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Статті в журналах з теми "Sémantique de motif":
Rouanne, Laurence. "Nuances épistémiques autour de ce n’est pas sûr et ce n’est pas dit." Dire et ses marqueurs 46, no. 2 (December 31, 2023): 265–78. http://dx.doi.org/10.1075/li.00094.rou.
WANG, Julia. "Typologie, analogie et construction d’identités funéraires sur les sarcophages romains mythologiques (IIe -IVe s. ap. J.-C.)." Archimède. Archéologie et histoire ancienne Archimède n° 9 (December 2022): 219–31. http://dx.doi.org/10.47245/archimede.0009.ds2.04.
Yaya, Traoré, Talibouya Diop Cheik, Kamara-Sangare Fatou, Malo Sadouanouan, Lo Moussa, and Ouaro Stanislas. "Motifs fréquents pour améliorer la catégorisation dans un wiki sémantique." Ingénierie des systèmes d'information 21, no. 5-6 (December 28, 2016): 83–106. http://dx.doi.org/10.3166/isi.21.5-6.83-106.
Gonon, Laetitia, Vannina Goossens, Olivier Kraif, Iva Novakova, and Julie Sorba. "Motifs textuels spécifiques au genre policier et à la littérature « blanche »." SHS Web of Conferences 46 (2018): 06007. http://dx.doi.org/10.1051/shsconf/20184606007.
Cadiot, Pierre. "Schémas et motifs en sémantique prépositionnelle : vers une description renouvelée des prépositions dites « spatiales »." Travaux de linguistique 44, no. 1 (2002): 9. http://dx.doi.org/10.3917/tl.044.0009.
Gonon, Laetitia, and Julie Sorba. "Phraséologismes spécifiques dans les romans historiques et les romans de littérature blanche." Journal of French Language Studies 30, no. 1 (August 19, 2019): 1–20. http://dx.doi.org/10.1017/s0959269519000140.
Manitt, Russ. "Exploration morphologique et sémantique des leitmotive communs à Tristan und Isolde et aux Wesendonck-Lieder de Richard Wagner." Articles 27, no. 1 (September 13, 2012): 16–53. http://dx.doi.org/10.7202/1013159ar.
Rouanne, Laurence. "Qui dit mieux ? Et même et pour ne pas dire en contraste." Archivum 73 (December 13, 2023): 137–57. http://dx.doi.org/10.17811/arc.73.1.2023.137-157.
Kovač, Senka. "Claude Lévi-Strauss: le masque et le mythe." Issues in Ethnology and Anthropology 4, no. 2 (February 28, 2016): 121–35. http://dx.doi.org/10.21301/eap.v4i2.7.
Pfister, Laurent. "Domaine, propriété, droit de propriété. Notes sur l'évolution du vocabulaire du droit français des biens." Revue générale de droit 38, no. 2 (October 20, 2014): 303–38. http://dx.doi.org/10.7202/1027039ar.
Дисертації з теми "Sémantique de motif":
Dupuis, France. "Une approche linguistique et phénoménologique de la sémantique du mot amour." Thesis, Orléans, 2011. http://www.theses.fr/2011ORLE1141.
Construction of the semantic form “amour”. The core of this work is a phenomenological endeavourtargeting the emergence of meaning considered as the result of a conceptualizing process rooted inaffective and perceptual experience. Three intertwined strata of meaning can be observed in thesemantics of the word. These take an active part in the global construction of the form via each ofthese strata, namely the germ-motif stratum, the profiling-unfolding process stratum and the thematicdiscursiveone. The latter notions make it possible to open the creative space of meaning in a trulyoriginal fashion. This creative space results from the intertwining of perception, language and thevarious modalities of self-appropriation of the phenomenon arising in /and through a discourse on loveand the amorous discourse. The word amour polarizes a movement dynamics within the amorousdiscourse. This word is anchored to the heterogeneous “motif” of a dynamic power liable to surpassthe process per se such as linked to its object. It is a vehicle for aesthesic, axiological andpraxeological properties. The phenomenology of the word amour mostly expands in the domain ofqualitative and poetic figures as well as metaphorizing constructions. In the latter domain, figures andconstructions aim at uniting the perceptive and thematic fields, thus enabling the speaker, thoughpartially only, to grasp his amorous experience as well as to express his own impressions andfeelings
Dupuis, France. "Une approche linguistique et phénoménologique de la sémantique du mot amour." Electronic Thesis or Diss., Orléans, 2011. http://www.theses.fr/2011ORLE1141.
Construction of the semantic form “amour”. The core of this work is a phenomenological endeavourtargeting the emergence of meaning considered as the result of a conceptualizing process rooted inaffective and perceptual experience. Three intertwined strata of meaning can be observed in thesemantics of the word. These take an active part in the global construction of the form via each ofthese strata, namely the germ-motif stratum, the profiling-unfolding process stratum and the thematicdiscursiveone. The latter notions make it possible to open the creative space of meaning in a trulyoriginal fashion. This creative space results from the intertwining of perception, language and thevarious modalities of self-appropriation of the phenomenon arising in /and through a discourse on loveand the amorous discourse. The word amour polarizes a movement dynamics within the amorousdiscourse. This word is anchored to the heterogeneous “motif” of a dynamic power liable to surpassthe process per se such as linked to its object. It is a vehicle for aesthesic, axiological andpraxeological properties. The phenomenology of the word amour mostly expands in the domain ofqualitative and poetic figures as well as metaphorizing constructions. In the latter domain, figures andconstructions aim at uniting the perceptive and thematic fields, thus enabling the speaker, thoughpartially only, to grasp his amorous experience as well as to express his own impressions andfeelings
Lermusiaux, Pierre. "Analyse statique de transformations pour l’élimination de motifs." Electronic Thesis or Diss., Université de Lorraine, 2022. http://www.theses.fr/2022LORR0372.
Program transformation is an extremely common practice in computer science. From compilation to tests generation, through many approaches of code analysis and formal verification of programs, it is a process that is both ubiquitous and critical to properly functionning programs and information systems. This thesis proposes to study the program transformations mechanisms in order to express and verify syntactical guarantees on the behaviour of these transformations and on their results.Giving a characterisation of the shape of terms returned by such a transformation is, indeed, a common approach to the formal verification of programs. In order to express some properties often used by this type of approaches, we propose in this thesis a formalism inspired by the model of compilation passes, that are used to describe the general compilation of a program as a sequence of minimal transformations, and based on the notions of pattern matching and term rewriting.This formalism relies on an annotation mechanism of function symbols in order to express a set of specfications describing the behaviours of the associated functions. We then propose a static analysis method in order to check that a transformation, expressed as a term rewrite system, actually verifiesits specifications
Thomas, Jean-François. "Gloria et Laus, étude sémantique." Paris 4, 1997. http://www.theses.fr/1997PA040207.
The subject is the analysis of the semantics of the words gloria and laus. Both contain a rich polysemy and keep in touch concerning the synonymy. The way of doing is the componential analysis but we also take in account the "referents" of the words. It seems that gloria finds its unity in the meaning of brightness; therefore we can draw an etymological parallel with the root *gel- "to shine". It is more difficult to reconstitute the coherence and the story of laus. The main difference bears upon the meaning of "glory": the notoriety intrudes on the others attention {gloria) or it is given by the collective sense [laus)
Barathieu, Marie-Agnès. "Les mobiles de Marcel Proust, une sémantique du déplacement." Toulouse 2, 1999. http://www.theses.fr/1999TOU20046.
A semantic study of travelling and private means of transportation: les "mobiles" (horse-drawn vehicles, automobile, bicycle, aeroplane) in the Recherche and the two chapters in Jean Santeuil (from the sociological, affective, artistic and literary aspect). A study of the relationship of means of transportation and the fashion of an age (Belle époque) and the evolution of society (collapse of aristocracy, and the rise of middle class) as well as the semiological status of the characters (emblem, indirect or differential characterization, mediation, auxiliary) and the modalisation (expression of narrator, organised distribution, indirect language, enunciation). Their relationship with inversion particularly through drivers (baron de Charlus, le chauffeur de Balbec; and bicyclists (Albertine in Recherche, Servois in Jean Santeuil) but also through hero-narrator's interest in all these. Their relationship with the Swann's sentiments, the differents Odette (dame en rose, dame en blanc) and with a famous metaphor (faire catleya). Their relationship towards writing (motion and emotion) and the initiation novel the three memorable vehicles ("epiphanies-machines"), the vocation of the author of la Recherche du temps perdu ; reference to notion of M. Bakhtine : chronotope; their relationship with (visionary or static) art in general (motion, color generalised metamorphosis) and artists (Berma, Elstir, Bergotte, hero-narrator). Their relationship with biography of Marcel Proust (above all Alfred Agostinelli, Jacques Bizet), study of mobility of text of Proust
Betote, Doumbe Akwa Martin Robert. "Identité lexicale et régulation de la variation sémantique : identité et variation du mot raison." Paris 10, 2000. http://www.theses.fr/2000PA100025.
Costes, Anne. "La métamorphose : fonctions et investissements sémantiques au sein de cent et un contes européens et africains." Toulouse 2, 1998. http://www.theses.fr/1998TOU20041.
This thesis aims at discovering the different narrative and structural functions and the semantic investment of metamorphosis in one hundred one European and African fairy tales. Through a semiotic analysis, our approach lies on the hypothesis according which the tale is resonating with different levels. In the same way as numerous tale motifs, the metamorphosis forms a metapsychological configuration linked to anthropological preoccupations. Moreover, it illustrates reminiscences of ethnological practices linked to passage rites, initiation rites, and funeral cults. It also recalls totemic beliefs. Besides these ethnological considerations, it lies on rhetorical and linguistic processes which contribute to enhance positively or negatively the metamorphosed subject according to other subjects. It permits to incarnate fear as well as fascination men or women or any changing person may suggest to others. This study is composed of three parts. In the first chapter, we define our approach of the fairy tales and our methodology. The second chapter consists in a presentation of the nine groups of tales in which the metamorphosis appears. We expound the thematic and narrative composition, the representational content, the mythological inspiration of the tales which are concerned so as to make appear the semantic and structural role metamorphosis acts at last, in the third chapter, we present the different types of metamorphosis, its different semantic and narrative functions as well as the reinvestment of ethnological material and the rhetorical processes linked to anthropological preoccupations
Gavoille, Élisabeth. "Ars, étude sémantique et historique du mot latin jusqu'à l'époque cicéronienne." Paris 4, 1994. http://www.theses.fr/1994PA040349.
This thesis is a semantic study of the word ars. It begins at the commencement of Latin literature and includes the ciceronian era, the perspective being both lexicographic and historical. After the etymological research, which highlights the fundamental elements of order and of ability for organization, the various meanings of ars are classified applying the methods of componential analysis. The evolution of this semantic structure is seen on two levels: the archaic period and the first century (dominated globally by cicero). During this second era new meanings of ars began to appear ("a special science", "a technique or method", "a theory, system" and "a treatise"), essentially borrowed from the Greek word techne, from which ars is the Latin counterpart, notably apparent in rhetorical and philosophical works. These new definitions do not replace the older ones ("skill" and "behavior, practices", "professional skill, craftsmanship" and "a profession, craft"): the plural artes bonae, which can be synonymous with artes liberales (the basis of a free man culture) was used concurrently to designates the traditional roman virtues as opposed to the Greek uirtules. Out of this study one surmises that ars like techne is not limited to practical knowledge but provides for a larger explanation of human knowledge
Toussaint, Yannick. "Fouille de textes : des méthodes symboliques pour la construction d'ontologies et l'annotation sémantique guidée par les connaissances." Habilitation à diriger des recherches, Université Henri Poincaré - Nancy I, 2011. http://tel.archives-ouvertes.fr/tel-00764162.
Hessas, Hakim. "L'Europe dans la revue Europe : analyse sémantique et statistique de corpus." Paris, EHESS, 2010. http://www.theses.fr/2010EHES0036.
How "Europe" is represented with in the Review Europe? This research is meant to answer this question through a semantic and statistical investigation of a corpus of texts extracted from the Review itseIf since its fouodation in 1923, up to the year 2000. This review posed itseIf to be a rupture space with the preceding period of time represented as "declining". Based on the construction of the semantic course (trajectory), the different analyses show permanences through the themes like living body and the myth of Europe. Moreover, Europe is defined in the Review as opposed to a farther ever islamic Orient, paradoxically embodied in the secular Turkey, that of the aftermath of Kemal's Revolution
Книги з теми "Sémantique de motif":
Cadiot, Pierre. Motifs et proverbes: Essai de sémantique proverbiale. Paris: Presses universitaires de France, 2006.
Visetti, Yves-Marie. Motifs et proverbes: Essai de sémantique proverbiale. Paris: Presses universitaires de France, 2006.
Visetti, Yves-Marie, and Pierre Cadiot. Pour une théorie des formes sémantiques : Motifs, profils, thèmes. Presses Universitaires de France - PUF, 2001.
Gomez-Geraud, M. C. Écrire le voyage au XVIe siècle en France. Presses Universitaires de France - PUF, 2000.