Дисертації з теми "Scottish literature 18th century History and criticism"
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Lindfield-Ott, Kristin. ""See SCOT and SAXON coalesc'd in one" : James Macpherson's 'The Highlander' in its intellectual and cultural contexts, with an annotated text of the poem." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2096.
Повний текст джерелаGairn, Louisa. "Aspects of modern Scottish literature and ecological thought." Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/14839.
Повний текст джерелаMartin, Julia School of English UNSW. "Self and subject in eighteenth century diaries." Awarded by:University of New South Wales. School of English, 2002. http://handle.unsw.edu.au/1959.4/18787.
Повний текст джерелаMapstone, Sally. "The advice to princes tradition in Scottish literature, 1450-1500." Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:a93e3e2d-89ce-4d4a-bcbf-47aa24f93e5c.
Повний текст джерелаDixon, Marzena M. "The structure and rhetoric of twentieth-century British children's fantasy." Thesis, University of St Andrews, 1992. http://hdl.handle.net/10023/14858.
Повний текст джерелаShannon, Josephine E. "From discourse to the couch : the obscured self in eighteenth- and nineteenth-century epistolary narrative." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34533.
Повний текст джерелаI examine this claim---and the metaphors defining it---in two ways. First, by focusing on selected letters, I foreground each writer's language as an agent of internal conflict. In so doing, I am able to formulate distinctive questions regarding the potential of epistolary narratives to transform emotional or psychological schisms into fictions which become explicitly creative texts. Secondly, I analyze the changing nature of the fictions which emerge through this process. My findings conclude that authors' letters must be read, at least very often, as a constituent part of their literary work and as interpretive models of a shifting dynamic of psychological expression.
Dufresne, Virginie. "De Versailles à Clarens : nature et politique dans les jardins littéraires de l'âge classique." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99589.
Повний текст джерелаGeissler, Christopher Michael. "'Die schwarze Ware' : transatlantic slavery and abolitionism in German writing, 1789-1871." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610465.
Повний текст джерелаMonette, Isabelle. "Récritures de récits criminels en France sous l'Ancien Régime." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79966.
Повний текст джерелаMoore, Paul Henry. "Death in the eighteenth-century novel, 1740-1800." Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:5def918a-a899-4650-8850-efcacf3f4bf1.
Повний текст джерелаGanofsky, Marine. "Night in eighteenth-century French libertine fiction (1730-1789)." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610662.
Повний текст джерелаCasey, Shawn Thomas. "Literacy and the Social Worlds of Writing in the Scottish Atlantic: 1750-1800." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1354125418.
Повний текст джерелаPolak, Victoria. "Religious and moral concepts in the eighteenth-century German novel of sensibility : from Christian Fürchtegott Gellert's 'Leben der schwedischen Gräfin von G+' to the end of the 1770s." Thesis, University of St Andrews, 1990. http://hdl.handle.net/10023/13391.
Повний текст джерелаGuthrie, Neil. "A thousand wrecks! : rakes' progresses in some eighteenth century English novels." Thesis, University of Oxford, 1990. http://ora.ox.ac.uk/objects/uuid:b08473d6-9cae-4a14-b7a7-3e40cf7bb283.
Повний текст джерелаAhern, Stephen. "Between duty and desire : sentimental agency in British prose fiction of the later eighteenth century." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0027/NQ50101.pdf.
Повний текст джерелаMills, Rebecca May. "'Thanks for that elegant defense' : polemical prose and poetry by women in the early eighteenth century." Thesis, University of Oxford, 2000. http://ora.ox.ac.uk/objects/uuid:d98a502d-97b4-4dd2-b5e6-1f8c432b5cb7.
Повний текст джерелаPazdziora, John Patrick. "George MacDonald's fairy tales in the Scottish Romantic tradition." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/4460.
Повний текст джерелаNash, Andrew. "Kailyard, Scottish literary criticism, and the fiction of J.M. Barrie." Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/15199.
Повний текст джерелаStaton, Maria S. "Christianity in American Indian plays, 1760s-1850s." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1364944.
Повний текст джерелаDepartment of English
Hone, Joseph. "The end of the line : literature and party politics at the accession of Queen Anne." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:d847a561-130a-42f0-b78f-2463e9e65535.
Повний текст джерелаCollins, Margo. "Wayward Women, Virtuous Violence: Feminine Violence in Restoration and Eighteenth-Century British Literature by Women." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2474/.
Повний текст джерелаMcavoy, Meghan. "Critical nationalism : Scottish literary culture since 1989." Thesis, University of Stirling, 2016. http://hdl.handle.net/1893/23242.
Повний текст джерелаNicholls, Angus 1972. "The mantic art : an examination of the notion of the daemonic in the writings of Plato, Goethe and Goethe's contemporaries." Monash University, Centre for Comparative Literature and Cultural Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/9148.
Повний текст джерелаCONNERY, BRIAN ARTHUR. "AN AMBITION TO BE HEARD IN A CROWD: MAD HEROES AND THE SATIRIST IN THE WORKS OF JONATHAN SWIFT (ALIENATION, DOUBLE-BIND)." Diss., The University of Arizona, 1986. http://hdl.handle.net/10150/183857.
Повний текст джерелаHarikae, Ryoko. "John Bellenden's Chronicles of Scotland : translation and circulation." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:d0ebf41c-8263-45e0-a6d5-5826bf8e0396.
Повний текст джерелаWood, Laura Thomason. "Change of Condition: Women's Rhetorical Strategies on Marriage, 1710-1756." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4921/.
Повний текст джерелаBender, Ashley Brookner. "Personal Properties: Stage Props and Self-Expression in British Drama, 1600-1707." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12081/.
Повний текст джерелаMargrave, Christie L. "Women and nature in the works of French female novelists, 1789-1815." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/6391.
Повний текст джерелаPickard, Claire. "Literary Jacobitism : the writing of Jane Barker, Mary Caesar and Anne Finch." Thesis, University of Oxford, 2006. http://ora.ox.ac.uk/objects/uuid:85514fc9-6f0c-4992-ae8c-2666dc1f7ede.
Повний текст джерелаMoore, Lindsay Emory. "The Laureates’ Lens: Exposing the Development of Literary History and Literary Criticism From Beneath the Dunce Cap." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc822784/.
Повний текст джерелаGrovier, Kelly. "Walking Stewart & the making of Romantic imagination." Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670203.
Повний текст джерелаMacKenzie, Garry Ross. "Landscapes in modern poetry : gardens, forests, rivers, islands." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5910.
Повний текст джерелаAngel-Cann, Lauryn. "Stretched Out on Her Grave: Pathological Attitudes Toward Death in British Fiction 1788-1909." Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4271/.
Повний текст джерелаBryce, Sylvia. "Tracing the shadow of 'No Mean City' : aspects of class and gender in selected modern Scottish urban working-class fiction." Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/14803.
Повний текст джерелаPnevmonidou, Elena. ""Liebes-Töten" : zur Objektwerdung der Frau im Roman der Frühromantik : Novalisʹ Heinrich von Ofterdingen, Friedrich HÜlderlins Hyperion, Friedrich Schlegels Lucinde". Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84537.
Повний текст джерелаEarly Romanticism is situated between Kant and Hegel. The post-Kantian subject experiences a crisis of legitimation. Lacking an unmediated access to the object, it is fragmented and threatened. Early Romanticism, however, also prefigures Hegel, inasmuch as the crisis does not consist in the loss of the object, but rather in the encounter of two subjects. The three novels are juxtaposed here because this position between the loss of the object and the crisis of the encounter with the other as subject leads to a paradoxical conceptualization of woman as an uncanny object of desire. In all three novels, the constitution of the male subject and the possibility of poetry depend on the encounter with woman. However, the possibility of woman emerging, indeed, as subject represents an extreme threat. As a consequence, the constitution of the male poetic subject requires the simultaneous assimilation of femininity and the shielding against woman. Hence, the three novels are love stories that narrate the death of woman. However, woman is fundamentally uncanny because even the presence of the dead woman represents a threat. The constitution of the male subject and novel unfolds, therefore, in three stages; the encounter with woman, the assimilation of femininity and death of woman, and the removal of any traces of that death.
Hill, Lorna. "Bloody women : a critical-creative examination of how female protagonists have transformed contemporary Scottish and Nordic crime fiction." Thesis, University of Stirling, 2017. http://hdl.handle.net/1893/27352.
Повний текст джерелаAbunasser, Rima Jamil. "Corporate Christians and Terrible Turks: Economics, Aesthetics, and the Representation of Empire in the Early British Travel Narrative, 1630 - 1780." Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4444/.
Повний текст джерелаTankard, Paul 1956. "In full possession of the present moment : Samuel Johnson, reading and the everyday." Monash University, English Dept, 2001. http://arrow.monash.edu.au/hdl/1959.1/8952.
Повний текст джерелаRumbold, Kate Louise. "All the men and women merely players : quoting Shakespeare in the mid-eighteenth-century novel." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670136.
Повний текст джерелаWoloshen, Richard Allen. "L’individu exceptionnel dans Les liaisons dangereuses." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25532.
Повний текст джерелаArts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate
Poston, Craig A. (Craig Alan). "The Problematic British Romantic Hero(ine): the Giaour, Mathilda, and Evelina." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278684/.
Повний текст джерелаSutton, Peter David. "'The trade of application' : political and social appropriations of Ben Jonson, 1660-1776." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16547.
Повний текст джерелаGaubert, Benoit Céline. "Le goût d'écrire et de lire dans le conte de fées français des 17° et 18° siècles. Fantaisies de l'écriture, du livre, de la bibliothèque et de la lecture." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA086.
Повний текст джерелаThe study of the fairy tale over the years 1690-1789, when the genre was in fashion in France, shows that, from its inception, the subject matter grew up with elements of realistic literary practice which were largely reshaped by imagination. The first storytellers (1690-1704) set up the literary genre according to a complex poetics allying the orality of naive times with literacy, which is the mark of a social and cultural practice of the story. The contributions of the forthcoming storytellers are imitations, parodies or are tinged with Orientalism. All the writers are affected, but to varying degrees: Perrault, Choisy and Fénelon are less inventive in this respect than Madame d’Aulnoy, Pétis de la Croix or the Chevalier de Mailly. The wonderland reveals its mysteries and the secret of its metatextual layout through more or less fleeting scenes of book reading or writing conjuring up a magical library
Frazier, Dustin M. "A Saxon state : Anglo-Saxonism and the English nation, 1703-1805." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/4146.
Повний текст джерелаFonsato, Vanna Marisa. "Giudizi letterari di Isabella Teotochi Albrizzi nel carteggio inedito della Raccolta Piancastelli." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61287.
Повний текст джерелаThe first part outlines the cultural and historical tradition of Venice during the Eighteenth Century. Particular attention is subsequently given to the intellectual role of women, their contribution to the literary salons of the time, and the neoclassical tradition. This first part is essential in that it supplies a valuable context to Isabella Teotochi Albrizzi's writings.
In the second part, I examine Isabella Teotochi Albrizzi's literary criticism of major European authors and works. Through these criticisms she exposes her misvision of the literary world to which she aspired, and reveals that although she was influenced by the subtle preromantic tendencies, she remained faithful to the neoclassical school.
Volz, Jessica A. "Vision, fiction and depiction : the forms and functions of visuality in the novels of Jane Austen, Ann Radcliffe, Maria Edgeworth and Fanny Burney." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/4438.
Повний текст джерелаAndré, Valérie. "Le roman de libertinage, 1782-1815: de l'exhumation à la réhabilitation?" Doctoral thesis, Universite Libre de Bruxelles, 1996. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212334.
Повний текст джерелаMcCann, Michael Charles 1959. "Occult Invention: The Rebirth of Rhetorical Heuresis in Early Modern British Literature from Chapman to Swift." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/12081.
Повний текст джерелаThe twentieth-century project of American rhetorician Kenneth Burke, grounded in a magic-based theory of language, reveals a path to the origins of what I am going to call occult invention. The occult, which I define as a symbol set of natural terms derived from supernatural terms, employs a method of heuresis based on a metaphor-like process I call analogic extension. Traditional invention fell from use shortly after the Liberal Arts reforms of Peter Ramus, around 1550. Occult invention emerged nearly simultaneously, when Early Modern British authors began using occult symbols as tropes in what I refer to as the Occult Mode. I use six of these authors--George Chapman, William Shakespeare, John Donne, Abraham Cowley, John Dryden, and Jonathan Swift--as examples of how occult invention arises. In appropriating occult symbolism, authors in the Occult Mode began using the invention methods of the occult arts of magic, alchemy, astrology, and cabala to derive new meanings, transform language, develop characters and plots, and reorient social perspectives. As we learn in tracking Burke's project, occult invention combines the principles of Aristotle's rhetoric and metaphysics with the techniques and principles of the occult arts. Occult invention fell from use around the end of the eighteenth century, but its rhetorical influence reemerged through the work of Burke. In this study I seek to contextualize and explicate some of the literary sources and rhetorical implications of occult invention as an emergent field for further research.
Committee in charge: Dianne Dugaw, Co-Chairperson; John T. Gage, Co-Chairperson; Kenneth Calhoon, Member; Steven Shankman, Member; Jeffrey Librett,Outside Member
Viegas, Shéllida Fernanda da Collina 1978. "A extraordinária e irresoluta história da trajetória de Roxana e Moll Flanders." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270173.
Повний текст джерелаTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-19T21:56:57Z (GMT). No. of bitstreams: 1 Viegas_ShellidaFernandadaCollina_D.pdf: 120671766 bytes, checksum: 6769e677622ca23add669406b7687de0 (MD5) Previous issue date: 2011
Resumo: Como é possível o mesmo autor, na mesma época, escrever dois romances com a mesma temática e dar-lhes tratamento tão distinto? Essa é a pergunta que intriga os leitores de Defoe ao ler duas das suas principais obras literárias, Moll Flanders (1722) e Roxana (1724), e é também a pergunta que norteou esta pesquisa. Para responder a isso, estudamos a história da leitura, o surgimento e a popularização do romance, a história dos direitos autorais e a influência do público leitor na produção de romances. Isso porque ambas as obras de Defoe tiveram várias edições ao longo do séc. XVIII que se diferenciavam das primeiras tiragens. Visando estabelecer algumas hipóteses para explicar os motivos que levaram os editores a alterar os finais das obras, foram analisadas, nesses romances, as figuras da prostituta, amante, esposa e mãe e a condição da mulher na Inglaterra pré-Revolução Industrial, sem perder de vista a questão da edição e da recepção
Abstract: To what extent is it possible that an author over the same decade had written two novels about the same central theme, but from and with different perspectives? The readers of Daniel Defoe are right to raise this issue after reading Moll Flanders (1722) and Roxana (1724). This research sets about answering such questions. To this end, I used Defoe's novels to take a close look at the history of reading, the creation and popularity of the novel, copyright implications and the influence of the reader in the production of novels. After all, both novels underwent a series of different editions throughout the eighteenth century. To formulate a working hypothesis to outline the reasons that allowed such changes in editions, I analyzed the figures of the prostitute, lover, wife and mother and the condition of women in pre-Industrial Revolution England in both novels
Doutorado
Literatura Geral e Comparada
Doutor em Teoria e História Literária
Tapscott, Elizabeth L. "Propaganda and persuasion in the early Scottish Reformation, c.1527-1557." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/4115.
Повний текст джерела