Дисертації з теми "Recorded performances"
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Shrader, Angela D. "A Comparison of Audience Response to Live and Recorded Theatre Performances." Marietta College Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=marhonors1430070781.
Повний текст джерелаTanner, Mark. "The Liszt Sonata in B minor : an analytical study of recorded performances." Thesis, Birmingham City University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310606.
Повний текст джерелаKorman, Pamela. "Intention, creative variability and paradox in recorded performances of the piano music of Maurice Ravel." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25940.pdf.
Повний текст джерелаYeager, Jonathan K. "Interpretive performance techniques and lyrical innovations on the bass trombone a study of recorded performances by George Roberts, Mr. Bass Trombone /." Thesis, connect to online resource, 2006. http://www.unt.edu/etd/all/Dec2006/Open/yeager_jonathan/index.htm.
Повний текст джерелаSystem requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Nov. 12, 2001, Oct. 14, 2002, Mar. 31, 2003, and Oct. 17, 2006. Includes bibliographical references (p. 80-82).
Chen, Kuo-Hua. "Effects of different performers and newly made violins on musicians' and non-musicians' perceptions of recorded violin performances /." view abstract or download file of text, 2002. http://wwwlib.umi.com/cr/uoregon/fullcit?p3055677.
Повний текст джерелаReproduction fo typescript. Includes vita and abstract. Includes bibliographical references (leaves 114-120). Also available for download via the World Wide Web; free to University of Oregon users.
Garst, John. "The Recorded Legacy of Enrico Caruso and its Influence on the Italian Vocal Tradition." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849763/.
Повний текст джерелаCross, Edward William. "Musical timing in the Adagio from Brahms' Violin Concerto, Op. 77 : an empirical study of rubato in recorded performances dating from 1927-1973." Thesis, University of Newcastle upon Tyne, 2014. http://hdl.handle.net/10443/2452.
Повний текст джерелаSutanto, David T. "Pictures at an Exhibition: A Performer’s Guide Comparing Recorded Performances by Pianists Vladimir Horowitz and Evgeny Kissin: “Eccentric” v.s. “Academic” Playing." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1180300837.
Повний текст джерелаSutanto, David T. "Pictures at an exhibition: a performer &8217;s guide comparing recorded performances by pianists Vladimir Horowitz and Evgeny Kissin: "Eccentric" v.s. "Academic " playing /." Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?ucin1180300837.
Повний текст джерелаAdvisor: Frank Weinstock Title from electronic thesis title page (viewed Nov. 18, 2007). Includes abstract. Keywords: Pictures at an Exhibition; Vladimir Horowitz; Evgeny Kissin; Piano Includes bibliographical references.
Rost, M. A. "The interaction of listener, speaker text, and task in academic lectures : An examination of second language listener performances following presentations of pre-recorded texts." Thesis, Lancaster University, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384341.
Повний текст джерелаTheodoropoulou, Marina. "Alessandro Scarlatti - soprano cantatas : edition, commentary and recorded performances of the autograph cantatas in Yale University, Beinecke Rare Book and Manuscript Library, Osborn Music MS 2." Thesis, University of York, 2012. http://etheses.whiterose.ac.uk/3808/.
Повний текст джерелаScheirer, Eric David. "Extracting expressive performance information from recorded music." Thesis, Massachusetts Institute of Technology, 1995. http://hdl.handle.net/1721.1/29103.
Повний текст джерелаMangum, Tanya Crawford. "Performance Intensity Functions for Digitally Recorded Japanese Speech Audiometry Materials." Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd838.pdf.
Повний текст джерелаWigent, Mark A., and Andrea M. Mazzario. "Spectrum Savings from High Performance Network Recording and Playback Onboard the Test Article." International Foundation for Telemetering, 2012. http://hdl.handle.net/10150/581609.
Повний текст джерелаThe Test Resource Management Center's (TRMC) Spectrum Efficient Technologies (SET) S&T program is sponsoring development of the Enhanced Query Data Recorder (EQDR), a network flight recorder that is intended to meet the future needs of the networked telemetry environment. EQDR is designed to support the "fetch" of recorded test data during a test without interrupting the ongoing recording of data from the test article vehicle network. The key benefits of the network data recorder as implemented in EQDR are increased flexibility and efficiency of test in an environment with increasing demands on spectrum available for telemetered data. EQDR enables retrieval of individual recorded parameters on an as-needed basis. Having the flexibility to send data only when it is required rather than throughout the duration of the test significantly increases the efficiency with which limited spectrum resources are used. EQDR enables parametric-level data retrieval, based not only on time interval and data source, but also on the content of the recorded data messages. EQDR enables selective, efficient retrieval of individual parameters using indexes derived from the actual values of recorded data. This paper describes the design of EQDR and the benefits of selective data storage and retrieval in the application of networked telemetry. In addition it describes the performance of the EQDR in terms of data recording and data retrieval rates when implemented on single board computers designed for use in the aeronautical test environment with size, weight, and power constraints.
Alessandri, Elena. "Evaluating recorded performance : an investigation of music criticism through Gramophone reviews of Beethoven piano sonata recordings." Thesis, Royal College of Music, 2014. http://researchonline.rcm.ac.uk/352/.
Повний текст джерелаTomlison, Scott. "The effects of recorded models on the performance achievement of beginning brass instrumentalists /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9964004.
Повний текст джерелаBowman, Peter. "Microtonality and the recorder 1961-2013 : repertoire, tone colour, and performance." Thesis, Canterbury Christ Church University, 2014. http://create.canterbury.ac.uk/15736/.
Повний текст джерелаNebojša, Brkljač. "Uticaj primene faktora uspešnosti povratne logistike i barijera za implementaciju na performanse organizacije." Phd thesis, Univerzitet u Novom Sadu, Fakultet tehničkih nauka u Novom Sadu, 2018. https://www.cris.uns.ac.rs/record.jsf?recordId=106855&source=NDLTD&language=en.
Повний текст джерелаThe aim of this research is to examine the impact of the organization'sorientation on the implementation of reverse logistics (RL) success factorsand the presence of barriers to the implementation of RL on theorganization's performance. Also, the goal is to determine the interdependentimpacts of the RL success factors, ie the interdependent impactbarriers for the implementation of RL.The links between these factors are examined and the key factors whichinfluence the process of implementation of RL in organizations have beenidentified. The possibilities for future research have been identified,discussed and proposed, and further improvement guidelines are given.The research contribution is reflected, above all, in new information for thescientific and professional public, which can represent qualitativebackgrounds for further development in the field.
Justice, Matthew Adam. "Optimizing MongoDB-Hadoop Performance with Record Grouping." Thesis, The University of Arizona, 2012. http://hdl.handle.net/10150/244396.
Повний текст джерелаPalathinkal, Joel. "The effectiveness of virtual humans vs. pre-recorded humans in a standardized patient performance assessment." Doctoral diss., University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4817.
Повний текст джерелаID: 030646195; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Thesis (Ph.D.)--University of Central Florida, 2011.; Includes bibliographical references (p. 128-134).
Ph.D.
Doctorate
Psychology
Sciences
Modeling and Simulation
DiClemente, Ann Riesbeck. "Brahms performance practice in a new context the Bruce Hungerford recorded lessons with Carl Friedberg /." College Park, Md.: University of Maryland, 2008. http://hdl.handle.net/1903/9678.
Повний текст джерелаThesis research directed by: School of Music. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Smith, Grant M., and Dave Gaskill. "The Need for Standardized Performance Characteristics for Digital Strip Chart Recorders." International Foundation for Telemetering, 1988. http://hdl.handle.net/10150/615243.
Повний текст джерелаDigital-based linear-array chart recorders are replacing conventional stylus recorders in telemetry data stations everywhere. They offer advantages in virtually all respects, and are becoming indispensable. But because of the completely different writing method and technology employed, it is difficult to make completely analogous performance comparisons between analog and digital chart recorders. This has led to some confusion when replacing aging stylus recorders is contemplated. Objectives: Establish a set of universal, standardized performance characteristics for digital chart recorders. Introduce appropriate terminology, allowing valid, repeatable comparison of old and new systems.
Nena, Tomović. "Prilog istraživanju uticaja modela integrisanog sistema menadžmenta na performanse transportnih organizacija." Phd thesis, Univerzitet u Novom Sadu, Fakultet tehničkih nauka u Novom Sadu, 2016. http://www.cris.uns.ac.rs/record.jsf?recordId=101379&source=NDLTD&language=en.
Повний текст джерелаScientific aim of this research is complex and it is manifested by following: Identification of transport organization performances which can be considered as important for succesful organization management and shift from existing to favorable condition; Identification of SMS which transport organizations implemented and which became parts of organization management system; Research of ways on which is possible to measure effect of SMS application or IMS to organization performances with aim to emphasize defeciencies and possibilities for organization development.According to formulated aims, original methodology is defined. Is is practice which justifies main hypotheses of disertation. Their purpose is to make integrated management system models effective for performances of transport organizations.
Duško, Petrović. "Uticaj personalnih karakteristika zaposlenih u uslužnim sistemima na performanse organizacije." Phd thesis, Univerzitet u Novom Sadu, Fakultet tehničkih nauka u Novom Sadu, 2020. https://www.cris.uns.ac.rs/record.jsf?recordId=112490&source=NDLTD&language=en.
Повний текст джерелаAn examination of the impact of the personal characteristics of the service provider(personality traits and morale) on the assessment of the quality of service by theservice users and the assessment of the performance of the company (recreationalcenters) showed that the personal characteristics of the service provider directlyaffect the quality of service and performance.
Ivana, Tomić. "Analiza indikatora performanse u procesu donošenja strateških odluka u industrijskom preduzeću." Phd thesis, Univerzitet u Novom Sadu, Fakultet tehničkih nauka u Novom Sadu, 2017. https://www.cris.uns.ac.rs/record.jsf?recordId=105043&source=NDLTD&language=en.
Повний текст джерелаThe research subject is defining and analyzing key performance indicators for making strategic decisions in industrial companies. Examines the impact of key performance indicators for organizing effective and efficient production with minimum costs, and the impact of employees' loyalty to the performance of the service companies. In addition to scientific contributions in the field of management, the research also has practical application.
Siniša, Mitić. "Uticaj informacionih tehnologija na organizacione performanse preduzeća u Srbiji." Phd thesis, Univerzitet u Novom Sadu, Tehnički fakultet Mihajlo Pupin u Zrenjaninu, 2016. https://www.cris.uns.ac.rs/record.jsf?recordId=101478&source=NDLTD&language=en.
Повний текст джерелаThe dissertation deals with determining the directionand intensity of the impact of informationtechnologies on individual and organizationalperformance of companies in Serbia. Observed arethe following performances: job satisfaction,communication satisfaction, organizationalcommitment, mutual trust at work, organizationallearning, financial performance and professionalrespect for the leader. The survey was conducted incompanies in Serbia, by the respondents (middlemanagers) completing questionnaires. For the studythere were used responses from a total of N = 380middle managers from 102 companies. The mostimportant results of the research are as follows: 1.Defined is the current level of modernity andapplication of information technologies, as well as thelevel of attention paid to information technologies incompanies in Serbia. 2. Defined is the situation ofinformation technologies depending on severalcriteria: gender of the CEO, age of the CEO, theownership structure of the company, financialperformance, professional respect for the leader andtrust in the actions of management. 3. It is found thatinformation technologies are an indicator of the levelof the observed organizational and businessperformance. 4. It is found that there is a statisticallysignificant impact of information technologies on theobserved organizational and business performance. 5. Tested and defined are the moderating effects of threemoderators: professional respect for the leader, trustin the action of management and ownership structureof the company, on the relationship of informationtechnologies and communication satisfaction andorganizational learning. 6. There are definedrecommendations for leaders and managers in thisregard to improve the performance of the company,from the perspective of information technologies andtheir application.
Teixeira, Paulo Frederico de Andrade. "Samuel Kerr: um recorte analítico para performance de seus arranjos." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-31012014-152704/.
Повний текст джерелаThe purposes of this study were to analyze the set of choral arrangements elaborated by the conductor Samuel Kerr and establish possible connections between his production and his artistic career. Thereunto, we presented a biographical text originated from bibliographic research, and we realized that an interview with the conductor was needed to raise his background which led to his choral writing. Afterwards, we listed and exemplified the fourteen procedures recurrently found during the process analysis of a set of one hundred and ninety nine arrangements. At last, we choose five representatives arrangements from the set for a further detailed analysis, performed by Silva Ramos Benchmark, process that allowed us to understand clearly the application of the procedures. Throughout the dissertation we pursue to relate the quantification of the application of procedures writing to creative thinking and pedagogical research that we have identified in the research and we have evidenced in most analyzes.
Bennetts, Kathryn. "Solo recorder music of the 1990s : analytical approaches to the repertoire and its performance." Thesis, Canterbury Christ Church University, 2016. http://create.canterbury.ac.uk/16332/.
Повний текст джерелаOlsson, Elisabeth. "Multi-trait evaluation of Swedish warmblood stallions at station performance tests including field and competition records /." Uppsala : Dept. of Animal Breeding and Genetics, Swedish University of Agricultural Sciences, 2006. http://epsilon.slu.se/10275067.pdf.
Повний текст джерелаFeaster, Patrick. ""The following record" making sense of phonographic performance, 1877--1908 /." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3264321.
Повний текст джерелаSource: Dissertation Abstracts International, Volume: 68-05, Section: A, page: 2108. Adviser: Richard Bauman. "Title from dissertation home page (viewed Jan. 12, 2008)."
Edin, Strukan. "Efekti liderstva na organizacione i poslovne performanse preduzeća." Phd thesis, Univerzitet u Novom Sadu, Tehnički fakultet Mihajlo Pupin u Zrenjaninu, 2019. https://www.cris.uns.ac.rs/record.jsf?recordId=108162&source=NDLTD&language=en.
Повний текст джерелаThe dissertation deals with the effects of leadership, LMX and transformational leadership on the various organisational and business performance of enterprises in Bosnia and Herzegovina. Of business performance, key financial and success of new product development performance are considered to be key, while as organisational performance we consider: job satisfaction, organisational commitment, organisational communication and mutual trust at work. In addition, the dissertation also explains other organisational outcomes that are in a cause-and-effect relationship with leadership: organisational behaviour, organisational culture, motivation and stress. The research part of the dissertation is based on data obtained from two simultaneously conducted research. The first survey included a survey of N = 334 mid-level managers from 103 enterprises in Bosnia and Herzegovina. The statistical methods used are: descriptive statistics, correlation analysis, regression analysis and hierarchical regression analysis for moderate effect testing. The basic conclusions of this research are: (1) Leaders in Bosnia and Herzegovina have high expectations in terms of performance, with little support and feelings for employees. The penalties are more frequent than the rewards, the LMX is around the average, the distance of power above the average, and the organisation's commitment has a low average grade. (2) Employees in Bosnia and Herzegovina do not like a great distance of power, preferring good interpersonal relationships, both with their superiors and their counterparts. In addition, employees highly value and reward strategic abilities of leaders. Insistence of leaders on high-performance, as well as the application of the punishment system, do not yield positive effects. (3) Job satisfaction, satisfaction with organisational communication and mutual trust in work are around the average. Employees are more satisfied with aspects of work related to social relations in the companythan the existing and potential benefits. Generally speaking, they are happy with organisational communication, especially with middle-level managers, and mutual trust is more intense when it comes to the intentions and actions of colleagues than the intentions and actions of enterprise management. (4) Ownership structure and national origin of enterprises are not significant moderators of observed relationships. The moderate effect has only been demonstrated in a small number of cases. (5) Leaders should reduce the distance of power, reduce high performance expectations, reduce punishment, improve their relationship with employees, nurture good relations among employees, increase rewards, and improve their strategic knowledge, thinking and action.Also, in order for the dissertation to provide comprehensive information on the effects of leadership on organisational and business performance of enterprises in Bosnia and Herzegovina, in addition to the aforementioned research of mid-level managers, an additional parallel study was carried out on a sample of 127 top managers in the same companies, on the principle of one company one top manager. Bearing in mind the fact that modern business imposes on leaders the need to create and permanently introduce changes to existing business practises, which in essence represents transformational leadership, this research was intended to determine the scope and intensity of the transformation leadership effects of top managers on business performance of enterprises in Bosnia and Herzegovina. We consider financial performance and performance of new product development as business performance. The results of this research show that transformational leadership has a positive influence on achieving a high level of financial performance and the performance of developing a new product. Also, research has shown that leaders and top managers of the highest level in enterprises in Bosnia and Herzegovina have a greater focus on tasks than on people. In this regard, the recommendation to them is to pay more attention to the design and implementation of changes in the existing business model, the future and long-term plans, but also to its employees as the main carriers of all business processes.
Cuervo, Luciane da Costa. "Musicalidade na performance com a flauta doce." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2009. http://hdl.handle.net/10183/15663.
Повний текст джерелаThe present research traces the recorder learning process in a group of seventeen people, between the ages of nine and thirteen, which participate in an extension program held by a public school in Porto Alegre city. This research aims to understand how musicality is developed, based on the concept that this is a human characteristic, constituted by the capacity of creating musical meaning through expressive performance. The methodology applied has a qualitative approach. A group case study was made through class observation and collective recorder presentations. Semi-structured interviews were conducted as a complementary procedure. Data collection occurred between September 2007 and August 2008 by a total of 16 meetings registered in a field diary and in audio files. The observation of indicators such as sonority, musical phrasing, instrumental fluency and musical interaction optimized the analysis and interpretation of the results. The development of musicality in these seventeen people was characterized by the dynamic process of gradual acquisition of musical knowledge and ability, which promotes, at every progress, a new know-how wholeness that favors performance expressivity. The results demonstrated that: repertoire; practice and study; sociocultural context; access to technique, composition, improvisation, and musical reading; and the occurrence of musical presentations are factors that influence musicality development.
Bittar, Valeria. "Música e ato." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284459.
Повний текст джерелаTese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-20T08:02:13Z (GMT). No. of bitstreams: 1 Bittar_Valeria_D.pdf: 3915851 bytes, checksum: 3bdc67b5e7298b895d1d4e6d7c1d2681 (MD5) Previous issue date: 2012
Resumo: O presente trabalho é divido em três partes. A primeira é uma exposição crítica da formação do músico intérprete, forjada na metodologia do Conservatório pós-Revolução Francesa e estabelecida no Romantismo. Compara-se essa "mentalidade" à noção da "sociedade disciplinar", "sociedade dos corpos dóceis", desenvolvida por Michel Foucault (2007), como estrutura da formação musical, geradora de uma interpretação "transparente" (HAYNES, 2007), denominada nesta tese de "interpretação neutra". O eixo dessa formação concentra-se no texto musical como valor absoluto, na autoria do texto e na decodificação lógico-abstrata feita pelo intérprete neutro, através de um treinamento técnico automatizado. A segunda parte desta tese considerará que a Performance da Música Historicamente Informada HIP (Historically Informed Performance) e, ao mesmo tempo, o contato do músico intérprete com composições que contêm escrita de contornos "móveis" de autores contemporâneos, foram os principais fatores que desviaram o músico da interpretação musical "canonicista" consolidada no Romantismo e que ainda hoje, paradoxalmente, formata a performance musical. Ambos os fatores conduziram o performador musical a deslocar o eixo da interpretação textocêntrica, na qual o performador assumia o posto do "embaixador da vontade do autor da obra" (DUNSBY, 1995) e a musicologia assumia a função reguladora da performance. Sem desvalorizar o texto musical (seja escrito ou de transmissão oral), este deslocamento aciona a noção da performance como uma operação de ordem perceptiva, e não lógica, que ocorrerá no espaço de performance, no instante da performance, cujo eixo é o intérprete e a audiência. Na terceira parte deste trabalho propõe-se primeiramente intensificar a vivência do performador através do conceito de "movência" do texto, termo cunhado pelo medievalista Paul Zumthor (1993), perante a "intervocalidade" que estrutura os textos da Idade Média, denotando a mobilidade e os "contornos frouxos" do texto. Propõe-se a aplicação do conceito de "movência" para a leitura /interpretação de qualquer texto. Partindo da conscientização da mobilidade do texto é considerada a abertura de um diálogo, por parte do performador musical, com outras artes performáticas, o teatro e a dança contemporâneos. Sugere-se o encontro de denominadores comuns entre estas artes - em especial o encontro com os conceitos fundamentados no teatro de Jerzy Grotowski, na antropologia teatral de Eugenio Barba e na Técnica Klauss Vianna de "Escuta do Corpo". Neste diálogo é proposta como estruturação do performador para a performance musical perceptiva, a inclusão de fundamentos trazidos por este teatro e pela Técnica Klauss Vianna: acionamento da atenção que parte da desautomatização do corpo cotidiano e a consequente geração da dilatação e da presença do corpo do atuante no momento do Ato musical. Expõe-se a experiência da autora como flautista doce no trabalho com o Grupo ANIMA, como síntese das propostas trazidas nesta tese, que caminham para a vivificação do Ato musical através da presença viva do músico atuante e de seu corpo em comunhão com a audiência
Abstract: The present work is divided into three parts. The first is a critical exposition of the formation of the music performer, forged in the methodology of the Conservatory after the French Revolution and settled in Romanticism. Here it will be compare this "mentality" to the notion of "disciplinary society", "society of docile bodies", developed by Michel Foucault (2007), as the structure of musical training, giving rise to an "transparent" interpretation (HAYNES, 2007), called here "neutral interpretation". The axis of this training focuses on the musical text as an absolute value, the authorship of the text and the decoding logic abstraction made by the neutral interpreter, through an automated technical training. The second part will consider the Historically Informed Performance of music (HIP) and at the same time, the contact of performers with interpretation of compositions of contemporary authors containing instable contours, the main factors that deviated the musician from "canonical" interpretation settled in Romanticism and consolidated today. Both factors led the musical performer to shift the axis of 'textcentrical' interpretation, in which the performer took the post of "Ambassador of the will of the author" (DUNSBY, 1995) and musicology assumed the function of regulatory performance. Without detriment to the musical text (whether written or oral transmission), this displacement drives the notion of performance as an operation of perceptual order, not logical, which occur in the space of performance, at the moment of performance, whose axis is the interpreter and audience. In the third part of this study aims primarily to intensify the experience of the performer through the concept of 'mouvence' of the text, a term coined by medievalist Paul Zumthor (1993), facing the 'intervocalicality' which structures the texts of the Middle Ages, showing mobility and 'flexible edges' of the text. It is proposed to apply the concept of 'mouvence' for reading / interpretation of any text. Starting from the awareness of the mobility of the text, in the present work it will be considered the opening of a dialogue, by the musical performer, with other performing arts, contemporary theater and contemporary dance. It is suggested that the finding of common denominators between these arts - especially the meeting with the fundamental concepts in the theater of Jerzy Grotowski, the Theater Anthropology of Eugenio Barba and the KlaussVianna Technique of "Body Hearing." This dialogue will propose that the structure of the performer, for musical perceptive performance, should be based on the inclusion of the concepts developed in Grotowski and Barba's theater and in the principles of the KlaussVianna Technique as: drive the attention of the body through deautomatization of everyday body and the consequent generation of dilation of the body and the presence of the body in the musical Act. It will be exposed the author's experience as recorder player together with Grupo ANIMA, as a synthesis of the proposals brought in this theses, that conduce to a lively musical Act through the living presence of the musician and its body in communion with the audience
Doutorado
Artes Cenicas
Doutor em Artes
Mayes, Andrew. "Aspects of performance practice in works for recorder composed for Carl Dolmetsch between 1939 and 1989." Thesis, Birmingham City University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.506067.
Повний текст джерелаPhilbeck, Nancy K. "Remediating the Transient Music Student Using Hypermedia and Finale Performance Assessment™ : A Recorder Based Model." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etd/2260.
Повний текст джерелаMila, Kavalić. "Efekti menadžmenta znanja na zadovoljstvo poslom zaposlenih i finansijske performanse preduzeća." Phd thesis, Univerzitet u Novom Sadu, Tehnički fakultet Mihajlo Pupin u Zrenjaninu, 2020. https://www.cris.uns.ac.rs/record.jsf?recordId=114985&source=NDLTD&language=en.
Повний текст джерелаThe main goal of this doctoral dissertation is to determine the directions and intensities of two groups of effects: knowledge management (KM) on employee job satisfaction (JS) and enterprise financial performance (FP). In addition, the impact of individual control variables (national origin of the enterprise, ownership structure, the size of the enterprise, and the financial performance of the enterprise) on the dimensions of knowledge management (KM) is presented. Also the effects of the defined moderating relations (gender, age, type of job and level of education of respondents) on the relations of KM to JS are analyzed. The research was conducted via survey, on a sample of N = 520 respondents (managers of all levels) from manufacturing enterprises in Serbia. Statistical data analysis was conducted with the IBM SPSS Statistics 21 software. The following statistical methods were used: descriptive statistics, t-test, correlation analysis, regression analysis, analysis of variance (ANOVA) and hierarchical regression analysis for analysis of moderator actions. Two groups of influences were observed: knowledge management on employee job satisfaction and knowledge management on enterprise financial performance. During the analysis of these relations, significant differences were noticed. The impact of knowledge management on financial performance is clear and unambiguous: statistically significant and positive. However, the impact of knowledge management on employee job satisfaction is much more complex: it is mostly statistically significant and negative, but it also has statistically significant and positive impacts. The main limitation of the research is the fact that the research results refer to countries with specific transition conditions of the economy, and to the presence of the psychological attitude of people, which is specific in such conditions. On the other hand, it must be noted that a significant research sample included foreign companies operating in Serbia, which may imply the universality of the results. Given that the transition conditions are changing, it would be important to monitor these changes and in accordance with them set new studies and compare the results and accordingly make recommendations for further research and business improvement.
Gaskill, David M. "Real-Time Auxiliary Display Devices Enhance the Performance of Thermal Array Chart Recorders." International Foundation for Telemetering, 1991. http://hdl.handle.net/10150/612938.
Повний текст джерелаChart recorders are needed both for producing a permanent record for post-mission analysis and for providing real-time information during a test. Immediate feedback is important when test conditions may require mid-course warnings or corrections. In the traditional galvanometer based chart recorder, the operator can look directly at the pens moving on the paper and quickly judge speed and amplitude. When using a thermal array recorder, there is a small delay between the time of printing and the time when the trace is visible. This is due to the construction of the thermal array itself. Individual printing elements are deposited on a ceramic substrate which eliminates all motion from the printing process and physically blocks the operator’s view of the printhead so that for a short time there are no visual clues as to the exact waveform position. At higher chart speed this gap only represents milliseconds of elapsed time, well below human reaction time, and therefore of no real importance. At trending speeds, however, the delay could be half a second or even more and could be a problem in some situations. The first solution offered by manufacturers of thermal array recorders was a row of LED’s that stretched across the recorder directly over the printheads and reflected printing activity in real-time and indicated the actual position of the individual waveform traces. This was found to be a satisfactory solution by most telemetrists who wanted to change to the new technology in order to take advantage of the thermal array recorder’s higher frequency response and flexible formats. While the LED array satisfies basic real-time response requirements, there are many other applications for auxiliary displays which include variable chart labeling and graphic display of waveforms.
Wright-Harmon, Joy. "Performance Rights in Sound Recordings: the Impact of the Performance Rights Act on Radio, Records, and Performing Artists." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc115185/.
Повний текст джерелаCarvalho, Cristiane dos Santos. "Os elementos da performance musical (EPM) na preparação de recitais de grupos de flautas doce." Universidade Federal de Goiás, 2016. http://repositorio.bc.ufg.br/tede/handle/tede/6122.
Повний текст джерелаApproved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-09-06T13:07:51Z (GMT) No. of bitstreams: 9 Dissertação - Cristiane dos Santos Carvalho - 2016 - Pate 1.pdf: 1300679 bytes, checksum: c70f30f0f34b22b03c7e342a412f2523 (MD5) Track01.cda: 44 bytes, checksum: b94abcd71973e03adf1914510ee30e84 (MD5) Track02.cda: 44 bytes, checksum: 0285fc3e4b30cf97cb77d54d504d5ad4 (MD5) Track03.cda: 44 bytes, checksum: d3863cebfa5f9808098399083a201498 (MD5) Track04.cda: 44 bytes, checksum: afff3ebf8d1f1295b4fc1456c105f828 (MD5) Track05.cda: 44 bytes, checksum: 6da78de7f23e71708a9ce079dbdfd177 (MD5) Track06.cda: 44 bytes, checksum: 41d8c5f170665824f9b970997919f449 (MD5) Track07.cda: 44 bytes, checksum: 0da294956b7c612de2585d776b2aa88a (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)
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Fundação de Amparo à Pesquisa do Estado de Goiás - FAPEG
The Final Product of Masters Degree presented here consists of two required parts: Part A (Artistic Production) and Part B (Scientific Production). The artistic part is composed of concerts presented throughout the process, including the defense recital, directly related to the developed research. The scientific part consists of an article that addresses the preparation of Brazilian recorder‟s ensembles at universities from the perspective of Musical Performance Elements (MPE) concept used as a focus of the research that was developed by RAY (2005). The main objective of the research was to identify the recorder active groups in universities, know how they work and indicate ways to optimize the preparation of this kind of group. The adopted methodological procedure was literature review on the subject and field research to identify the recorder active ensembles in Brazilian universities, followed by the organization and discussion of results. At last, we used the material gathered and discussed as a basis for the development of suggestions for the preparation of recitals in recorder‟s ensemble.
O Produto Final de conclusão de Mestrado aqui apresentado é composto de duas partes obrigatórias: Parte A (Produção Artística) e Parte B (Produção Científica). A parte artística é composta pelos recitais apresentados ao longo do curso, incluindo o recital de defesa, diretamente relacionado com a pesquisa desenvolvida. A parte científica é constituída por um artigo que aborda o processo de preparação de grupos de flautas doces de universidades brasileiras sob a ótica dos Elementos da Performance Musical (EPM), conceito utilizado como foco da pesquisa que foi desenvolvido por RAY (2005). O objetivo principal da pesquisa foi identificar os grupos de flautas doces ativos em universidades, entender como eles funcionam e indicar formas de otimizar a preparação deste tipo de grupo. O procedimento metodológico adotado foi revisão de literatura sobre o tema e pesquisa de campo para identificação dos grupos de flautas doces ativos em universidades brasileiras, seguidos da organização e discussão dos resultados. Ao final, utiliza-se do material reunido e discutido como base para a elaboração de sugestões para a preparação de recitais em grupos de flautas doces.
Do, Changhee. "Improvement in accuracy using records lacking sire information in the animal model." Diss., Virginia Tech, 1992. http://hdl.handle.net/10919/39430.
Повний текст джерелаTse, Po-fung Jordon. "LIVE performance informal performance space within the city /." Click to view the E-thesis via HKUTO, 2000. http://sunzi.lib.hku.hk/hkuto/record/B31985464.
Повний текст джерелаIncludes special report study entitled : Identification of streetscape with performance space & identification of performance space with streetscape. Includes bibliographical references. Also available in print.
Canchola, Amy. ""Para qué recorder": Preserving the Legacy of María Grever through Selected Vocal Compositions for Study and Performance." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505196/.
Повний текст джерелаMiloš, Tomić. "Unapređenje modela organizacije i upravljanja poslovnim procesima uindustrijskim uslužnim preduzećima." Phd thesis, Univerzitet u Novom Sadu, Fakultet tehničkih nauka u Novom Sadu, 2016. http://www.cris.uns.ac.rs/record.jsf?recordId=101540&source=NDLTD&language=en.
Повний текст джерелаIn his doctoral dissertation, presented models for improving organizationalstructures and business process management and performancemanagement business processes. In the first model developed methods ofanalysis, modeling, assessment and evaluation procedures to improve thestructure and business processes, and in the second model are set phasesof planning, performance measurement and visualization of businessprocesses. Were applied modern software management processes and theirperformance. A possible application of the developed model was investigatedin two case studies of real industrial service enterprise.
Bell, Regan, Nomathamsanqa Mgutshini, Nitin Joshi, and Peter Panus. "Comparing EMR Fall Risk Calculation to Performance-based Assessments." Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/asrf/2021/presentations/61.
Повний текст джерелаHeesop, Kim. "A study of the influence of choice of record fields on retrieval performance." Thesis, Northumbria University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391752.
Повний текст джерелаWong, Melissa Hok Cee. "A matter of record : ontology, technology, and historically informed performance in rock music." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709338.
Повний текст джерелаLockett, David R. "Recorded performances and a published edition [kit] / David Robert Lockett." 2003. http://hdl.handle.net/2440/38471.
Повний текст джерелаIncludes reproduction of the author's edition of the piano works of Margaret Sutherland (Allans Publishing ; c2000)
Includes selective list of public performances by the author (leaves 8-14), and comprehensive list of performances of works by Australian composers (leaves [66]-76).
Bibliography: leaf [65]
173 leaves :
Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
The principal focus of this submission is performance, represented by a set of four compact discs containing recordings of a wide range of solo and ensemble repertoire. There is, in addition, a secondary focus in the area of Musicology, represented most obviously in the published edition of the piano music of Margaret Sutherland, and in some of the accompanying commentary. The primary elements of the portfolio are the recordings and the edition.
Thesis (D.Mus.)--University of Adelaide, Elder School of Music, 2004?
Lockett, David Robert. "Recorded performances and a published edition [kit] / David Robert Lockett." Thesis, 2003. http://hdl.handle.net/2440/38471.
Повний текст джерелаIncludes reproduction of the author's edition of the piano works of Margaret Sutherland (Allans Publishing ; c2000)
Includes selective list of public performances by the author (leaves 8-14), and comprehensive list of performances of works by Australian composers (leaves [66]-76).
Bibliography: leaf [65]
173 leaves :
Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
The principal focus of this submission is performance, represented by a set of four compact discs containing recordings of a wide range of solo and ensemble repertoire. There is, in addition, a secondary focus in the area of Musicology, represented most obviously in the published edition of the piano music of Margaret Sutherland, and in some of the accompanying commentary. The primary elements of the portfolio are the recordings and the edition.
Thesis (D.Mus.)--University of Adelaide, Elder School of Music, 2004?
Thomas, Holly Ellen. "Applying the linear concept of contemporary drumming: a portfolio of recorded performances and exegesis." Thesis, 2014. http://hdl.handle.net/2440/85973.
Повний текст джерелаThesis (M. Phil.) -- University of Adelaide, Elder Conservatorium of Music, 2014
Rickard-Ford, Paul. "Portfolio of recorded performances and exegesis: the late piano works of Robert Schumann." Thesis, 2010. http://hdl.handle.net/2440/63083.
Повний текст джерелаThesis (Ph.D.) -- University of Adelaide, Elder Conservatorium of Music, 2010