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Статті в журналах з теми "Queer culture"

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Автор: Grafiati

Опубліковано: 4 червня 2021

Оновлено: 25 квітня 2022

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1

Chatzipapatheodoridis, Constantine. "Beyoncé’s Slay Trick: The Performance of Black Camp and its Intersectional Politics." Open Cultural Studies 1, no. 1 (December 20, 2017): 406–16. http://dx.doi.org/10.1515/culture-2017-0038.

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Abstract This article pays attention to African-American artist Beyonce Knowles and her performance of black camp. Beyonce’s stage persona and performances invite multiple ideological readings as to what pertains to her interpretation of gender, sexuality, and race. While cultural theory around the icon of Beyonce has focused on her feminist and racial politics as well as her politicization of the black female body, a queer reading applied from the perspective of camp performance will concentrate on the artist’s queer appeal and, most importantly, on her exposition of black camp, an intersection of feminist, racial and queer poetics. By examining video and live performances, the scope of this article is to underline those queer nuances inherent in Beyonce’s dramatisation of black femininity and the cultural pool she draws from for its effective staging. More specifically, since Beyonce plays with tropes and themes that are common in camp culture, her performance relies on a meta-camping effect that interacts with African-American queer culture. This article, thus, traces black queer traditions and discourses in the artist’s praxis of black camp.

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2

Sliwinska, Basia. "Art and Queer Culture." Third Text 27, no. 6 (November 2013): 808–10. http://dx.doi.org/10.1080/09528822.2013.860794.

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3

Payne, Robert. "Lossy Media: Queer Encounters with Infrastructure." Open Cultural Studies 2, no. 1 (November 1, 2018): 528–39. http://dx.doi.org/10.1515/culture-2018-0048.

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Abstract In an era of “frictionless” digital environments, this article proposes a queer analysis of the “lossy” materialities of mediated encounters. Building on recent scholarship on media failure and media infrastructures, it will argue that moments of disruption and deterioration commonly experienced by users reveal the failure of overlapping social and technical infrastructures to ensure lossless transmission of normative fantasies of subjectivity and mediated relationality. Highlighting the queer instability of material assemblages, it will pay close attention to how the articulation of bodies, objects, and spaces in particular scenes of lossy encounter generates unplanned affective intensities which may disorient and undo the consuming subject. Borrowing the concept of lossy file compression and adapting it for this purpose, the article’s broad aim is to offer a queer critical framework for inhabiting the contingent, emergent, and dissipating energies of media encounters beyond the capital-driven instrumentalisation of agency and the neoliberal imperatives of update culture.

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4

Stacey, Judith, Mary Bernstein, and Renate Reimann. "Queer Families, Queer Politics: Challenging Culture and the State." Contemporary Sociology 31, no. 4 (July 2002): 411. http://dx.doi.org/10.2307/3089078.

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5

Lindner, Katharina. "Review of Queer Film Culture: Queer Cinema & Queer Film Festivals International Conference." Transnational Cinemas 6, no. 1 (January 2, 2015): 97–103. http://dx.doi.org/10.1080/20403526.2015.1014176.

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6

See, Sam. "“Spectacles in Color”: The Primitive Drag of Langston Hughes." PMLA/Publications of the Modern Language Association of America 124, no. 3 (May 2009): 798–816. http://dx.doi.org/10.1632/pmla.2009.124.3.798.

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The chapter “Spectacles in Color” in Langston Hughes's first autobiography, The Big Sea (1940), envisions modernist Harlem culture as a drag performance and offers a useful rubric for understanding Hughes's The Weary Blues (1926), a lyric history of that culture whose poems characteristically cross gender, sexual, racial, and even formal lines. The Weary Blues employs a low-down, or nature-based, and down-low, or queer, aesthetic of racial and gender crossing that I term “primitive drag,” an aesthetic that ironically coincides with the stereotypes of African Americans and queers that were propagated by early-twentieth-century sexological science and degeneration theory: namely, that blacks and queers were unnatural and degenerate because they, unlike whites and heterosexuals, exhibited a lack of racial and gender differentiation. Disidentifying with those stereotypes, the primitive drag in The Weary Blues depicts queer feeling as natural and nature as queer, thus offering a productive paradox for rethinking literary histories of modernism and theories of sexuality by the rather Darwinian notion that “the nature of the universe,” as Hughes calls it, is always subject to change, or queering.

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7

Hennessy, Rosemary. "Queer Visibility in Commodity Culture." Cultural Critique, no. 29 (1994): 31. http://dx.doi.org/10.2307/1354421.

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8

Newhall, Kristine. "“Look at Me! I Can Change Your Tire”." Journal of Bodies, Sexualities, and Masculinities 2, no. 2 (September 1, 2021): 39–56. http://dx.doi.org/10.3167/jbsm.2021.020204.

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Outside of bodybuilding, queer women in fitness and exercise cultures have received little attention in popular discourse and academic research. In this article, I examine how queer use of gym space can inform and reify a queer identity, specifically the enactment of queer female masculinity. I use Jack Halberstam’s work on female masculinity and literature in the fields of cultural studies and sport studies to discuss how queer identity, space, and power operate on the body in the context of fitness culture.

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9

Bao, Hongwei. "“Queer Comrades”: Transnational Popular Culture, Queer Sociality, and Socialist Legacy." English Language Notes 49, no. 1 (March 1, 2011): 131–37. http://dx.doi.org/10.1215/00138282-49.1.131.

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10

Bean. "U.S. National Security Culture: From Queer Psychopathology to Queer Citizenship." QED: A Journal in GLBTQ Worldmaking 1, no. 1 (2014): 52. http://dx.doi.org/10.14321/qed.1.1.0052.

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11

Dahl, Ulrika. "Becoming fertile in the land of organic milk: Lesbian and queer reproductions of femininity and motherhood in Sweden." Sexualities 21, no. 7 (September 12, 2017): 1021–38. http://dx.doi.org/10.1177/1363460717718509.

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This article draws on popular culture, ethnographic materials and mainstream commercials to discuss contemporary understandings of the relationship between fertility, pregnancy and parenthood among lesbians and other queer persons with uteruses. It argues that, on the one hand, same-sex lesbian motherhood is increasingly celebrated as evidence of Swedish gender and sexual exceptionalism and, on the other, queers who wish to challenge heteronormative gender disavow both the relationship between fertility and femininity, and that of pregnancy and parenthood. The author argues that in studying queer family formation, we must move beyond addressing heteronormativity and begin studying how gender, sexuality, race and class get reproduced in queer kinship stories.

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12

Bailey, Aimee. "“Girl-on-girl culture”." Journal of Language and Sexuality 8, no. 2 (August 20, 2019): 195–220. http://dx.doi.org/10.1075/jls.18013.bai.

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Abstract This article investigates the construction of sex advice for queer women as it features on the world’s most popular lesbian website, Autostraddle. Based in the United States, the website is a “progressively feminist” online community for lesbian, bisexual and other queer women. Using multimodal critical discourse analysis and corpus linguistics, this article explores how representations of sexual and gender identity facilitate the construction of homonormativity on the website. It argues that these representations involve a tension between exclusivity and inclusivity. On the one hand, Autostraddle wants to construct an exclusive markedly lesbian subjectivity and a subcultural model of lesbian sex, which is lacking in mainstream culture. On the other hand, it aims to be inclusive of transgender and bisexual women, and to deconstruct the idea of sexual homogeneity. Findings show that Autostraddle discursively negotiates these competing goals to construct a distinctly “queer female” normativity centred on young cisgender feminine lesbians.

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13

O’Rourke, Michael. "Quantum Queer: Towards a Non-Standard Queer Theory." Identities: Journal for Politics, Gender and Culture 10, no. 1-2 (January 1, 2013): 123–34. http://dx.doi.org/10.51151/identities.v10i1-2.287.

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This essay looks at some potentially fruitful lines of correspondence between Laruelle’s non-philosophy and gender, feminist and queer theories. Drawing on the work of leading Laruelle scholars I seek to outline some highly tentative principles for a non-standard queer theory which would help us to think about democracy, the human, performativity, sexual difference and some other crucial questions for current queer theorizing. Author(s): Michael O’Rourke Title (English): Quantum Queer: Towards a Non-Standard Queer Theory Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 10, No. 1-2 (Summer-Winter 2013) Publisher: Institute of Social Sciences and Humanities – Skopje Page Range: 123-134 Page Count: 12 Citation (English): Michael O’Rourke, “Quantum Queer: Towards a Non-Standard Queer Theory,” Identities: Journal for Politics, Gender and Culture, Vol. 10, No. 1-2 (Summer-Winter 2013): 123-134.

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14

Florêncio, João, and Ben Miller. "Sexing the Archive." Radical History Review 2022, no. 142 (January 1, 2022): 133–41. http://dx.doi.org/10.1215/01636545-9397115.

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Abstract Despite being a widely consumed genre of visual culture, pornography remains a touchy subject in contemporary queer historiography. Queer archives overflow with it, but queer histories don’t. Historically associated with low culture and distrusted by value systems that have tended to privilege the “high” faculties of reason to the detriment of the “base” materiality of the body, its affects and appetites, porn is too rarely approached as a legitimate source with which to think cultural, affective, intellectual, and sexual histories. This article draws from porn studies and queer historiographies to draw some methodological considerations about the value, benefits, and challenges posed by porn archives to the writing of queer subcultural histories. Rather than trying to solve porn’s double ontological status as both documentary and fantasy, the authors locate in that defining feature of the genre porn’s value as a historical source. Simultaneously a document of sex cultures and of the edges of morality, and a historically and culturally situated speculation on what bodies and sex may become, porn offers both cultural critics and historians a rich archive for deepening their knowledge of the intersections of culture, morality, pleasure, community, embodiment, and the politics of belonging.

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15

Somerville, Siobhan B. "Locating queer culture in the Big Ten." Learning and Teaching 6, no. 3 (December 1, 2013): 9–23. http://dx.doi.org/10.3167/latiss.2013.060302.

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This article offers a first-person account of the author's experience teaching an undergraduate course on local queer culture, using her own campus as the site for primary research. The course asks how students might understand the role of Midwestern public universities in the production of queer culture. And how might such knowledge revise understandings of queer culture and its locations, both in the past and in the present? The author describes the course design, the goals of introducing undergraduate students to two scholarly methods (archival research and ethnography) and a number of original research projects undertaken by students.

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16

Welker. "Introduction: Queer(ing) Japanese Popular Culture." Mechademia: Second Arc 13, no. 1 (2020): 1. http://dx.doi.org/10.5749/mech.13.1.0001.

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17

McNicholas Smith, Kate, and Imogen Tyler. "Lesbian brides: post-queer popular culture." Feminist Media Studies 17, no. 3 (February 2, 2017): 315–31. http://dx.doi.org/10.1080/14680777.2017.1282883.

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18

Slade, Laurie. "Social Dreaming for a Queer Culture." Self & Society 33, no. 3 (November 2005): 32–40. http://dx.doi.org/10.1080/03060497.2005.11083885.

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19

Martínez-Expósito, Alfredo. "Spanish queer cinema / Crossing through Chueca: lesbian literary culture in queer Madrid." Journal of Spanish Cultural Studies 18, no. 1 (January 2, 2017): 125–30. http://dx.doi.org/10.1080/14636204.2016.1274497.

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20

Denzel, Valentina. "Ah!Nana’s Fairytale Punk-Comics: From the Comtesse de Ségur’s “Histoire de Blondine, Bonne-Biche et Beau-Minon” to Nicole Claveloux’s “Histoire de Blondasse, de Belle-Biche et Gros Chachat”." Open Cultural Studies 5, no. 1 (January 1, 2021): 235–47. http://dx.doi.org/10.1515/culture-2020-0136.

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Abstract During its brief existence from 1976 to 1978 the French underground feminist magazine Ah!Nana represented a powerful medium to discuss various topics related to women, sexuality, and discrimination. One of its main goals was to challenge traditional (literary) female role models, including housewives, submissive mothers, and “damsels in distress.” Through the adaptation of fairy tales, a genre particularly suited through its imaginative worlds to challenge preconceptions and norms, Ah!Nana deconstructed and questioned binary gender roles and heteronormativity. This article analyzes cartoon artist Nicole Claveloux’s queer adaptation of the nineteenth-century fairy tale “Histoire de Blondine, Bonne-Biche et Beau-Minon” (Blondine, the Good Doe, and the Gallant Cat) by the Comtesse de Ségur. Claveloux addresses her queer parody to an adult audience, and conveys a new perspective on gender, sexuality, and humanness that is in line with Ah!Nana’s promotion of second-wave feminist standpoints and punk culture. She advocates the exploration of new sexual pleasures, and the disruption of bourgeoisie values, including binary gender roles.

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21

Atay, Ahmet. "Defining transnational queer media and popular culture." Queer Studies in Media & Popular Culture 4, no. 3 (September 1, 2019): 233–39. http://dx.doi.org/10.1386/qsmpc_00009_2.

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22

Davis, W. "Queer Family Romance in Collecting Visual Culture." GLQ: A Journal of Lesbian and Gay Studies 17, no. 2-3 (January 1, 2011): 309–29. http://dx.doi.org/10.1215/10642684-1163418.

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23

Hart, Kylo-Patrick R. "Queer nostalgia in cinema and pop culture,." Journal of LGBT Youth 15, no. 1 (November 17, 2017): 85–87. http://dx.doi.org/10.1080/19361653.2017.1392919.

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24

Kean, Jessica. "Coming to terms: Race, class and intimacy in Australian public culture." Sexualities 22, no. 7-8 (October 23, 2018): 1182–96. http://dx.doi.org/10.1177/1363460718770452.

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In queer theory ‘heteronormativity’ has become a central tool for understanding the social conditions of our sexual and intimate lives. The term is most often used to shed light on how those lives are patterned in a way that shapes and privileges binary genders and heterosexual identities, lifestyles and practices. Frequently, however, ‘heteronormativity’ is stretched beyond its capacity when called upon to explain other normative patterns of intimacy. Drawing on Cathy Cohen’s (1997) ground breaking essay ‘Punks, bulldaggers and welfare queens: The radical potential of queer?’, this article argues that analysing the political landscape of our intimate lives in terms of heteronormativity alone fails to adequately account for the way some familial and sexual cultures are stigmatised along class and race lines. This article gestures towards examples of those whose intimacies are unquestionably marginalised and yet non-queer, or at least not-necessarily-queer, placing Cohen’s ‘welfare queens’ alongside examples from contemporary Australia public culture to argue for the critical efficacy of the concept ‘mononormativity’ for intersectional analysis.

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25

Crowley, Vicki. "Review: Culture on Display: Mobile Cultures: New Media in Queer Asia." Media International Australia 112, no. 1 (August 2004): 221–23. http://dx.doi.org/10.1177/1329878x0411200117.

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26

Ryan, Jamie. "Skating on Thin White Ice: Imagining a Queer Futurity in Hockey." TOPIA: Canadian Journal of Cultural Studies 42 (May 2021): 132–52. http://dx.doi.org/10.3138/topia-42-010.

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(Queer) women’s hockey and (men’s) hockey culture often exist in a recursive relationship whereby (queer) women’s hockey is complicit with the problematic associations of hockey and its culture in the present, while also producing an alternate vision of hockey that is feminist, communal, loving, and egalitarian, and extends into a future that is becoming. In this article, the term hockeynormativity communicates how hockey normalizes a white, heterosexual nationalism, and I also posit that Judith Alguire’s overlooked 1995 women’s hockey novel, Iced, is a work of queer futurity that envisions queer women’s hockey as a potentiality that reaches beyond the here and now (of hockey and nationhood) and towards utopia. This article ultimately proposes that thinking through queer (women’s) hockey as a utopian process, rather than simply a variation of men’s hockey, could allow for queerness rather than hockey culture to construct new possibilities for the (women’s) game in the here and now that extend into potential futures.

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27

Hoogestraat, Jane, and Hillery Glasby. "A Dialogue on the Constructions of GLBT and Queer Ethos: “I Belong to a Culture That Includes …”." Humanities 8, no. 2 (May 16, 2019): 97. http://dx.doi.org/10.3390/h8020097.

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Invoking a dialogue between two scholars, authors Jane Hoogestraat and Hillery Glasby discuss the exigence for, construction of, and differentiation between LGBT and queer ethos. Drawing from Larry Kramer’s The Normal Heart and the construction of a gay identity, the text explores connections between queer theory, LGBT(Q) ethos, and queer futurity, ultimately arguing for a more nuanced and critical understanding of the undecidability and performativity of LGBT and queer ethos. In framing LGBT and queer ethos as being at the same time a self and socially constructed and mediated—legitimate and illegitimate—ethos can be understood not only as a site for rhetorical agency, but also as an orientation and a form of activism. Finally, the text offers a case study of Adrienne Rich’s “Yom Kippur,” which is a poem that offers a queer (and) Jewish perspective on identity—from an individual and community level—exhibiting both an LGBT and queer ethos.

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28

Teman, Eric D. "Stifled [Queer] Voices." Cultural Studies ↔ Critical Methodologies 18, no. 2 (June 23, 2016): 133–39. http://dx.doi.org/10.1177/1532708616655819.

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Issues of bullying, suicide, self-expression, self-acceptance, self-harm, among others, within the gay, lesbian, bisexual, transgender, queer, questioning, ally, and others (GLBTQQA+) culture are explored through ethnodrama. I show the suffering, the silenced voices, and the pain endured by GLBTQQA+ college students in rural Wyoming. I act as a story- reteller, where I creatively and strategically edit the interview transcripts to maintain the narrative. The result is an ethnodrama.

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29

Trento, Francisco. "Queering the Ghosts of Typicality: The Disruptive Potential of Fabian Ludueña’s Philosophy." Open Cultural Studies 4, no. 1 (May 20, 2020): 74–83. http://dx.doi.org/10.1515/culture-2020-0007.

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AbstractAccording to the philosopher Fabián Ludueña, before biopolitics, Rome and Greece put in motion the zoopolitics of an Anthropotechnical machine. The practice of expositio is the foundational zoopolitical human gesture. It consisted of leaving new-born children exposed at street markets to be sold as slaves, or in nature, left to survive (or die). The spectres of those body-minds still haunt our onto-epistemologies: by creatively fabulating with Ludueña’s work, I suggest looking back to the broken chains of the production of able bodies instead of perpetuating the reproductive futurity. Ludueña’s work investigates how and why the figure of the spectre gradually disappeared from the discursive milieu, and why it needs to be brought back into the spotlight. Its potential resides in its existence between binary categories like God and human, man and animal, male and female. It queers, defying epistemological boundaries, what it means to be dead or alive. Melanie Yergeau employs the term “neuroqueer” to talk about the non-neurotypical and queer subjectivities that are a continuum of indiscernibility and are violently dislodged into binary categories. In the conclusion, I argue for operationalising the concept of the spectre to help to short-circuit the able-neurotypical and heteronormative futurism, looking back to the ghosts of the exposed children.

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30

Kesić, Saša. "Theory of Queer Identities: Representation in Contemporary East-European Art and Culture." AM Journal of Art and Media Studies, no. 14 (October 15, 2017): 123. http://dx.doi.org/10.25038/am.v0i14.211.

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Starting from the general theory of identity, gender theory, queer theory and theory of bio/necropolitics, as theoretical platforms, in a few case studies I will analyze the Pride Parade as a form of manifestation of gender body and queer body representations in visual arts, and gender and queer body representations in mass media. My hypothesis is that the key for understanding the chosen case studies is in understanding the relation between their aesthetics, political and social interventions. This will consider political involvement, social injustice, alienation, stereotypes on which ideological manipulations are based etc., as well as the creative strategies used for moving the borders of visual art in searching for authentically-performed creative expressions and engagements. In the time we live it is necessary for the politicization of art to use queer tactics, which work as political strategies of subversion of every stable structure of power. Queer tactics, in my opinion, are weapons in disturbance of the stable social mechanisms, which every power tries to establish and perform over any ‘mass’, in order to transform it to race, gender, tribe, nation or class. Article received: June 6, 2017; Article accepted: June 20, 2017; Published online: October 15, 2017; Original scholarly paperHow to cite this article: Kesić, Saša. "Theory of Queer Identities: Representation in Contemporary East-European Art and Culture." AM Journal of Art and Media Studies 14 (2017): 123-131. doi: 10.25038/am.v0i14.211

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31

Loureiro, Gabriela Silva. "To be Black, Queer and Radical: Centring the epistemology of Marielle Franco." Open Cultural Studies 4, no. 1 (May 8, 2020): 50–58. http://dx.doi.org/10.1515/culture-2020-0005.

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AbstractThe aim of this article is to pay tribute to Marielle Franco, a Brazilian LGBTQ+ Black activist from the favela who was brutally executed in March 14, 2018. Taking Marielle’s life and death as a case study, I will demonstrate how she embodied Black feminist theory and practice and how her execution can be better addressed by situating it within the context of spatialities of race and the necropolitical governance of Rio de Janeiro.

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32

Eklund, Tof. "Uncanny, abject, mutant monster: From Frankenstein to Genderpunk." Australasian Journal of Popular Culture 10, no. 1 (December 1, 2021): 79–101. http://dx.doi.org/10.1386/ajpc_00040_1.

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This article starts with the key figure of Frankenstein’s monster and traces it from its tragic Gothic origins to its use in transphobic scholarship and on to its reclamation both by queer scholars and a growing trend in queer culture towards claiming monsters and monstrosity as their own. Gothic and psychoanalytic understandings of monstrosity, the uncanny and the abject are explored in relationship to queer theory about performativity, failure and ‘anarchitectural’ identity formation. The social media phenomenon ‘the Babadook is Gay’ and the figure of the mutant in popular culture bridge to the new Gothic and the formulation of the ‘genderpunk gayme’ as an aesthetic and political form with a commitment to queer acceptance and intersectional solidarity.

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33

PARRA FERNÁNDEZ, LAURA DE LA. "BLOWING UP THE NUCLEAR FAMILY: SHIRLEY JACKSON’S QUEER GIRLS IN POSTWAR US CULTURE." Revista de Estudios Norteamericanos, no. 25 (2021): 25–49. http://dx.doi.org/10.12795/ren.2021.i25.02.

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This paper intends to analyze the representation of girlhood as a liminal space in three novels by Shirley Jackson: The Bird’s Nest (1954), The Haunting of Hill House (1959) and We Have Always Lived in the Castle (1962). Bearing in mind how nuclear fears and national identity are configured around the ideal of a safe domestic space in US postwar culture, the paper explores cultural anxieties about teenage girls who refuse to conform to normative femininity, following Teresa de Lauretis’s conception of women’s coming-of-age as “consenting to femininity” (1984). I will argue that Jackson criticizes the rigid possibilities for women at this time, and I will show how her representations of deviant femininity refuse and subvert the discourse of the nuclear family and, therefore, of the nation.

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34

Ben Daniel, Tallie, and Hilary Berwick. "Queer In/Security." GLQ: A Journal of Lesbian and Gay Studies 26, no. 1 (January 1, 2020): 129–40. http://dx.doi.org/10.1215/10642684-7929157.

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This dossier names “queer security studies” as a new field that investigates what security and safety means to queer and feminist studies, critical military studies, and broad progressive movements. What counts as safety, and for whom? What kinds of material practices can scholars and activists engage with to make the world more secure for the most vulnerable? What are the repercussions of those practices? The dossier takes on these questions through discussions of rape culture, risk management and health in the contemporary US American family, the impact of neoliberalism on sexual citizenship in the United States and abroad, and narratives of safety in authoritarian systems like the state and the prison.

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Ivanchikova, Alla. "On Henri Lefebvre, Queer Temporality and Rhythm." Identities: Journal for Politics, Gender and Culture 5, no. 1 (January 1, 2006): 151–70. http://dx.doi.org/10.51151/identities.v5i1.175.

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Author(s): Alla Ivanchikova | Ала Иванчикова Title (English): On Henri Lefebvre, Queer Temporality and Rhythm Title (Macedonian): За Анри Лефевр, Queer врееменост и ритам Translated by (English to Macedonian): no record Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 5, No 1 (Winter 2006) Publisher: Research Center in Gender Studies - Skopje and Euro-Balkan Institute Page Range: 151-170 Page Count: 20 Citation (English): Alla Ivanchikova, “On Henri Lefebvre, Queer Temporality and Rhythm,” Identities: Journal for Politics, Gender and Culture, Vol. 5, No 1 (Winter 2006): 151-170. Citation (Macedonian): Ала Иванчикова, „За Анри Лефевр, Queer врееменост и ритам“, Идентитети: списание за политика, род и култура, т. 5, бр. 1 (зима 2006): 151-170.

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Formato, Giuseppe. "The Shift to a Queer Pedagogy in the Italian-Language Classroom." Journal of Language and Cultural Education 9, no. 1 (March 1, 2021): 1–11. http://dx.doi.org/10.2478/jolace-2021-0001.

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Abstract Instructors of Italian are tasked with teaching not only the language, but also the culture. However, critical matters such as sexual identity are frequently not addressed in the Italian-language classroom. Current Italian-language pedagogy solely focuses on language-acquisition proficiency via heteronormative discourses, ignoring the more-diverse reality of Italian culture. This article aims to showcase how using a queer pedagogy based on queer theory can affect learners’ language acquisition and understanding of Italian culture. I used memoing and personal experiences as an Italian instructor to analyse the related literature. I propose that current pedagogy and curricula silence the lesbian-gay-bisexual-transgenderquestioning/queer-intersex-asexual (LGBTQIA+) community, causing exclusion, anxiety and sometimes harassment from others. Open discussion through queer pedagogy would create critical conversations, allowing for the inclusion of all learners and topics. Italian instructors should promote these conversations, question the standard Italian-language pedagogy and use materials that are inclusive of LGBTQIA+ members.

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Gingras-Olivier, Marie-Claude. "Les pratiques artistiques queers et féministes au Québec." Articles 27, no. 2 (January 5, 2015): 153–69. http://dx.doi.org/10.7202/1027923ar.

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Анотація:

L’art et le politique entretiennent un dialogue prolifique qui nous renseigne, notamment, sur divers enjeux féministes de l’actualité québécoise. À partir d’oeuvres choisies, l’auteure observe certains effets de cette conjoncture, s’activant dans le milieu artistique comme dans la rue. En analysant le travail des artistes Virginie Jourdain, Florence S. Larose, Coco Riot et Elisha Lim, elle aborde différentes thématiques comme la justice reproductive, les politiques du genre, le rapport entre « culture populaire » et « sous-culture », de même que la pertinence de décentrer la critique féministe et la critique queer, comme l’ont proposé les queers of color, par exemple.

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Harris, Anne, and Stacy Holman Jones. "Feeling Fear, Feeling Queer: The Peril and Potential of Queer Terror." Qualitative Inquiry 23, no. 7 (September 2017): 561–68. http://dx.doi.org/10.1177/1077800417718304.

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This essay considers what we are calling queer terror, an affective condition not limited to LGBT (lesbian, gay, bisexual, and transgender) or other minoritarian subjects, and its relationship to fear, hate, and factionalism (or isolationism). That is, queer terror is both terror against queer subjects and a queering of terror culture itself. We ask whether, through the act and its viral media representations, queer terror creates minoritarian public sphere that can be shared by queer people of color (QPOC) and allies alike. This affectively queer allyship begins with a racially and queerly attentive politics and seeks community both in response to and as a refusal of the kinds of terror that made Orlando possible.

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Kulpa, Robert, and Kalina Janeva. "Western Theories, Queer Possibilities, Polish Reality. Or, Do We Need Queer Political Theory?" Identities: Journal for Politics, Gender and Culture 6, no. 2-3 (June 1, 2007): 9–36. http://dx.doi.org/10.51151/identities.v6i2-3.213.

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Author(s): Robert Kulpa | Роберт Кулпа Title (English): Western Theories, Queer Possibilities, Polish Reality. Or, Do We Need Queer Political Theory? Title (Macedonian): Западни теории, квир можности, полска стварност. Или, имаме ли потреба од квир политичка теорија? Translated by (English to Macedonian): Kalina Janeva | Калина Јанева Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 6, No. 2-3 (Summer 2007 - Winter 2008) Publisher: Research Center in Gender Studies - Skopje and Euro-Balkan Institute Page Range: 9-36 Page Count: 27 Citation (English): Robert Kulpa, “Western Theories, Queer Possibilities, Polish Reality. Or, Do We Need Queer Political Theory?,” Identities: Journal for Politics, Gender and Culture, Vol. 6, No. 2-3 (Summer 2007 - Winter 2008): 9-36. Citation (Macedonian): Роберт Кулпа, „Западни теории, квир можности, полска стварност. Или, имаме ли потреба од квир политичка теорија?“, превод од англиски Калина Јанева, Идентитети: списание за политика, род и култура, т. 6, бр. 2-3 (лето 2007 - зима 2008): 9-36.

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Ria Lestari, Ummu Fatimah. "PERFORMATIVITAS QUEER DALAM NOVEL CALABAI KARYA PEPI AL-BAYQUNIE (KEBERAGAMAN GENDER MASYARAKAT BUGIS DALAM KARYA SASTRA)." Kibas Cenderawasih 17, no. 2 (October 1, 2020): 103–14. http://dx.doi.org/10.26499/kc.v17i2.290.

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Karya sastra sebagai tiruan realitas kehidupan manusia terepresentasi dalam novel Calabai karya Pepi Al-Bayqunie. Novel ini berlatar belakang kehidupan masyarakat Bugis di Sulawesi Selatan. Penelitian ini membahas tentang performativitas queer dalam novel Calabai melalui queer theory Judith Butler.Menurut Butler, performativitas adalah kondisi alamiah bagi manusia dalam menampilkan tubuhnya (fisik). Bahasan mengenai jenis kelamin (sex), gender, dan orientasi seksual adalah konstruksi sosial yang dapat bersifat cair, tidak alamiah, dan labil.Performativitas queer dalam narasi pengarang novel Calabai ditandai sebagai penampilan yang alamiah dan ditampilkan berulang-ulang oleh tokoh-tokoh cerita yang dianggap queer, yaitu calabai dan bissu. Bissu dikonstruksi oleh budaya sebagai gender ”bukan gender”dalam lingkungan sosialnya. Melalui narasi novel ini, masyarakat Bugis memiliki dan mengakui adanya gender kelima (bissu) dalam kebudayaan mereka. Narasi dalam novel Calabai mengungkapkan penampilan alamiah bissu yang terus diulang melalui diskursif masyarakat sekian lama, sehingga bissu terkonstruksi dalam kebudayaan Bugis sebagai gender queer. Literary works is an imitation of the reality of human life is represented in Calabai by Pepi Al-Bayqunie. This novel takes the setting of Buginese community lifein South Sulawesi. This research discusses the queer performativity in novel Calabai through queer theory from Judith Butler. According to Butler, performativity is a natural condition for man in displaying his (physical) body. Discussion about sex, gender, and sexual orientation is a social construct that can be fluid, unnatural, and unstable. Performativity queer in Calabai's narratives is characterized as a natural appearance and repeatedly displayed by the characters of the story considered queer, calabai and bissu. Bissu was constructed by culture as gender "not gender" in its social environment. Through its narratives, Buginese society owns and recognizes the existence bissu as the fifth genderin their culture. Its narratives reveal the natural appearance of bissu which has been repeated over the discursive society for so long that bissu was constructed in Buginese culture as a gender queer.

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Riggio, Milla, and Kate Chedgzoy. "Shakespeare's Queer Children: Sexual Politics and Contemporary Culture." TDR (1988-) 41, no. 2 (1997): 156. http://dx.doi.org/10.2307/1146631.

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Traub, Valerie, and Kate Chedgzoy. "Shakespeare's Queer Children: Sexual Politics and Contemporary Culture." Shakespeare Quarterly 48, no. 3 (1997): 357. http://dx.doi.org/10.2307/2871032.

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Hedrick, Donald K., and Richard Burt. "Unspeakable ShaXXXspeares: Queer Theory and American Kiddie Culture." Shakespeare Quarterly 51, no. 3 (2000): 390. http://dx.doi.org/10.2307/2902170.

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Hannabach, Cathy. "Bodies on Display: Queer Biopolitics in Popular Culture." Journal of Homosexuality 63, no. 3 (December 7, 2015): 349–68. http://dx.doi.org/10.1080/00918369.2016.1124691.

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Fulcher, Karyn. "Queer youth suicide, culture and identity: Unliveable lives?" Culture, Health & Sexuality 15, no. 3 (March 2013): 387–89. http://dx.doi.org/10.1080/13691058.2012.760219.

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Richardson, Niall, and Fiona Buckland. "Impossible Dance: Club Culture and Queer World-Making." South Atlantic Review 67, no. 3 (2002): 138. http://dx.doi.org/10.2307/3201915.

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Sawyer, Robert, and Richard Burt. "Unspeakable Shaxxxspeares: Queer Theory and American Kiddie Culture." South Atlantic Review 64, no. 2 (1999): 191. http://dx.doi.org/10.2307/3202001.

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Linné, Robert. "Alternative textualities: media culture and the proto‐queer." International Journal of Qualitative Studies in Education 16, no. 5 (September 2003): 669–89. http://dx.doi.org/10.1080/0951839032000142940.

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Trask, M. "What School Culture Teaches Us about Queer Theory." American Literary History 25, no. 1 (December 23, 2012): 130–43. http://dx.doi.org/10.1093/alh/ajs065.

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Koivunen, Anu, Katariina Kyrölä, and Ingrid Ryberg. "Queer Film Culture in the Covid-19 Era." lambda nordica 25, no. 3-4 (April 26, 2021): 141–54. http://dx.doi.org/10.34041/ln.v25.712.

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