsakligen ut på att skapa långsiktiga relationer med sina kunder. Läkemedelsrepresentanter ingår som en viktig del i denna process. Den personliga kontakt som de bygger upp med kunden har en positiv inverkan på kommunikationen vilket underlättar informations- och kunskapsutbytet. Andra viktiga faktorer för läkemedelsföretagen i detta relationsutbyte är att hålla en låg personalomsättning och att erbjuda aktiviteter utöver den huvudsakliga kontakten. Enkätundersökningen som genomfördes var ett sätt för Serono Nordic att ytterligare stärka den relation de har till en av sina kundgrupper. Denna undersökning hade främst ett marknadsföringssyfte och företaget var inte i första hand intresserade av resultatet av enkätundersökningen.</p>
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Kisselev, Kirill. "L’héritage canonique du Professeur Sergej Viktorovič Troickij." Thesis, Paris, EPHE, 2016. http://www.theses.fr/2016EPHE4089.
Повний текст джерелаАнотація:
Nous présentons dans notre thèse la pensée, les œuvres et la personnalité du théologien orthodoxe russe émérite S.V. Troickij, dont la longue vie s’est éteinte à l’âge de 94 ans (1878 - 1972). Le Professeur Sergej Viktorovič Troickij (1878-1972) était un vrai savant, ayant des connaissances approfondies dans plusieurs domaines. Il était expert à la fois en Droit canon (Tradition canonique), en archéologie, en histoire et, en particulier, en théologie chrétienne. Auteur de plusieurs centaines d’œuvres, dont une grande partie est consacrée aux questions canoniques, ce qui lui valut une autorité incontestable dans le monde orthodoxe. Ses écrits sont édités en Russie, en Serbie et en France à Paris. Dans le cadre du doctorat en mention : Histoire, textes et documents, nous proposons une présentation et une traduction des travaux de S.V.Troickij, avec l’analyse de sa pensée, ainsi que la présentation de ses archives personnelles que nous avons trouvées et exploitées lors de nos recherches en Russie (à la Laure de la Trinité-Saint-Serge), en Serbie (à Belgrade et à Sremcki-Karlovci) et en France (à l’Institut de Théologie Orthodoxe de Paris) de 2009 à 2015<br>This paper features the ideas, works and life of the famous Orthodox theologian S.V. Troitsky, who lived a long life of 94 years (1878-1972). S.V. Troitsky was a great scientist, with extensive knowledge in different areas. He was considered an expert in canon law, a specialist in archeology, history, and was a brilliant theologian. Author of several books and hundreds of articles, S.V. Troitsky was respected in academic circles and in the Orthodox world. His works were published in Russia, Serbia, and in Paris, France. As part of the research presented in this doctoral thesis in the field of history, texts and documents, we present a translation and overview of S.V. Troitsky’s works, the analysis of his ideas and personal archives, which we were able to find and process in Russia (St.Trinity-Sergius Lavra), Serbia (Belgrade and Sremski Karlovci) and France (St. Sergius Orthodox Theological Institute in Paris) from 2009 to 2015
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Brito, Fernando Bezerra de. "Melmoth the Wanderer, um sermão gótico irlandês." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-18092013-112228/.
Повний текст джерелаАнотація:
Neste trabalho, desenvolvemos uma reflexão sobre uma das principais obras do romance gótico e da prosa de ficção romântica em língua inglesa Melmoth the Wanderer (1820), do clérigo dublinense Charles Robert Maturin (1782-1824). Buscamos analisar Melmoth como um sermão gótico irlandês, isto é, um híbrido de romance gótico e sermão sacro, cuja forma é estruturada pelo contexto sócio-histórico da Irlanda do início do século XIX, época caracterizada pelo acirramento das tensões entre católicos e protestantes. Nessa análise, consideramos também a produção sermonística e ensaística do autor. A religião, que se mostra o princípio organizador do romance, foi entendida em sua natureza dialética entre o eterno, as doutrinas teológicas e suas proposições transcendentais, e o temporal, a práxis dos fiéis no mundo. Demonstramos como o escritor-reverendo utiliza uma série de procedimentos retórico-argumentativos da oratória sagrada na tessitura do romance a fim de amplificar o seu grau persuasivo, transformando-o em arma de propaganda política contra a campanha pela Emancipação Católica. Discutimos ainda a fortuna crítica e a recepção do romance em vários países europeus, em especial na França, onde influenciou sobremaneira escritores como Honoré de Balzac, Victor Hugo e Charles Baudelaire.<br>This study looks at one of the masterpieces of the Gothic novel and the Romantic prose fiction in the English language: Melmoth the Wanderer (1820), written by the Dubliner cleric Charles Robert Maturin (1782-1824). One tries to analyze Melmoth as an Irish Gothic sermon, ie, a hybrid of gothic novel and sermon whose shape is structured by the sociohistorical context of 19th century Ireland, a period characterized by the deepening of tensions between Catholics and Protestants. This analysis also takes into account Maturin´s sermons and essays. Religion, which is the organizing principle of the novel, is understood in this study by its dialectic between the eternal (theological doctrines and their transcendental propositions), and the temporal (the practice of the faithful in the world).The study argues that the writer-cleric uses a series of rhetorical-argumentative procedures of sacred oratory in the making of the novel in order to increase its persuasive appeal, turning it into a weapon of political propaganda against the campaign for Catholic emancipation. It also assesses the novel´s reviews and reactions in several European countries, particularly in France, where it greatly influenced writers such as Honoré de Balzac, Victor Hugo, and Charles Baudelaire.
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Correa, Vera Loreto. "La Serena: 1850-1900: tradición e individualidad." Tesis, Universidad de Chile, 1989. http://repositorio.uchile.cl/handle/2250/145053.
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Steinwender, Harald. "Sergio Leone Es war einmal in Europa." Berlin Bertz + Fischer, 2008. http://d-nb.info/994036965/04.
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Galetti, Anna <1987>. "Sergio Corazzini e il suo cenacolo romano." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3833.
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Mironchenko, Andrii [Verfasser], Sergey [Akademischer Betreuer] Dashkovskiy, and Fabian [Akademischer Betreuer] Wirth. "Input-to-state stability of infinite-dimensional control systems / Andrii Mironchenko. Gutachter: Sergey Dashkovskiy ; Fabian Wirth. Betreuer: Sergey Dashkovskiy." Bremen : Staats- und Universitätsbibliothek Bremen, 2012. http://d-nb.info/1071993623/34.
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Sereno, Baeta Rodrigues Dayane [Verfasser]. "Characterization of mesencephalic astrocyte-derived neurotrophic factor of Suberites domuncula / Dayane Sereno Baeta Rodrigues." Mainz : Universitätsbibliothek Mainz, 2018. http://d-nb.info/1173276114/34.
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Carvalho, Juliana Barros Prata. "Sincretismo religioso brasileiro: um estudo através das veredas de Grande Sertão." Pontifícia Universidade Católica de São Paulo, 2007. https://tede2.pucsp.br/handle/handle/2035.
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Made available in DSpace on 2016-04-25T19:20:48Z (GMT). No. of bitstreams: 1
Juliana Barros Prata Carvalho.pdf: 269444 bytes, checksum: 833c68807ae7d2c953ab89a7549ecae3 (MD5)
Previous issue date: 2007-08-08<br>This work is an attempt to understand Brazilian religious syncretism via Grande Sertão: Veredas . Therefore the essay tries to establish a metaphoric parallel between syncretic and religious plurality contained in João Guimarães Rosa s only romance and Brazilian religious syncretism. This essay is focused on the area of Science of Religion but because it uses a romance - which belongs to the field of literature - as a tool it dialogs with that field of study.
The bridge between fiction and reality is established as a live link in constant transformation. Both the characters of the book and the Brazilian people are treated here as beings in a process of discovery of their human identity, as a work-in-progress, under the light of the work of Darcy Ribeiro, Gilberto Freyre and other theorists. A fundamental part of such discovery is the way through which individuals try to relate to objects which are thought to have religious transcendence. Such process will be an object of work with emphasis on syncretism. The concepts of racially-mixed ancestry and religion will also be explored.
The conclusions reached in this work rather than absolute and conclusive answers to the questions proposed are long, open paths to be covered. The investigation about religious syncretism using Grande Sertão: Veredas as a tool is only possible via metaphor. Additionally the viability of this essay depends on the assumption that the Brazilian population is necessarily mestizo<br>Este trabalho é uma tentativa de compreensão do sincretismo religioso brasileiro via Grande Sertão: Veredas. Ou seja, a dissertação tenta estabelecer um paralelo metafórico entre a pluralidade sincrética e religiosa contida no único romance de João Guimarães Rosa e o sincretismo religioso brasileiro. Esta dissertação é feita na área de Ciências da Religião, mas, por usar como instrumento um romance, objeto pertencente ao campo da literatura, dialoga com esse campo de conhecimento.
A ponte entre ficção e realidade é estabelecida como um vínculo vivo e em constante transformação. Tanto os personagens do livro como o povo brasileiro são tratados aqui como seres em processo de descoberta de sua identidade, como gente em fazimento, à luz de Darcy Ribeiro, Gilberto Freyre e outros teóricos. Parte fundamental dessa descoberta é a maneira pela qual os indivíduos tentam se relacionar com objetos considerados de transcendência religiosa. Essa maneira será trabalhada enfatizando o sincretismo. O conceito de mestiçagem e o conceito de religião também serão explorados.
As conclusões obtidas neste trabalho, mais do que uma resposta absoluta e fechada para as indagações feitas, são um caminho extenso e aberto a ser percorrido. A investigação sobre o sincretismo religioso, tendo como instrumento Grande Sertão: Veredas, só é possível via metáfora. Além disso, a viabilidade desta dissertação só é possível levando em conta que o povo brasileiro é obrigatoriamente mestiço
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Rennó, Fernanda de Andrade Pinto. "Le Sertão Mineiro : un territoire à la recherche de ses paysages." Toulouse 2, 2009. http://www.theses.fr/2009TOU20052.
Повний текст джерелаАнотація:
Le Cerrado est un des biomes brésiliens les plus importants. Classifié aujourd'hui comme un hotspot mondial pour sa biodiversité, ce territoire est en train de subir une série de changements qui suivent une logique plus économique que sociale. Ces changements peuvent être visualisés à travers les dynamiques paysagères et à travers la perception des habitants locaux sur l'actuelle situation. Pour comprendre cet échantillon de Sertão (arrière-pays), cet échantillon de Brésil, nous proposons une analyse paysagère qui permettra de maîtriser une connaissance assez profonde sur la région rendant possible la valorisation et la mise en évidence de ces paysages oubliés et peu valorisés, tant au Brésil que dans le monde. Après un survol sur l'évolution de la notion paysage dans la géographie brésilienne nous présentons les définitions et les méthodologies qui ont servi de base à la recherche. Ensuite le déroulement de la thèse se fait suivant un parcours qui commence avec une présentation plus physique de la région, pour après proposer un regard filtré par les paysages et arriver à la fin à des Itinéraires Touristiques capables de mettre en évidence une possible valorisation de la région. Les regards des barranqueiros (habitants locaux) nous ont aidé à compléter nos analyses et à réussir à tirer ce(s) paysage(s) de "son apparente banalité", "l’ordinaire" laisse la place à "l’extraordinaire". Des paysages qui à première vue semblaient banals, se sont dévoilés d'une richesse infinie et singulière. Nous avons eu la même surprise avec la société qui s'est montrée très sage, bien que parfois utopiste. Muni d’une multitude d’inquiétudes objectives et aussi subjectives, naît le sujet de cette thèse : l'étude d'une partie du bassin moyen du Rio São Francisco, entre les villes de Pirapora, Itacarambi et Montes Claros<br>The Cerrado is one of the most important Brazilian biomes. Currently classified as one of the world’s hotspots due to its biodiversity, this piece of land has been suffering a series of changes motivated by goals which are rather economic than social. Such changes can be perceived through landscape dynamics and the local population perception of the current situation. To understand this piece of the Brazilian Sertão, this piece of Brazil, we suggest a landscape analysis which may allow for the appreciation and evidencing of forgotten and little valued vistas by the Brazilian and worldwide societies. After a non-exhaustive presentation about the evolution of the concept of landscape in Brazilian geography, we will present the definitions and methodology that were the basis of our research. Afterwards, the dissertation is developed following a course that begins with a more physical description of the region of the study in order to present a filtered way of regarding the landscape, and is concluded with the suggestion of Touristic Itineraries. The perspective of some barranqueiros (local population) has helped us complement our analysis, and remove those vistas from an apparent banality. The ordinary was replaced by the extraordinary. Seemingly banal views revealed an infinite and singular views. It was also surprising to find that the society is so wise, albeit sometimes utopian. This dissertation originates from several questions and objective and subjective anxieties: the study of a part of the Middle São Francisco Bay, limited by the cities of Pirapora, Itacarambi and Montes Claros
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Naujok, Lars [Verfasser], Sergey [Akademischer Betreuer] Dashkovskiy, and Lars [Akademischer Betreuer] Grüne. "Stability, observer design and control of networks using Lyapunov methods / Lars Naujok. Gutachter: Sergey Dashkovskiy ; Lars Grüne. Betreuer: Sergey Dashkovskiy." Bremen : Staats- und Universitätsbibliothek Bremen, 2012. http://d-nb.info/1071993534/34.
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Naujok, Lars [Verfasser], Sergey Akademischer Betreuer] Dashkovskiy, and Lars [Akademischer Betreuer] [Grüne. "Stability, observer design and control of networks using Lyapunov methods / Lars Naujok. Gutachter: Sergey Dashkovskiy ; Lars Grüne. Betreuer: Sergey Dashkovskiy." Bremen : Staats- und Universitätsbibliothek Bremen, 2012. http://nbn-resolving.de/urn:nbn:de:gbv:46-00102659-13.
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Sevskiy, Sergey [Verfasser]. "Multidirektionale logarithmisch-periodische Indoor-Basisstationsantennen / von Sergey Sevskiy." Karlsruhe : IHE, 2006. http://d-nb.info/1003449727/34.
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Pidan, Sergej [Verfasser]. "Entwicklung eines katalyzitätsbasierten Sensorsystems für Wiedereintrittsflugkörper / Sergej Pidan." Aachen : Shaker, 2010. http://d-nb.info/1124365567/34.
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Korchak, Sergey E. [Verfasser]. "Hyperpolarization in coupled multi spin systems / Sergey Korchak." Berlin : Freie Universität Berlin, 2010. http://d-nb.info/1024744213/34.
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Prokudin, Sergey [Verfasser]. "Robust and Efficient Deep Visual Learning / Sergey Prokudin." Tübingen : Universitätsbibliothek Tübingen, 2020. http://d-nb.info/1224232496/34.
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Zuin, João Carlos Soares. "Sergio Milliet : o paradoxo de um intelectual critico." [s.n.], 1994. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281486.
Повний текст джерелаАнотація:
Orientador : Walquiria Gertrudes Domingues Leão Rego<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-07-18T21:05:37Z (GMT). No. of bitstreams: 1
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Previous issue date: 1994<br>Resumo: Não informado.<br>Abstract: Not informed.<br>Mestrado<br>Mestre em Sociologia
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Nascimento, Danilo de Oliveira 1974. "Dossie Sergio : o ateneu como romance de formação." [s.n.], 2000. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269511.
Повний текст джерелаАнотація:
Orientador: Maria Eugenia Boaventura<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-07-26T19:09:45Z (GMT). No. of bitstreams: 1
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Previous issue date: 2000<br>Resumo: O trabalho analisa O Ateneu baseado na acepção tradicional do Bildungsroman ( romance de formação), cujo paradigma é Os anos de aprendizado de WilhelmMeister (Goethe). Este tipo de romance ressalta o aperfeiçoamento humano e tem sido considerado como gênero literário. O termo Bildungsroman foi incorporado ao léxico brasileiro por Massaud Moisés no Dicionário de Termos Literários, que o define como uma narrativa que lida com a experiência dos
personagens vivida durante a educação ou os anos de formação. Fábio Lucas reconhece O Ateneu como um romance de fonnação de grande expressão nacional.Como um programa narrativo, o Bildungsroman considera o desejo do herói pela fonnação, a substituição da casa paterna pelo universo formativo, o encontro com tutores, e a trajetória formativa do protagonista como uma maneira de entender e enfatizar sua fonnação e desenvolvimento. Assim este trabalho tem o objetivo de entender o caráter de Sérgio criança e, ao mesmo tempo o de Sérgio adulto. Nesta tentativa, também se enfatiza a idéia de O Ateneu incorporar intrinsecamente formação e deformação<br>Abstract: This work analyses o Ateneu based on the traditional aception of Bildungs roman (formation romance), whose paradigm is The Years of Apprenticeship of Wilhelm Meister (Goethe). This type of romance stands out the human improvement and has been considered as a titerary geme. The term Bildungsroman was incorporated into brazilian lexis by massaud Moisés in Dicionário de Termos Literários, which defines it as a narrative which deals with the characters experiences tived during the education or the formation yaers. Fábio Lucas recognizes O Ateneu as formation romance with a great national expression. As a narrativa program, the Bildungsroman considers the hero longing for teh formation,
the substitution of partenal home into the formative universe, the meeting with tutors and the formative path of the protagonist as a way of understanding and emphasiging its formation and development. Thus, this work has the objective to understand the character of child Sérgio and, at the same lime, to ty to construct adult Sérgio character. In this attempt, it also emphasizes the idea of the Ateneu incorporates intrinsicallyformation and deformation<br>Mestrado<br>Teoria Literaria<br>Mestre em Letras
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Lavagnini-Pizzo, Taís Carmona. "História evolutiva de Drosophila serido (\"cluster\" Drosophila buzzatii)." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/59/59139/tde-30032015-201941/.
Повний текст джерелаАнотація:
O cluster Drosophila buzzatii é formado por sete espécies endêmicas da América do Sul e que apresentam relação ecológica obrigatória com cactos. Dentre estas espécies, Drosophila serido possui ampla distribuição geográfica, na Caatinga e ao longo da costa Atlântica, e é considerada uma espécie politípica sendo dividida em dois grupos: populações do nordeste e do litoral. Com o objetivo de compreender os processos que moldaram a distribuição atual das populações de D. serido foram realizadas análises com sequências dos genes nucleares period e kl-5, ligados aos cromossomos sexuais X e Y, respectivamente, genes nucleares autossômicos GstD1 e E5, e gene mitocondrial COI. Dentre os resultados obtidos, a homogeneidade genética entre as populações do Nordeste e a divisão norte-sul entre as populações da costa Atlântica foram observadas em todos os marcadores. Três padrões quanto à estruturação populacional na costa Atlântica foram observados para os diferentes marcadores. A hipótese de que a Chapada Diamantina seja o centro de dispersão para a espécie foi confirmada pelo presente trabalho, no entanto, o TMRCA estimado para populações de Santa Catarina sugerem que estas sejam populações ancestrais de D. serido, sendo que o Nordeste teria sido colonizado a partir delas. Eventos de expansão de área e fragmentação alopátrica foram sugeridos como inferências filogeográficas para explicar o isolamento atual de populações de D. serido em Goiás e Minas Gerais. De acordo com as estimativas do TMRCA, é possível que os eventos causais dos processos históricos inferidos estejam relacionados à influencia das flutuações climáticas do Quaternário na distribuição geográfica da vegetação/cactos, afetando indiretamente as populações de moscas cactofílicas. É possível que eventos de seleção, associado aos fatores ecológicos quanto ao uso de cactos, também possam ter contribuído para o processo de diversificação populacional, uma vez que foi encontrada evidência de seleção positiva para os genes autossômicos.<br>Drosophila buzzatii cluster comprises seven species endemic of South America and that present a mandatory ecological association with cacti. Among these species, Drosophila serido has a wide geographical range, in Caatinga and along Atlantic coast, and is considered as a polytypic species, divided in two groups: northeast and coast populations. The purpose of this study was understand the process that shaped the current distribution of D. serido populations through genetic analysis using sequences of nuclear genes period and kl-5, X- and Y-linked, respectively, autosomal genes GstD1 e E5, and mitochondrial gene COI. The genetic homogeneity among Northeast populations and the north-south division among coast Atlantic populations were observed for all markers. Three patterns related to population structure in coast Atlantic were seen for the different markers. Hypothesis that Diamantina Plateau was the dispersion center for the species were confirmed at this study, although, TMRCA estimated for Santa Catarina populations suggested that these ones were ancestral, and that Northeast would be colonized from them. Expansion range and allopatric fragmentation were historical events suggested as phylogeographic inferences to explain the current isolation of D. serido populations in Goiás and Minas Gerais. According to TMRCA estimations, it is possible that causal events of historical process inferred were related to the influence of climatic fluctuations during Quaternary in the geographic distribution range of vegetation/cacti, indirectly affecting the populations of cactofilic flies. Furthermore, selection events, associated with ecological factors due to cacti use, as well as contributed to diversification process in populations, once it was found evidence of positive selection at autosomal genes.
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Oliveira, Lucimara de. "O Sermão da Sexagésima: uma arena de vozes." Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/14012.
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Previous issue date: 2008-08-29<br>The aim of this work is to analyze Padre Antônio Vieira's Sermão da Sexagésima in its compositional form, style and theme (Bakhtin 1979/2003), and also the interdiscourses that compose it so as to identify how the sermon genre was conceived by the jesuit in his socio-historical context. We believe that studying the Sermão da Sexagésima means to identify its discourse's modernity, update it and assess it in a different situation which can contribute for discourse analysis's studies and for teachers who have to motivate high school students to read and understand Vieira's work. For the Sermão da Sexagésima's analysis we take as theoretical perspective the bakhtinian notion of discursive genres and the presence of the other's discourse (Bakhtin 1929/2004; 1979/2003). We follow Bakhtin and his circle's ideas for language studies, under a socio-historical perspective. Hence, we will recover this sermon's circulation sphere in relation to its sociohistorical context, its interlocutors and its aim, relating it to Vieira's contribution to sermons in terms of a discursive genre. Therefore, we will investigate Vieira's updating process for this kind of genre<br>O objetivo deste trabalho é analisar a constituição do Sermão da Sexagésima, do
Padre Antônio Vieira, em relação à sua forma composicional, ao seu estilo e ao seu tema
(Bakhtin 1979/2003), bem como os interdiscursos que o compõem, buscando identificar
como o gênero sermão foi concebido pelo jesuíta em função da situação sócio-histórica em
que viveu.
Acreditamos que estudar o Sermão da Sexagésima significa identificar a modernidade
de seu discurso, atualizá-lo e avaliá-lo em outra situação de circulação, o que poderá trazer
contribuições não só para a área dos estudos em Análise do Discurso, como para professores
que precisam motivar alunos do Ensino Médio a ler e a entender a obra do Padre Vieira.
Para a análise do Sermão da Sexagésima, adotamos como perspectiva teórica a noção
bakhtiniana de gêneros discursivos e as formas de presença do discurso do outro (Bakhtin
1929/2004; 1979/2003).
Seguiremos a proposta de Bakhtin e seu Círculo para o estudo da linguagem, segundo
uma perspectiva sócio-histórica. Nesse sentido, resgataremos a esfera de circulação desse
sermão em relação ao seu contexto sócio-histórico, seus interlocutores e sua finalidade,
relacionando-a à caracterização que Vieira atribuiu ao sermão em termos de gênero
discursivo. Assim, investigaremos a atualização que Vieira faz desse gênero
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Ovalle, Ortúzar Felipe. "Estrategia para la re-activación de SERPRO S.A." Tesis, Universidad de Chile, 2017. http://repositorio.uchile.cl/handle/2250/148207.
Повний текст джерелаАнотація:
Ingeniero Civil Industrial<br>El presente trabajo de título consiste en determinar la factibilidad de la re-activación de SERPRO S.A., que permanece inactiva desde el 2013. La empresa ofrece servicios de asesoría y venta de software para el diseño y procesamiento de encuestas complejas y censos poblacionales y está constituida en Chile desde 1984. La empresa puede decidir entre retomar la actividad, finiquitar y vender la propiedad de su software, o fusionarse.
Se presenta el contexto de la empresa y los datos importantes de su funcionamiento, el software desarrollado, los proyectos en los que participó y los clientes atendidos. Se destaca el desarrollo de la herramienta de diseño y procesamiento de encuestas CSProX, versión mejorada del software CSPro, de propiedad intelectual del U.S. Census Bureau, que se desarrolló en conjunto con SERPRO en 1999. Ésta herramienta se usa actualmente en proyectos e instituciones estadísticas en todo el mundo.
El 2012 SERPRO finaliza contrato con 2 de sus principales clientes, que en conjunto correspondían al 91% de la actividad comercial de SERPRO en ese año. Se concluye que SERPRO no se preparó estratégicamente ante este escenario y la situación llevó a los dueños a tomar la decisión de congelar la actividad de la empresa, dedicándose por separado a brindar servicio de asesoría de manera individual.
Se describen las cualidades del software en un análisis realizado por el Banco Mundial para softwares destinados a procesamiento de encuestas CAPI, dónde el ingreso de los datos en la encuesta presencial se realiza a través de un Tablet u otro artefacto electrónico. Además, se comparan las capacidades del software con las de la competencia directa, su plan comercial y el segmento objetivo de clientes. Se concluye el potencial de CSProX en relación a la competencia y se afirma que debido a la inactividad, SERPRO está en una posición de desventaja para intentar una venta del software o una fusión, decidiéndose por el retome de actividades.
Se define que existe un potencial mercado en los centros de estudio estadísticos latinoamericanos que mantienen la metodología de captura de datos en papel y lápiz debido al salto tecnológico que implica el cambio a ingreso de datos electrónica. Se detecta la oportunidad de asesorar a los posibles clientes en esta transición, proponiendo un servicio integral que cubra todas las necesidades y problemáticas del cliente en esta adaptación. Paralelamente, se definen los factores claves, los servicios a realizar por SERPRO y la estructura organizacional y un sistema de sueldos variables que se obtendrán en relación a las utilidades. SERPRO pasa a ser una SpA, donde el alumno ingresa a la sociedad con un 22% de la compañía.
El proyecto se evalúa financieramente entregando un VAN de $322.991.766CLP para un plazo de 5 años. Un aspecto importante es que la re-activación de la empresa no requiere una inversión inicial considerable, ya que el software es propiedad intelectual de SERPRO.
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Levický, Martin. "Sergej Prokofjev: Sonáty č.6, 7 a 8." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2009. http://www.nusl.cz/ntk/nusl-79089.
Повний текст джерелаАнотація:
This work deals with Prokofievs piano sonatas from the WW II period. The introduction explains my chice of this topic and describes my relation to Prokofjevs works in general. The first chapter is a brief biography of Prokofjev, that focuses on his piano works. The main part of this work is dedicated to the analysis of the sonatas No. 6, 7 and 8. These compositions are being studied from three perspectives: the listener´s, the composer´s and the performer´s. In conclusion, this work mentions a famous interpretation by Sviatoslav Richter.
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Bellatorre, André. "Templa serena : la rhétorique singulière de Francis Ponge." Aix-Marseille 1, 1994. http://www.theses.fr/1994AIX10051.
Повний текст джерелаАнотація:
La conception de la rhetorique de francis ponge peut paraitre contradictoire. Il y a en effet, une evolution significative du poete sur la question des "regles techniques" en matiere d'ecriture. Ponge preconise d'abord leur explicitation et engage meme une enquete sur les "questions rhetoriques" avec la revue "les cahiers du sud" puis il les declare inessentielles : les veritables regles relevant de l'indicible ne peuvent etre edictees. Pour comprendre ce changement de cap apparent, il faut examiner la position de ponge dans le paysage litteraire et plus largement dans le champ ideoloogique de l'apres-guerre. Son isolement le contraint, pour echapper a la fois au neo-academisme sous toutes ses formes et a l'histrionisme poetique toujours vivace, a inventer une nouvelle rhetorique paradoxale, "en acte", singulierement comprise dans le texte. A la fois art poetique et art de vivre, son lieu d'election se trouve chez lucrece, dans les "templa serena". On peut donc examiner la rhetorique pongienne "a l'oeuvre" et en faire emerger une figure inouie : l'indifference qui permet de concilier paradoxalement les antinomies et en particulier celles de l'analogie et de la difference, du meme et de l'autre. C'est ce travail de l'indifference qu'on peut lire a travers "les fictions rhetoriques" pongiennes qui "recitent" le noeud singulier des mots et des choses.
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Poldjaeva, Jelena. "Bibliographie zu Leben und Werk von Sergei Prokofjew." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-220814.
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Neri, Laura. "Vittorio Sereni, Andrea Zanzotto, Giovanni Giudici : un'indagine retorica /." Bergamo : Sestante : Bergamo University Press, 2001. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=009422866&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
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