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Книги з теми "Recorded performances"

Щоб переглянути інші типи публікацій з цієї теми, перейдіть за посиланням: Recorded performances.

Автор: Grafiati

Опубліковано: 10 грудня 2022

Оновлено: 29 січня 2023

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1

Hastings, Stephen. The Björling sound: The recorded legacy. Rochester, NY: University of Rochester Press, 2012.

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2

Morris, Manuel. The recorded performances of Gérard Souzay: A discography. New York: Greenwood Press, 1991.

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3

The Björling sound: The recorded legacy. Rochester, NY: University of Rochester Press, 2012.

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4

Mortimer, Julie Holland. Supply responses to digital distribution: Recorded music and live performances. Cambridge, MA: National Bureau of Economic Research, 2010.

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5

Tanner, Mark. The Liszt sonata in B minor: An analytical study of recorded performances. Birmingham: University of Central England, 1999.

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6

Hong, Ju-Lee. Musical expression in performance: An analysis of recorded performances of J.S. Bach's Sarabande from the C major cello suite BWV 1009. Birmingham: University of Central England, 2003.

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7

Vasey, Ruth. A calendar of Sydney theatrical performances 1870-1879: As recorded in the advertising columns of the Sydney Morning Herald. Edited by Wright Elizabeth and Sydney morning herald. [Kensington, N.S.W.]: Australian Theatre Studies Centres, School of Theatre Studies, University of New South Wales, 1986.

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8

Bayley, Amanda. Recorded music: Performance, culture and technology. Cambridge, UK: Cambridge University Press, 2010.

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9

International Recorder Symposium (1993 Utrecht, Netherlands). The recorder in the 17th century: Proceedings of the International Recorder Symposium, Utrecht 1993. Utrecht: STIMU Foundation for Historical Performance Practice, 1995.

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10

Food, Ontario Ministry of Agriculture and. Using performance records in beef production. Ontario: Queen's Printer for Ontario, 1988.

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11

Goldstein, Jack. Films, records, performances and aphorisms 1971-1984 =: Filme, Schallplatten, Performances und Aphorismen 1971-1984. Koln: Walther Konig, 2003.

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12

Pekkarinen, Tuomas. Performance pay and earnings: Evidence from personnel records. Bonn, Germany: IZA, 2006.

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13

Tukey, Ronald B. Evaluating orchard performance and practices from packout records. [Corvallis, Or.]: Oregon State University Extension Service, Washington State University Cooperative Extension, University of Idaho Cooperative Extension Service, and U.S. Dept. of Agriculture, 1988.

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14

High performance through organizing information. New York: Rosen Pub. Group, 1996.

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15

United States. Animal and Plant Health Inspection Service. Veterinary Services. Centers for Epidemiology and Animal Health. Management practices associated with high-producing U.S. dairy herds. Fort Collins, CO: U.S. Dept. of Agriculture, Animal and Plant Health Inspection Service, Veterinary Services, 1997.

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16

Mwangi, J. N. Importance of records in livestock development: (a farmer's tool in enhancing livestock profitability). Nairobi, Kenya: Mwangi, J.N., 2005.

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17

Megede, Ekkehard Zur. Progression of world best performances and IAAF approved world records. 3rd ed. [Monaco]: International Amateur Athletic Foundation, 1995.

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18

General, Western Australia Office of the Auditor. For the public record: Managing the public sector's records : performance examination. West Perth, W.A: The Office, 1996.

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19

Standardization, International Organization for. Information and documentation--: Records management processes-- metadata for records. Geneva: ISO, 2004.

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20

Standardization, International Organization for. Information and documentation--: Records management processes-- metadata for records. Geneva: ISO, 2006.

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21

Baseball records registry: The best and worst single-day performances and the stories behind them. Jefferson, N.C: McFarland & Co., 1997.

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22

Silva, Belchior da. Performance of the producers of health information on MCH/FP in the periphery Santiago Island, Cape Verde. Heidelberg, Germany: s.n., 1991.

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23

Austin, Louise. Playing music for the dance. Littleton, CO: ARS Education Committee, 1991.

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24

Austin, Louise. Playing music for the dance. Jackson, NJ: American Recorder Society, 1991.

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25

Standardization, International Organization for. Information and documentation: Records management. Geneva: ISO, 2001.

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26

Standardization, International Organization for. Information and documentation: Records management. Geneva: ISO, 2001.

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27

Montana. Legislature. Office of the Legislative Auditor. Performance audit report: Space utilization and records management, Helena-located state agencies. Helena, Mont. (Room 135, State Capitol 59620): The Office, 1989.

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28

Standardization, International Organization for. Information and documentation--: Library performance indicators = Information et documentation-- indicateurs de performance des bibliothèques. Geneva: ISO, 1998.

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29

Jenny, Bartlett, ed. Recording music on location: Capturing the live performance. Amsterdam: Elsevier Focal Press, 2007.

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30

Utah. Legislature. Office of the Legislative Auditor General. A performance audit of the operating efficiency of the Utah State Court system. Salt Lake City, Utah: Office of the Legislative Auditor General, 2011.

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31

Morris, Manuel. The Recorded Performances of Gerard Souzay: A Discography (Discographies). Greenwood Press, 1990.

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32

Stivelman, William C., and Dhun H. Sethna. Classical Cd Library: A Music Lover's Guide to Great Recorded Performances. Fitzwilliam Press, 1999.

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33

Hal Leonard Publishing Corporation (COR). Masters of the Blues Harp: Note-for-Note Transcriptions from Classic Recorded Performances. Hal Leonard Corporation, 2001.

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34

Still More Disney Solos for Kids: Voice and Piano With online recorded performances and accompaniments. Hal Leonard, 2010.

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35

Hal Leonard Publishing Corporation (COR). Children's Christmas Solos - Book/audio: 25 Carols and Popular Songs Recorded Performances and Accompaniments Online. Leonard Corporation, Hal, 2021.

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36

Maslon, Laurence. Face the Music (and Dance). Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199832538.003.0003.

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The technological advance of the gramophone allowed consumers to hear the performers of Broadway in their living rooms. But the tunes from the Great White Way were more persuasive than the impulse to record original performers in the roles they performed nightly on the stage; the technical limitations of the 78 rpm record only allowed for three minutes of music, so the overwhelmingly popular dance band orchestras of the period were, by and large, the most effective purveyors of Broadway music. The notion of an “original cast performance” was not a commercial imperative and the early decades of recorded music reveal an arbitrary and confounding legacy of original performances; the music of Broadway itself, however, was the most influential and revered genre in American popular culture.

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37

Burrows, George. The Recordings of Andy Kirk and his Clouds of Joy. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199335589.001.0001.

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This is the first book-length study of the recordings of Andy Kirk and His Clouds of Joy. This all-black band found nationwide fame in the later 1930s and came to exemplify the Kansas City style of jazz through the records they made between 1929 and 1946. That body of work, however, serves to raise fundamental questions about the long-standing relationship between jazz music and the critical discourses about race that shaped it. This book considers how Kirk and his band appropriated musical styles in a way that was akin to the manipulation of masks in black forms of blackface performance: it signified race as much as it subverted racist conceptions of style. The band’s composer-pianist, Mary Lou Williams, and their singer Pha Terrell are reconceived within that context, and the band’s recordings are framed for their significance in understanding the way such black musicians influenced racial-musical negotiations over what and how they performed and recorded. The book brings together analytical tools from musicology with other perspectives that aim to show how intersecting discourses about race and musical styles are embedded in and expressed by the musical materials heard on the records. The difference between the band’s live and recorded performances establishes the place of audiences, especially dancing ones, in shaping jazz as a practice and conception, and it opens avenues for further investigation of the way practices of performance and recording have shaped understanding of what jazz music is and the racialized conceptions that underpin it.

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38

Camlot, Jason. Phonopoetics. Stanford University Press, 2019. http://dx.doi.org/10.11126/stanford/9781503605213.001.0001.

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Phonopoetics tells the neglected story of early “talking records” and their significance for literature from the 1877 invention of the phonograph to some of the first recorded performances of modernist works. The book challenges assumptions of much contemporary criticism by taking the recorded, oral performance as its primary object of analysis and by exploring the historically specific convergences between audio recording technologies, media formats, generic forms, and the institutions and practices surrounding the literary. Opening with an argument that the earliest spoken recordings were a mediated extension of Victorian reading and elocutionary culture, Jason Camlot explains the literary significance of these pre-tape era voice artifacts by analyzing early promotional fantasies about the phonograph as a new kind of speaker, and detailing initiatives to deploy it as a pedagogical tool to heighten literary experience. Through historically-grounded interpretations of Dickens impersonators to recitations of Tennyson to T.S. Eliot’s experimental readings of “The Wasteland” and of a great variety of voices and media in between, this first critical history of the earliest literary sound recordings offers an unusual perspective on the transition from the Victorian to Modern periods and sheds new light on our own digitally mediated relationship to the past.

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39

Portraits of Celebrated Racehorses of the Past and Present Centuries in Strictly Chronological Order, Commencing in 1702 and Ending in 1870, Together ... Pedigrees and Performances Recorded in Full. Franklin Classics, 2018.

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40

Taunton, Thomas Henry. Portraits of Celebrated Racehorses of the Past and Present Centuries in Strictly Chronological Order, Commencing in 1702 and Ending in 1870, Together ... Pedigrees and Performances Recorded in Full. Franklin Classics Trade Press, 2018.

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41

Oberlin, Heike, та David Shulman, ред. Two Masterpieces of Kūṭiyāṭṭam. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199483594.001.0001.

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Kūṭiyāṭṭam, India’s only living traditional Sanskrit theatre, has been continually performed in Kerala for at least a thousand years. The actors and drummers create an entire world in the empty space of the stage by using spectacular costumes and make-up and by an immensely rich interplay of words, rhythms, mime, and gestures. This volume focuses on Mantrāṅkam and Aṅgulīyāṅkam, the two great masterpieces of Kūṭiyāṭṭam. It provides fundamental general remarks and relates them to pan-Indian reflections on aesthetics, philology, ritual studies, and history. Authored by scholars and active Kūṭiyāṭṭam performers, this is the first attempt to bring together a set of sustained, multi-faceted interpretations of these masterpieces-in-performance. With an aim to open up this ancient art form to readers interested in South Indian culture, religion, theatre and performance studies, philology, as well as literature, this volume offers a new way to access a major art form of pre-modern and modern Kerala. The University of Tuebingen in Germany and the Hebrew University of Jerusalem in Israel were partners in a long-term project studying and documenting Kūṭiyāṭṭam performances, including initiating full-scale performances of major works in the classical repertoire. We have been, in particular, focusing on the study of the two major, complex and ancient works, Mantrāṅkam and Aṅgulīyāṅkam, both of which we have seen and recorded in full. The articles in this volume are one of the results. They are supplemented with video-clips of lecture demonstrations provided online.

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42

Great Britain. Meat and Livestock Commission. Sheep Improvement Services., ed. Performance recorded flocks. Bletchley: Meat and Livestock Commission, 1985.

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43

Sloboda, John, Alexandra Lamont, and Alinka Greasley. Choosing to hear music. Edited by Susan Hallam, Ian Cross, and Michael Thaut. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199298457.013.0040.

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A substantial amount of music listening in contemporary Western society is deliberately chosen. This article reviews what is known about the psychology of self-chosen exposure to musical performances of others (recorded or live). The research reviewed is organized by the functional niche that the music is chosen to be part of. Six main niches appear in the literature. These are travel (e.g. driving a car, walking, using public transport); physical work (everyday routines such as washing, cleaning, cooking, and other forms of manual labour); brain work (e.g. private study, reading, writing, and other forms of thinking); body work (e.g. exercise, yoga, relaxation, pain management); emotional work (e.g. mood management, reminiscence, presentation of identity); and attendance at live-music-performance events as an audience member. Within these niches, four recurring functions of self-chosen music use are also identified: distraction, energizing, entrainment, and meaning enhancement.

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44

Taunton, Thomas Henry. Portraits of Celebrated Racehorses of the Past and Present Centuries: In Strictly Chronological Order, Commencing in 1702 and Ending in 1870 Together ... and Performances Recorded in Full; Volume 4. Franklin Classics Trade Press, 2018.

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45

Taunton, Thomas Henry. Portraits of Celebrated Racehorses of the Past and Present Centuries: In Strictly Chronological Order, Commencing in 1702 and Ending in 1870 Together ... and Performances Recorded in Full; Volume 2. Franklin Classics Trade Press, 2018.

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46

Taunton, Thomas Henry. Portraits Of Celebrated Racehorses Of The Past And Present Centuries: In Strictly Chronological Order, Commencing In 1702 And Ending In 1870 Together ... And Performances Recorded In Full; Volume 1. Franklin Classics, 2018.

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47

Portraits of Celebrated Racehorses of the Past and Present Centuries: In Strictly Chronological Order, Commencing in 1702 and Ending in 1870 Together ... and Performances Recorded in Full; Volume 1. Franklin Classics Trade Press, 2018.

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48

Taunton, Thomas Henry. Portraits of Celebrated Racehorses of the Past and Present Centuries: In Strictly Chronological Order, Commencing in 1702 and Ending in 1870 Together ... and Performances Recorded in Full; Volume 2. Franklin Classics Trade Press, 2018.

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49

Hansen, Kai Arne. Pop Masculinities. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190938796.001.0001.

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Анотація:

Pop Masculinities investigates the performance and policing of masculinity in pop music as a starting point for grasping the broad complexity of gender and its politics in the early twenty-first century. Drawing together perspectives from critical musicology, gender studies, and adjacent scholarly fields, the book presents extended case studies of five well-known artists: Zayn, Lil Nas X, Justin Bieber, The Weeknd, and Take That. By directing particular attention to the ambiguities and contradictions that arise from these artists’ representations of masculinity, author Kai Arne Hansen argues that pop performances tend to operate in ways that simultaneously reinforce and challenge gender norms and social inequalities. Providing a rich exploration of these murky waters, the author merges the interpretation of recorded song and music video with discourse analysis and media ethnography in order to engage with the full range of pop artists’ public identities as they emerge at the intersections between processes of performance, promotion, and reception. In so doing, he advances our understanding of the aesthetic and discursive underpinnings of gender politics in twenty-first century pop culture and encourages readers to contemplate the sociopolitical implications of their own musical engagements as audiences, critics, musicians, and scholars.

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50

Taunton, Thomas Henry. Portraits of Celebrated Racehorses of the Past and Present Centuries in Strictly Chronological Order, Commencing in 1702 and Ending in 1870, Together with Their Respective Pedigrees and Performances Recorded in Full. Creative Media Partners, LLC, 2018.

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