Дисертації з теми "Romanx"
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Da, Tos Loussia. "Orner le forum : décor des centres civiques d'Aquitaine, de Narbonnaise et de Tarraconaise sous le Haut-Empire." Electronic Thesis or Diss., Toulouse 2, 2017. http://dante.univ-tlse2.fr/id/eprint/9210.
Повний текст джерелаOver the last few decades, studies on provincial fora defined some of their characteristics. A global approach of their decor can bring about a better understanding of these spaces. The link between the images and their contexts will be examined. The study of the images will be associated with the study of non iconographical elements of the decor in order to define the main themes represented on the fora. The definition of several contexts will help to understand how the decor was conceived and seen at the time
Da, Tos Loussia. "Orner le forum : décor des centres civiques d'Aquitaine, de Narbonnaise et de Tarraconaise sous le Haut-Empire." Thesis, Toulouse 2, 2017. http://www.theses.fr/2017TOU20127/document.
Повний текст джерелаOver the last few decades, studies on provincial fora defined some of their characteristics. A global approach of their decor can bring about a better understanding of these spaces. The link between the images and their contexts will be examined. The study of the images will be associated with the study of non iconographical elements of the decor in order to define the main themes represented on the fora. The definition of several contexts will help to understand how the decor was conceived and seen at the time
Rea, Giorgio. "Imagines pictae. Il ritratto nella pittura romana." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL070.
Повний текст джерелаThis project aims to reconstruct the development of painting portraits in Rome and the use of these types of image employed for Romans, from the Republic until the end of the third century AD. The portrait painted in Roman art follows the cultural changes and the limits of the Empire, mingling with artistic traditions from different cultural areas. The study of this subject, which presents profound difficulties, is often wrongly considered as a sub-argument of the theme of the statuary portrait in Rome. The painted portrait deserves a study as an independent subject because in Antiquity the painting was "l’arte guida". The old painting is now little known because most of the works have been lost and it makes the painted portrait difficult to reconstruct. The lack of archaeological sources relating to the genesis of this art form is filled by some Greek and Roman literary sources. For the imperial period archaeological evidence is more abundant, as in the case of Fayum portraits, which, however, are limited to the province of Egypt, or frescoes found in several important archaeological sites in the Mediterranean (the more valuable were found at Herculaneum, Pompeii and Stabies, but also in Syria)
Letellier, Éloise. "Le théâtre dans la ville : recherches sur l’insertion urbaine des théâtres romains." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3034.
Повний текст джерелаThe vestiges of Roman theatres are ubiquitous throughout the Mediterranean Basin; these structures are familiar, yet remain relatively unexplored, with only a few studies considering their general place in Roman life. Inspired by research on the theatres and entertainment buildings of more recent times, this study offers an urbanistic perspective on these multipurpose edifices; characteristic of the urbanitas, these were at the same time buildings for theatrical performances, ritual ceremonies, and daily activities; civic and religious meeting places; centres of social interaction. The innovations the Romans made to the architectural theatrical form invented by the Greeks enabled them to redefine the theatre’s place in the city and to incorporate it purposefully into their plans for urbanization. Combining the analysis of ancient textual and pictoral representations of Roman theatres with archaeological case studies, this thesis explores and clarifies the practical and symbolic relationships between the theatre and the city in Roman times. By broadening the scope of investigation and by exploring the dynamic and affective positioning of the theatre into the Roman urban landscape, this thesis reveals these architectural structures to be simultaneously typical and unique, complex and understandable, and ultimately remarkably effective in establishing and embodying the image of the city
Celis, i. Betriu Raül. "Les llànties romanes de Baetulo." Doctoral thesis, Universitat de Barcelona, 2008. http://hdl.handle.net/10803/662559.
Повний текст джерелаThe main objective of this study is the analysis of the roman lamps from a new methodological perspective, trying to consider them at the level of any scientific work in the field of ceramology. The site of origin of these materials is the Roman city of Baetulo (Badalona) located between two of the most important cities of the Tarraconenses, such as Emporiae (Empúries) and Tarraco (Tarragona). We offer an analysis of all the existing typologies in order to identify their problems and to propose the best ones when it comes to classifying the material, offering solutions for those lamps which have difficult allocation due to the lack of the main indicators used for its correct identification. Thus, the material has been divided into large groups according to its morphological characteristics: republican, volutes, discus, firmalampen, Christian (or TSA) and a group for those that cannot be locate in any of the previous ones. We have been very interested in trying to identify the possible points of production of the Roman lamps found in Baetulo, trying to overcome principles with the decoration or the marks (epigraphic or not) that this material presents. Unfortunately, we were not able to carry out archaeometric studies in order to obtain objective data, which, by the way, would have been very difficult to compare because the lack of published studies that categorized this type of ceramics. Lamentably, at the time this tesis has been carried out, there was no papers of reference related to scientific excavations which contexts could be clearly identified, for that, it has been very difficult to theorize about the possible commercial relations of the city of Baetulo with their nearby sites, as well as clearly delimiting the routes of trade between our city and other points of the Empire, such as the Italic peninsula, southern Gaul and North Africa.
Antiqueira, Moisés. "O império romano de Aurélio Vítor." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-28022013-122341/.
Повний текст джерелаA historiographical study of Aurelius Victors Historiae abbreuiatae. That is what defines the present work, which tries to ascertain how the aforementioned historian settled up a narrative about the history of the Roman Empire in the twilight of the reign of Constantius II. Therefore, we discuss at first the nature of the work. Despite the clear biographical trend we can observe in the text, as well as the brevity that characterizes it, the work of Aurelius Victor should be seen as a historical narrative since the author aimed to expose both the causes and the course of Roman imperial history, from the Battle of Actium to the last but one year of Constantius IIs reign. Thereupon we examine the strategies of periodization and the perspectives defined by Aurelius Victor in order to compose his text. In the Historiae abbreuiatae, the conduct showed by the emperors and their moral character represented the driving force of the narrative. That led the author to emphasize the ups and downs of Roman past in almost four hundred years of history. In this sense, Aurelius Victor did not lose track of some contradictions that encourage historical figures into action. That resulted in Aurelius Victors failure to identify an idealized model of Roman emperor due to distinct elements and circunstances that he himself pointed out in the course of the history of the Roman Empire.
Climaco, Joana Campos. "Cultura e poder na Alexandria romana." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-05082008-122828/.
Повний текст джерелаThe aim of this dissertation is to investigate a group of small Alexandrian fragments of papyrus named Acta Alexandrinorum. The texts narrate episodes concerning Alexandria in the two first centuries of Roman Empire. But they were found in different places of Egypt, fact that suggests a moderate circulation of the writings in the region. The hypothesis is that a structured and limited group of Alexandrian citizens from the gymnasium, of Greek ascendance and noble birth, would use the writings to express their feelings of dissatisfaction to the Imperial power. They intended, with the accounts, to create an atmosphere of resistance to the Romans, and at the same time, to exalt the importance of Alexandria in that universe and also, to delimit an Alexandrian identity that should be restricted to their elements of higher distinction. Besides that, they also longed to emphasize the indignation to their Jewish neighbors, which were 8 threatening some rights that were before limited to their group. Through the texts, we can analyze how Romanization was received and understood by the Alexandrians. Besides that, the documents illustrate several elements of the civic and social life of the city and help to evaluate its importance in the imperial context.
El-Haibé, Georges. "Les installations périurbaines de la Berytus romaine : le cas du site MDWR 2 (Mdawar/Beyrouth)." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE2145.
Повний текст джерелаThis thesis presents the results of the archaeological rescue excavation of a site situated in the periurban area of the ancient city of Beirut. The study findings reveal chronological changes in the use of the space, that are consistently linked to developments associated with the growth of the city. The site developed along the extensions of the urban axes, but was fully elaborated in the 1st century A.D. with its transformation into a burial ground. Divided by territory limits, the new colonists then most likely used this location for their economical, agricultural, and artisanal activities. The installation of monumental constructions in this peri-urban area began at the end of the 2nd century A.D. A sanctuary pertaining to the Heliopolitan cult was thus built on the plain between the two roads leading to the city, on the “Ras Mdawar” cliff at the nearest point to thesea. Its destruction is dated to the 4th century A.D., either as a consequence of the earthquake of 348/349 AD or as a result of the Christianization of the region. Several large villas were later built in this area and destroyed either by the earthquake of 551 AD or at a later period. With the start of the medieval era, the peri-urban space was abandoned and exploited for the recuperation of stones from the ancient monuments. It remained unoccupied until the Ottoman period
Santalucia, Stefania <1974>. "La nuit dans les romans des Lumières Du roman libertin au roman gothique." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2012. http://amsdottorato.unibo.it/5031/1/Santalucia_Stefania_Tesi.pdf.
Повний текст джерелаThis thesis has the purpose to analyze the images of the night and its meanings in the novels of the 18th century, from 1730-1740, in the ambit of three literatures: the English, the French and the Italian literature. Two opposite conceptions are compared: the first, to exorcise the night, is typical in the first half of the century and it is represented mainly by libertine novels. The second shows a valorisation of the night that can be found above all in the gothic novels that belong to the second part of the century. The final objective of the following research is to find an explanation to the rejection of the night by some authors and therefore to retrieve the causes of the change of vision. Since the night impedes sight, it has been considered a negation of space; according to the psychological and anthropological profile night would then be the main cause of the loss of orientation. Finally, according to an intellectual interpretation, it would be a sign of ignorance. The situation changes when the night starts to assume an active and necessary role in the learning process. In the literary fiction, the most important encounters happen at night. In the revival of the gothic cathedrals and the medieval castles, it is evident how the night takes possession of the space that is enriched with lights and shades.
Santalucia, Stefania <1974>. "La nuit dans les romans des Lumières Du roman libertin au roman gothique." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2012. http://amsdottorato.unibo.it/5031/.
Повний текст джерелаThis thesis has the purpose to analyze the images of the night and its meanings in the novels of the 18th century, from 1730-1740, in the ambit of three literatures: the English, the French and the Italian literature. Two opposite conceptions are compared: the first, to exorcise the night, is typical in the first half of the century and it is represented mainly by libertine novels. The second shows a valorisation of the night that can be found above all in the gothic novels that belong to the second part of the century. The final objective of the following research is to find an explanation to the rejection of the night by some authors and therefore to retrieve the causes of the change of vision. Since the night impedes sight, it has been considered a negation of space; according to the psychological and anthropological profile night would then be the main cause of the loss of orientation. Finally, according to an intellectual interpretation, it would be a sign of ignorance. The situation changes when the night starts to assume an active and necessary role in the learning process. In the literary fiction, the most important encounters happen at night. In the revival of the gothic cathedrals and the medieval castles, it is evident how the night takes possession of the space that is enriched with lights and shades.
Climaco, Joana Campos. "A Alexandria dos antigos: entre a polêmica e o encantamento." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-29072013-105942/.
Повний текст джерелаApart from Rome, no city in the early Roman Empire was more analyzed, characterized and criticized by external perspectives than Alexandria in Egypt. The images produced by the literature helped create the representation of the city that the contemporary historiography has perpetuated: an enormous, beautiful, rich, turbulent and polemic city. The aim of this doctorate thesis is to discuss the several representations about Alexandria reinforced and divulged by ancient authors between the first century BC and third century AD. We believe that theses representations associated to Alexandrias greatness and prosperity that made it similar to the capital of the Empire illustrate a perception of the city as a mirror to Rome and a threat to its hegemony. All the emphasis on Alexandrias qualities and achievements on the one hand, and on its problems and rebellious tendency on the other, were not innocent, and indicate a mentality that understood the city as a place that demanded continuous attention by the representatives of Roman power. The objective of this research is to analyze the reasons that led to this duality in the narratives by means of listing the themes and contexts mostly dealt with by the classical tradition.
Góes, Gustavo Cangussu. "A família como construção de memória: o uso da imagem da família em De Vita Caesarum de Suetônio e a construção da memória de Nero (Séculos I e II d.C.)." Universidade Federal de Goiás, 2015. http://repositorio.bc.ufg.br/tede/handle/tede/5095.
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In this research we will discuss the family role and how Suetonius, in his work De Vita Caesarum, makes use of that to construct a negative memory of the Emperor Nero. For that we will observe the imperial ambience at which the biographer was inserted and we will also try to understand how that, with its political program, influenced the work writting. Because it is a research specially toward to family role, we will have an unfolding about the family centrality in many roman domestic attitudes and the public effects of such actions. However, for considering the biography of an Emperor, we will focus on the way such family values have their potentiality enlarged and modified in imperial family. Then we will see in which aspects Suetonius arranges them in order to present the searched nefarious image about Nero.
Neste trabalho discutiremos o papel da família e como Suetônio, em sua obra De Vita Caesarum, se utiliza desta para a construção de uma memória negativa do Imperador Nero. Para tanto observaremos o ambiente imperial no qual o biógrafo estava inserido e também buscaremos compreender como tal, com seu programa político, influenciou a escrita da obra. Por se tratar de uma pesquisa voltada especialmente para o papel da família, teremos um desdobramento acerca da centralidade familiar nas diversas atitudes domésticas de um romano e os efeitos públicos dessas ações. Contudo, por considerarmos a biografia de um Imperador, iremos focar no modo como tais valores familiares tem sua potencialidade ampliada e modificada na família imperial. Então veremos em que aspectos Suetônio os arranja a fim de apresentar a buscada imagem nefasta acerca de Nero.
Petit, Aimé. "L'anachronisme dans les romans antiques du XIIe siècle : le "Roman de Thèbes", le "Roman d'Énéas", le "Roman de Troie", le "Roman d'Alexandre /." Paris : H. Champion, 2002. http://catalogue.bnf.fr/ark:/12148/cb388862146.
Повний текст джерелаHoldsworth, Benjamin Evans. "Reading Romans in Rome : a reception of Romans in the Roman context of ethnicity and faith." Thesis, Durham University, 2009. http://etheses.dur.ac.uk/214/.
Повний текст джерелаGrau, Donatien. "Le roman romain : généalogie d'un genre français." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040069.
Повний текст джерелаThis thesis aims to address the emergence and the development in French literature of a whole new genre, from the beginning of the 19th until the end of the 20th century: the contemporaneous Roman-themed novel. Dealing not with the stability of the Ancient City, its ruins and its monuments, but with the shifting urban and human landscape of the time, it disrupts the tradition of the Grand Tour, which was implicitly based on the notion that no fiction could be invented in the eternal present of Rome, since the perception one could have there was so deeply rooted in the past. By using the novel, writers were simultaneously confronted to the modernity of the medium and to the urban and political modernisation of the city, while the sign of Rome – the myth of the Eternal City – was always present in their mind. Novels set in contemporaneous Rome provided their authors with the possibility to engage with the most crucial issues inherent to the aesthetics and ethics of fiction: the role of belief in modern cultures – in terms of religion and its counterpart, literary fiction; the role of the past in the construction of modernity; the importance of the present in the experience of the past; the meaning of the Ancients at the time of the Moderns. Analysing the forms of the French contemporaneous Roman-themed novel signifies even more than engaging with the portrait of a city: it is a study in the relevance of Western paradigms
Versluys, Miguel John. "Aegyptiaca romana : Nilotic scenes and the Roman views of Egypt /." Leiden : Brill, 2002. http://catalogue.bnf.fr/ark:/12148/cb389468502.
Повний текст джерелаBermúdez, Lorenzo Juan Manuel. "Raetia: las relaciones socioeconómicas de una provincia romana centroeuropea con las provincias mediterráneas." Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/471454.
Повний текст джерелаThis thesis, framed in the interdependence studies carried out by the CEIPAC group, analyses the amphoric epigraphs available (published and unpublished) in the territory of the ancient Roman province of Raetia with a chronology from the high imperial period (I B. C. -III A. D.), as a primordial source for the study of ancient economy. Special emphasis is placed on the seals of Betic origin, as they are the ones with the greatest presence. Based on its analysis, conclusions are drawn from the routes used for its transport, a comparison is made with materials from other places and theorised on the administrative structure in charge of supplying the population, especially the military, which inhabits the Rhaetic limes.
Hotte, Lucie. "L'inscription de la lecture : romans de la lecture, lecture du roman." Thesis, University of Ottawa (Canada), 1996. http://hdl.handle.net/10393/10092.
Повний текст джерелаLynch, Pamela. "The people of Roman Britain : a study of Romano-British burials." University of Western Australia. School of Humanities, 2010. http://theses.library.uwa.edu.au/adt-WU2010.0101.
Повний текст джерелаPhillipo, Mark William. "Romans overseas : Roman and Italian migrant communities in the Mediterranean world." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/4508.
Повний текст джерелаBaratin-Lorenzi, Marianne. "Les romans de george sand 1832/1842 : roman et dynamique narrative." Paris 4, 1998. http://www.theses.fr/1998PA040029.
Повний текст джерелаThis work intends to show the argumentative value of george sand's novels. It is based on the vehemence of the narrative voice which supposes its argumentative vocation. It is also based on the fact that the ideologists of romanticism recognise an ideology of george sand, without relation to the naive and devaluing image generated by our author's novels. Our study concerns the period 1832-1842, when the author was training to write, according to her own testimony. In front of the failure of an analysis based on the narrative dynamics which would define the novel as an apologue, we tried to regard george sand's novels as parables. The parable supposes the transposition of a rule in the fictitious universe of the novel. Our search supposed a preliminary work, covered in the first chapters : identification of george sand's thought, independent of the various influences that were lent to her; analyze - starting from the theoretical works of the author and the classical poetics - of the criteria likely to account for the novel, apart from the only reference to narrative dynamics. We then started the analysis of the novels of 1832 to 1842, namely indiana, valentine, le secretaire intime, andre, leone leoni, simon, mauprat, le compagnon du tour de france, horace. The analysis of george sand's idealism allowed us to specific the place of reality in her works, always absent and existing only in the idealizing mirror which the novel proposes. A simplified reality is thus proposed, whose fantastic dimension makes it possible to indicate at the same time the dissatisfaction of the character and the possibility he has to progress. This progression appears in the descriptions, the iterative narrations, the dialogued scenes and the pictures which mark out george sand's novels. We thus showed a dynamics, distinct from narratives dynamic, which follows the vehement breath of the narrative voice and which is proposed as the initiative quest of the romantic man: permanent search for an obvious and remote truth which it must carry out in the society
Brosseau, Marc. "Des romans-géographes : le roman et la connaissance géographique des lieux." Paris 4, 1992. http://www.theses.fr/1992PA040124.
Повний текст джерелаThis project pursues previous geographical research on literature. After critically analyzing the principal geographical studies of space in the novel, the author explores the possibility of establishing a new relationship between geography and the novel. Noting that geographers have used literature to increase the scope of their usual concerns, the author suggests a dialogical approach which considers the novel as a subject and not merely an object under analysis. This dialogical approach enables one to be in contact with that which only the novel can communicate about human space and place, and this without "exploiting" it. The analysis of some particular examples (Suskind, Dos Passos, Tournier and Gracq), opening a wide range of geographical considerations, draws the attention on different ways to conceive and write about human places
Pilati, Filippo. "I "Fatti di Cesare" nel Veneto e le "Zesarie batalie romane" del ms. Canon. Ital. 136 di Oxford." Doctoral thesis, Università di Siena, 2020. http://hdl.handle.net/11365/1105152.
Повний текст джерелаThis work aims to study the fortune and circulation in the Veneto region of the "Fatti di Cesare" with a critical edition of the unpublished "Zesarie batalie romane" of the ms. Oxford, Bodleian Library, Canonicianus Italicus 136. The first part of this work offers a careful examination of the numerous Italian vernaculars of the Faits des Romains, with an extensive discussion of all the bibliography on the issue and a comprehensive review of the various manuscripts, together with a check on the tradition of the French text. The second part focuses on the manuscript tradition of the "Fatti di Cesare", one of the most widespread and successful vernaculars of the "Faits des Romains", distinguished by being an abbreviated version of the French text that enjoyed, between the 14th and 15th centuries, a consistent circulation, also attested in northern Italy and, in particular, in the Veneto region. A recensio of the entire manuscript tradition was then carried out through the collation of suitably selected loci criciti, allowing a precise classification of the numerous codices of the "Fatti di Cesare", an indispensable operation, pending a critical edition of the text, in order to study, from a textual perspective, its circulation in the Veneto region. It has thus been possible to identify the origin of the" Zesarie batalie romane" – fifteenth-century adaptation in Venetian dialect of the "Fatti di Cesare" –, whose study has been dedicated to the third and last part of this work. The edition of the text was preceded by some notes on the language of the "Zesarie batalie romane", with a study of handwriting, phonetics and morphology, As is the common norm in the edition of ancient Venetian texts, the critical text was presented according to prudently interpretative criteria, considering the peculiarities of the manuscript, which testifies, in its specificity, to a precise willingness to reuse the material of the "Fatti di Cesare" in Veneto region. By the way, in order to the readability of the text, we do not renounce to correct it where necessary. Every single intervention on the text has always been considered, pointing out the lesson of the manuscript in a special apparatus, so as to allow the constant reconstruction of the original facies. The critical edition of the Zesarie batalie romane, which is published here for the first time, is therefore an important acquisition for the study of the Italian vernaculars of the Faits des Romains, allowing us to appreciate the complex ways of receiving, circulating and reusing over the centuries of such a significant text in the history of vernaculars in Italy.
L’objectif principal de ce travail a été d’étudier la fortune italienne des "Faits des Romains" et, notamment, leur réception en Vénétie; mon étude est complétée par l’édition critique des "Zesarie batalie romane" du ms. Oxford, Bodleian Library, Canonicianus Italicus 136, jusqu’alors inédites. Celles-ci constituent une transposition en vernaculaire vénitien librement adaptée d’une version toscane des "Faits des Romains" connue sous le nom de "Fatti di Cesare" et dotée d’une grande fortune même hors de Toscane, devenant la source de beaucoup d’autres textes. Dans la première partie de ce travail, je présente un examen attentif des nombreuses traductions italiennes des "Faits des Romains". Sur la base de mes enquêtes, conduites à partir d’une discussion approfondie de toute la bibliographie existante sur la question et d’une analyse des différents témoignages manuscrits, aussi bien français qu’italiens, je propose une nouvelle classification de toutes les versions italiennes des "Faits des Romains". La deuxième partie est centrée sur la tradition manuscrite des "Fatti di Cesare". À partir d’une nouvelle recognitio codicum des "Fatti di Cesare", qui m’a permis de dénombrer 49 manuscrits survivants de cette tradition, parmi lesquels deux manuscrits jamais mentionnés auparavant, j’ai d’abord étudié d’un point de vue matériel la diffusion et la circulation de ce texte dans différents espaces et époques. J’ai ensuite procédé à une recensio codicum de toute la tradition manuscrite, qui, grâce à une collation pour loci critici choisis, m’a permis de classer avec précision les nombreux manuscrits des "Fatti di Cesare", opération indispensable, en attendant l’édition critique du texte, pour en étudier même dans une perspective textuelle sa circulation en Vénétie. La troisième partie de ce travail a été finalement dédiée à l’étude des "Zesarie batalie romane". L’édition du texte a été précédée de quelques annotations sur la langue du texte avec une étude de la graphie, de la phonétique et de la morphologie. A cause de la stratigraphie linguistique de ce texte, caractérisée par un diastème dans lequel la patine linguistique du vénitien se superpose à la langue primaire du modèle toscan, il n’a pas toujours été possible d’isoler avec certitude les éléments attribuables au système primaire ou secondaire. De plus, en raison de la datation du ms. Canonicianus Italicus 136, à savoir l’année 1454, il était légitime d’y attendre, également au niveau du système linguistique vénitien-padan, un degré plus ou moins élevé de phénomènes typiquement toscans, et pour cette raison superposable au système linguistique de l’antigraphe toscan. Pour tout cela, j’ai décidé de proposer une analyse linguistique de nature purement descriptive, qui sans viser une analyse linguistique complète, peut présenter un examen attentif des phénomènes les plus importants retraçables dans le texte. Le texte critique a été présenté, comme d’ordinaire pour l’édition des anciens textes vénitiens, selon des critères prudemment interprétatifs, qui, tout en tenant compte des particularités du manuscrit Canonicianus, ne renonce pas à intervenir là où cela est nécessaire pour une meilleure lisibilité du texte. Naturellement, j’ai rendu compte de chaque intervention dans un apparat, où j’ai toujours indiqué la leçon du manuscrit, afin de permettre aux lecteurs la reconstruction constante de la facies original. L’édition critique des "Zesarie batalie romane", qui est publiée ici pour la première fois, est donc une acquisition importante pour l’étude des versions italiennes des "Faits des Romains", nous permettant d’apprécier les méthodes complexes de réception, de circulation et de réutilisation au cours des siècles d’un texte qui a connu un tel succès tout au long du Moyen Âge.
Roux, Caroline. "Portails romans de Haute-Auvergne : études de sites /." [Aurillac] (rue Arsène-Vermenouze, 15000) : Société des lettres, sceinces et arts La Haute-Auvergne, 2005. http://catalogue.bnf.fr/ark:/12148/cb399210584.
Повний текст джерелаChung, Seung-Hee. "L'Union des contraires dans les romans de Romain Rolland." Brest : [s.n.], 1995. http://catalogue.bnf.fr/ark:/12148/cb357397391.
Повний текст джерелаMallia, Marilyn. "L'Importance du Roman Gothique Anglais dans les premiers Romans de George Sand." Thesis, University of Southampton, 2014. https://eprints.soton.ac.uk/374730/.
Повний текст джерелаGuillaumie, Marc. "Le roman préhistorique à partir des premiers romans préhistoriques français (1872-1914)." Limoges, 2000. http://www.theses.fr/2000LIMO2001.
Повний текст джерелаZüll, Stephanie [Verfasser]. "Romane als Sittenlehren - Zum Verhältnis zwischen galantem und empfindsamem Roman / Stephanie Züll." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2020. http://d-nb.info/1217062890/34.
Повний текст джерелаRocco, Marco. "Persistenze e cesure nell'esercito romano dai Severi a Teodosio I: ricerche in ambito socio-politico, istituzionale, strategico." Doctoral thesis, Università degli studi di Padova, 2011. http://hdl.handle.net/11577/3427397.
Повний текст джерелаIl presente lavoro vuole contribuire a chiarire le principali tappe dell'evoluzione dell'apparato militare terrestre dei Romani tra l'età dei Severi e la morte di Teodosio I. Il proposito è di fornire spunti innovativi per la composizione di una storia complessiva dell'esercito romano di III e IV secolo. A tal scopo sono state raccolte e vagliate il maggior numero possibile di informazioni significative, tratte da tutti i tipi di fonte antica e tardoantica e da molteplici aree dell'impero; dal loro confronto si sono ricavati alcuni quesiti generali sul tema, ai quali si è cercato di dare risposte originali, con approcci talora diversi da quelli tradizionali. In particolare, si è inteso evidenziare gli elementi di continuità e i momenti di cesura nel passaggio dal III al IV secolo, alla luce dei più recenti indirizzi di studio, approfondendo in particolare le cause, possibili o probabili, sottese all'evoluzione. Le dinamiche evolutive, esaminate da un punto di vista materiale, organizzativo, politico e, per quanto possibile, economico e sociale, sono state inserite nel quadro del contesto storico relativo alla macchina bellica tardoromana, presentata nei suoi diversi stadi di mutamento. Cronologicamente, il lavoro è articolato in cinque diverse fasi storiche, con peculiarità e problematiche differenti: dai Severi al 284 d.C.; Diocleziano e la Tetrarchia; l'epoca costantiniana; dai costantinidi ad Adrianopoli; Teodosio I e l'emergenza di fine IV secolo. Ogni capitolo approfondisce i seguenti argomenti: reclutamento e imbarbarimento; catena di comando; trasformazioni dei reparti e loro dislocazione; numero degli effettivi; interazioni tra esercito e società civile; mutamenti tattici e strategici; evoluzione di armamento ed equipaggiamento; politiche di frontiera prevalenti. Al termine della ricerca sembra possibile affermare che molte tra le principali innovazioni in ambito militare furono introdotte già al tempo di Settimio Severo e Caracalla, se non prima, e nei decenni seguenti si ebbe spesso soltanto un rafforzamento di tendenze e indirizzi precedenti. Tale consolidamento fu ancora incerto e quasi sempre a carattere 'sperimentale' durante la crisi del III secolo. In seguito, Diocleziano e i tetrarchi sistematizzarono il fermento dei decenni precedenti, con l'aggiunta di alcune importanti riforme. La grande riorganizzazione costantiniana fu ben più radicale, anche se ebbe una natura più socio-politica ed economica che strettamente militare. I successori di Costantino I, infine, non introdussero trasformazioni di rilievo nel suo esercito riformato. Lo stesso Teodosio I non operò alcun intervento organico nelle strutture militari, portando semmai all'esasperazione alcuni processi iniziati sotto i suoi predecessori; ma la sua politica gotica dopo Adrianopoli recava già in sé le premesse concrete degli stravolgimenti del V secolo. La storia dell'esercito romano del III e IV secolo rappresenta, dunque, un processo di evoluzione continua ma lineare, interrotto solo quando si rinunciò ai fondamenti essenziali che avevano costituito la struttura portante dell'armata imperiale romana.
Cosme, Susana Maria Rodrigues. "Entre o Côa e o Águeda : povoamento nas épocas romana e alto-medieval." Master's thesis, Porto : [Edição do Autor], 2002. http://hdl.handle.net/10216/19327.
Повний текст джерелаCosme, Susana Maria Rodrigues. "Entre o Côa e o Águeda : povoamento nas épocas romana e alto-medieval." Dissertação, Porto : [Edição do Autor], 2002. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000121234.
Повний текст джерелаQuevedo, Sánchez Alejandro. "Contextos cerámicos y transformaciones urbanas en Carthago Noua : de Marco Aurelio a Diocleciano." Doctoral thesis, Universidad de Murcia, 2013. http://hdl.handle.net/10803/116883.
Повний текст джерелаBetween the second and third centuries A.D. the city of Carthago Noua (Cartagena, Spain) meets a series of changes that alter the urban landscape, reducing its size in half and drop-populating numerous public and private buildings. In this work we studied the evolution of the city between Early and Late Empire through the analysis of ceramic material culture. Seven contexts of the colony and its hinterland are studied in whole, including all productions (fine wares, amphorae, coarse wares, lamps ...) from the time of the last Antonine emperors until the reign of Diocletian.
Aune, François. "Recherches sur la politique orientale de l’empire romain tardif : Rome, le royaume de Grande Armenie et l’Iran Sassanide dans la seconde moitie du IVeme siecle ap. J.-C." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040168.
Повний текст джерелаAt an uncertain date in the 380's A.D. yet generally set in 387, Emperor Theodose, princeps since 379, officially abandons four fifths of Armenia to the benefit of the Sassanide Persian people. This had never happened before since for over four centuries, most his predecessors had managed to maintain the Caucasian kingdom into the Roman sphere of influence , or even to keep it neutral to a threatening -or considered as such - Iranian state. Now the presence of the Empire is limited to a narrow strip of land located along its oriental borders that stretches over from the eastern end of the Pontus to the northern end of Syria. The heart of the land and its most important regions from a historical and strategical point of view belong to the great opponent from the east. How can we explain this Roman quasi-withdrawal which lead to a situation that will last to the beginning of the 6th century – a period of time for an agreement between the two parties that had never been seen before in history ?Our study aims at answering this question, by identifying more particularly the beginnings of such a withdrawal policy from the second half of the 4th century
Scalco, Luca. "RITRATTI DI FAMIGLIA SUI MONUMENTI FUNERARI ROMANI: COMMEMORAZIONE E RAPPRESENTAZIONE SOCIALE DI LEGAMI AFFETTIVI." Doctoral thesis, Università degli studi di Padova, 2017. http://hdl.handle.net/11577/3425357.
Повний текст джерелаLa tesi affronta lo studio delle raffigurazioni a soggetto familiare su monumenti funerari di epoca romana – rilievi, altari, stele, gruppi statuari –. Vengono considerati i segnacoli già editi provenienti dai territori tra Roma e l’arco alpino (Roma, Regiones V-XI), nel periodo compreso tra il I secolo a.C. e l’inizio del IV d.C. Il lavoro si pone l’obiettivo di indagare la famiglia del tempo ed il suo rapporto con l’ambito funerario, attraverso il riconoscimento dei criteri di codificazione dei legami di parentela nell’immagine sepolcrale, nel loro sviluppo crono-geografico. Dopo una breve disamina del concetto di famiglia in epoca romana, lo studio affronta l’evoluzione dei supporti monumentali, tratteggiando una complessa distribuzione che ricalca da vicino quella delle diverse varianti iconografiche. Le immagini sono caratterizzate, infatti, da un’ampia variabilità, che ha reso necessaria una classificazione degli schemi sulla base del numero di persone ritratte, dell’età, del sesso e della posizione reciproca: in tal modo si delinea non solo l’evoluzione complessiva delle iconografie, ma anche se ne definiscono i significati parentali ricorrenti. Successivamente si analizza il valore familiare di vesti, attributi e prossemica, riconoscendone i criteri di distinzione generazionale e di genere. Infine si indaga il valore sociale della raffigurazione e si individuano i criteri iconografici generali del ritratto funerario di famiglia, correlandoli successivamente alla realtà “quotidiana” dei nuclei domestici romani.
Santos, Irmina Doneux. "A Basílica como elemento de urbanização na Gallia Comata no período de dominação romana." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/71/71131/tde-19042007-105939/.
Повний текст джерелаAccording to Zanker (2000:36-7), the Roman Basilica is one of the most characteristic Roman structures of any Roman city. A concrete symbol of the political, juridic and social Roman structure, it suffered morphologic and funcional alteractions both in time and space that still intrigate the scholars. The present work tries to reveal and understand this structure, its origins, its main physical and functional caracteristics, its transformations in Rome and the Empire, but most specially in the Gallia Comata, seeing it as an element of the process of urbanization of the Gallic privinciae. To do so, we performed a study of the basilicas since its begnning, in Rome, its difusion by the Empire and, like a means to know the basilicas of the Three Gauls (Lugdunensis, Aquitanica and Belgium, this one divided into Belgica, Germania Superior and Germania Inferior), a catalog was made, searching, besides the typological differences, the homogeneity in their utilization as elements of Roman urbanization of the former Gallia Comata. And, for better understanding the urbanization, it was studied the Gallic oppida (hillforts), the Celtic proto-cities of the II and I centuries BC, the period that immediately preceded the period of the Roman conquest.
Maa, Hwey-Nan. "Balzac et ses romans à complots - du Roman familial à la Comédie humaine." Paris 7, 1995. http://www.theses.fr/1995PA070106.
Повний текст джерелаPetit, Aimé. "Naissance du roman : les techniques littéraires dans les romans antiques du XIIe siècle /." Paris ; Genève : Champion : Slatkine, 1985. http://catalogue.bnf.fr/ark:/12148/cb37398123k.
Повний текст джерелаGontero, Valérie. "Parures d'or et de gemmes, l'orfèvrerie dans les romans antiques du 12e siècle : Roman de Thèbes, Roman d'Eneas, Roman de Troie de Benoit de Sainte-Maure, Roman d'Alexandre d'Alexandre de Paris." Aix-Marseille 1, 2000. http://www.theses.fr/2000AIX10076.
Повний текст джерелаAnsel, Christelle. "Les "personnifications des provinces orientales" sur l'architecture romaine." Thesis, Lille 3, 2015. http://www.theses.fr/2015LIL30006/document.
Повний текст джерелаThis subject consists of the study of monuments and images of provinces in the Roman Empire
Wright, Nigel Richard Reginald. "Separating Romans and barbarians : rural settlement and Romano-British material culture in North Britain." University of Western Australia. School of Humanities, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0124.
Повний текст джерелаZihlmann, Markus Guido 1977. "Tim Krohns Romane Quatemberkinder und Vrenelis Gartli als mogliche Uberwindung der "Krise des Romans"." Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/9885.
Повний текст джерелаAt the beginning of the 20th century, several critics suggested that the genre of the novel was in a state of crisis. A vigorous discussion about whether the genre of the novel as a whole had to be done away with erupted and produced contradicting frameworks. A textual analysis of two recent books by Swiss writer Tim Krohn, Quatemberkinder (1998) and Vrenelis Gartli (2004), reveals that the time of great epics in the form of the novel has not yet come to an end. Krohn's novels portray a new approach to counter what Lukacs called "transcendental homelessness." By combining oral Swiss legends with historical facts and magic realism Krohn is able to achieve a new wholeness the modem novel lacked. His novels portray a possible solution for overcoming the "crisis of the novel."
Committee in Charge: Prof. Susan C. Anderson, Chair; Prof. Kenneth Scott Calhoon; Prof. Martin Klebes
N’Guyen-Van, Vincent. "Les guerres sévériennes en Orient (193-235)." Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H082.
Повний текст джерелаFrom 193 to 235, Severan emperors lead several wars in the Near East. These wars included all the type of conflicts known to the Ancient world : civil wars, local rebellions, defensive wars against the barbarians, raids into ennemy territory and territorial conquest. This dissertation discuss the political aspects of these conflicts from a chronological and geopolitical standpoint. It is composed of an analytical narration of the Severan wars in the East and a prosopography of the political actors of the area. The action of the Severan dynasty in Syria and Mesopotamia was rooted in Roman imperialism and expanded the Empire’s territory to its maximum. In doing so, the Severans destroyed the geopolitical equilibrium that had, so far, insured a relative degree of peace between Rome and the Parthian Empire. The Arsacid dynasty failed to stop the growth of Roman influence in Mesopotamia, the rise of the Sassanid in 224-226 rekindled the Achemenid ambitions and threatened the power structures established by Septimius Severus in the Near East. But the Severan age is not the breaking point of the High Empire, nor is it merely a transition between the Antonine age and the 3rd century crisis. The military system the Severan put in place in the East was heavily influenced by the Augustean military system and yet managed to repell the first Persian attack against Rome
Boisvert, Marie-Pier. "Partenariats pluriels : le polyamour dans trois romans québécois, suivi de Au 5e, roman d'amours." Mémoire, Université de Sherbrooke, 2015. http://hdl.handle.net/11143/7609.
Повний текст джерелаEkpo, Denis. "La philosophie et le roman africain : une étude des romans existentiels africains d'expression française." Bordeaux 3, 1987. http://www.theses.fr/1987BOR30002.
Повний текст джерелаThe object of our dissertation has been a study of some african novels in the light of european existential philosophy. Our point of departure was that de six novels in question - l'aventure ambigue, la plaie, chaine, l'ecart, un piege sans fin, and le regard du roi - apprehend human reality in africa from an essentially metaphysical or existen- tial view point. To this effect, they lend themselves to a fruitful philosophical analysis capable of shedding new light on the human or metaphysical problems they explore. Existential philosophy together with its various models of analysis served as the theoretical and methodological frame- work of our study. As the essence of philosophical criticism of literary texts should be the union of literary analysis with philosophical reflexion, our study has been divided into two phases. The first phase is concerned with a phenomenological stu- dy of the forms and structures of the novels aimed at uncovering the existential mouvements and themes of which the said forms and structures are the embodiments. The second phase takes up the themes and mouvements so uncovered in order to submit them to a tho- rough and systematic philosophical analysis. Thus in keeping with an existential approach, in the first instance the adventure of the hero of each novel is viewed and analysed as the dialectics of the individual's freedom as it comes to grips with various si- tuations. In the second instance, other human and historical pro- blems raised by some of these texts are submitted to a sypnotic philosophical scrutiny. Finally, as each of these novels is infor- med by a certain point of view of its author on african human and historical reality, our study ends with a critical evaluation of each author's african thoughts as portrayed in his nove
Ripat, Pauline Laura. "Prophecy and policy in Roman Egypt /." Thesis, Connect to this title online; UW restricted, 2003. http://hdl.handle.net/1773/11483.
Повний текст джерелаGranzotto, Cinzia <1993>. "Mulieres Romanae insignes: la funzionalità dell’exemplum romano nell’Adversus Iovinianum di San Girolamo." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/12733.
Повний текст джерелаDidonè, Alessandra. "La pittura romana nella Regio X: dalla schedatura informatizzata all'analisi degli aspetti artistici e culturali." Doctoral thesis, Università degli studi di Padova, 2015. http://hdl.handle.net/11577/3424290.
Повний текст джерелаLa presente ricerca si inserisce nel progetto TECT, nato dalla sinergia tra le Università di Padova e di Bologna, rivolto alla creazione di una banca dati della documentazione pittorica dell'area cisalpina. Servendosi dello strumento informatico e del glossario terminologico elaborato nell'ambito del progetto, di cui la scrivente è stata parte attiva, la ricerca è consistita nella catalogazione informatizzata delle pitture messe in luce nella Regio X all'interno di un arco cronologico esteso tra il II sec. a.C. e il IV sec. d.C. L'obiettivo è stato quello di verificare la validità della banca dati, che nel panorama nazionale si rivela uno strumento innovativo, raccogliendo e mettendo in sistema una mole di dati che non era mai stata analizzata complessivamente. La catalogazione sistematica delle attestazioni pittoriche ha costituito il presupposto indispensabile per far luce sulla specificità della produzione pittorica della regione, della quale sono stati indagati i caratteri di originalità e, al contrario, quelli che hanno permesso di individuare rapporti con altre aree geografiche, in particolare con l'area centro-italica, imprescindibile termine di confronto per abbondanza di documentazione, ma anche con le aree limitrofe transalpine e altoadriatiche
Cornford, B. D. P. "The idea of the Roman past in early medieval Italy : Paul the Deacon's Historia Romana." Thesis, University of Cambridge, 2002. https://www.repository.cam.ac.uk/handle/1810/272094.
Повний текст джерелаLouison, Lydie. "Le roman gothique : analyse des romans en vers des XIIIe et XIVe siècles dits "réalistes"." Lyon 3, 2001. http://www.theses.fr/2001LYO31016.
Повний текст джерелаMcCarthy, Michael R. "Romano-British People and the Language of Sociology." Wiley, 2006. http://hdl.handle.net/10454/4022.
Повний текст джерела