Добірка наукової літератури з теми "Santa Maria della Piazza (Church : Ancona, Italy)"

In Naples (Italy), the passage from Renaissance to Baroque architectonic language could be identified between 1580 and 1612. During this era, one of the most significant topics of the architectonic research on the sacred space was the right compromise among the Counter-Reformation patterns, the central space and the oval plan. Giovanni Antonio Dosio and Dionisio di Bartolomeo were the most representative architects of this passage. They provide the access to new experimental varieties. So, when the architect Cosimo Fanzago arrived in Naples in 1612, the city was almost ready to use the emblematic ellipse plan of the Baroque, such as the churches Santa Maria della Sanita` and San Giovanni dei Fiorentini by Fra’ Nuvolo prove. Fanzago’s architectonic research was followed by the studies by Bartolomeo and Francesco Antonio Picchiatti, father and son, up to Domenico Antonio Vaccaro that was the most representative director of the Baroque sacred space scene. Moving from the analysis and comparison of the most representative churches of Neapolitans Baroque era, the paper proposes an unedited studio about the evolution of sacred space’s idea related to decoration, symbology and allegory, with a focus on Domenico Antonio Vaccaro’s works, such as the churches of Santa Maria della Concezione in Montecalvario neighbourhood, San Michele Arcangelo in Naples’ Piazza Dante, San Michele in Anacapri (on Capri Island), the Palazzo Abbaziale di Loreto and Saviour Church in San Guglielmo al Goleto Monastery, both near Avellino.

During the last few years, there has been a growing exploitation of consumer-grade cameras allowing one to capture 360&amp;deg; images. Each device has different features and the choice should be entrusted on the use and the expected final output. The interest on such technology within the research community is related to its use versatility, enabling the user to capture the world with an omnidirectional view with just one shot. The potential is huge and the literature presents many use cases in several research domains, spanning from retail to construction, from tourism to immersive virtual reality solutions. However, the domain that could the most benefit is Cultural Heritage (CH), since these sensors are particularly suitable for documenting a real scene with architectural detail. Following the previous researches conducted by Fangi, which introduced its own methodology called Spherical Photogrammetry (SP), the aim of this paper is to present some tests conducted with the omni-camera Panono 360&amp;deg; which reach a final resolution comparable with a traditional camera and to validate, after almost ten years from the first experiment, its reliability for architectural surveying purposes. Tests have been conducted choosing as study cases <i>Santa Maria della Piazza</i> and <i>San Francesco alle scale Churches</i> in Ancona, Italy, since they were previously surveyed and documented with SP methodology. In this way, it has been possible to validate the accuracy of the new survey, performed by means an omni-camera, compared with the previous one for both outdoor and indoor scenario. The core idea behind this work is to validate if this new sensor can replace the standard image collection phase, speeding up the process, assuring at the same time the final accuracy of the survey. The experiment conducted demonstrate that, w.r.t. the SP methodology developed so far, the main advantage in using 360&amp;deg;&amp;thinsp;omni-directional cameras lies on increasing the rapidity of acquisition and panorama creation phases. Moreover, in order to foresee the implications that a wide adoption of fast and agile tools of acquisition could bring within the CH domain, points cloud have been generated with the same panoramas and visualized in a WEB application, to allow a result dissemination between the users.