Дисертації з теми "Queer culture"
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Brady, Anita, and n/a. "Constituting queer : performativity and commodity culture." University of Otago. Department of Communication Studies, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080429.113540.
Повний текст джерелаLee, Juwon. "The Globality of the Seoul Queer Culture Festival: Subverting the Neocolonial Queer Narrative." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555520368932493.
Повний текст джерелаMaddison, Stephen. "Queer sisters : gay male culture, women and gender dissent." Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362271.
Повний текст джерелаHannan-Leith, Madeline Naomi. ""That's how I found queer culture in so many ways" : narratives of online dating in queer women." Thesis, University of British Columbia, 2017. http://hdl.handle.net/2429/61850.
Повний текст джерелаEducation, Faculty of
Educational and Counselling Psychology, and Special Education (ECPS), Department of
Graduate
Adair, David Francis, and n/a. "'Queer Theory': Intellectual and Ethical Milieux of 1990s Sexual Dissidence." Griffith University. School of Arts, Media and Culture, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20041014.102015.
Повний текст джерелаRobertson, Megan. "Called and Queer Exploring the lived experiences of queer clergy in the Methodist Church of Southern Africa." university of western cape, 2020. http://hdl.handle.net/11394/7306.
Повний текст джерелаIn South Africa anti-queer attitudes are propped up by religious moral claims and by strong assertions that queer sexualities are un-African and a secular Western import. This study contributes to the growing body of literature which challenge these claims, and at the same time interrupts scholarly trends in the field of religion and sexuality which either characterises institutional religion as singularly oppressive or homogenises queer Christians as inherently subversive. In this thesis, I explored the lived experiences of six queer clergy (one of whom was discontinued) in the Methodist Church of Southern Africa (MCSA), in order to understand the complex relationship between institutional power and the ordinary lived realities of clergy. The study focuses particularly on the MCSA as it is statistically the largest mainline Protestant denomination in South Africa and holds significant positions of power and influence on national, interdenominational and political platforms, not least of all because it has fostered an institutional identity as the ‘church of Mandela.’ Further, situated within a continental and national context where anti-queer attitudes are politicised through cultural and religious discourses, I have argued that the MCSA also serves as a case study which represents the ways in which institutionalised religion continues to be co-constitutive of social systems and hierarchies.
Patel, Alpesh Kantilal. "Queer Desi visual culture across the 'Brown Atlantic' (US/UK)." Thesis, University of Manchester, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494299.
Повний текст джерелаDawson, Leanne. "Femme : Representations of queer femininities in post-war German culture." Thesis, University of Manchester, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.511248.
Повний текст джерелаPereira, Cristiano Fabrício Lopes. "Rhiz'hommes: redes de subjetividades." Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4443.
Повний текст джерелаCom a profusão de imagens fotográficas do mundo capitalista e o incentivo para que todos sejamos produtores, o modo de fruição das fotografias e a nossa relação com esses simulacros vão se alterando. A necessidade que a web traz de nos apresentarmos em imagens faz com que tenhamos que fabricá-las e através delas passamos a nos relacionar de maneira narcísica. Com o projeto artístico Rhiz'hommes vão se discutindo as construções desses avatares nos sites de relacionamento e a (des)construção da figura masculina heteronormativa como observadora ideal, ponto de fuga para onde deveriam convergir todas as representações. Junto à queda do homem cartesiano, a autoria e a originalidade artística foram se transformando e cedendo espaço a práticas mais permissivas e abrangentes. Essa diluição de fronteiras é o epíteto de tempos pós-orgânicos de relações telemáticas e rizomas de subjetividades
With the profusion of photographic images in the capitalist world and with the incentive for all of us to become photographic producers, the enjoyment of photography and our relations with it keep changing. The virtual need that web brings to present ourselves as images leads us to make them and is through then that we will relate to each other in a narcisistic way. With the artistic project called Rhiz'hommes it will be discussed the construction of avatars on social networking websites and the (de)construction of the heteronormative male figure as the ideal observer, the vanishing point where all representations should converge. After the fall of cartesian man, the authorship and the artistic originality will be changed, making room for more permissives and broad pratices. This boundaries dissolution is the epitet of post-organic times with telematic relations and subjectivities rhizomes
Jerome, Collin. "Queer Melayu : queer sexualities and the politics of Malay identity and nationalism in contemporary Malaysian literature and culture." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/39644/.
Повний текст джерелаGonzatti, Christian. "Bicha, a senhora é performática mesmo: Sentidos queer nas redes digitais do jornalismo pop." Universidade do Vale do Rio dos Sinos, 2017. http://www.repositorio.jesuita.org.br/handle/UNISINOS/6902.
Повний текст джерелаMade available in DSpace on 2018-02-22T15:18:49Z (GMT). No. of bitstreams: 1 Christian Gonzatti_.pdf: 8588470 bytes, checksum: f0c4e125d9c7332b4d1cadb2cc10ff37 (MD5) Previous issue date: 2017-12-19
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A pesquisa visa entender, através dos sentidos acionados pelo Papel Pop, as relações entre o jornalismo, a cultura pop e os estudos queer. Busco nas transformações e nos desdobramentos históricos do jornalismo a maneira como as lógicas do pop foram se implicando nele. Proponho, assim, uma perspectiva jornalística específica para entender essas dinâmicas, o jornalismo pop: voltado à cobertura da cultura pop, pautando acontecimentos engendrados por uma lógica intensamente midiática e comercial, mas que não se encerra aí. Constato que existem, em um contexto de crise sistêmica instaurada pela cultura digital que atravessa as lógicas jornalísticas, sete categorias para pensar a cobertura do pop no país – e que muitas vezes se interprenetam através de estratégias de produção diversas: a cobertura jornalística em torno de produtos que se desdobram da música pop, das celebridades, da cultura geek/nerd/otaku, de produções audiovisuais como filmes e séries, das novelas e do humor e a geral. Existem, nessas possibilidades, os vínculos de produção que são perpassados pelas práticas das/dos fãs – podendo serem institucionalizados no sentido de se tornarem (micro) empresas ou não – e os políticos, que envolvem um olhar crítico através de marcadores como o sexo/gênero, a raça e a sexualidade para as produções da cultura pop. O Papel Pop, no que se refere à cobertura noticiosa, movimenta-se através de todos esses focos, estando alocado no que eu entendi como uma macrotegoria: a cobertura da cultura pop de uma maneira mais ampla e geral. No entanto, há uma predominância da música pop feminina nas matérias e notícias, assim como o corpo editorial também remete a marcadores dissidentes da masculinidade heterossexual cisgênera. Visando desdobrar os sentidos acionados pelo jornalismo pop em questão, recorro à metodologia da Análise de Construção de Sentidos em Redes Digitais, que tem como pressuposto os movimentos de mapeamento de processos semióticos em rede, a elaboração de constelaçãoes de sentidos e o desenvolvimento de inferências sobre elas. Através de perspectivas dos estudos queer, notei, assim, a emergência de sete constelações de sentidos: Linguagens do Vale, Transviadices, Feminismos, Heteronormatividades Racismos/Multiculturalismos, Representações e Enfrentamentos Políticos. Elas sinalizam a maneira como o jornalismo pop do Papel Pop configura-se como uma territorialidade semiótica singular na cobertura da cultura pop, que rompe com pressupostos do masculino que atravessam o jornalismo hegemônico e que vai além da feminilidade que pode ser associada ao jornalismo cultural, sendo, portanto, queer.
The research search understands, through the senses triggered by Papel Pop, as relations between journalism, pop culture and queer studies. I seek in the transformations and historical developments of journalism the way in which the logics of pop have been implied in him. I propose, therefore, a specific journalistic perspective to understand these dynamics, pop journalism: aimed at the coverage of pop culture, setting forth events engendered by an intensely mediatic and commercial logic, but that does not end there. I note that there are, in a systemic crisis context established by the digital culture that runs through the journalistic logic, seven categories to think the pop coverage in the country - and often interpenatre through various production strategies: media coverage around products that are deployed from pop music, celebrities, geek/nerd/otaku culture, audiovisual productions like movies and series, novels and humor and the general. There are, in these possibilities, the production links that are permeated by the practices of the fans - they can be institutionalized in the sense of becoming (micro) companies or not - and the politicians, who involve a critical look through markers like sex / gender, race and sexuality for pop culture productions. The Papel Pop, as far as news coverage is concerned, moves through all these focuses, being allotted in what I understood as a macrotegory: the coverage of pop culture in a broader and more general way. However, there is a predominance of female pop music in stories and news, just as the editorial body also refers to dissident markers of heterosexual masculinity cis. Aiming to unfold the senses triggered by the pop journalism in question, I turn to the methodology of the Analysis of Sense Construction in Digital Networks, which has as a presupposition the movements of mapping of semiotic processes in the network, the elaboration of sense constellations and the development of inferences about they. Through the perspectives of the Queer studies, I thus noticed the emergence of seven constellations of meanings: Valley Languages, Transviadices, Feminisms, Heteronormativities, Racisms / Multiculturalisms, Representations and Political Confrontations. They signal the way Papel Pop’s pop journalism configures itself as a singular semiotic territoriality in the coverage of pop culture, which breaks with the assumptions of the masculine that crosses hegemonic journalism and goes beyond the femininity that can be associated with cultural journalism, being, therefore, queer.
Stielau, Anna. "Double agents : queer citizenship(s) in contemporary South African visual culture." Master's thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/20625.
Повний текст джерелаDavis, Glyn Peter. "New queer cinema : the work of five gay directors in the context of queer culture and its politics of representation." Thesis, University of Sussex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496465.
Повний текст джерелаWebb, Brock F. "This side of midnight: Recovering a queer politics of disco club culture." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363615857.
Повний текст джерелаNordling, Madonna Paulina. "Started from the Internet, Now We're Queer. The usage of SNS to explore, build and communicate queer identities." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21227.
Повний текст джерелаDempsey, Danielle. "Envisioning Queer Culture: Toward a Theological Framework for Reimagining Sexuality and Sexual Orientation." Digital Commons at Loyola Marymount University and Loyola Law School, 2014. https://digitalcommons.lmu.edu/etd/140.
Повний текст джерелаDasgupta, Rohit K. "Digital queer spaces : interrogating identity, belonging and nationalism in contemporary India." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/8960/.
Повний текст джерелаLorenzi, Marie-Emilie. "Activisme rose : cultures et arts féministes queer en France." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010578/document.
Повний текст джерелаThe term queer, when used in the French language, does not echo the same way as in English –then referring to the anglo-saxon context of emergence. The main purpose of this study is to question the phenomena of cultural transfers of queer feminism – which appeared in the mid 1980s in the United States as both a subculture and a movement of critical thinking and activism- into the French context. This cultural translation resulted in pink activism which unlike its anglo saxon original model developed a policy based on strong identity affirmation, on both a collective and individual level. The goal was to beat the French integration system deeply imbued with republican ideals, where the drifts of an abstract universalism had produced blindness towards inequalities therefore the central issue investigated in this research is how this pink activism arose in a French context of opposition to identity-based politics.Moreover, the phenomena of reception and appropriation of queer feminism into the French context must be understood beyond the sole linguistic translation – in all their dimensions, cultural political, theoritical, artistic, etc. This study aims to understand the special features of this activism, from its sometimes uneasy integration among feminist and LGBT movements to its specific applications in terms of cultural and artistic practices, thus questioning the phenomenon of aestheticism of resistance techniques
Peach, Ricardo. "Queer cinema as a fifth cinema in South Africa and Australia." University of Technology, Sydney. Faculty of Humanities and Social Sciences, 2005. http://hdl.handle.net/2100/425.
Повний текст джерелаBernthal, James Carl. "A queer approach to Agatha Christie, 1920-1952." Thesis, University of Exeter, 2015. http://hdl.handle.net/10871/18196.
Повний текст джерелаDirector, Elliot Aaron. "Something Queer in His Make-Up: Genderbending, Omegaverses, and Fandom's Discontents." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1494803296589862.
Повний текст джерелаJohnston, Dawn Elizabeth B. "Sites of resistance, sites of strength the construction and experience of queer space in Calgary /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0020/MQ47950.pdf.
Повний текст джерелаEvans, Alexander Robert. "Cultural politics and the gay fantasia : transcending and ending queer crises in 90's North American and British culture." Thesis, University of Sussex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.407064.
Повний текст джерелаPearson, Wendy Gay. "Calling home queer responses to discourses of nation and citizenship in contemporary Canadian literary and visual culture /." Access electronically, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060123.143327/index.html.
Повний текст джерелаMeans, Michael M. "Adaptive Acts: Queer Voices and Radical Adaptation in Multi-Ethnic American Literary and Visual Culture." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5773.
Повний текст джерелаMaynard, Tonya A. "A Matrix of Marginalization: LGBT and Queer Women's Experiences in Nerd Spaces." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1493893323935791.
Повний текст джерелаPearson, Wendy G. "Calling home queer responses to discourses of nation and citizenship in contemporary Canadian literary and visual culture /." Connect to this title online, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060123.143327/.
Повний текст джерелаTitle from PDF title page (viewed on Mar. 6, 2006). Includes bibliographical references (p. 299-323). Also issued as a print manuscript. Print manuscript includes ill. omitted from online version.
Cocarla, Sasha. "Straddling (In)Visibility: Representations of Bisexual Women in Twenty-First Century Popular Culture." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/34608.
Повний текст джерелаStephens, David F. "A Family of One's Own: Reconstructing Queer Families of Color in Film." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2187.
Повний текст джерелаLoist, Skadi [Verfasser], and Joan Kristin [Akademischer Betreuer] Bleicher. "Queer Film Culture : Performative Aspects of LGBT/Q Film Festivals / Skadi Loist. Betreuer: Joan Kristin Bleicher." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2015. http://d-nb.info/1071948296/34.
Повний текст джерелаDouglas, Erin Joan. "Queer Makings of Femininities in the Twentieth Century." Miami University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=miami1283298119.
Повний текст джерелаWatanabe, Yukina. "Queer som doujinshi : En fallstudie av Yonezawa Yoshihiro Memorial Library." Thesis, Uppsala universitet, Institutionen för ABM, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-323868.
Повний текст джерелаIsoke, Saidah K. "“Thank God for Hip-hop”: Black Female Masculinity in Hip-hop Culture." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492775852958055.
Повний текст джерелаDowman, Sarah. "Mapeando la cultura Kruda: Hip-Hop, Punk Rock y performances queer latino contemporáneo." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363463760.
Повний текст джерелаCampisi, Caitlin. "Homonationalism on TV?: A Critical Discourse Analysis of Queer and Trans* Youth Representations on Mainstream Teen Television Shows." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/24263.
Повний текст джерелаAlegria, Sharla N. "Queer identity? Discussing identity and appearance in an on-line "Genderqueer" community." [Tampa, Fla] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0001939.
Повний текст джерелаDouglas, Erin. "Femme fem(me)ininities a performative queering /." Oxford, Ohio : Miami University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1091803962.
Повний текст джерелаSheehan, Brieanne M. "Aging on Wheels: The Role of Age in a Queer Female Biker Community." Oxford, Ohio : Miami University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1260824565.
Повний текст джерелаRyerson, Rachael. "Queering Writing Pedagogy: A Multimodal Archive of Composing Queer(ly) in the Writing Classroom." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1501671833271702.
Повний текст джерелаMarburger, Anna C. "Queer Content in Science Fiction Allegory and Analogue: Is It In Disguise?" Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/609.
Повний текст джерелаCooper, Steven. ""In My Church We Don't Believe in Homosexuals": Queer Identity and Dominant Culture in Three Texts of the AIDS Era." Scholar Commons, 2010. http://scholarcommons.usf.edu/etd/3439.
Повний текст джерелаMaaouia, Zakia. "Le posthumanisme exposé : une étude sociosémiotique du corps extrême dans la culture visuelle." Paris 1, 2012. http://www.theses.fr/2012PA010592.
Повний текст джерелаCarrillo, Justine, and Julie Marie Houston. "Exploring Cultural and Linguistic Aspects within the Lesbian, Gay, Bisexual, Transgender, and Queer Youth Community." CSUSB ScholarWorks, 2015. https://scholarworks.lib.csusb.edu/etd/170.
Повний текст джерелаZhao, Jin. "Imagining Queerness: Sexualities in Underground Films in the Contemporary P. R. China." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/communication_theses/73.
Повний текст джерелаAaron, Sophie M. "Love in the Time of Corona: Changes to Oberlin Hookup Culture During the COVID-19 Pandemic." Oberlin College Honors Theses / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1623939670177554.
Повний текст джерелаAdams, Amanda Dalla Villa. "“An Alternative Narrative: Memorial Culture, Mourning, and Death in the Work of Felix Gonzalez-Torres, 1987-1995”." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305892175.
Повний текст джерелаGuzman, Maria J. "Grace Jones in One Man Show: Music and Culture." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1187633537.
Повний текст джерелаWise, Krista Michelle. ""I Won't Let Anyone Come Between Us" Representations of Mental Illness, Queer Identity, and Abjection in High Tension." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395416795.
Повний текст джерелаHutton, Zina. "Queering The Clown Prince of Crime: A Look at Queer Stereotypes as Signifiers In DC Comics’ The Joker." FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3702.
Повний текст джерелаDa, Silva Jose. "Fault Lines: Queer Skinheads and Gay Male Subjectivity in the Film Praxis of Bruce LaBruce." Queensland University of Technology, 2004. http://eprints.qut.edu.au/15836/.
Повний текст джерела