Дисертації з теми "Sartre, Jean-Paul, 1905-1980 Influence"
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Vandelli, Ernesto. "Sartre e Pirandello." Université Stendhal (Grenoble), 2009. http://www.theses.fr/2009GRE39020.
Повний текст джерелаGray, Kevin. "Jean-Paul Sartre and neo-marxism." Master's thesis, Université Laval, 2005. http://hdl.handle.net/20.500.11794/43586.
Повний текст джерелаGalster, Ingrid. "Le Théâtre de Jean-Paul Sartre devant ses premiers critiques. "Les Mouches" et "Huis clos /." Tübingen : Paris : G. Narr ; J.-M. Place, 1986. http://catalogue.bnf.fr/ark:/12148/cb36147597g.
Повний текст джерелаChen, Qi. "Sartre en Chine : (1980-1990)." Bordeaux 3, 1994. http://www.theses.fr/1994BOR30020.
Повний текст джерелаThe aim of our thesis consists of the response to two questions: the first, why did there exist a "sartre phenomenon" in china in the early days of the 80s ?; and the second, how was sartre received in china, particularly in respect of literature, by chinese researchers throughout the 80s thus it is composed of two parts: the first attempts to clarify the historical background of chinese society when sartre was discovered and which gave rise immediately to great repercussions. We estimate that the enthusiasm for sartre and the existentialism of certain intellectuals and certain students strikes an ideological crisis after a heavy social perturbation provoked by the cultural revolution. From this point of view, sartre's works were geared to the urgent needs of that times which was humanism and contribud to the evolution of the mentality. The second party was used to study the comprehension of these chinese researchers to sartre's works and his literary creation. A major problem has been revealed in the study of sartre: the ideological superiority shows that the political standard is entangled in the literary study which usually makes debate and discussion between the researchers difficult. This then leads to excessive simplicity of the interpretation of his works
Guigot, André. "L'ontologie politique de Jean-Paul Sartre." Paris 1, 1999. http://www.theses.fr/1999PA010704.
Повний текст джерелаKim, Huilin. "Le langage dramatique de Jean-Paul Sartre." Clermont-Ferrand 2, 1988. http://www.theses.fr/1988CLF20011.
Повний текст джерелаThis essay on "the dramatic language of J. -P. Sartre" is based on the twofold preoccupation. Whereas Sartre's plays bear witness with his assiduous practing on this art, a corpus of numerous conversations assert his aim to set up a theory of drama, that would satisfy him, when the importance and the sharpness of this specific language is outstanding in this drama genre. In order to examine all the component of the play, we will study the subject in the two differents parts. Out of the words said, paraverbal elements including scenary, gesture and drama's structure. Verbal elements including the relationship between language and life, and the between language and its function, the various level of language used by sartre. This essay permit us to appreciate both the quality and the virtue of the dramatic language of Jean-Paul Sartre
Labidi, Najet. "La dramaturgie existentielle de jean-paul sartre." Toulouse 2, 1986. http://www.theses.fr/1986TOU20056.
Повний текст джерелаThe existential dramaturgy is in heebing with the author's life in various situations, there is his definition of theatre "if it is true a man is free in a given situation and that he chooses himself in and by this situation, then easy and human situations and freedoms that are choosen in these situations must be shown in theatre plays". During the second world war there was a favorable "situation" wich gave bariona which was realised in a german stalag. Beyond the resistance message, it treats of social and universal aspects. This play is above all the birth of a theatrical vocation and the outline of a path to freedom. Les mouches in the middle of the war wants to be a call for "remorse extirpation" remorse driven in by occupying nazi and vichy government. Oreste, the hero, wants to win his freedom by hiding it under good patriotic intentions. Refusing power, oreste corresponds to the individualistic and anarchist intellectual sartre was. Les mains sales starts an inprovement, the hero, hugo, thinks the struggle for fredom as a collective entreprise and engages in communist party. Being a deeply idealistic intellectual, he fails. Le diable et le bon dieu wants to be the following. The protagonist looks for "absolute" in "evil" and "good" but both of the two entreprises fail. The end of the play shows a clear progression of the hero (and of the author himself) towards reality. Goetz joining the peasants adopts praxis morality and forgets utopian. The author's adhesion to reality turns into interest for history, as shown in les sequestres d'altona as transcendence, tragedy. At last, sartre's personnal path is never expressionism. The author has always tried to objectify himself in a precise situation by going beyond it to universal reality
Gourgaud, Nicole. ""Bariona" de Jean-Paul Sartre édition critique avec introduction et commentaires." Lille 3 : ANRT, 1985. http://catalogue.bnf.fr/ark:/12148/cb375947855.
Повний текст джерелаAbdellaoui, Amor. "Altérité et corporéité dans l'oeuvre de Jean-Paul Sartre." Nice, 2008. http://www.theses.fr/2008NICE2025.
Повний текст джерелаThis thesis is the study of the two major topics of Sartre's work: otherness and corporeity. The first part is devoted to Sartre’s refutation of solipsism in The Transcendence of the ego and Being and Nothingness and to his critique of Heidegger's notion of Mitsein and Huserl's notion of intersubjectivity. In the second part we have tried to show that the notion of otherness appears already in the young Sartre, in his short stories and novels which are the proof of his interest for individualism and the theory of “the man alone”. Afterwards we have brought to light the major turn of his thought in 1943 with his ontological analyses of the notion of the look and being-for-others which lead to the description of a negative dimension and fight between consciousnesses. The third part deals with the notion of corporeity and concrete behaviours towards others in his phenomenological ontology. The question in this part is to analyse the three ontological dimensions of corporeity: body-for-oneself, body-for-others and alienated body. In our last part we have followed the evolution of Sartre's thought since the beginning of the Second World War which is characterised by the appearance of the notion of inter-subjectivity and morals of solidarity in his 1945 lecture and his Notebooks on morals
Vassallo, Sara. "Imaginaire et biographie dans l'oeuvre de Jean Paul Sartre." Aix-Marseille 1, 1996. http://www.theses.fr/1996AIX10083.
Повний текст джерелаThe aim of this study is to elucidate, through the multifarious works of j. P. Sartre - biographies, philosophical or critical essays, novels - a "textual subject" which is thinking its own relation to the act of writing. By this approach, which calls in question the idea of an empirical self, we can point out a subject which breaks itself out from nature and life (as it is the mainfunction of the sartrian "imaginary), replaces the "flesh" by a "style", and actual death by an "inward death" or "false death". That subject, the existential project of which j. P. Sartre describes as a "desire of being", is the very subject of the biographies and of les mots. So, the verb "to be", beyond the sense it accepts as opposed to the notion of "existence", becomes a special significant linked, according to the contexts, with the phantasm of unbroken totality, with the beautiful, with the symbolic abolishing of sexual difference, with a new consistency ("thickening") of language, materialized by writing. The "textual subject" which becomes patent throughout this process does not obliterate the contents of j. P. Sartre's ethics, which in the contrary comes up more strength. For the "conversion" according to j. P. Sartre, rises from the dead-lock of the desire of being, and cannot be connected with the corpus independently of an unremitting attempt to the absolute act, which the subject cannot effect, but only admit as being broken by alterity
Gaudeaux, Jean-François. "Engagements et marxismes chez Jean-Paul Sartre." Paris 1, 2000. http://www.theses.fr/2000PA010519.
Повний текст джерелаSass, Simeão Donizeti. "O problema da totalidade na ontologia de Jean-Paul Sartre." [s.n.], 2002. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280623.
Повний текст джерелаTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: A partir dos movimentos iniciais de O Ser e o Nada Sartre indica que a investigação do modo como o Ser pode "ser todo" deve fazer parte do trabalho de constituição de sua ontologia. Esta preocupação é demonstrada desde o momento em que o ser do fenômeno e o cogito pré-reflexivo passam a figurar em sua reflexão. Consideramos que este problema ocupa um lugar de destaque em sua filosofia e solicita um tratamento privilegiado. Diante desta constatação, este estudo tem como intenção principal demonstrar que a análise do modo como o ser projeta a sua totalidade pode servir como fio condutor para o entendimento de alguns tópicos relevantes da ontologia de Jean-Paul Sartre. Para efetuar esta análise, consideraremos quatro dimensões da estrutura de O Ser e o Nada: 1°) o cogito pré-reflexivo instantâneo; 2°) a temporalidade originária e psíquica; 3°) o ser-para-outrem e 4°) o ser em-si-para-si. Após a apresentação das teses fundamentais, lançamos, nas considerações finais, algumas interpelações ao modo como Sartre aborda a questão
Abstract: Since the first steps of Being and Nothingness, Sartre has shown us that his investigation of how Being may tum into the "Whole-being" makes part of the building of his ontology. lt concerns most of his thoughts as the being of the phenomenon and the pre-reflective cogito come to be the essential moments of his reflection. We consider that this problem has an outstanding position in his philosophy and therefore, it asks for a privileged treatment. By coming to this conclusion, this study has the main goal of demonstrating that the analysis of how the being projects its totality may lead us to the understanding of some relevant topics of Jean-Paul Sartre' s ontology. In order to make such analysis, we take four basic moments of Being and Nothingness into consideration: 1 - the immediate pre-reflective cogito; 2 - the psychical and originating temporality; 3 - the being-for-others; 4 - the being-initself- for-itself. After the presentation of the fundamental theses under this proposal of interpretation, we raise, by the end of our work, some doubts about the way Sartre deals with the matter
Doutorado
Doutor em Filosofia
Ignazio-Benoît, Florence d’. "L’image de Sartre : 1980-1990." Nancy 2, 1991. http://www.theses.fr/1991NAN21017.
Повний текст джерелаSartre is considered either as a philosopher or as a writer, a novelist, a dramatist or yet an essay-writer, or as an "engaged" intellectual. Our thesis will try to define the different images of Sartre in the 10 years following his death. The starting point, a linguistic study: the statement only confirms the subjectivity of the commentators in spite of their willingness of objectivity as Sartre war not a particular case. Sartre in then present in the cultural world presented by the school world thanks to a great deal of surveys and finally anang the French and international opinion. The personality of Sartre remains multiple; it wearies less according to the media and the political trends than according to the fields where his influence is at work. Philosophy, literature, politics, dramatic art, Sartre holds all the different roles but it is impossible to give an unified image of him. Thus, the thesis provides some documents for the interested readers
Putchay, Vèle. "Jean-Paul Sartre : la recherche d'une coi͏̈ncidence avec soi." Université Marc Bloch (Strasbourg) (1971-2008), 2002. http://www.theses.fr/2002STR20011.
Повний текст джерелаRomano, Luiz Antonio Contatori. "A vertigem do sentido na obra de Jean-Paul Sartre." [s.n.], 1992. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269434.
Повний текст джерелаDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: Não informado
Abstract: Not informed.
Mestrado
Teoria Literaria
Mestre em Letras
Diop, Cheikh. "Ontologie et politique dans l'existentialisme athée de Jean-Paul Sartre." Nice, 2002. http://www.theses.fr/2002NICE2001.
Повний текст джерелаTomès, Arnaud. "Le projet philosophique de j. -p. Sartre dans la critique de la raison dialectique." Université Marc Bloch (Strasbourg) (1971-2008), 2000. http://www.theses.fr/2000STR20042.
Повний текст джерелаSass, Simeão Donizeti. "A nação de intencionalidade nos primeiros escritos de Jean-Paul Sartre." [s.n.], 1994. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279325.
Повний текст джерелаDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Não informado
Abstract: Not informed.
Mestrado
Mestre em Filosofia
Cabrera, Francisca Maria. "Experiencia vivida e liberdade : (estudo da liberdade em Jean-Paul Sartre)." [s.n.], 2000. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281947.
Повний текст джерелаDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: A liberdade, centro das reflexões de Jean-Paul Sartre (1905-1980), é objeto deste estudo, na tentativa de mostrar sua questão como sempre presente no pensamento de Sartre, desenhando sua trajetória filosófica desde La Transcendance de I'Ego (1936) até os anos sessenta, como um motivo único perseguido pelo filósofo. Este estudo passa por alto, portanto, a divisão tradicional proposta para o pensamento de Sartre (o período metafísico até L'être et le Néant e o período materialista dialético, culminando em Critique de la raison dialectique) procurando mostrar que o tema da liberdade conduz esse pensamento a outros campos de problemas, mas que estes são originados e ganham seu acesso através da própria reflexão sobre a liberdade. A liberdade, definida num primeiro momento na translucidez da consciência espontânea, ganha em seguida uma dimensão de opacidade na qual possui o sentido ambíguo de escolha e consentimento, de ruptura e de pacto e, portanto, abrigando no cerne de sua constituição uma passividade. Sem desconhecer o papel fundamental de uma dialética no pensamento do filósofo, este estudo segue, entretanto, um caminho diverso, privilegiando a perspectiva fenomenológica para ser capaz de apreender o ponto cego dessa liberdade. Para tanto, buscou-se mostrar na obra de Sartre a liberdade constituindo-se no contramovimento de dois circuitos condicionais: o primeiro - que perfaz as primeiras reflexões do filósofo - é aquele do domínio psíquico da consciência; o segundo - que vem unir-se à problemática do primeiro - é a dimensão histórica na qual se dá e se perde a ação humana e a liberdade
Abstract: In the following pages I shall attempt to situate Jean-Paul Sartre's reflexion on freedom, defined in a first moment by the spontaneity of translucid consciousness, advancing in way of giving back a dimension of opacity for freedom, that acquires an ambiguous sense of choice and consent, rupture and agreement and, thus, involving in its own constitution a passivity. Without neglecting the important function fulfilled by the dialectic in Sartre's thought my interpretation is, in spite of this, directed in phenomenological perspective so it will be possible to grasp the vanishing point of freedom. In order to proceed it I try to demonstrate that freedom constitutes itself in the turning point of two conditional circuits wherein it lacks itself and gains itself, that is, the psyché - psychic domain of conciousness - and the historical dimension. The first one represents the earlier reflections of Sartre until Being and Nothingness and the second his subsequent evolution to common praxis. Nevertheless, as I attempt to demonstrate, the transition from freedom as concerned in Being and Nothingness, that is, as synthetical activity of the for-itself on being, to ambiguous freedom as lived experience {vécu) claims at the same time for a redefinition of the typical statements of Being and Nothingness
Mestrado
Mestre em Filosofia
Negi, Akihide. "La « Poésie de l’Échec » : la littérature et la morale chez Jean-Paul Sartre." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040129.
Повний текст джерелаThere is a domain in which Jean-Paul Sartre appears not to have left any trace, in spite of his polygraphy: poetry. Was it then strange to his thought? Far from it, in our opinion. In Sartre’s work, this word is not limited to the ordinary sense of a literary genre, but also designates a mode of being-in-the-world specific to the poet-writer, which comes down to the choice of “failure” or “impossibility.” Though it remained latent in his writings, his reflection on this idea seems to form a systematicity of what we could call the “second What is literature?” that, articulating in a paradoxical way the antihumanistic aestheticism and morality of “anthropodicy,” sometimes betrays the first What is literature? — without ceasing to be the thought of “committed literature.” Following these guidelines, in this thesis, we advance our analysis in two steps. The primary phase of our work will be devoted to the structural analysis of Sartrian “poetry,” led first on the level of an existential project (Part I), and subsequently, on the level of a poetico-literary creation (Part II). This analysis will be followed by the second phase of the research, reflection on the moral range of “poetry” understood in the Sartrian sense (Part III)
Hajj, Hassan. "Une morale de l'engagement individuel : Jean-Paul Sartre." Nice, 1989. http://www.theses.fr/1989NICE2013.
Повний текст джерелаThis thesis is divided into three parts : the first one deals with the problem of ethics in Sartre's, and there we notice the "sartrian" effort to lay the basis of a concrete ethics which could reconcile the universal and the peculiar in history, so as to guide man towards the assertion of his singleness and freedom. The second part refers to the question of individual engagement : the "sartrian" concept of the individual and the theory of engagement. We remark that Sartre wanted to assert the freedom of man, even when engaged; since every engagement is freely assumed by human subjectivity. The third part shows a practical example of the "sartrian" engagement during the last fifteen years wich have seen many historical events such as the war in Viet-Nam, the war in the Middle-East, the societic intervening in Czecho-Slovakie, the outburst in may 68 in France. In fact, speaking or acting, Sartre had reacted to all these events. And when taking sides, he assertedthe right or every man, to freedom and dignity
Ji, Young-Rae. "L'Idiot de la famille et l'esthétique de l'imaginaire de Jean-Paul Sartre." Strasbourg 2, 2006. http://www.theses.fr/2006STR20004.
Повний текст джерелаBeing the final work of Jean-Paul Sartre in which he wanted to gather all his projects, all his methods, an all his early works, The Family Idiot is probably the least read among Sartre's books, published during his life, because of its length of nearly three thousand pages. We try to penetrate this book, considered henceforth as one of the most important works of Sartre, while holding his aesthetics of the imaginary as a guide. To clarify the multiple aspects arranged behind this so-called biography of Flaubert, our work consists in three parts. Firstly, taking Sartre's theory of imagination as the intermediary for his philosophy and his literature, we begin to study The Family Idiot as an sequel to his philosophical works : on one hand, Search for a Method as theoretical basis of the form of The Family Idiot; on the other hand, The Psychology of Imagination as theoretical basis of the content of this book. Secondly, holding the imagination as the contact point of two worlds, the real and the imaginary, especially on the literary level, we want to reflect upon the novelistic and the autobiographical aspects of the Family Idiot, after having shown the fictitious elements of this study on Flaubert. Thirdly, considering the imagination as the mediator between writing and reading, or between author and reader, we are interested in Sartre's conception of the language, and we try to analyse The Family Idiot as a critical study of Sartre, foloowing What is Literature ? and his other biographical works
Sicard, Michel. "Sartre et les problèmes du langage : [thèse soutenue sur un ensemble de travaux]." Grenoble 3, 1992. http://www.theses.fr/1992GRE39008.
Повний текст джерелаThis work is the fruit of twenty years'research into sartre, his literary and art criticism. The thesis brings together the publish writings of michel sicard, notably j. -p. Sartre literary criticism i and ii (minard, 1976 and 1980) and essays on sartre (galilee, 1989), plus a brief synthesis comprising 5 parts. Firstly, a section analysing the relationship between a research student and a still-living author, which gave rise to a number of published interviews and general works such as the sifting of previously unpublished material (on mallarme, tintoretto, freud), essays and wide-ranging iconographic studies which have led to a series of exhibitions of artists studied by sartre. Secondly we shall analyse the methodology which calls upon the concepts of intertext, series, dialogisme; sartre turning to wards modernity and postmodernity. Thirdly, we shall look at the problems of the imagined and the expressed, misunderstood since first the distinction between prose and poetry, so as to come finally to the notion of style, which contain a blend of realism and imagination. The fourth section will study the specificity of pictural language which conveys new ideas concerning materiality, and also historic recognition of international abstr act art. Finally we shall analyse sartre's conception of the book, based upon anattempt to abolish the notion of the book
Ubukata, Atsuko. "Essai d'une lecture de la Critique de la raison dialectique de Jean-Paul Sartre." Paris 1, 1996. http://www.theses.fr/1996PA010518.
Повний текст джерелаA study of the critique de la raison dialectique, this thesis proposes a close but dynamic reading of one of Sartre's major, although undervalued, philosophical works, in order to unweave its conceptual complexity and indicate its practical signification. Divided into two parts, the thesis adopts two different approaches to this monumental philosophy of the subject viewed from an historical prespective. The first part studies earlier works, whether posthumous or published during Sartre's lifetime, insofar as they attest to the long period of intellectual development during which the key ideas of the critique were progressively elaborated. Following this genetic analysis, in the second part a reading of the critique itself aims to decompose the "polylogical" structure of the text in order to bring out the different arguments Sartre employs against hegelian dialectics, marxism and husserlian phenomenology in his elaboration of a new dialectics to found historical rationality. This double interrogation shows how, through a series of displacements, Sartre freely uses the phenomenological, marxist and hegelian traditions to develop a dialectics both materialist and egological, totalising and detotalising, foreign to man but a basis of human liberty. By reaffirming the intelligibility of all anthropological phenomena against the determinist and "theological" representation of man by himself, Sartre celebrates rational dialectics as a foundation for self-determination in each individual and each community. The thesis argues for the validity of this ethical and non-prescriptive rationality in contemporary society, but also points out its limitations when faced with an interrogation of the origins of the modern rational subject as inseparable from the birth of "others", a question later taken up by post-sartrian philosophy
Damast, Thomas. "Jean-Paul Sartre und das Problem des Idealismus : eine Untersuchung zur Einleitung in "L'être et le néant /." Berlin : Akademie Verl, 1994. http://catalogue.bnf.fr/ark:/12148/cb37672003b.
Повний текст джерелаWormser, Gérard. "Phénoménologie, morale et historicité dans la philosophie de Jean-Paul Sartre." Paris 1, 2006. http://www.theses.fr/2006PA010530.
Повний текст джерелаGourgaud, Nicole. "Bariona de Jean-Paul Sartre : édition critique avec introduction et commentaires." Saint-Etienne, 1985. http://www.theses.fr/1985STET1999.
Повний текст джерелаJang, Guene-Sang. "L'utilisation de l'histoire dans le théâtre de Jean-Paul Sartre." Paris 10, 1990. http://www.theses.fr/1990PA100024.
Повний текст джерелаThis work can be entitled also as a reflexion on the dimension of history in the theatre of sartre. In this regard, his six pieces are characteristic, showing three different periodes. Firstly, Bariona or The son of thunder, the flies, secondly, Deaths without sepulture, Red glove and finally, The demon and the good god, The prisoners of Altona. This point of view "impose" a diachronical study on the evolution of his esthetic. The reject of "retrospectif" genre, shown in the declaration of 1947 will be followed by the slow moving toward the historical theatre. Historical climate is suitable to the reflexion on the moral, and "distance" makes the political reflexion possible in two degrees : historical and actuel, or formal and allusive. So, this lecture of sartrien theatre can be formulated such as "historical lecture" and "intertextuel lecture". Historical and mythic frames outline ficticios stories. In spite of the author's anachronical attitude, in general, it's also possible to see his respectful description regarding historical facts, and historicity is revealed slowly. In this regard, his discovery of epical theatre and historical theatre is significant, and his care for the popular theatre based on the subjectivity can be explained
Danelon, Marcio. "Educação e subjetividade : uma interpretação a luz de Sartre." [s.n.], 2003. http://repositorio.unicamp.br/jspui/handle/REPOSIP/252858.
Повний текст джерелаTese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação
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Doutorado
Souza, Marcelo Prates de. "Moral e metafísica em Sartre." reponame:Repositório Institucional da UFPR, 2011. http://hdl.handle.net/1884/26124.
Повний текст джерелаSawada, Naoyuki. "Écriture et morale : question éthique chez Sartre." Paris 1, 1994. http://www.theses.fr/1994PA010561.
Повний текст джерелаThis thesis seeks to explicate the special relation between writing and morals in Sartre's works. To retrace the evolutio of the sartrean ethics, we proose, in stead of sketching his un1chieved theory, a reading of his key conceptsz, such "freedom", "knowledge", "recongnition", "understanding", "other", "self", etc. Why are moral issues and the question of writings privileged themes for sartre that is the question we attempt do answer here. Our analysis shows that the philosophical, literary and the autobiographical components from an ethical knot in sartre's works. So Sartre's analogy between morals and writing is not at all aleatory, because both themes are based on the question of communication and creation
Poulette, Claude. "Jean Paul Sartre aux prises avec son enfance : analyse du rapport au savoir et du problème de l'identité chez Sartre, en partant des "mots"." Paris 10, 1998. http://www.theses.fr/1998PA100017.
Повний текст джерелаBourgault, Jean. "L'invention de la méthode dans la philosophie de Jean-Paul Sartre." Nice, 1999. http://www.theses.fr/1999NICE2020.
Повний текст джерелаBouchard, Simon. "Sartre et la voie herméneutique de la morale." Master's thesis, Université Laval, 2005. http://hdl.handle.net/20.500.11794/43804.
Повний текст джерелаGonçalves, Nádia Mariana Gomes. "Liberdade e escolha em Jean-Paul Sartre." Universidade Federal de Uberlândia, 2013. https://repositorio.ufu.br/handle/123456789/15563.
Повний текст джерелаThis work intends to conduct a handling the concepts of Freedom, Choice and Others, from the perspective of the French existentialist philosopher Jean-Paul Sartre as having reference works Being and Nothingness, Existentialism is a Humanism and No Exit.The principle will be exposed to the theme of freedom is inseparably linked to the condition of man\'s choice to do so, leave the deep thinking that Sartrean man first exists, lives according to their freedom responsibly and choose what you want to be, not because there is no metaphysical being who can determine its path, so that later the man can attain its essence. However, during the search for the essence encounters freeman Other freemen taking ai to a series of conflicts. This question about the existence of other free subject is better explored in the second chapter, which is also seen in phenomenology, the existence and the problem of the existence of other free conscience, moreover, will be presented in the second chapter the question of looking relations and limited freedom for Others. And finally, the last chapter will be a detailed analysis of the play No Exit, about the prospect of the two previous chapters.
A presente dissertação pretende realizar uma abordagem dos conceitos de Liberdade, Escolha e os Outros, sob a ótica do filósofo existencialista francês Jean-Paul Sartre tendo como referencia as obras O Ser e o Nada, o Existencialismo é um Humanismo e Entre Quatro Paredes. A princípio será exposto o tema da liberdade que está indissociávelmente ligado à condição de escolha do homem, para isso, partiremos da profunda reflexão sartreana de que primeiro o homem existe, vive em função de sua liberdade e responsavelmente escolhe o que deseja ser, pois não existe nenhum ser metafísico que possa determinar o seu caminho, para que posteriormente o homem possa atingir sua essência. Porém, durante essa busca pela essência o homem livre se depara com Outros homens livres levando-o a uma série de conflitos. Essa questão sobre a existência de Outros sujeitos livres será mais bem explorada no segundo capítulo, em que serão visto também a fenomenologia, a existência e o problema da existência de outra consciência livre; além disso, será apresentada nesse segundo capítulo a questão do olhar, as relações e a liberdade limitada pelos Outros. E finalmente, no último capítulo será feita uma análise minuciosa da obra teatral Entre Quarto Paredes, sobre a perspectiva dos dois capítulos anteriores dessa dissertação.
Mestre em Filosofia
Baniounga, Fabrice Satou. "L'intersubjectivité dans l'œuvre de Jean-Paul Sartre et Emmanuel Levinas." Electronic Thesis or Diss., Amiens, 2019. http://www.theses.fr/2019AMIE0038.
Повний текст джерелаThis thesis proposes to analyze a problem that haunts modern philosophy since Descartes : the problem of the knowledge of others in an intersubjective world. Indeed, the radical gesture by which Descartes inaugurated modern philosophy, its desire not place undue reliance status as objects of undoubted knowledge of the cogito, raises the thorny problem of the knowledge of the other who did this indirectly through his body. From the questioning of the knowledge of the other, which provides also the starting point of our research, this thesis shows precisely the great seed of this problem in the 20th century, especially from the time when Edmund Husserl, reconnecting with the radical starting point of the Cartesian philosophy, looking for a new phenomenological method for philosophy. It's in his lectures presented at the Collège de France in 1929, Cartesian Meditations, translated into French by Emmanuel Levinas and Gabrielle Peiffer, Husserl attempts to solve the problem of knowledge of each other and the status of the intersubjective world bequeathed by Cartesian approach.This thesis shows the most unsatisfactory aspect of the solution proposed by the phenomenology of Husserl the problem. This issue will be a very important reflection developed in part by Sartre in Being and Nothingness and secondly by Emmanuel Levinas, particularly in Totality and Infinity and Otherwise than Being or -delà gasoline. This work, conducted an "original" analysis of the answers given by Sartre and Levinas to the problem of knowledge of others and intersubjective world configuration by showing the importance of their reflections on otherness, on the role of corporeality and the theme of the opacity in the knowledge of the other too often neglected by the Cartesian tradition, then by Husserl's phenomenology. This analysis has led us to consider the proper ethical issues two critical positions Sartre and Levinas develop towards Husserl. From different perspectives, the question of the knowledge of others is strengthened in both cases by a deep reflection on the responsibility
Vautrelle, Hervé. "Figures et systèmes de la violence dans la philosophie de Sartre." Lille 3, 2006. http://www.theses.fr/2006LIL30005.
Повний текст джерелаDaby, Kavita G. "L'espace dans "Les chemins de la liberté" de Jean-Paul Sartre." Paris 3, 1997. http://www.theses.fr/1997PA030131.
Повний текст джерелаSpace in the roads to freedom does not only coincide with what is happening before us at every moment. Since the function of the novel is to convey the author's view of life, according to sartre, everything is devised in the trilogy, in order that represented space in each of the narratives reflects the real world which is aimed at by the work of fiction. Yet, at the same time, this space corresponds to the specific reality of the fictitious world built up in each volume. Sartrian space is constructed by various processes, and at different levels of the narrative. It is inseparable from the other elements of the novel, - from the characters mainly -, from which it derives its numerous features, and on which it sheds light in return. The meanings arising from the represented space are precisely those which are carried by each narrative in its entirety, by style, composition and content
Ahrouch, Lamiaa. ""Les chemins de la liberté" ou la quête spirituelle." Toulouse 2, 1997. http://www.theses.fr/1997TOU20101.
Повний текст джерела"Roads to freedom" is the most powerful testimony to learn what life is. The novelistic trilogy is filled with lost people who live through time and space to end up in the same time and space to end up in the same time and in the same space as Sysiphe's myth. The answer to their worries is hidden behind Sartre's words and his futurist view which is only a means to heal the uneasiness of a whole period. The chore of the novel is to be found in its contents and in its form. We have situated the trilogy in a spiritual context in order to discover a world where divine presence is not far
Santos, Tiago Soares dos. "Fenomenologia e ontologia da consciência em Jean-Paul Sartre." Universidade Estadual do Oeste do Parana, 2012. http://tede.unioeste.br:8080/tede/handle/tede/2128.
Повний текст джерелаCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
The problem that motivated us in the preparation of this study was to answer the question: how does the appearance of the world and how to become aware of such an appearance? Problem that Sartre and became the maximum of existentialism where the existence precedes the essence. We`ll try, in the course of our work, presenting the arguments used by Sartre that justify such affirmation and check if, in fact, it is possible to agree with an existential philosophy along the sartrianos lines. For that, we`ll see the phenomenological method that will assist us in the reflection on the fundamental structures of mundane appearance, central theme present in the husserliana phenomenology and sartriana`s foundation. This appearance will reveal the human reality as emanating from the most intimate of be; this human reality will be described in phenomenological philosophy of Sartre as consciousness, which conceptualizes as intentionality. Being intentionality is to take the constant motion of transcendence, that is, the exit of yourself. So it is necessary to expel everything there is or inhabits the consciousness. Making empty consciousness or translucent, requires that we understand the consciousness. Being conscious is to exist and the question of existence arises immediately with the human reality that asks about your way of being in the world. We will approach the existential problems of consciousness and the need for recognition of the same existence from reflexivity. In this way, we will develop how consciousness exists immediately, this is, how the consciousness appears intended to the objects of the world, how if seizes, first as a way thoughtless as a phenomenon of world. This mundane phenomenon that reveals the consciousness and is, at the same time, revealed by it. In this way, the appearances of world and consciousness occur simultaneously and interdependent. This concurrency between world and consciousness are the poles of the same phenomenon. It is the monism of the phenomenon that is constituted of these two realities of being, that is, the object appeared the In-himself and the consciousness - the To-himself - are constituent parts of the same reality that cannot be seized separately. The existence, although unique, is paradoxically, constituted of two modalities of being. Despite having to recognize these two modalities to be as amalgamated, we can only recognize them from a long journey argumentative of phenomenological reflection, once we can only recognize the existence of the world and consciousness from the phenomenological process of reflexivity. In other words, we can only know what already exists since the knowledge doesn´t have itself the creative force or the power to confer being what is not yet or does not exist. Thus, the knowledge or the reflection are fundamental to the development of phenomenology, although this same phenomenology requires the recognition of something prior or immediate that precedes it and enables your cognitive achievement.
O problema que nos motivou na elaboração desse trabalho foi responder à questão: como ocorre o aparecimento do mundo e como se torna consciente de tal aparecimento? Problema posto por Sartre e que se tornou a máxima do existencialismo onde a existência precede a essência. Intentaremos, no curso de nosso trabalho, apresentar os argumentos utilizados por Sartre que justificam tal afirmação e verificar se, de fato, é possível concordar com uma filosofia existencial nos moldes sartrianos. Para tanto, valer-nos-emos do método fenomenológico, que nos auxiliará na reflexão sobre as estruturas fundamentais do aparecimento mundano, tema central presente na fenomenologia husserliana e alicerce da sartriana. Tal aparecimento revelará a realidade humana como emanada do mais íntimo do ser; essa realidade humana será descrita na filosofia fenomenológica de Sartre como consciência, que se conceitua como intencionalidade. Ser intencionalidade é assumir o constante movimento de transcendência, isto é, de saída de si. Por isso, faz-se necessário que se expulse tudo o que há ou habita a consciência. Tornando a consciência vazia ou translúcida, exige-se que nós compreendamos a consciência. Ser consciente é existir e a questão da existência surge imediatamente com a realidade humana que indaga sobre seu modo de ser no mundo. Abordaremos a problemática existencial da consciência e a necessidade do reconhecimento dessa mesma existência a partir da reflexividade. Desse modo, apresentaremos como a consciência existe imediatamente, isto é, como a consciência aparece intencionada aos objetos do mundo, como se apreende, primeiramente de modo irrefletido como um fenômeno do mundo. Esse fenômeno mundano que revela a consciência e é, ao mesmo tempo, revelado por ela. Assim, os aparecimentos do mundo e da consciência ocorrem de modo simultâneo e interdependente. Essa simultaneidade entre mundo e consciência são polos de um mesmo fenômeno. É o monismo do fenômeno que se constitui dessas duas realidades do ser, ou seja, o objeto aparecido o Em-si e a consciência o Para-si são partes constituintes de uma mesma realidade que não podem ser apreendidas isoladamente. A existência, apesar de única, é paradoxalmente, constituída de duas modalidades de ser. Apesar de ter de reconhecer essas duas modalidades de ser como amalgamadas, só podemos reconhecê-las a partir de um longo percurso argumentativo da reflexão fenomenológica, pois só podemos reconhecer a existência do mundo e da consciência a partir do processo fenomenológico da reflexividade. Em outros termos, só podemos conhecer aquilo que já existe visto que o conhecimento não tem em si a força criadora ou o poder de conferir ser àquilo que ainda não é ou não existe. Assim, o conhecimento ou a reflexão são fundamentais para o desenvolvimento da fenomenologia, embora essa mesma fenomenologia exija o reconhecimento de algo prévio ou imediato que o precede e possibilita sua realização cognitiva.
Martin, Didier René Dominique. "Réception de Jean-Paul Sartre au Brésil : dans la Revue Anhembi." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2006. http://hdl.handle.net/10183/10017.
Повний текст джерелаEsta dissertação tem por objetivo analisar a recepção da obra de Jean-Paul Sartre na revista Anhembi. Inicia-se com um apanhado geral do percurso intelectual, literário e político deste escritor, pois isto permite, de um lado, a construção de uma idéia precisa das diversas influências que compuseram seu pensamento e, por outro, estabelecer uma base de conhecimentos tendo em vista as partes que seguem neste estudo. O segundo capítulo aborda dois artigos da revista Anhembi que fazem referência diretamente às concepções filosóficas do autor. O terceiro capítulo trata mais especificamente de certas peças de teatro do dramaturgo que foram matéria de colaboradores do mensal brasileiro. Finalmente, o quarto e último capítulo trata da vinda de Sartre ao Brasil.
Noudelmann, François. "L'incarnation imaginaire : l'image dans la pensée de Sartre." Paris 4, 1992. http://www.theses.fr/1992PA040098.
Повний текст джерелаIn order to define the role of image within thought, one has to recognise its specificity as the concept, and to question their distinction. But the study of epistemology implies an ontology. Indeed, image cannot be reduced to a figure of style, nor to a thing : it commits to a relationship with the being. Image must be studied in its production and according to the intention of the conscience. To this end, sartre's reflexion is enlightning. Image is defined by a specific embodiment. The production of image commits to an annihilation of the object in question. It is precisely to define the nothingness that the image intervenes in sartre's reflexion in order to resolve conceptual "dead-ends". Starting from basic "schemas" he envolves a figurative structure which leads to the forming of concepts, their linkings and their evolution according to theorical mutations, from phenomenology to marxism. This dynamic is based on the concept of incarnation. It permits to define what it means to "speak for" his time, its affects or to speak through language. Expression through imaginary thus takes on its full ontological dimension : its ambition is either to incarnate the nothingness, either to aim at the incarnation of the being. This alternative brings into plays two forms of wrinting, litterary and philosophical, as well as two conceptions of hermeneutics
Zhang, Chi. "La réception de Sartre en Chine (1939-1989)." Paris 3, 2004. http://www.theses.fr/2004PA030033.
Повний текст джерелаThe reception of Sartre isn't a simple literary affaire: it is rather an underproduction of the process of the modernisation of China since the war of the Opium (1840-1842). The Occident has become gradually the main reference of the Chinese modernisation for the majority of the elite of China. The Chinese intellectuals have searched with passion the inspirations and the "new ideas" in Occident. The rapid and radical changes have taken place in every domain of the Chinese society. Determined by the particular and concrete situations, the perspectives and the horizon of waiting of several generations of Chinese readers have been modified and shaped successively by the political, social and cultural changes. We could divide fifty years of the reception of Sartre in China into three periods: the immediate reception (1939-1949), the reduced reception (1949-1976) and the revived reception (1977-1989). At the beginning, Sartre was discovered and appreciated only by several Chinese intellectuals. But the remarkable expansion of the existentialism in Occident after the Second World War has provoked a vogue of Sartre in the Chinese literary circle. In spite of Sartre's friendly visit of China (1955), the knowledge of the Chinese to his thought and his works has been much reduced during the age of Mao Zedong. Sartre was one of the Western writers-thinkers the most read by the young Chinese of the New Age. The majority of Sartre's works and many articles and books concerning Sartre have been published also during this age
Santana, Marcos Ribeiro de. "Educação às moscas = cenário para uma "educação de situações" em Jean-Paul Sartre." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251406.
Повний текст джерелаDissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação
Made available in DSpace on 2018-08-17T02:42:25Z (GMT). No. of bitstreams: 1 Santana_MarcosRibeirode_M.pdf: 1186295 bytes, checksum: 6b365b02b06fe5f95e72b47fbd6d7294 (MD5) Previous issue date: 2010
Resumo: A presente dissertação é uma investigação bibliográfica, tendo como objetos de estudos as obras de Sartre, O Ser e o Nada, um texto filosófico, e As Moscas, uma peça teatral. Delimita-se o foco em apresentar a relação entre Filosofia e Teatro dentro do cenário da educação no que tange ao projeto sartreano de pensar a condição humana na sua existência radical, contingente e engajada no mundo. A atenção recai sobre o problema da subjetividade, caracterizada não como algo fechado em si mesmo marcando de maneira substancial o sujeito, influenciando de maneira considerável a construção conceitual da educação. Outrossim, volta-se para uma subjetividade destituída de ser, numa abertura para a própria situação existencial, fazendo de Sartre um herdeiro subversivo, tanto da filosofia moderna como das bases fundamentais da educação herdadas dessa modernidade e que são apontadas como fator primordial da crise educacional atual. O fio condutor dessa investigação está amarrado ao conceito de liberdade elaborado por Sartre na descrição teórica d'O Ser e o Nada, definida como autonomia da escolha e na concretude prática apresentada na dramaturgia d'As Moscas, que encena a concepção da tragédia da liberdade, compreendendo, assim, a liberdade que não se caracteriza de forma abstrata, mas que se concretiza na ação dentro de situação existencial e histórica. O objetivo dessa dissertação é descrever a possibilidade de se pensar uma educação a partir do pensamento sartreano, na compreensão sobre a condição humana entendida como liberdade de ação, na criação de sentidos numa relação com o mundo, na perspectiva de apontar para o cenário de uma educação de situações. Uma educação criada no improviso de uma atuação livre e engajada com a própria situação do ser no mundo pela qual se compromete e se torna responsável. Uma educação de situações que atue na existência sem se perder na fala de um monólogo solipsista muito menos se dissipar no enredo de um altruísmo alienante. Uma educação de situações - entendida como a liberdade de criar-se a si mesmo, de maneira autêntica, enquanto ser no mundo engajado com a própria situação existencial e histórica.
Abstract: This is a research based on literature, and its objects of study are two works by Sartre, Being and Nothingness, a philosophical text, and The Flies, a play. Our main objective is to present the relationship between Philosophy and Theatre in the field of education in respect to the Sartrean project of thinking the human condition as radically contingent and engaged existences in the world. There is attention to the problem of subjectivity, characterized not as something closed in itself, affecting the subject in a substantial way, influencing the conceptual construction of education considerably. Also, we turn to the subjectivity devoid of being, in an opening for each existential situation, and this makes Sartre a subversive heir of much of modern philosophy and of the foundational bases of the modern education legacy, which have been identified as one of the major causes of the current educational crisis. The base line of this research is tied to the concept of freedom, which was drawn up by Sartre in the theoretical description of his Being and Nothingness, defined as freedom of choice, and in the reality presented in the play The Flies, which stages the concept of the tragedy of freedom, the freedom that is not characterized in the abstract, but which is actualized in action within the historical and existential situation. The objective of this dissertation is to describe the possibility of considering an education from the Sartrean thought, from the perspective of the human condition understood as freedom of action, in creating meanings in relationship with the world, pointing to a potential education of situations. An education established in the event of free performance, and engaged with the actual situation of being in the world, when one becomes committed and responsible. An education of situations that affects existences without getting lost in a solipsistic monologue and especially in a plot of alienating altruism. An education of situations - understood as the freedom of authentically creating oneself, as a being engaged in the world within his or her own historical and existential situation.
Mestrado
Filosofia e História da Educação
Mestre em Educação
Baranowske, Durval. "A autenticidade na ética de Jean-Paul Sartre." Universidade Federal de Uberlândia, 2012. https://repositorio.ufu.br/handle/123456789/15574.
Повний текст джерелаDois livros de Sartre, O Ser e o Nada e O Existencialismo é um Humanismo, nos dão as diretivas dessa dissertação. As duas obras formam parte do complexo corpo de textos escritos por Jean-Paul Sartre para falar de ética e autenticidade. Outras bibliografias são levantadas, contudo, parte delas, mescladas em pontos estratégicos do trabalho. Ética e autenticidade na filosofia de Sartre é o que tentamos apresentar com três grandes preocupações; desvelar o que é a autenticidade para nosso autor, como ela pode ser um projeto ético e o que significa sua presença dentro do comportamento humano. Não teria sentido falar de autenticidade se não fosse por causa da liberdade tendo sempre em vista a ontologia sartriana. É por isso que os dois capítulos iniciais dessa dissertação tentam aprofundar o tema da ontologia para compreender e elencar as principais preocupações do autor em relação a autenticidade e a ética. A seguir as grandes referências são, os comentadores, que estão devidamente citados na bibliografia final, e as obras literárias de Sartre. E, finalmente, ética e autenticidade não encontrariam seu pleno sentido, se não fossem fundamentadas numa ontologia existencialista, porque pensar o ser, para Sartre, é pensar o dever-ser (que é Para-si) e refletir sobre ética, significa tematizar a unidade originária de sua moral que está na autenticidade de ser e se reconhecer Para-si.
Mestre em Filosofia
Calderón, Quiroz Natalia. "Recepción de Las troyanas de Eurípides en la adaptación de Jean Paul Sartre." Tesis, Universidad de Chile, 2012. http://www.repositorio.uchile.cl/handle/2250/111060.
Повний текст джерелаLa recepción creativa de Las Troyanas a manos de Jean Paul Sartre, en constante relación con el hipotexto de Eurípides, es el tema que nos proponemos estudiar en este trabajo. Siguiendo los planteamientos de la teoría de la recepción de Jauss, para quien la obra literaria se define como el resultado del encuentro entre ésta y la recepción que recibe, planteamos que el horizonte de impacto, en tanto sistema que integra el momento de composición de la obra (la época histórica, el contexto sociológico, el contexto autorial y la recepción de la obra en su propio contexto de la Atenas clásica) encuentra profundas afinidades con el horizonte de recepción de Jean Paul Sartre, en relación a la circunstancia histórica específica en que este autor retoma Las Troyanas. Dicho horizonte de recepción considera, tanto el código estético que Sartre introduce en la obra, como el horizonte de los espectadores de su época, y la personal concepción del autor respecto a la misma.
Lee, Jai-Lyong. "Sartre commentateur de texte dans "l'idiot de la famille"." Besançon, 1988. http://www.theses.fr/1988BESA1008.
Повний текст джерелаTeguezem, Joseph. "La Notion de totalité chez Jean-Paul Sartre : une approche analytico-dialectique de l'homme dans le monde." Université Marc Bloch (Strasbourg) (1971-2008), 2003. http://www.theses.fr/2003STR20007.
Повний текст джерелаThis work tries to bring out the importance of the totality notion in Jean-Paul Sartre. The being and nothing (L'être et le néant) and the critism of dialectical reason (Critique de la raison dialectique). While criticizing all thoughts whose attitude is unfavourable to the notion of totality, to the idea of possible unity between man, the society and the World, it makes of it their previous intelligibility. In this perspective, this notion of totality is the object of a philosophical anthropology that lays emphasis on totalization (syntheses) of allknowledge that concern man in his relation with the world, and puts a particular accent on their practical and dialectical "circularity"; Through this, the notion of totality is not only a methodological concept but also, like all anthropological notions, a glistening of being and would be. For that to make, this work first analyses some totality possible figures as emphasizing on "the totality man-world" as the most representative aspect in sartrism. Then he shows that only an analytico-dialectial rationality and particular to an existentialist anthropology could validly give account of such "a totality in process" or "totalization". Finally, he shows that this "totality man-world" is a "practical set" whose dialectic character permits to justify two conceptions of History and a particular vision of historical ends : there is a collective and practical conception, and a truly dynamic conception where man constantly transcends himself towards an ideal of being of which the complete realization, if it is not a vain enterprise, always remains problematical. Because, it is not subordinated to any act that would t come from God of any scientific determinism, from which the contingent character of historical ends
Sahri, Youssif. "La dialectique de la liberté et la critique de la raison chez Sartre." Paris 4, 1985. http://www.theses.fr/1985PA040038.
Повний текст джерелаZamfir, Doina. "Structures métaphoriques dans la Nausée de Sartre et dans ses deux versions." Artois, 2007. http://www.theses.fr/2007ARTO0008.
Повний текст джерелаPublished in France, in 1938, Jean-Paul Sartre’s La Nausée has been translated twice in Romanian: for the first time in 1981 by Marius Robescu, and for the second time in 1990, by Alexandru George. These two Romanian versions have the same title: Greaţa. However, the initial philosophical meaning of the French La Nausée is altered in both of these versions. Jean-Paul Sartre’s novel is a parable in which the author aims to describe how an individual, the narrator, Antoine Roquentin, suddenly realises the contingency and the absurdity of human life. The story is organised around secret “metaphorical structures” which determine the meanings of the images and the symbolic representations employed to describe this existential experience. In the two Romanian Greaţa a gap, a “deviation” occurs, whether it concerns the treatment of the characters, of the fundamental metaphors linked with contingency or with freedom, the treatment of complementary metaphorical representations, or of spinned metaphors, scattered in the text. In that perspective, the two Romanian Greaţa appear to be rather re-writings of La Nausée that differ quite a lot from the original text