Дисертації: "Rhetoric History"

1

McClanahan, R. Bradley. "Epistemic rhetoric: Its history and influences." CSUSB ScholarWorks, 1996. https://scholarworks.lib.csusb.edu/etd-project/1104.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

2

Su, Cui. "Famine- A Crisis of History and Rhetoric." Thesis, Goldsmiths College (University of London), 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518914.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

3

Anderson, Matthew. "Before the fact, how Paul's rhetoric made history." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0019/NQ55298.pdf.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

4

Anderson, Matthew 1959. "Before the fact : how Paul's rhetoric made history." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35977.

Повний текст джерела

Анотація:

Given the sheer volume of scholarship which has been devoted to examining Paul and his congregations, it is surprising that so little attention has been paid to what the texts portray as the apostle's main concern: not what his congregations were in any 'objective', historical sense, but what they were 'in Christ'.
Building on this observation, my thesis may be stated as follows. Traditional Pauline studies, with their emphases either on the apostle's thought or on his congregations' historical situation, obscure the importance of the 'church in the work', a reality established in the text, structured to engender change, and made real rhetorically for readers.
These, then, are some of the questions posed: What influence should an awareness of Paul's hortatory, theological image of his congregations have on our efforts to reconstruct them historically? May the well-known Pauline 'indicative-imperative' be taken as a rhetorical strategy? And: In what way does the text try to make its portrayal the definitive reality lived out by its readers?
The focus of this thesis is on Paul's congregations as the letters indicated 'they should be', and on the linkage this vision in the letters provides between theology and history, author and reader.

Стилі APA, Harvard, Vancouver, ISO та ін.

5

Maxson, Brian. "Review of A History of Renaissance Rhetoric 1380-1620." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/6199.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

6

Rusak, Helen Kathryn. "Rhetoric and the motet passion." Title page, table of contents and introduction only, 1986. http://web4.library.adelaide.edu.au/theses/09ARM/09armr949.pdf.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

7

Zhu, Hua. "Forging Inter/connectivity: Enacting the Rhetoric of According-with." Miami University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=miami1593716546006958.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

8

Shepley, Nathan E. "Composition at the "Harvard on the Hocking": Rhetoricizing Place and History." Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1272727187.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

9

Bates, Toby Glenn. "The Reagan rhetoric : history and memory in 1980s America /." Full text available from ProQuest UM Digital Dissertations, 2006. http://0-proquest.umi.com.umiss.lib.olemiss.edu/pqdweb?index=0&did=1273095661&SrchMode=1&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1193075944&clientId=22256.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

10

TEIXEIRA, FELIPE CHARBEL. "HELMSMEN: RHETORIC, PRUDENCE, AND HISTORY IN MACHIAVELLI AND GUICCIARDINI." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2008. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=12124@1.

Повний текст джерела

Анотація:

COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
O conceito de prudência possui centralidade em Maquiavel e Guicciardini, sendo empregado para qualificar o bom juízo, a celeridade decisória e a aguçada capacidade de avaliar as transformações da realidade. Os prudentes, além de reunirem em si as qualidades citadas, devem ser capazes de articular os produtos do cálculo cuidadoso da realidade na forma de textos ou orações regrados segundo preceitos definidos em tratados clássicos de arte retórica. Abrem-se, assim, dois horizontes distintos, porém mutuamente dependentes, em torno da prudência. De um lado, a ênfase no cálculo e medida das coisas do mundo, com destaque para a questão dos efeitos, ou seja, os possíveis resultados das ações dos governantes e demais agentes envolvidos nos processos de tomada de decisões em Repúblicas, principados, reinos ou estados papais; de outro, a representação de uma performance letrada da prudência em textos compostos segundo preceitos éticoretóricos- poéticos convencionais. Trata-se, nesta tese, da discussão desta dupla dimensão acerca da prudência, com ênfase no exame das histórias compostas por Maquiavel e Guicciardini.
The concept of prudence is vital for the appropriate understanding of Machiavelli and Guicciardini`s texts, being used in order to qualify the good judgment, the ability to make fast decisions and the acute comprehension of the transformations of reality. The prudent men must also be capable of articulating the products of the careful analysis of the reality`s movements in texts composed according to the precepts established in classical treatises of rhetoric. Thus one institutes two distinct, however mutually dependent, horizons concerning prudence. On the one hand, the emphasis on the calculation and measure of the things of the world - the possible results of the actions of governors and the other agents responsible for taking decisions in Republics, Principalities, Kingdoms or Papal States. On the other hand, the representation of prudence`s literate performance in texts composed according to the ethical and rhetorical and poetical rules established by the tradition. This thesis discusses this double character associated to prudence, especially through the exam of the histories composed by Machiavelli and Guicciardini.

Стилі APA, Harvard, Vancouver, ISO та ін.

11

Borrowman, Shane Christopher. "Making history: Rhetoric, historiography, and the television news media." Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/290635.

Повний текст джерела

Анотація:

Drawing on work in communications, media studies, and history, I argue that the historiographical methods of rhetoric and composition need to move beyond written discourse to consider the use of visual historical representations of the past. To explicate my argument, I analyze multiple examples of local and national television news coverage of the Vietnam War, the Gulf War, and the recent fighting in Kosovo. Based upon these examples, I argue that the television news media work within a dysfunctional, narrative-driven genre that is entirely inadequate in its attempts to analyze current world events, particularly warfare, because of heavy reliance upon culturally recognizable images of the past drawn from both fictional and non-fictional sources. Ultimately, my argument demonstrates the need for a critical methodology in rhetoric and composition for examining texts that are visual--such as photographs, video tapes, and multimedia documents on the Web. I begin with an examination of the history and historiography of rhetoric and composition. Using Susan Jarratt's Rereading the Sophists as an extended example, I analyze how history is both written and critiqued in this field--drawing heavily on such sources as Rhetoric Review's Octalogs and the work of James Berlin, Thomas P. Miller, and Robert J. Connors. To move the historiographical methods into the analysis of visual history, I draw on the work of a wide range of scholars in communications, media studies, and history: Walter Lippmann, Thomas E. Patterson, W. Lance Bennett, Noam Chomsky, Jean Baudrillard, H. Bruce Franklin, and others. After applying the methodology I develop to several texts--from both television and the Web--I extend my arguments beyond historiography to American culture. I argue that the ways in which the past is constructed have direct consequences for the ways in which Americans understand the past and present. Specifically, superficial constructions of history limit the ability of viewers/readers to think critically about the past and thus limit the complexity of arguments on which decisions in the present can be based. In this sense, visual history is an example of deliberative rhetoric limited by the constraints under which forensic rhetoric is constructed.

Стилі APA, Harvard, Vancouver, ISO та ін.

12

Painter, Jeremy Lee. "Inventing history : the rhetoric of history in J.R.R. Tolkien's The Lord of the Rings." Thesis, University of Pretoria, 2015. http://hdl.handle.net/2263/48955.

Повний текст джерела

Анотація:

As a scholar, Tolkien spent a great deal of time working from manuscripts. Likewise, as a storyteller, in The Lord of the Rings, Tolkien creates a narrative persona who bases his story on his compilation and translation of ancient manuscripts. This persona operates within his story’s narrative frame as an analogue for Tolkien’s own work with manuscripts. Readers have long sought for Tolkien’s sources. The mythologies of medieval Northern Europe have been especially beneficial in helping us understand the influences on Tolkien. No study, however, currently exists that pursues the “manuscript sources” used by Tolkien’s narrative persona. But a reading that attempts to pursue these sources may also prove beneficial. Just as Tolkien inserts himself, in the form of his narrative persona, into the framework of Middle-earth, so also is the reader invited to read The Lord of the Rings from within this same framework. Tolkien wanted to his story to be read from inside Middle-earth as an artifact of history. This study will propose that—by simulating the kinds of phenomena around which a modern compiler of medieval manuscripts and stories has to work: fragmented manuscripts, lacunae, dittography, palimpsests, and variable texts—Tolkien has successfully distressed his story in such a way that it has gained the atmosphere of an ageing legend. The argument of this thesis is that Tolkien’s imitation of classical and medieval manuscript realities is even ambitious enough to suggest that Tolkien’s narrative persona has culled his story from the manuscripts of at least three major literary traditions, each of which is distinct in its interests, concerns, iconographies, historiographies, and themes. In addition to revealing where and how Tolkien has distressed his narrative, this study will also seek to identify what portions of the narrative belong to which of the three major traditions and tease out the implications of the interactions between them.
Thesis (DLitt)--University of Pretoria, 2015.
English
DLitt
Unrestricted

Стилі APA, Harvard, Vancouver, ISO та ін.

13

Mee, Jonathan Anson. "The political rhetoric on William Blake's early prophecies." Thesis, University of Cambridge, 1989. https://www.repository.cam.ac.uk/handle/1810/272525.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

14

Giroux, Amy Larner. "Kaleidoscopic Community History: Theories of Databased Rhetorical History-Making." Doctoral diss., University of Central Florida, 2014. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/6277.

Повний текст джерела

Анотація:

To accurately describe the past, historians strive to learn the cultural ideologies of the time and place they study so their interpretations are situated in the context of that period and not in the present. This exploration of historical context becomes critical when researching marginalized groups, as evidence of their rhetorics and cultural logics are usually submerged within those of the dominant society. This project focuses on how factors, such as rhetor/audience perspective, influence cross-cultural historical interpretation, and how a community history database can be designed to illuminate and affect these factors. Theories of contact zones and rhetorical listening were explored to determine their applicability both to history-making and to the creation of a community history database where cross-cultural, multi-vocal, historical narratives may be created, encountered, and extended. Contact zones are dynamic spaces where changing connections, accommodations, negotiations, and power struggles occur, and this concept can be applied to history-making, especially histories of marginalized groups. Rhetorical listening focuses on how perspective influences understanding the past, and listening principles are crucial to both historians and the consumers of history. Perspectives are grounded in cultural ideologies, and rhetorical listening focuses on how tropes, such as race and gender, describe and shape these perspectives. Becoming aware of tropes—both of self and other—can bring to view the commonalities and differences between cultures, and allow a better opportunity for cross-cultural understanding. Rhetorical listening steers the historian and the consumer of history towards looking at who is writing the history, and how both the rhetor and the audience's perspective may affect the outcome. These theories of contact zones and rhetorical listening influenced the design of the project database and website by bringing perspective to the forefront. The visualization of rhetor/audience tropes in conjunction with the co-creation of history were designed to help foster cross-cultural understanding.
Ph.D.
Doctorate
Arts and Humanities
Texts and Technology

Стилі APA, Harvard, Vancouver, ISO та ін.

15

Lenker, Ursula. "Argument and rhetoric : adverbial connectors in the history of English /." Berlin [u.a.] : De Gruyter Mouton, 2010. http://deposit.d-nb.de/cgi-bin/dokserv?id=3360277&prov=M&dokv̲ar=1&doke̲xt=htm.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

16

Loveland, Jeff. "Rhetoric and natural history : Buffon in polemical and literary context /." Oxford : Voltaire Foundation, 2001. http://www.gbv.de/dms/goettingen/32877135X.pdf.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

17

Bryant, Michael Scott. "Words That Kill : Reflections on the Rhetoric of Genocide." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1391602111.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

18

Haker, Ute Marlies. "The Questions We Are Taught to Ask: A History of Teaching Rhetorical Criticism and Coming to Terms with Symbolically Mediated Influence." Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/204291.

Повний текст джерела

Анотація:

This dissertation explores why, how, and to whom rhetorical criticism was taught in the four most noteworthy locations of a systematic rhetorical criticism instruction up to the end of the twentieth century: the schools of Isocrates, Plato, and Aristotle in ancient Greece and the twentieth-century speech communication discipline in the United States. The study shows that Isocrates, Plato, and Aristotle had clearly recognized the analysis of public speeches (and by extension the analysis of other symbolically mediated influence) as constituting a symbolic capital of the highest order and the core of their intellectual and pedagogical interest in the art of the word or rhetoric. It was precisely their recognition of rhetorical criticism's intellectual worth that prompted the three master teachers to reserve a systematic instruction in rhetorical criticism for Athens' future leaders. By contrast, the twentieth-century speech communication discipline found itself caught between a goal to teach production-oriented public speaking courses and a goal to function as a modern research discipline. Neither twentieth-century objective valued and supported rhetorical criticism as speech communication's intellectual foundation and as an advanced form of listening, reading, seeing, and thinking in which all members of the modern mass education system are entitled to receive an easily accessible, systematic, and explicit training. Both in ancient Greece and in the twentieth-century United States a systematic instruction in the analysis of symbolically mediated influence was made available to some but not others.

Стилі APA, Harvard, Vancouver, ISO та ін.

19

Johnston, Gregory Scott. "Protestant funeral music and rhetoric in seventeenth-century Germany : a musical-rhetorical examination of the printed sources." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/27359.

Повний текст джерела

Анотація:

The present thesis is an investigation into the musical rhetoric of Protestant funeral music in seventeenth-century Germany. The study begins with an exposition on the present state of musicological inquiry into occasional music in the Baroque, focusing primarily on ad hoc funeral music. Because funeral music is not discussed in any of the basic music reference works, a cursory overview of existing critical studies is included. The survey of this literature is followed by a brief discussion of methodological obstacles and procedure with regard to the present study. Chapter Two comprises a general discussion of Protestant funeral liturgy in Baroque Germany. Although numerous examples of the Divine Service in the Lutheran Church have survived the seventeenth century, not a single order of service for the funeral liturgy from the period seems to exist. This chapter provides both the social and extra-liturgical background for the music as well as a plausible Lutheran funerary liturgy based on documents from the period and modern studies. Prosopopoeia, the rhetorical personification of the dead, is the subject of Chapter Three. After examining the theoretical background of this rhetorical device, from Roman Antiquity to the German Baroque, the trope is examined in the context of funerary sermonic oratory. The discussion of oratorical rhetoric is followed by an investigation into the musical application of the concept of prosopopoeia in various styles of funerary composition, from simple cantional-style works to compositions in which the personified deceased assumes certain physical dimensions. Chapter Four includes an examination of various other musical-rhetorical figures effectively employed in funeral music. Also treated in this chapter are musica1-rhetorical aspects of duple and triple metre, where triple metre in particular, depending on the text, can be understood figuratively, metaphorically or as a combination of both. As this chapter makes clear, owing to the perceived antithetical properties of metre and certain figures, musical rhetoric was often used to illustrate the distinction between this world and the next.
Arts, Faculty of
Music, School of
Graduate

Стилі APA, Harvard, Vancouver, ISO та ін.

20

Nardone, Francesca. "Reworking Italian colonial rhetoric: the case of Italian newspapers and the Trust territory of Somaliland (1950-1960)." Thesis, Högskolan Dalarna, Institutionen för kultur och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:du-38406.

Повний текст джерела

Анотація:

At the end of the Second World War Italy, contrary to what happened after the first one, found itself in the ranks of the defeated countries and this implied the loss of the African colonies. The research develops from the need to understand how Italian public opinion was actually involved in the national and international debate regarding the future of the former Italian colonies and how Italy's return to Somalia with the international mandate entrusted to it by the UN was reported, while the19th century concept of colonialism was said to be outdated. An analysis of the newspapers such as La Stampa, Corriere della Sera, l'Unità and Avanti! will reveal whether there was a continuity with the colonial rhetoric of the liberal and then fascist period and whether there was a difference between the narrative made by the national newspapers and the party newspapers.

Стилі APA, Harvard, Vancouver, ISO та ін.

21

Jennings, Emily. "Prophetic rhetoric in the early Stuart period." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:13643178-0544-4b2b-9ca3-55d6c73a5d26.

Повний текст джерела

Анотація:

This is a study of the political prophecy in England in a period delimited by the accession of King James I (1603) and the end of the Interregnum (1660). It combines the analysis of hitherto obscure manuscript texts with that of printed works to provide a nuanced account of the uses and reception of prophecies in this period. Chapter One (which focuses on the first decade of James's reign) and Chapter Two (which covers the period 1613-19) approach the analysis of dramatic treatments of political prophecy through the study of prophecy both as a rhetorical buttress to the Jacobean state and as a protest genre. Attentive to the elite bias of the legal documents wherein allegedly oppositionist uses of prophecy are recorded, these chapters heed the counsel of historians who have found literary scholars insufficiently suspicious of the rhetoric of these materials. A focus on dramatic texts, neglected by the historians, reveals that Jacobean playgoers were encouraged to regard both official prophetic rhetoric and official rhetoric about prophecy with scepticism. Chapter Three considers how native and continental prophetic traditions were expanded and repurposed in England around the beginning of the Thirty Years' War, when belief in the purportedly inspired status of prophecies was rare but recognition of their utility as a vehicle for political discussion was nonetheless widespread. Chapter Four explores the adaptation and tendentious exposition of medieval, sixteenth-century, and Jacobean manuscript prophecies in printed propaganda for both the royalist and parliamentarian causes in the mid-seventeenth century. This study of literary and archival sources finds that previous scholarship has overestimated the extent of popular faith in the authenticity of allegedly ancient and inspired prophecies in the early Stuart period. The longevity of purported prophecies, it concludes, was ensured through the recognition, appreciation, and exploitation of their rhetorical affordances.

Стилі APA, Harvard, Vancouver, ISO та ін.

22

Van, Osdol Paige M. "The Women’s Elocution Movement in America, 1870-1915." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1339506012.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

23

Baird, Pauline Felicia. "Towards A Cultural Rhetorics Approach to Caribbean Rhetoric: African Guyanese Women from the Village of Buxton Transforming Oral History." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1458317632.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

24

Maier, Kevin. "Environmental rhetoric of American hunting and fishing narratives : a revisionist history /." view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?did=1232423281&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

Повний текст джерела

Анотація:

Thesis (Ph. D.)--University of Oregon, 2006.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 249-256). Also available for download via the World Wide Web; free to University of Oregon users.

Стилі APA, Harvard, Vancouver, ISO та ін.

25

Tanner, Rory. "Roger Crab and the rhetoric of reclusion." Thesis, University of Ottawa (Canada), 2008. http://hdl.handle.net/10393/27735.

Повний текст джерела

Анотація:

Prophet, pamphleteer, and hermit, Roger Crab (c.1616-1680) stands out from the sectarian tumult of mid-seventeenth century London as a zealous religious independent and a noteworthy oppositional figure. This study describes Crab's brief publication career as shaping a "rhetoric of reclusion," identifying in his work the distinct patterns of self-representation intended to free a purportedly divine message from the damaging influences of printers and booksellers, hireling ministers, and even the authorial self. Crab writes against the untoward mediation of his own text, but also against such interference with other sacred text. Beyond reclusion, the hermit's task proves one of reclamation. He seeks through publication and public attestation to reclaim the word of God from wayward church interpretation and from sectarian misappropriation.

Стилі APA, Harvard, Vancouver, ISO та ін.

26

Murphy, William Edward. "The rhetoric of Edmund Burke : Burke's use of Newtonian mechanics as rhetorical examples in aesthetics, literature and history." Thesis, University of Ulster, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445042.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

27

Mitchell, William. "Selling Lend-Lease: Roosevelt, Truman, and the Rhetoric of American Intervention." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/cmc_theses/978.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

28

Miller, Nancy Weitz. "Rape and The Rhetoric of Female Chastity in English Renaissance Literature /." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487934589975906.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

29

FELLOWS, James. "The rhetoric of trade and decolonisation in Hong Kong, 1945-1984." Digital Commons @ Lingnan University, 2016. https://commons.ln.edu.hk/his_etd/9.

Повний текст джерела

Анотація:

This thesis is an exploration of how, in the late colonial period, Hong Kong’s government and business groups sought to keep the colony’s channels of trade free from restriction, and the colonial regime sought to keep Hong Kong’s free port status intact. Hong Kong’s colonial history began with its founding as a free port in a period when Britain subscribed wholeheartedly to free trade ideals, and the colony would remain broadly committed to free trade even as the metropole’s own faith wavered. After the founding of the People’s Republic of China (PRC) in 1949, however, the Chinese communist government placed restrictions on certain imports from abroad. Further undermining Hong Kong’s re-export trade with China was a UN-imposed economic embargo on the PRC following their participation in the Korean War. Hong Kong’s subsequent reliance on light industry and textile exports was met with protectionist responses from Western governments – including the colony’s sovereign power – from the late 1950s onwards. Finally, the prospect of return to China put in doubt Hong Kong’s future status as a free port and an exemplar of free enterprise principles more widely. As a colonial dependency with little economic leverage on the international stage, Hong Kong’s government and business elites relied on appeals to the metropole, public relations initiatives, and commercial diplomacy in attempts to reduce barriers to trade and maximise access to export markets. Arguments for the preservation of Hong Kong’s right to free trade involved a number of constructed narratives that led to certain conceptualised images of Hong Kong. These narratives included the fundamental importance of free trade to Hong Kong’s economic wellbeing and political stability, Hong Kong’s regional importance as a bastion of free enterprise and democratic principles at the edge of the Sino-Soviet communist bloc, the responsibility of imperial metropoles to their colonies and of developed nations to the developing, and a commitment to free trade as part of a wider belief in minimal government intervention as the basis of good governance. These rhetorical strategies tell us much about how geopolitical changes and shifts in the nature of the international economy shaped the trajectory of Hong Kong’s late colonial history, and likewise, how the colony’s government and business elites conceived instrumentalist ideals of Hong Kong. As a period beginning with Britain’s commitment to re-establishing British rule in Hong Kong after Japanese occupation, and ending with an agreement that would transfer sovereignty to China, the implications of a gradual imperial withdrawal are a paramount consideration. On one hand, the endurance of colonial status into a post-colonial period had ramifications for Hong Kong’s capacity to defend its trading rights on the international stage, whilst on the other, as imperial ties began to dissolve, the colony’s emergence into an autonomous, global city with its own identity and ideals was realised. This thesis, therefore, through an investigation of Hong Kong’s defence of its access to free trade, provides new understandings of the postwar history of Hong Kong in imperial and international contexts, and therefore of British imperialism and its interaction with other global forces.

Стилі APA, Harvard, Vancouver, ISO та ін.

30

Minardi, Cara. "Re-Membering Ancient Women: Hypatia of Alexandria and her Communities." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_diss/67.

Повний текст джерела

Анотація:

Re-Membering Ancient Women: Hypatia of Alexandria and Her Communities is a recovery of Hypatia of Alexandria (355-415 ACE) as a skilled rhetorician and instructor of note who taught in Alexandria, Egypt. This work addresses Hypatia as a missing female figure from the history of rhetoric and follows the work of feminist historiographers in the field of Rhetoric and Composition including Andrea Lunsford, Jan Swearingen, Susan Jarratt, and Cheryl Glenn (among others) who note the exclusion of women from ancient schools of rhetoric, yet assert their participation in rhetorical activities. In its recovery of Hypatia, the work recreates the historical milieu of Roman Alexandria including Alexandria’s ethnically and religiously diverse population. As a woman of Greco-Egyptian decent, Hypatia’s public work was supported by Egyptian, Greek, and Roman legal and social customs that enabled her to lecture in public and private, administer her own school, and advise high-level political leaders. Using feminist and post-modern theories as a lens and fusing disciplines such as Rhetoric and Composition, Classics, History, Philosophy, Communication Studies, Critical Theory, and Women’s Studies, this project demonstrates that although primary texts authored by women are scarce, historians may still recover women and their activities for expanded historical traditions of rhetoric by examining secondary texts. The concept of community is used as a heuristic in order to discover communities in which Hypatia engaged and led to the discovery of women Neoplatonists of the fourth century ACE and Neopythagoreans from the sixth through second centuries BCE. The Neoplatonists and Neopythagoreans usually married only those who shared their belief system; hence, women were commonly educated and participated in their communities to secure the survival of their respective group. Included is a sustained critique of historiographical methods that may allow feminist historiographers to return to the ancient period to conduct much needed further research.

Стилі APA, Harvard, Vancouver, ISO та ін.

31

Walker, Seth. "The Last Crusade: British Crusading Rhetoric During the Great War." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etd/3763.

Повний текст джерела

Анотація:

During the Great War many in British society started to utilize Crusading language and rhetoric to describe their experiences during the war. Those utilizing the rhetoric ranged from soldiers, journalists, politicians, to clergymen. The use of Crusading rhetoric tended to involve British nationalism, the region of Palestine, anti-Germanism, and more. Adding to the complexity, the soldiers’ and civilians’ rhetoric differed greatly between the two groups. While the soldiers focused on their personal experiences during the war, and often compared themselves to the British crusaders of old serving under Richard the Lionheart. The civilians had a less personal approach, and a far greater tendency to use the rhetoric against the German Empire. The focus of this study will be to examine who utilized crusading rhetoric, why they used it, and the contrast between the soldiers and civilians who used it.

Стилі APA, Harvard, Vancouver, ISO та ін.

32

Fredriksen, Sandra Ohse. "Roland Barthes's Ancient rhetoric: A translation." CSUSB ScholarWorks, 1988. https://scholarworks.lib.csusb.edu/etd-project/353.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

33

Hubbell, Gaines S. "A brief history of topical invention in 20th century United States rhetorical studies." Thesis, Rensselaer Polytechnic Institute, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3727031.

Повний текст джерела

Анотація:

This dissertation is a history of topical invention in U.S. rhetorical studies. Topical invention is the procedurally structured and/or organized thinking-out of propositions in text, speech, or other symbolic products; it is the structured and systematized method of invention originally developed by Aristotle, often referred to by the Greek topoi or the Latin loci. Although it goes by many names in recent history, topical invention has a structure based on Michael Leff’s definition of topical invention that shares five common aspects: data, claims or conclusions, linkages, sources, and topics. Data are some set of contextual knowledge, claims or conclusions are statements that express a truth value based on data, linkages are the expressed or implicit relationship between data and claims or conclusions, sources are methods for finding linkages, and topics are the naming of discrete entities in a system for invention.

This history selects texts dealing with topical invention in U.S. rhetorical studies discourse published between 1914 and 2014. A text was considered to be dealing with topical invention if it had an explicit discussion of topical invention or a discussion matching the structure of topical invention. U.S. rhetorical studies is the discourse community present in journals published by the four major United States professional societies studying rhetoric—the National Communication Association, the National Council of Teachers of English, the Rhetoric Society of America, and the American Society for the History of Rhetoric—and the publications Philosophy & Rhetoric and Rhetoric Review. Texts were selected and interpreted using a deconstructive reading and pluralistic and idiographic ideologies of history.

Although work on topical invention in the last century has neither a single coherent concept nor consistent terminology, it maintains a deep structure in which topics identify the sources for linkages that connect claims and conclusions to the data upon which they are based. This structure can be used to identify instances of topical invention in scholarly discussions and to analyze the shifts, trends, developments, and changes in topical invention over the last 100 years. The changes to, various conceptions of, and potential future developments for topical invention as evidenced by its shifting structure across the last century are presented in this dissertation.

Стилі APA, Harvard, Vancouver, ISO та ін.

34

Maxson, Brian. "The Many Shades of Praise: Diversity in Epideictic Rhetoric in Diplomatic Settings." Digital Commons @ East Tennessee State University, 2009. https://dc.etsu.edu/etsu-works/6228.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

35

Dixon, Marzena M. "The structure and rhetoric of twentieth-century British children's fantasy." Thesis, University of St Andrews, 1992. http://hdl.handle.net/10023/14858.

Повний текст джерела

Анотація:

This thesis discusses twentieth century children's fantasy fiction. The writers whose creative output is dealt with include Penelope Lively, Alan Garner, Susan Cooper, Pat O'Shea, Peter Dickinson, T.H.White, Lloyd Alexander and, to a lesser extent, C.S.Lewis and J.R.R.Tolkien. These authors have been chosen because their books, whilst being of a broadly similar nature, nevertheless have a sufficient diversity to illustrate well many different important aspects of children's fantasy. Chapter I examines the sources of modern fantasy, presents the attitudes of different authors towards borrowing from traditional sources and their reasons for doing so, and looks at the changing interpretation of myths. Chapter II talks about the presentation of the primary and secondary worlds and the ways in which they interact. It also discusses the characters' attitudes towards magic. Chapter III looks at the presentation of magic, examines the traditional fairy-tale conventions and their implementation in modern fantasies, and discusses the concepts of evil, time, and the laws governing fantasy worlds. Chapter IV deals with the methods of narration and the figure of the narrator. It presents briefly the prevailing plot patterns, discusses the use of different kinds of language, and the ideas of pan-determinism and prophecy. The concluding chapter considers the main subjects and aims of children's fantasy, the reasons why the genre is so popular, and its successes and failures.

Стилі APA, Harvard, Vancouver, ISO та ін.

36

Stokes, Thomas Hubert Jr. "Audience, intention, and rhetoric in Pascal and Simone Weil." Diss., The University of Arizona, 1990. http://hdl.handle.net/10150/185120.

Повний текст джерела

Анотація:

This dissertation examines audience, intention, and rhetoric in the writings of Blaise Pascal and Simone Weil. Despite the differences in historical period, ethnic heritage, sex, and milieux, which separate them, these two writers are astonishingly similar with regard to those for whom they wrote--audience--the subject matter of their writings--intention--and their skilled and self-conscious use of language in addressing their audiences and themes--rhetoric. Each of them wrote scientific or philosophical works, and polemical works, intended for a certain public; each of them then wrote, in the final years of their short lives, long notebook or journal entries, a record of spiritual experience which has since been edifying to others besides themselves. The guiding principle here is the function of language. This means how it works (rhetoric), but also, for what purpose (intention) and for whom (audience). We find many metaphors of function in Pascal and Simone Weil. The motivating concern of this dissertation is how Pascal and Simone Weil articulate, through language, God's response to man's yearnings toward God.

Стилі APA, Harvard, Vancouver, ISO та ін.

37

Griffith, J. W. "The Half-History of Spiro Elisha White." PDXScholar, 2014. https://pdxscholar.library.pdx.edu/open_access_etds/1875.

Повний текст джерела

Анотація:

The intent of this project is to study the use of multiple narrators who occupy the same space over a spread of time. While the subject matter has been one of intense study over the years, the approach to implore this technique of fiction has opened the characters, plot, and story to greater exploration.

Стилі APA, Harvard, Vancouver, ISO та ін.

38

McGee, Brian Robert. "Klannishness and the ku klux klan : the rhetoric and ethics of genre theory /." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487936356160608.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

39

Mendenhall, Sarah S. "Locating the Profession: Disciplinary Identities and Professional Spaces in the History of Composition and Rhetoric." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1368695422.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

40

Sheppard, Philippa. "Tongues of war : studies in the military rhetoric of Shakespeare's English history plays." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240387.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

41

Schuler, Anne-Marie E. "Counsel, Political Rhetoric, and the Chronicle History Play: Representing Conciliar Rule, 1588-1603." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1321840691.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

42

Lua, Angel Granillo. "HISTORY THAT HEMORRHAGES: CORMAC MCCARTHY’S THE CROSSING, SIMULACRA, AND THE RHETORIC OF VIOLENCE." CSUSB ScholarWorks, 2018. https://scholarworks.lib.csusb.edu/etd/636.

Повний текст джерела

Анотація:

Recollecting the history of the United States, which is inextricably entangled with westward expansionism (Manifest Destiny) and the construction of borders, is also a complex and troubling reexamination of the American identity itself. This is evident in critical perspectives that analyze our violent past and the narratives that continue to govern not only contemporary culture but also the academic sphere as Native scholars have been proposing over the last twenty years. However, what remains vital to this conversation is how to better include the narratives and voices from both native peoples and Mexicans—especially in the southwest borderlands—which also counteract the dominant narratives mentioned above. However, these alternate narratives can be affirmed and authorized as crucial histories by utilizing Baudrillard’s notion of simulacra and at the same time, act as a form of resistance. By reevaluating three crucial moments in The Crossing, Baudrillard’s Simulacra and Simulation, and employing a heuristic I will call the rhetoric of violence, I hope to highlight the importance of such marginalized narratives and the voices that occupy them in American history.

Стилі APA, Harvard, Vancouver, ISO та ін.

43

Cutrufello, Gabriel. "Demonstrating Scientific Taste: Aesthetic Judgment, Scientific Ethos, and Nineteenth-Century American Science." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/167729.

Повний текст джерела

Анотація:

English
Ph.D.
This dissertation explores how aesthetic claims in scientific arguments help construct scientific ethos through demonstrations of the rhetor's judgment. By examining the works of Josiah Willard Gibbs and Henry Rowland, two prominent nineteenth-century American scientists, through the lens of their formal rhetorical training as students in American universities, this dissertation investigates how aesthetic judgment is enacted in scientific writing and explores the rhetorical history of the terms "simplicity," "brevity," "imagination," and "taste" and their use in scientific arguments. The aesthetic judgment that both scientists demonstrate in their written work reinforced an understanding of scientific ethos. By placing nineteenth-century scientific writing in contact with the rhetorical theories of the time, this dissertation explores the history of aesthetic judgment in rhetoric and its influence on conceptualizations of the faculty of taste. The dissertation illuminates the connections between rhetorical training and the ability to perform appropriate judgment when creating a reliable scientific ethos in writing. Constructing a scientific ethos in writing became increasingly important and complicated during the time of great institutional change in scientific research, which occurred during the second half of the nineteenth century in America. Scientists constructed scientific ethos through demonstrations of aesthetic judgment in order to respond to the exigencies of both institutional pressures and disciplinary expectations.
Temple University--Theses

Стилі APA, Harvard, Vancouver, ISO та ін.

44

Mesaros-Winckles, Christy Ellen. "Only God Knows the Opposition We Face: The Rhetoric of Nineteenth Century Free Methodist Women’s Quest for Ordination." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1342832308.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

45

Harvey, Sean Patrick. "Commonwealth: Republican Rhetoric in the Pennsylvania Constitutional Convention of 1837-38." W&M ScholarWorks, 2002. https://scholarworks.wm.edu/etd/1539626367.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

46

Simmonds, Jake D. "Defending "The Principle": Orson Pratt and the Rhetoric of Plural Marriage." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8400.

Повний текст джерела

Анотація:

In 1852, the leadership of the Church of Jesus Christ of Latter-day Saints made the pivotal decision to publicize the doctrine and practice of plural marriage—something they had worked to keep out of the public eye for years. This decision came in response to federal and social pressures. They quickly moved to announce and defend plural marriage among Church members as well as broader society, including those in the federal government. Orson Pratt was chosen by Brigham Young to be the face and the voice of the Church concerning plural marriage, both in Salt Lake City among members and in Washington D.C., where he preached sermons and published a periodical on the subject. This thesis a) demonstrates why Orson Pratt was the ideal candidate for such an undertaking; b) assesses the motivation for and context of the public unveiling and defense of plural marriage; c) analyzes Pratt’s rhetoric of the first public treatise on the subject given to a Latter-day Saint congregation at a special conference on 29 August 1852; and d) compares the rhetoric and reasoning between Pratt’s sermon to the Saints and his persuasive periodical written to the nation from Washington D.C. titled The Seer. Pratt’s rhetoric is incisive and carefully tailored to his audience. Important nuances in argumentation arise as he publishes the Seer and strives to convince his fellow citizens that plural marriage is right before God, improves society, and that the Saints should be allowed to practice polygamy as an expression of religious freedom. Orson Pratt ultimately fails to make a difference in the national opinion of plural marriage, but is successful in establishing a foundation of principles and reason that would be employed by the Saints to defend the practice of plural marriage for decades.

Стилі APA, Harvard, Vancouver, ISO та ін.

47

Farrow, Kenneth David. "John Knox : reformation rhetoric and the traditions of Scots prose." Thesis, University of Glasgow, 1989. http://theses.gla.ac.uk/883/.

Повний текст джерела

Анотація:

Knox has seldom been taken seriously as a literary figure; in fact it is often assumed that he was hostile to `art' of any kind. Most British literary critics who have examined his work have done so superficially and have concluded that his prose was plain or unadorned and that its most important feature was a drift towards anglicisation. In the introductory section, `The Myths, the Writer and the Canon', it is argued that, on the contrary, the latter assessment cannot be made definitively for textual reasons and is, in any case, irrelevant to literary criticism. Moreover, the study suggests that Knox was one of the most highly rhetorical of all the sixteenth-century prose writers, although his rhetoric was never decorative. Chapter one traces the beginnings of Scottish literary prose from 1490 onwards, examining such texts as John Ireland's The Meroure of Wyssdome, John Gau's The Richt Vay to the Kingdom of Hevin, The Complaynt of Scotland and so forth, and establishes that works before Knox reflect religious belief even at the levels of lexis and syntactic structure, but generally speaking, do not consistently and convincingly reveal the personalities of their authors (with the possible exception of the Complayner). Chapter two illustrates that Knox's prose is always double-edged; its rhetorical aims are both offensive and defensive, it is often psychologically self-expressive and simultaneously revealing of his fundamental religious beliefs. The remaining chapters attempt to identify the range of rhetorical devices through which Knox manifests his own character and his religion, to assess how they may have affected his audience, to establish his sources, and whenever possible, to set them within pre-existing literary traditions, Scottish or otherwise. Chapters one and five are concentrated especially on the historiographical milieu in mid-sixteenth century Scotland and beyond, in order to set The Historie of the Reformatioun, the first great work of Scots prose, in its proper context. Chapter five itself consists of a number of generic divisions which are isolated to facilitate detailed analysis of disparate literary strands in Knox's magnum opus. Thus, according to the author, as far as prose is concerned, Knox's rhetoric and literary works represent the culmination of homiletic and historiographical traditions, the maturation of incipient religious forces in the sixteenth century, and the earliest establishment in Scotland of a fully-rounded literary personality.

Стилі APA, Harvard, Vancouver, ISO та ін.

48

Skeffington, Jillian Kathryn. "LOOKING FOR RHETORIC IN COMPOSITION: A STUDY IN DISCIPLINARY IDENTITY." Diss., The University of Arizona, 2009. http://hdl.handle.net/10150/194770.

Повний текст джерела

Анотація:

The author engages in a study of rhetoric and composition's disciplinary identity and representations as seen in various disciplinary locations. Despite individual preferences toward other titles, the discipline is commonly referred to as "rhetoric and composition," a title that embraces but does not categorize the field. In this dissertation the author examines the relationship between rhetoric and composition, arguing in the first section of the dissertation that the conjunction "and" is not sufficient to describe the many relationships between these two terms. The first section of the dissertation also examines the positioning of rhetoric and composition in historical texts as well as in journals published by the National Council of Teachers of English, concluding that the hierarchies often created between rhetoric and composition or theory and practice arehighly contextual.The second section of the dissertation examines the role of departmental and institutional structures in the development of doctoral programs in rhetoric and composition, and argues that the discipline needs to take a proactive role in addressing these influences. The author demonstrates this need through an historical examination of the formation of doctoral programs in rhetoric and composition and the disciplinary identity represented by TA training texts. The second section then argues that conscious and considered representations of disciplinary identity are important to the continued growth and development of rhetoric and composition. The dissertation concludes with an argument that rhetoric and composition needs to develop undergraduate majors and minors. The concluding chapter highlights the role of departments and undergraduate majors in the American university and urges scholars and administrators in the discipline to work toward the establishment of undergraduate curricula.

Стилі APA, Harvard, Vancouver, ISO та ін.

49

Metcalf, Mark Leslie. "Warring states political rhetoric and the Zhanguo ce persuasions." Thesis, The University of Arizona, 2001. http://hdl.handle.net/10150/278770.

Повний текст джерела

Анотація:

The persuasive speeches of the Zhanguo ce, "The Intrigues of the Warring States," are considered by many to have been written for the purpose of training Warring States political advisers in the rhetorical style of the Zongheng rhetorical school. In contrast to earlier Chinese persuasive styles, the persuasions of the Zhanguo ce were apparently crafted to incorporate manipulative techniques in order to improve the effectiveness of the presentations. This thesis analyzes persuasive speeches from Zhanguo ce in order to identify the types of rhetorical devices used by Warring States rhetors. It also evaluates another reputed Warring States text, the Guiguzi, that openly advocates the use of psychological manipulation in persuasions. Lacking evidence that the received Guiguzi is a valid Warring States text, this thesis compares the Guiguzi teachings and Zhanguo ce persuasions to identify similarities that may indicate general Warring States attitudes toward using psychological manipulation in political persuasions.

Стилі APA, Harvard, Vancouver, ISO та ін.

50

Cummings, Lance. "The Rhetoric of Comparison in the YMCA: Belletristic Rhetoric and the Native Speaker Ideal." Miami University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=miami1406038505.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Дисертації з теми "Rhetoric History"

Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями