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Автор: Grafiati

Опубліковано: 14 березня 2023

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1

Fernandez-Cobian, Esteban. "Donde Dios busca casa." Actas de Arquitectura Religiosa Contemporánea 3 (October 2, 2015): 278–81. http://dx.doi.org/10.17979/aarc.2013.3.0.5080.

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Presentación del cortometraje titulado «Dove Dio cerca casa» (Donde Dios busca casa), encargado por el arquitecto italiano Giorgio Trebbi a su amigo Renzo Renzi, con motivo de la celebración del «Primo Congreso di Architettura Sacra» (Bolonia, 1955). En él, se ve a un grupo de sacerdotes que luchan por convertir un viejo edificio en desuso en una iglesia.También se puede apreciar la situación de Bolonia a comienzos de los años cincuenta, con el intenso contraste entre el centro histórico, asentado, y la periferia, entendida como territorio de misión. La situación era similar en otras ciudades europeas de la época, y sigue siendo extrapolable al estado actual de diversas metrópolis en buena parte del mundo.

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2

Béja, Alice. "Matteo Renzi, le fanfaron ?" Esprit Août/septembre, no. 8 (2014): 211. http://dx.doi.org/10.3917/espri.1408.0211.

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3

CAETANO, Ana Celia, Sara DIAS, André SANTA-CRUZ, and Carla ROLANDA. "RENZI SCORE FOR OBSTRUCTED DEFECATION SYNDROME - VALIDATION OF THE PORTUGUESE VERSION ACCORDING TO THE COSMIN CHECKLIST." Arquivos de Gastroenterologia 55, no. 1 (March 2018): 55–60. http://dx.doi.org/10.1590/s0004-2803.201800000-11.

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ABSTRACT BACKGROUND: Recently, the Obstructed Defecation Syndrome score (ODS score) was developed and validated by Renzi to assess clinical staging and to allow evaluation and comparison of the efficacy of treatment of this disorder. OBJECTIVE: Our goal is to validate the Portuguese version of Renzi ODS score, according to the Consensus based Standards for the selection of the Health Measurement Instruments (COSMIN) checklist. METHODS: Following guidelines for cross-cultural validity, Renzi ODS score was translated into the Portuguese language. Then, a group of patients and healthy controls were invited to fill in the Renzi ODS score at baseline, after 2 weeks and 3 months, respectively. We assessed internal consistency, reliability and measurement error, content and construct validity, responsiveness and interpretability. RESULTS: A total of 113 individuals (77 patients; 36 healthy controls) completed the questionnaire. Seventy and 30 patients repeated the Renzi ODS score after 2 weeks and 3 months respectively. Factor analysis confirmed the unidimensionality of the scale. Cronbach’s α coefficient of 0.77 supported item’s homogeneity. Weighted quadratic kappa of 0.89 established test-retest reliability. The smallest detectable change at the individual level was 2.66 and at the group level was 0.30. Renzi ODS score and the total (-0.32) and physical (-0.43) SF-36 scores correlated negatively. Patient and control’s groups significantly differed (11 points). The change score of Renzi ODS score between baseline and 3 months correlated negatively with the clinical evolution (-0.86). ROC analysis showed minimal important change of 2.00 with AUC 0.97. Neither floor nor ceiling effects were observed. CONCLUSION: This work validated the Portuguese version of Renzi ODS score. We can now use this reliable, responsive, and interpretable (at the group level) tool to evaluate Portuguese ODS patients.

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4

Sacco, Giuseppe. "Italie : la défaite de Renzi." Commentaire Numéro157, no. 1 (2017): 163. http://dx.doi.org/10.3917/comm.157.0163.

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5

Quintana, Isabel. "El siglo de Emilio Renzi." Zama 10, no. 10 (December 7, 2018): 125. http://dx.doi.org/10.34096/zama.a10.n10.5399.

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6

Ranelis, Ranelis, Rahmad Washinton, Kendall Malik, and Mira Utami. "Rendo Bangku Craft of Koto Gadang West Sumatra on Fashion Products." Mudra Jurnal Seni Budaya 38, no. 2 (February 23, 2023): 153–59. http://dx.doi.org/10.31091/mudra.v38i2.2291.

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This article entitled “Rendo Bangku Craft of Koto Gadang West Sumatra on Fashion Products” aims to raise the potential of Koto Gadang’s rendo bangku patterns, as one of the excellent products of the Koto Gadang village community. Rendo bangku craft which was originally used to decorate the edges of women's shawls in Koto Gadang is now being innovated by placing Koto Gadang’s rendo (embroidery) on fashion products. The method used is experimental, by the means of exploration, design, manifestation, and evaluation. Exploration was carried out to find ideas or concepts related to the product of Koto Gadang local embroidery which was carried out using observation, literature study, and interviews. Designing is the step of an embodiment of ideas and concepts from exploration into the design of women’s wear, men’s wear, and accessories. Embodiment is the step to manifest the result of the pattern design of fashion products in a real form into working drawings, as well as into finished products including men's clothing.

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7

Cattoni, Silvia. "Cesare Pavese en Los diarios de Emilio Renzi de Ricardo Piglia." El Hilo de la Fabula, no. 19 (November 8, 2019): 53–66. http://dx.doi.org/10.14409/hf.v0i19.8629.

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Ricardo Piglia fue, al igual que Cesare Pavese, un diarista. Con el nombre de Emilio Renzi el escritor argentino comenzó, a fines de 1957, el registro de su vida en «la serie de cuadernos negros». En 2015, con la conciencia literaria de la vida vivida, reorganizó y completó el material original en un proyecto que lleva por nombre Los diarios de Emilio Renzi. En el origen del diario de Piglia se reconoce, por su carácter modélico e iniciático, el de Cesare Pavese, Il mestiere di vivere. Diario 1935–1950 (1952). Hijo y nieto de italianos, Renzi se identifica en su diario como un escritor ítalo- argentino que reconoce a Cesare Pavese como su escritor de culto. Ejemplo acabado de literatura como principio ordenador de la experiencia, el diario de Pavese fue, para Piglia, lectura reiterada y atenta, a partir de la cual pudo dar forma a la voz de Emilio Renzi. A partir del diálogo que ambos textos entablan, esta indagación propone poner en evidencia cómo la literatura y la vida alcanzan, en la escritura diarística de los autores, su grado máximo de fusión.

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8

Schneider, Magnus Tessing. "Seeing the Empress Again On Doubling in L'incoronazione di Poppea." Cambridge Opera Journal 24, no. 3 (November 2012): 249–91. http://dx.doi.org/10.1017/s0954586712000286.

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AbstractThis article presents a reading of Gian Francesco Busenello's and Claudio Monteverdi's opera L'incoronazione di Poppea in light of seventeenth-century theatrical practices. Reconstructing the doubling plan from the opera's premiere in 1643 on the basis of contemporary doubling practices and the correspondence of the Ferrarese music patron Marquess Cornelio Bentivoglio, the author argues, adducing circumstantial evidence, that Ottavia and Drusilla were conceived as a double role for the operatic quick-change artist Anna Renzi. While Renzi is known to have created Ottavia, this part is half the size of all other roles written for her, which invariably involve dramatic, emotional and musical variety to a much greater extent than does Monteverdi's tragic Empress. Renzi was admired for her command of both tragedy and comedy, and the essay develops the hypothesis of the double role as an intertextual interpenetration of the title heroines from the pseudo-Senecan tragedy Octavia and Girolamo Bargagli's sixteenth-century comedy La pellegrina.

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9

Villone, Massimo. "La riforma Renzi-Boschi: governo forte, Costituzione debole." DEMOCRAZIA E DIRITTO, no. 2 (September 2016): 25–49. http://dx.doi.org/10.3280/ded2016-002003.

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10

Lazar, Marc. "L’expérience gouvernementale de Matteo Renzi. Un progressisme populiste." Parlement[s], Revue d'histoire politique N° 35, no. 4 (March 10, 2022): 97–114. http://dx.doi.org/10.3917/parl2.035.0097.

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11

Laera, Alejandra. "Tiempo de la vida, tiempos de la ficción: "Los diarios de Emilio Renzi" de Ricardo Piglia." Anclajes 26, no. 1 (January 1, 2022): 9–19. http://dx.doi.org/10.19137/anclajes-2022-2612.

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12

Pinto Filho, Júlio Pimentel. "Notas sobre a historicidade de Os diários de Emilio Renzi." Remate de Males 39, no. 2 (November 21, 2019): 573–85. http://dx.doi.org/10.20396/remate.v39i2.8655625.

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Os três volumes editados de Los diarios de Emilio Renzi ora assumem uma estética do fragmento e apontam para o instantâneo, ora desenham uma sequência linear de leituras de formação; ora tratam de um personagem só, o autor, ora negam a dimensão autoral e autobiográfica e buscam registros das memórias coletivas – históricas ou literárias. Marcados por uma vontade fundadora e por inúmeras incertezas e hesitações, Los diarios de Emilio Renzi sondam as possibilidades e os limites da construção de um diário e reúnem a percepção do interior à do exterior, o desenho de uma unidade impossível à representação multiplicada de si. Em todas as circunstâncias, porém, dialogam com a experiência história, indicam percursos genealógicos da obra de Ricardo Piglia e, para representá-la, constroem estratégias singulares de deslocamento e distanciamento.

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13

Mullins, Jonathan. "Hacked Transmissions: Technology and Connective Activism in Italy, Alessandra Renzi (2020)." Journal of Italian Cinema & Media Studies 10, no. 1 (January 1, 2022): 138–41. http://dx.doi.org/10.1386/jicms_00113_5.

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14

Volpi, Mauro. "Riforma Renzi e Riforma Berlusconi: così lontane.. così vicine." DEMOCRAZIA E DIRITTO, no. 2 (September 2016): 119–38. http://dx.doi.org/10.3280/ded2016-002007.

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15

Newell, James L., and Maurizio Carbone. "Matteo Renzi and primary elections: a love–hate relationship?" Contemporary Italian Politics 8, no. 1 (January 2, 2016): 1–2. http://dx.doi.org/10.1080/23248823.2016.1166691.

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16

Abbott, Alison. "Italian scientists won’t miss departing Prime Minister Matteo Renzi." Nature 540, no. 7633 (December 2016): 324–25. http://dx.doi.org/10.1038/nature.2016.21139.

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17

Gárate, Miriam Viviana. "Genealogias da escrita em Los diarios de Emilio Renzi." Remate de Males 39, no. 2 (September 12, 2019): 586–609. http://dx.doi.org/10.20396/remate.v39i2.8656246.

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O ensaio propõe a leitura de três ficções de origem em Los diarios de Emilio Renzi. Años de formación (2015): a primeira delas, vinculada à linhagem familiar (trata-se de explorar o livro a partir de algumas premissas expressas por Piglia em Ideologia y ficción en Borges); a segunda, relativa ao gênero diário enquanto genealogia da escrita “por vir”; em terceiro lugar, a ficção que põe em cena algumas leituras de formação, tendo em vista a genealogia do escritor de formas breves e a passagem para as formas de maior extensão.

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18

Hoover, Elizabeth. "The God Games and Other Voices by Kristen Renzi." Prairie Schooner 91, no. 3 (2017): 186–88. http://dx.doi.org/10.1353/psg.2017.0134.

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19

Castelli, Chantal. "Interpretação e vida: a Erlebnis em Dilthey e as críticas à Einfühlung." Magma 1, no. 7 (December 18, 2001): 47. http://dx.doi.org/10.11606/issn.2448-1769.mag.2001.86838.

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20

Gárate, Miriam Viviana. "Cenas do rádio em Los Diarios de Emilio Renzi e em Black out." Caracol, no. 17 (June 19, 2019): 399–417. http://dx.doi.org/10.11606/issn.2317-9651.v0i17p399-417.

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O artigo propõe um diálogo entre Los diarios de Emilio Renzi, de Ricardo Piglia (2015, 2016, 2017), e Black out, de María Moreno (2016a), a partir da leitura de alguns fragmentos nos quais se põe em cena uma “imaginação intimista” (Link, 2007) ou, recorrendo às palavras de Renzi em seu diário, a “pré-história de uma imaginação pessoal”. A evocação de escutar rádio nos dias de infância e juventude, comum aos narradores de ambos os livros, remete a uma experiência vital, a um imaginário de época e à genealogia de uma poética que busca equacionar registros verbais e gêneros discursivos heterogêneos, e abrir-se à experimentação e à “escuta das reverberações do mundo”, como cita Horacio González (2017), na escrita.

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21

Pinto, Júlio Pimentel. "História de um distanciamento: a memória de Piglia nos Diários de Renzi." Literatura e Sociedade 24, no. 29 (September 18, 2019): 52–61. http://dx.doi.org/10.11606/issn.2237-1184.v0i29p52-61.

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O texto explora o primeiro volume de Los diarios de Emilio Renzi (1957-1967), de Ricardo Piglia, seus mecanismos de construção da memória, sua problematização da figura do autor — também narrador e personagem — e seu exercício crítico.

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22

Carrascosa González, Javier. "SUMISIÓN Y RESIDENCIA HABITUAL EN EL REGLAMENTO EUROPEO DE SUCESIONES: FUNDAMENTOS ROMANÍSTICOS." Revista Jurídica da FA7 17, no. 2 (October 21, 2020): 183–85. http://dx.doi.org/10.24067/rjfa7;17.2:1301.

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RENDO, Carmen López; AZAUSTRE, María José. Sumisión y residencia habitual en el Reglamento europeo de sucesiones: fundamentos romanísticos. Revista Internacional de Derecho Romano, nº 24, abr. 2020. Disponible en: http://www.ridrom.uclm.es/documentos24/lopez24.pdf

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23

Gkampesi, S., Z. Mylona, T. Zarra, and T. Lambrianidis. "Assessment of Apical Extrusion of Debris during Endodontic Retreatment with 3 Rotary Nickel-Titanium Retreatment Systems and Hand Files." Balkan Journal of Dental Medicine 20, no. 1 (March 1, 2016): 22–28. http://dx.doi.org/10.1515/bjdm-2016-0003.

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SummaryAim: to evaluate the amount of debris extruded apically as well as the time needed for removal of root canal filling material using ProTaper, MTwo, REndo NiTi rotary retreatment systems and hand files.Materials and methods: 60 freshly extracted human single-rooted teeth were instrumented with Protaper files and obturated with gutta-percha and MTA Fillapex sealer with the cold lateral compaction technique. Teeth were then randomly assigned to 4 groups. ProTaper, MTwo, REndo rotary retreatment systems and Hedstroem hand files were utilized for root canal filling removal. Debris extruded apically was collected into pre-weighed vials. The weight of the dry extruded debris was established by subtracting the pre-retreatment and post-retreatment weight of vials. Time needed for reaching WL, complete removal of gutta-percha and total retreatment time were also recorded with a stopwatch. The data obtained were analyzed using One-way ANOVA (the level of significance was set at P=0.05).Results: Hand instrumentation caused significantly more debris extrusion compared with rotary systems (P<0.001). There was no significant difference among the other groups (P>0.05). Hedstroem hand files needed significantly more time for the completion of the retreatment procedure than rotary systems (P<0.001). Among rotary retreatment files, ProTaper completed the procedure significantly quicker than MTwo and REndo (P<0.001).Conclusion: Rotary retreatment files caused less apical extrusion of debris and needed less time for the completion of the retreatment procedure compared to hand files.

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24

Ferrazza, Francesca. "Le Regioni Speciali nel disegno di legge costituzionale Boschi-Renzi." Rivista Italiana di Antropologia Applicata, Speciale (May 2, 2016): 28–30. http://dx.doi.org/10.32054/2499-1848-2016-spec-5.

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25

Waisman, Sergio. "LA OBRA INVISIBLE DE EMILIO RENZI: LUGAR INCIERTO, TRADICIÓN CLANDESTINA." Revista Iberoamericana, no. 258 (March 20, 2017): 73–86. http://dx.doi.org/10.5195/reviberoamer.2017.7451.

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26

Pasquino, Gianfranco. "Renzi: the government, the party, the future of Italian politics." Journal of Modern Italian Studies 21, no. 3 (May 26, 2016): 389–98. http://dx.doi.org/10.1080/1354571x.2016.1169883.

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27

Holtus, Günter. "Lorenzo Renzi / Alvise Andreose,Manuale di linguistica e filologia romanza." Zeitschrift für romanische Philologie (ZrP) 120, no. 4 (December 2004): 759–60. http://dx.doi.org/10.1515/zrph.2004.759b.

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28

Bordignon, Fabio. "Matteo Renzi: A ‘Leftist Berlusconi’ for the Italian Democratic Party?" South European Society and Politics 19, no. 1 (January 2, 2014): 1–23. http://dx.doi.org/10.1080/13608746.2014.887240.

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29

Puxan-Oliva, Marta. "Enfermedad y reescritura: el oficio de escribir en "Los diarios de Emilio Renzi" de Ricardo Piglia." Revista Letral, no. 26 (January 24, 2021): 107–26. http://dx.doi.org/10.30827/rl.v0i26.16262.

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Анотація:

Este artículo estudia el efecto que tiene la enfermedad Esclerosis Lateral Amiotrófica (ELA) que padeció el escritor argentino Ricardo Piglia en la revisión y reescritura de sus diarios para la publicación de Los diarios de Emilio Renzi. Además de constituir un texto que trata la relación entre literatura y enfermedad y que la representa, Los diarios de Emilio Renzi aprovechan la oportunidad para interrogar el lugar de enunciación, el oficio de escribir, el modo mismo de escribir un diario. Así, la enfermedad se construye como nuevo lugar de enunciación. La resignificación de la escritura dietaria se produce en particular a través de la relectura de El oficio de vivir de Cesare Pavese y de la relación entre diario y muerte. En este juego de relaciones, Piglia propone la reescritura y la enfermedad como espacios para redefinir el modo de escribir y un nuevo oficio de vivir.

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30

Renzi, Lorenzo. "Per una storia della struttura della frase in italiano: il fiorentino del Cinquecento." Linguistica 31, no. 1 (December 1, 1991): 201–10. http://dx.doi.org/10.4312/linguistica.31.1.201-210.

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Nella storia dell'italiano la struttura della frase è cambiata più di una volta. Con la struttura della frase cambiano anche le regale da cui dipendono: 1) la presenza e la posizione dei pronomi personali soggetto, 2) la posizione dei pronomi clitici obliqui adverbali, presenti in tutte le fasi dell'italiano come delle altre lingue romanze. La prima fase è quella dell'italiano antico, cioè del fiorentino dalla prima documentazione, nel Duecento avanzato, al Quattrocento. Questa fase è illustrata, assieme a quella delle altre lingue romanze, in Vanelli, Renzi e Benincà 1985, Renzi 1990 e in corso di stampa, e più in dettaglio in Vanelli 1986 (per lo status teorico del tipo romanzo antico, v. Benincà 1983-84). Ne riprendo brevemente qui le linee essenziali, per passare poi al tema centrale di questo studio, la struttura del fiorentino del Cinquecento. Accennerò poi al tema della separazione dell'italiano letterario dal fiorentino e agli svolgimenti successivi divergenti dell'italiano e del fiorentino.

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31

Negri, Fedra, and Elisa Rebessi. "Was Mattarella worth the trouble? Explaining the failure of the 2016 Italian constitutional referendum." Italian Political Science Review/Rivista Italiana di Scienza Politica 48, no. 2 (January 21, 2018): 177–96. http://dx.doi.org/10.1017/ipo.2017.29.

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The election of President Mattarella is a turning point in Matteo Renzi’s attempt to reform the constitution. This choice determined the loss of Forza Italia’s support to the constitutional reform, thus leaving the Renzi cabinet and the Democratic Party alone on the Yes-side. Our goal is to assess the degree of Renzi’s misjudgment by comparing two theoretical perspectives on voting behavior in direct-democratic settings through a nested design. Our results highlight that vote choices can be explained by both the systematic and the heuristic modes of information processing. Respondents’ agreement with the content of the reform (systematic mode) and a positive evaluation of the Renzi cabinet (heuristic mode) are key predictors of Yes vote. Instead, the negative assessment of the economic situation is a crucial driver of No vote. Lastly, we build a bridge between these two perspectives by showing that partisan attachments conditioned the effect of respondents’ content evaluation on voting behavior.

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32

Camilletti, Fabio. "Don Rodrigo, Don Giovanni e l’oltraggio ai morti: percorsi purgatoriali ne I promessi sposi." Quaderni d'italianistica 41, no. 2 (June 11, 2021): 161–74. http://dx.doi.org/10.33137/q.i..v41i2.36776.

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A partire dalla descrizione di un tabernacolo dedicato alle anime purganti, che figura nel primo capitolo de I promessi sposi, traccio qui alcuni percorsi di lettura purgatoriale del romanzo. Contestualizzerò anzitutto gli eventi nella rinnovata devozione verso le anime in pena della Lombardia borromaica. Ricostruirò quindi i nessi che legano il purgatorio al tema leggendario di Don Giovanni, aprendo così nuove possibilità di lettura di quella figura ironicamente dongiovannea che è don Rodrigo. Infine mostrerò come, in antitesi a Rodrigo, sia Renzo a incarnare l’idea di una pietà verso i morti che ne acquieta e rende propizie le ombre.

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33

Dassie, Roberta. "Le competenze delle Regioni nel disegno di legge costituzionale Boschi-Renzi." Rivista Italiana di Antropologia Applicata, Speciale (May 2, 2016): 31–35. http://dx.doi.org/10.32054/2499-1848-2016-spec-6.

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34

DIANE CARSON. "Let’s Not Compromise: An Interview with Independent Film Producer Maggie Renzi." Journal of Film and Video 62, no. 1-2 (2010): 86. http://dx.doi.org/10.5406/jfilmvideo.62.1-2.0086.

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35

Bosco, Gabriella. "Lorenzo Renzi, Gli elfi e il Cancelliere. In Germania con Proust." Studi Francesi, no. 179 (LX | II) (September 1, 2016): 388–89. http://dx.doi.org/10.4000/studifrancesi.4525.

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36

Egerland, Verner. "Rassegna di Ulleland, Benincà & Renzi (2011): Studi di italiano antico." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 48, no. 2 (December 5, 2013): 355–57. http://dx.doi.org/10.1075/rro.48.2.08ege.

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37

D'Alessandro, Roberta. "Current Studies in Italian Syntax: Essays Offered to Lorenzo Renzi (review)." Language 80, no. 4 (2004): 880. http://dx.doi.org/10.1353/lan.2004.0175.

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38

Carson, Diane. "Let’s Not Compromise: An Interview with Independent Film Producer Maggie Renzi." Journal of Film and Video 62, no. 1 (2010): 86–95. http://dx.doi.org/10.1353/jfv.0.0059.

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39

Ceccarini, Luigi, and Fabio Bordignon. "Referendum on Renzi: The 2016 Vote on the Italian Constitutional Revision." South European Society and Politics 22, no. 3 (July 3, 2017): 281–302. http://dx.doi.org/10.1080/13608746.2017.1354421.

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40

Milan, Stefania. "Hacked Transmissions: Technology and Connective Activism in Italy by Alessandra Renzi." Technology and Culture 63, no. 4 (October 2022): 1207–8. http://dx.doi.org/10.1353/tech.2022.0168.

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41

FERNÁNDEZ COBO, Raquel. "RICARDO PIGLIA: LA FICCIÓN DEL NOMBRE." Signa: Revista de la Asociación Española de Semiótica 29 (April 8, 2020): 363. http://dx.doi.org/10.5944/signa.vol29.2020.23399.

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Анотація:

Resumen: El presente estudio analiza los tres tomos de Los diarios deEmilio Renzi en relación con su obra anterior, dentro de lo que Lejeunellamó “el espacio autobiográfico”. Estudiamos de qué modo Pigliaencuentra a través del diario y la autobiografía la forma ideal para narrar laexperiencia de la vida. El género autobiográfico principalmente le permiteal autor de Respiración artificial inventarse a sí mismo a través de tresestrategias fundamentales: la construcción de un linaje familiar y literario;la ficción del nombre propio y la intertextualidad, es decir, la apropiaciónde otras lecturas no solo como estética sino como ética. Abstract: The present study analyzes the three volumes of Los diariosde Emilio Renzi in relation to his previous work, within what Lejeunecalled “the autobiographical space”. We study how Piglia finds throughdiary and autobiography the ideal way to narrate the experience of life: theautobiographical genre mainly allows the author of artificial respirationto invent itself through three fundamental strategies: the constructionof a family and literary lineage; the fiction of the proper name and theintertextuality, that is, the appropriation of other readings not only asaesthetics but as ethics.

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42

Renzi, Adriano Bernardo, and Olney Almeida. "UX Heuristic evaluation of cross-channel interaction systems: first experimentations." Human Factors in Design 9, no. 17 (July 2, 2020): 058–74. http://dx.doi.org/10.5965/2316796309172020058.

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This is the first experimentation using the 9 UX heuristics (Renzi 2016) as a guide for a cross-channel system ecology heuristic evaluation. The paper presents the preparations, proceedings and results of the Airbnb system ecology UX evaluation, permeating three digital devices – smartphone, desktop computer and tablet – in order to simulate a cross-channel user experience journey in four micro-moments.

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43

KOPELMAN, MICHAEL D. "Retrograde episodic and semantic memory impairment correlates with side of temporal lobe damage." Journal of the International Neuropsychological Society 14, no. 6 (October 27, 2008): 1081–82. http://dx.doi.org/10.1017/s1355617708081411.

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Controversy continues about which brain structures and circuitry underlie the retrieval of past (remote) memories—autobiographical, personal semantic, or general semantic—and also about which lesion sites are critical for retrograde amnesia (RA) to occur (Kopelman, 2008). This issue relates, of course, to the differential predictions of consolidation theory and of multiple trace theory regarding patterns of retrograde amnesia (and indeed the predictions of other theories). The controversy also relates to issues regarding the differential pattern of left hemisphere versus right hemisphere damage, particularly in the temporal lobes, an issue which has influenced the literature since important studies by De Renzi et al. (1987) and O'Connor et al. (1992). De Renzi et al. (1987) described a woman who, following an episode of herpes encephalitis that affected the left temporal lobe, showed a severe impairment of semantic memory with relatively preserved autobiographical memories, whereas O'Connor et al. (1992) reported a patient with right temporal lobe damage (also from herpes encephalitis), who showed disproportionately severe impairment in the recall of autobiographical incidents, relative to remote semantic memories. It is this latter contrast between left- and right-sided damage which the present authors address.

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44

Mamusa, Eleonora. "The exaltation of Italian national identity in the discourse of Matteo Renzi." Italianistica Debreceniensis 23 (December 1, 2017): 74–95. http://dx.doi.org/10.34102/italdeb/2017/4640.

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Nations are one of the most well-established constructs in our society, and they represent a very attractive benchmark for personal and social identification. Political speeches, as well as, for example, media discourse and popular culture, constantly reiterate myth, culture and history of nations in order to reaffirm and preserve their positive image, and this tendency doesn’t seem to be weakened by some contemporary events like globalization and the reinforcement of transnational systems. As a proof of this trend, the present work proposes an in-depth analysis of the speech held by the then Italian Prime Minister Matteo Renzi at the European Parliament on the occasion of the inauguration of the Italian semester of presidency on July 2, 2014, aiming to demonstrate that also supranational contexts are exploited to reiterate national identity and priorities.

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Fell, John. ": C. H. G. Wells: Six Scientific Romances Adapted for Film . Thomas Renzi." Film Quarterly 46, no. 4 (July 1993): 64–65. http://dx.doi.org/10.1525/fq.1993.46.4.04a00510.

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46

Mª Dolores, Navarro Iniesta. "Legado psicótico y soledad. Mª Carmen Rodríguez Rendo (2010). Buenos Aires: Editorial Dunken." Clínica Contemporánea 1, no. 3 (2010): 245–46. http://dx.doi.org/10.5093/cc2010v1n3a8.

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Macaluso, Marilena. "La costruzione simbolica del conflitto generazionale nei discorsi politici di Renzi e Grillo." WELFARE E ERGONOMIA, no. 1 (January 2018): 105–24. http://dx.doi.org/10.3280/we2017-001007.

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48

Ortega López, Iván. "Ricardo Piglia. Los diarios de Emilio Renzi: Los años felices. Barcelona: Anagrama, 2016." Nuevas Poligrafías. Revista de Teoría Literaria y Literatura Comparada, no. 4 (November 15, 2018): 137–38. http://dx.doi.org/10.22201/ffyl.poligrafiasnuevaepoca.2018.4.1686.

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49

Monge Arístegui, Álvaro. "Imposible fascinación: una nota sobre "Los diarios de Emilio Renzi" de Ricardo Piglia." ALPHA: Revista de Artes, Letras y Filosofía 1, no. 52 (July 19, 2021): 303–9. http://dx.doi.org/10.32735/s0718-2201202100052897.

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Анотація:

En la actualidad se ha configurado un número importante de publicaciones, académicas y de otra naturaleza, que abordan diferentes aspectos de la (auto) biografía y el diario de vida como género literario. Esta profusión de escrituras en torno a lo íntimo y a lo privado, quizás, se debe a que las plataformas digitales han exacerbado la transmisión inmediata de hechos particulares (encuentros familiares, celebraciones) como el único horizonte de acontecimientos susceptibles de comunicar...

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Andrade, José M. "I monaci bianchi in Galizia. Le reti cisterciense (1142-1250) (by Francesco Renzi)." Journal of Medieval Monastic Studies 7 (January 2018): 322–23. http://dx.doi.org/10.1484/j.jmms.5.116576.

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