Статті в журналах з теми "Renaissance polyphony"
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Williamson, Magnus. "Renaissance polyphony." Early Music 33, no. 4 (November 1, 2005): 717–21. http://dx.doi.org/10.1093/em/cah173.
Повний текст джерелаFitch, Fabrice. "Sacred Renaissance polyphony." Early Music XXIII, no. 1 (February 1995): 165–66. http://dx.doi.org/10.1093/earlyj/xxiii.1.165.
Повний текст джерелаDeford, Ruth. "Analysing Renaissance polyphony." Early Music XXVIII, no. 2 (May 2000): 316–18. http://dx.doi.org/10.1093/earlyj/xxviii.2.316.
Повний текст джерелаGreavu, Elena-Laura, and Roxana Pepelea. "Polyphony in the Choral Creation for Equal Voices Signed by Dan Voiculescu." Studia Universitatis Babeş-Bolyai Musica 66, no. 1 (June 30, 2021): 143–58. http://dx.doi.org/10.24193/subbmusica.2021.1.10.
Повний текст джерелаМосква, Ю. В. "Gregorian Semiology as a Method of Modal Identification in Early and Renaissance Polyphony." Научный вестник Московской консерватории, no. 4(31) (December 21, 2017): 108–21. http://dx.doi.org/10.26176/mosconsv.2017.31.4.04.
Повний текст джерелаMeconi, Honey. "Art-Song Reworkings: An Overview." Journal of the Royal Musical Association 119, no. 1 (1994): 1–42. http://dx.doi.org/10.1093/jrma/119.1.1.
Повний текст джерелаMeeùs, Nicolas. "Aspects of Modality in Renaissance Polyphony." Musurgia XXVI, no. 2 (2019): 11. http://dx.doi.org/10.3917/musur.192.0011.
Повний текст джерелаUpham, Finn, and Julie Cumming. "Auditory Streaming Complexity and Renaissance Mass Cycles." Empirical Musicology Review 15, no. 3-4 (June 28, 2021): 202–22. http://dx.doi.org/10.18061/emr.v15i3-4.7980.
Повний текст джерелаKeyl, Stephen. "Tenorlied, Discantlied, Polyphonic lied: Voices and instruments in German secular polyphony of the Renaissance." Early Music XX, no. 3 (August 1992): 434–46. http://dx.doi.org/10.1093/earlyj/xx.3.434.
Повний текст джерелаWickham, Edward. "Realization and Recreation: Texting Issues in Early Renaissance Polyphony." Journal of the Alamire Foundation 3, no. 1 (January 2011): 147–66. http://dx.doi.org/10.1484/j.jaf.1.102197.
Повний текст джерелаWalkley, C. "Renaissance polyphony. Juan Esquivel: an unknown Spanish master revisited." Early Music 29, no. 1 (February 1, 2001): 76–92. http://dx.doi.org/10.1093/em/29.1.76.
Повний текст джерелаGeelen, Bram, David Burn, and Bart De Moor. "A Clustering Analysis of Renaissance Polyphony Using State-Space Models." Journal of the Alamire Foundation 13, no. 1 (January 2021): 127–46. http://dx.doi.org/10.1484/j.jaf.5.124209.
Повний текст джерелаBorgerding, T. "Preachers, Pronunciatio, and Music: Hearing Rhetoric in Renaissance Sacred Polyphony." Musical Quarterly 82, no. 3-4 (January 1, 1998): 586–98. http://dx.doi.org/10.1093/mq/82.3-4.586.
Повний текст джерелаBorgerding, T. "Preachers, pronunciatio, and music: hearing rhetoric in Renaissance sacred polyphony." Musical Quarterly 82, no. 3 and 4 (September 1, 1998): 586–98. http://dx.doi.org/10.1093/mq/82.3_and_4.586.
Повний текст джерелаKerman, J. "Renaissance polyphony. The Byrd edition - in print and on disc." Early Music 29, no. 1 (February 1, 2001): 109–20. http://dx.doi.org/10.1093/em/29.1.109.
Повний текст джерелаDe Bonis, Maurício, and Fábio Scucuglia. "Teledescante nº1: polyphony in time of plague." Revista Vórtex 9, no. 2 (December 10, 2021): 1–43. http://dx.doi.org/10.33871/23179937.2021.9.2.5.
Повний текст джерелаMoody, Ivan. "Palestrina in Serbia." Musicological Annual 56, no. 1 (June 30, 2020): 79–99. http://dx.doi.org/10.4312/mz.56.1.79-99.
Повний текст джерелаHumphreys, D. "Renaissance polyphony. A study in emulation: Philip van Wilder's En despit des envyeulx." Early Music 29, no. 1 (February 1, 2001): 93–108. http://dx.doi.org/10.1093/em/29.1.93.
Повний текст джерелаJiménez, Juan Ruiz. "‘THE SOUNDS OF THE HOLLOW MOUNTAIN’: MUSICAL TRADITION AND INNOVATION IN SEVILLE CATHEDRAL IN THE EARLY RENAISSANCE." Early Music History 29 (July 21, 2010): 189–239. http://dx.doi.org/10.1017/s0261127910000094.
Повний текст джерелаFiorentino, Giuseppe. "‘Cantar por uso’ and ‘cantar fabordón’: the ‘unlearned’ tradition of oral polyphony in Renaissance Spain (and beyond)." Early Music 43, no. 1 (January 21, 2015): 23–35. http://dx.doi.org/10.1093/em/cau145.
Повний текст джерелаGomeniuk, Svitlana. "Features of Cadences in Vocal and Choral Music of the Seventeenth Century (on the Example of Giovanni Palestrina’s Motets)." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 132 (November 29, 2021): 182–97. http://dx.doi.org/10.31318/2522-4190.2021.132.250002.
Повний текст джерелаBrand, Benjamin. "A Medieval Scholasticus and Renaissance Choirmaster: A Portrait of John Hothby at Lucca*." Renaissance Quarterly 63, no. 3 (2010): 754–806. http://dx.doi.org/10.1086/656928.
Повний текст джерелаMuir, Thomas. "‘Old Wine in New Bottles’: Renaissance Polyphony in the English Catholic Church during the Nineteenth and Early Twentieth Centuries." Nineteenth-Century Music Review 4, no. 1 (June 2007): 81–101. http://dx.doi.org/10.1017/s1479409800000070.
Повний текст джерелаSavchenko, G. S. "Constants and Innovations in the Orchestral Writing of I. Stravinsky’s Ballet “Agon”." Culture of Ukraine, no. 71 (April 2, 2021): 118–24. http://dx.doi.org/10.31516/2410-5325.071.15.
Повний текст джерелаÁlvarez Jurado, Manuela. "La obra poética de Marie de Romieu. ¿Traducción o imitación?" Futhark. Revista de Investigación y Cultura, no. 6 (2011): 7–23. http://dx.doi.org/10.12795/futhark.2011.i06.01.
Повний текст джерелаСербул, Н. Б. "Textbook in Polyphony by Anatoly P. Milka: Achievements and Prospects of the Petersburg School." OPERA MUSICOLOGICA, no. 5 (December 31, 2020): 160–67. http://dx.doi.org/10.26156/om.2020.12.5.010.
Повний текст джерелаФрантова, Т. В. "Imitation: Simple, Stretto, Canonical (On the Difficulties of Absolute Differentiation in the Polyphony of Strict Style)." OPERA MUSICOLOGICA, no. 5 (December 31, 2020): 26–39. http://dx.doi.org/10.26156/om.2020.12.5.002.
Повний текст джерелаNowack, N. "“Machine Sound” and Microtonal Music." Art & Culture Studies, no. 4 (December 2021): 278–97. http://dx.doi.org/10.51678/2226-0072-2021-3-278-297.
Повний текст джерелаStenclik, Eric. "Christian Tears; Pagan Smiles: Hart Crane’s “Lachrymae Christi”." Religion and the Arts 18, no. 3 (2014): 349–72. http://dx.doi.org/10.1163/15685292-01803003.
Повний текст джерелаKovalchuk, Natalia, Olga Zosim, Liudmyla Ovsiankina, Irina Lomachinska, and Oksana Rykhlitska. "Features of Sacred Music in the Context of the Ukrainian Baroque." Religions 13, no. 2 (January 18, 2022): 88. http://dx.doi.org/10.3390/rel13020088.
Повний текст джерелаVellekoop, Kees, E. Schreurs, and B. Bouckaert. "Anthologie van muziekfragmenten uit de Lage Landen (Middeleeuwen-Renaissance). Polyfonie, monodie en leisteenfragmenten in facsimile / An Anthology of Music Fragments from the Low Countries (Middle Ages-Renaissance). Polyphony, Monophony and Slate Fragments in Facsimile." Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 48, no. 2 (1998): 166. http://dx.doi.org/10.2307/939212.
Повний текст джерелаCugelj, Tin. "Serafino Razzi’s Storia di Raugia, or, How Renaissance Dubrovnik (Might Not Have?) Heard Polyphony in February 1588: Towards a Liturgical Reconstruction of the Feast of Saint Blaise." Arti musices 51, no. 2 (2020): 221–65. http://dx.doi.org/10.21857/y7v64t01jy.
Повний текст джерелаSmirnova, Tatiana V. "On the History of Early Musical Groups: Instrumental Consorts in England at the Turn of the 16th—17th Centuries." Observatory of Culture 16, no. 5 (December 4, 2019): 494–503. http://dx.doi.org/10.25281/2072-3156-2019-16-5-494-503.
Повний текст джерелаGale, Michael. "Jas, Eric. 2018. Piety and Polyphony in Sixteenth-Century Holland: The Choirbooks of St Peter’s Church, Leiden. Studies in Medieval and Renaissance Music, 18. Woodbridge: The Boydell Press." Current Musicology 107 (January 27, 2021): 163–70. http://dx.doi.org/10.52214/cm.v107i.7235.
Повний текст джерелаZanovello, Giovanni. "David J. Burn and Stefan Gasch, eds. Heinrich Isaac and Polyphony for the Proper of the Mass in the Late Middle Ages and Renaissance. Centre d’études supérieures de la Renaissance; Collection “Épitome musical.” Turnhout: Brepols, 2011. 438 pp. €80. ISBN: 978–2–503–54249–2." Renaissance Quarterly 66, no. 3 (2013): 1057–59. http://dx.doi.org/10.1086/673654.
Повний текст джерелаRUMBOLD, IAN. "Eric Jas, Piety and Polyphony in Sixteenth-Century Holland: The Choirbooks of St Peter's Church, Leiden, Studies in Medieval and Renaissance Music 18. Woodbridge: Boydell Press, 2018. xvi + 416 pp. £60. ISBN 978 1 78327 326 3." Plainsong and Medieval Music 29, no. 1 (April 2020): 89–92. http://dx.doi.org/10.1017/s0961137120000029.
Повний текст джерелаTing, Liu. "Aesthetic principles of interpretation of early arias in the vocalist’s concert repertoire: air de cour." Aspects of Historical Musicology 27, no. 27 (December 27, 2022): 73–96. http://dx.doi.org/10.34064/khnum2-27.05.
Повний текст джерелаVeldhorst, Natascha. "PHARMACY FOR THE BODY AND SOUL: DUTCH SONGBOOKS IN THE SEVENTEENTH CENTURY." Early Music History 27 (October 2008): 217–86. http://dx.doi.org/10.1017/s0261127908000326.
Повний текст джерелаCave, Terence. "Polygraphie et polyphonie : écritures plurielles, de la Renaissance à l'époque classique." Littératures classiques 49, no. 1 (2003): 385–400. http://dx.doi.org/10.3406/licla.2003.1968.
Повний текст джерелаKirkman, Andrew. "The Invention of the Cyclic Mass." Journal of the American Musicological Society 54, no. 1 (2001): 1–47. http://dx.doi.org/10.1525/jams.2001.54.1.1.
Повний текст джерелаMedic, Milena. "From pain to pleasure: The troping of elegy in the renaissance Italian madrigal." Muzikologija, no. 22 (2017): 151–75. http://dx.doi.org/10.2298/muz1722151m.
Повний текст джерелаCuenca Rodríguez, María Elena. "A Spanish composite Rex Virginum Mass and the Beata Virgine Maria Mass tradition in Europe." Early Music 47, no. 3 (August 2019): 291–305. http://dx.doi.org/10.1093/em/caz047.
Повний текст джерелаN. Moll, Kevin. "Streaming Music into Renaissance Studies: The Case of L’homme armé." Explorations in Renaissance Culture 43, no. 2 (December 9, 2017): 109–39. http://dx.doi.org/10.1163/23526963-04302001.
Повний текст джерелаGrebneva, I. "”The image” of the violin in the creative work of A. Corelli (on the example of the concerto grosso genre)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (September 15, 2018): 115–27. http://dx.doi.org/10.34064/khnum2-49.08.
Повний текст джерелаGrebneva, I. "”The image” of the violin in the creative work of A. Corelli (on the example of the concerto grosso genre)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (September 15, 2018): 115–27. http://dx.doi.org/10.34064/khnum1-49.08.
Повний текст джерелаBabunych, Ulia. "Historical background, philosophical and aesthetic platform and ideological principles of Ukrainian modernism." Bulletin of Lviv National Academy of Arts, no. 39 (2019): 38–52. http://dx.doi.org/10.37131/22524-0943-2019-39-03.
Повний текст джерелаŠtefancová, Dagmar. "The Cantional of Ondřej Kopydlanský of Sedlčany in a New Context." Musicalia 14, no. 1-2 (2022): 56–95. http://dx.doi.org/10.37520/muscz.2022.002.
Повний текст джерелаSchmidt-Beste, Thomas. "Private or Institutional—Small or Big? Towards a Typology of Polyphonic Sources of Renaissance Music." Journal of the Alamire Foundation 1, no. 1 (January 2009): 13–26. http://dx.doi.org/10.1484/j.jaf.1.100437.
Повний текст джерелаTerrio, Robert. "Renaissance Masses, 1440-1520: An Online Repertorium of Polyphonic Masses Composed in Europe in 1440-1520 (review)." Notes 62, no. 4 (2006): 1026–27. http://dx.doi.org/10.1353/not.2006.0077.
Повний текст джерелаHulková, Marta. "Polyphonic church music in the territory of present-day Slovakia in the Renaissance and early Baroque period." Musicologica Olomucensia 34, no. 1 (December 14, 2022): 120–45. http://dx.doi.org/10.5507/mo.2022.005.
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