Дисертації з теми "Publisher's and publishing"

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1

Young, Heather E. "More than a pretty good book idea: a self-publisher's perspective on development, marketing, and sales /." Burnaby B.C. : Simon Fraser University, 2006. http://ir.lib.sfu.ca/handle/1892/2768.

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2

Conrad, Kathryn M. "Public Libraries as Publishers: Critical Opportunity." Michigan Publishing, 2017. http://hdl.handle.net/10150/623638.

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Анотація:
Libraries have a long and distinguished history of publishing, since their earliest days. Traditionally libraries published to expose their collections through bibliographies, facsimiles, and catalogs. While the Internet has made discovery and dissemination of library holdings easier than ever before, digital publishing technologies have also unlocked compelling new purposes for library publishing, including through Open Access publishing initiatives. The self-publishing explosion and availability of self-publishing tools and services geared to libraries have heralded new opportunities for libraries, especially public libraries, to engage their communities in new ways. By supporting self-publishing initiative in their communities, public libraries can promote standards of quality in self-publishing, provide unique opportunities to engage underserved populations, and become true archives of their communities.
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3

Simmonds, Clive. "Publishing Swinburne : the poet, his publishers and critics." Thesis, University of Cambridge, 2013. http://www.repository.cam.ac.uk/handle/1810/245120.

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This thesis examines the publishing history of Algernon Charles Swinburne during his lifetime (1837-1909). The first chapter presents a detailed narrative from his first book in 1860 to the mid 1870s: it includes the scandal of 'Poems and Ballads' in 1866; his subsequent relations with the somewhat dubious John Camden Hotten; and then his search to find another publisher who was to be Andrew Chatto, with whom Swinburne published for the rest of his life. It is followed by a chapter which looks at the tidal wave of criticism generated by Poems and Ballads but which continued long after, and shows how Swinburne responded. The third and central chapter turns to consider the periodical press, important throughout his career not just for reviewing but also as a very significant medium for publishing poetry. Chapter 4 on marketing looks closely at the business of producing and of selling Swinburne’s output. Finally Chapter 5 deals with some aspects of his career after the move to Putney, and shows that while Theodore Watts, his friend and in effect his agent, was making conscious efforts to reshape the poet, some of Swinburne’s interests were moving with the tide of public taste; how this was demonstrated in particular by his volume of Selections and how his poetic oeuvre was finally consolidated in the Collected Edition at the end of his life. The thesis shows that popular interest was mainly on his earlier poetry, and suggests his high contemporary reputation (which was not fully reflected in sales) was maintained by the periodical press.
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4

Choi, Kim-ying. "Biodiversity publishing in Hong Kong." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B41549399.

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5

蔡劍鷹 and Kim-ying Choi. "Biodiversity publishing in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B41549399.

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6

鍾惠霞 and Wai-har Helen Chung. "Opportunity search for a trade publisher." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B31265315.

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7

Chung, Wai-har Helen. "Opportunity search for a trade publisher /." [Hong Kong] : University of Hong Kong, 1992. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13302590.

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8

Huang, Xiaoyan. "From survival to profit : a Canadian book publishers' guide to China, the world's largest market /." Burnaby, B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/643.

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9

McCarron, Marina. "Marketing in educational publishing: a case study of textbook sales between competing publishers /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2031.

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10

Cecil, Cynthia Jane. "The production and promotion of The Conquests of Mexico Trilogy by George Szanto /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2128.

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11

Dingle, Sarah. "Canadian books to readers everywhere: an examination of book policy development at the Department of Canadian Heritage /." Burnaby B.C. : Simon Fraser University, 2006. http://ir.lib.sfu.ca/handle/1892/2763.

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12

Read, Peter Frederick. "Birds of the Raincoast: some reflections on production and process management /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2190.

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13

Odendaal, Estelle Rhodé. "An exploration of the state of self-publishing in the academic publishing sector of South Africa." Pretoria :[s.n.], 2007. http://upetd.up.ac.za/thesis/available/etd-10272008-080050.

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14

Brown, Diane. "Publishing Culture : Commissioning Books in Australia, 1970-2000." Connect to this title online, 2003. http://eprints.vu.edu.au/304/1/Brown_Diane.pdf.

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Анотація:
This study primarily examines the cultural and commercial practices of editors and publishers who commission and acquire content in independent Australian publishing houses. My research spans a 30-year transitional period in book publishing from 1970 to 2000 - a period marked by rapid and unstable shifts in publishing culture, reflecting wider social, political, economic and technological change. In a global market economy, more than ever before, the acquisition of local content is critical in fostering original ideas and works by Australian authors. A series of semi-structured interviews with editors and publishers provides a direct source of personal experience and professional industry-based knowledge. These narratives address and engage with individual and collective values, beliefs, assumptions and attitudes which reflect particular personalities and publishing styles. They also contribute to an understanding of the editors' and publishers' commissioning role, where knowledge and content are taken up and developed and publishing decisions are made. An analysis of editors' and publishers' responses further explores the diversity of commissioning and acquisitions environments in which they live and work. Publishing houses are profiled and works of fiction and non-fiction are identified and discussed in an attempt to unpack how and why they were commissioned and developed for publication, and to what social and cultural effect. The dynamics of organisational structure and publishing culture are explored by analysing general and specific publishing models. Editors and publishers discuss how publishing companies operate and offer insights into, and perceptions of, organisational structure and publishing culture and, importantly, how both impact on commissioning practice. Issues of identity, representation and institutionalisation are identified as they relate to developments and trends within publishing and public culture, as a whole, and the ways in which they intersect. This nexus of culture and power is explored through the cultural production of Australian content, and in particular, in Chapters Five and Six, with the impact of second-wave feminism on Australian publishing culture and cross-currents in the production and publication of Aboriginal and Torres Strait Islander works.
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15

Tolley-Stokes, Rebecca. "The Publisher-Poet." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/5769.

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16

McCarroll, Julie. "The New Press: a not-for-profit in American publishing /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2038.

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17

Chan, Wing-kin. "Why are there list prices?" Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B31954595.

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18

Growe, Amanda. "Publishing a Canadian business memoir: a case study /." Burnaby B.C. : Simon Fraser University, 2006. http://ir.lib.sfu.ca/handle/1892/2631.

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19

Punkt, Anita. "Der Friedrich Hofmeister Musikverlag : sein Profil in Geschichte und Gegenwart /." Berlin dissertation.de, 2006. http://d-nb.info/986613649/04.

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20

Simpson, Alfred E. "Workers' perceptions of the effects of technological change at two southwestern Pennsylvania newspaper publishers /." The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu148732574072054.

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21

Brown, Diane. "Publishing Culture : Commissioning Books in Australia, 1970-2000." Thesis, Connect to this title online, 2003. https://vuir.vu.edu.au/304/.

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Анотація:
This study primarily examines the cultural and commercial practices of editors and publishers who commission and acquire content in independent Australian publishing houses. My research spans a 30-year transitional period in book publishing from 1970 to 2000 - a period marked by rapid and unstable shifts in publishing culture, reflecting wider social, political, economic and technological change. In a global market economy, more than ever before, the acquisition of local content is critical in fostering original ideas and works by Australian authors. A series of semi-structured interviews with editors and publishers provides a direct source of personal experience and professional industry-based knowledge. These narratives address and engage with individual and collective values, beliefs, assumptions and attitudes which reflect particular personalities and publishing styles. They also contribute to an understanding of the editors' and publishers' commissioning role, where knowledge and content are taken up and developed and publishing decisions are made. An analysis of editors' and publishers' responses further explores the diversity of commissioning and acquisitions environments in which they live and work. Publishing houses are profiled and works of fiction and non-fiction are identified and discussed in an attempt to unpack how and why they were commissioned and developed for publication, and to what social and cultural effect. The dynamics of organisational structure and publishing culture are explored by analysing general and specific publishing models. Editors and publishers discuss how publishing companies operate and offer insights into, and perceptions of, organisational structure and publishing culture and, importantly, how both impact on commissioning practice. Issues of identity, representation and institutionalisation are identified as they relate to developments and trends within publishing and public culture, as a whole, and the ways in which they intersect. This nexus of culture and power is explored through the cultural production of Australian content, and in particular, in Chapters Five and Six, with the impact of second-wave feminism on Australian publishing culture and cross-currents in the production and publication of Aboriginal and Torres Strait Islander works.
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22

Santon, Beryle Crockett. "The value of state level textbook adoption systems as perceived by selected textbook publishing personnel." Diss., Virginia Polytechnic Institute and State University, 1988. http://hdl.handle.net/10919/77830.

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Анотація:
The purpose of this study is to examine the perceptions of selected textbook publishing personnel concerning the value of state level textbook adoption systems. The perceived value has been examined in relation to intents for state level textbook adoption systems as identified in an investigation by Tulley (1983). In addition, perceptions concerning appropriateness, importance, achievability, and accomplishment of those intents for state level textbook systems and the influence of state systems beyond textbook selection decisions were investigated. The method used for the collection of data was a survey instrument, a written questionnaire, developed especially for this study. The questionnaire was designed specifically for selected textbook publishing industry authors and editors of reading programs, and regional and local sales representatives with state level textbook adoption experience. Data were derived from responses to the questionnaire with frequency count for each alternative tabulated and percentages of respondents selecting each alternative calculated and presented according to total sample, publishing firm and role responsibility of the respondent in the publishing firm. Descriptive and inferential statistics were used for data analysis and domain analysis conducted with written comments. The results of this study indicate that state systems are perceived as having considerable value. Eleven generalizations related to major strengths for state level adoption systems emerged during this study. In addition, respondents noted eight of these generalizations as appropriate, achievable, and actually being accomplished. The results of this study, however, did reveal some major weaknesses of state level adoption systems. State systems’ decisions were viewed by the respondents as having impact which goes beyond the individual state.
Ed. D.
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23

Duncan, Jennifer Sweatman. "The éditrice in France since the MLF : Editions Des femmes and the opening of the publishing industry to women /." view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?did=1192181551&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2006.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 300-310). Also available for download via the World Wide Web; free to University of Oregon users.
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24

Hawley, Elizabeth Haven. "American Publishers of Indecent Books, 1840-1890." Diss., Georgia Institute of Technology, 2005. http://hdl.handle.net/1853/7579.

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American publishers of indecent books from 1840 to 1890 were not outsiders to the printing trades. They should be seen instead as entrepreneurs whose technological practices and business strategies were largely representative of the diversity within American publishing. Books prohibited or later destroyed because of their content survived in a relatively wide variety of forms in the hands of rare book collectors, making such artifacts perhaps even more important for the study of industrial practices than literary works collected in greater numbers by research institutions. Those rare artifacts make available long-lost details about the men and women who manufactured print at the boundaries of social propriety, the production technologies they employed, and the place of difficult-to-research publishers in the American book trades. Conservation, papermaking, illustrations, printing, and typefounding are as important to the history of American erotica as the more famous prosecutions led by Anthony Comstock. Focusing on works considered indecent by the nineteenth-century bibliographer Henry Spencer Ashbee, this dissertation integrates the political economy of print with an analysis of the material forms of semi-erotic and obscene books. Surviving artifacts offer evidence about regional production styles and the ways that fiber selection, and particularly the use of straw in low-quality papers, influenced the prevalence of yellow wrappers for ephemeral works. Printer skill levels and capitalization can sometimes be determined through the presence of gripper marks on printed sheets. Reconstructing and contextualizing the technological practices of these publishers can create new tools for bibliographical analysis, an accessible source of information about technical processes for general historians, and a wealth of data about publishers such as William Berry, whose role in networks of erotica in nineteenth-century America has only recently begun to be appreciated.
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25

Mogg, Thomas. "Die Kodifikation von Verlagsrecht und Verlagsvertrag in Deutschland : die Geschichte des Gesetzes über das Verlagsrecht vom 19. Juni 1901 und seine Vorgeschichte /." Aachen : Shaker, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014919489&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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26

White, Trena Rae. "Excavating the slush pile at McClelland & Stewart /." Burnaby, B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/648.

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27

Leupold, Barbara. "Die Freidankausgabe Sebastian Brants Untersuchungen zum Medienwechsel einer spätmittelalterlichen Spruchsammlung an der Schwelle zur frühen Neuzeit /." Marburg : Philipps-Universität Marburg, 2007. http://archiv.ub.uni-marburg.de/diss/z2007/0131/pdf/dbl.pdf.

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28

Niedzwiecki, Thaba. "Print politics, conflict and community-building at Toronto's Women's Press." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ27530.pdf.

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29

Chan, Wing-kin, and 陳永健. "Why are there list prices?" Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31954595.

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30

Dinning, William John. "Textual and editorial conflict in Pascal's Pensées." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:c0a956c5-716d-4884-bf37-34b836f65418.

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Анотація:
The history of publication of Pascal's Pensées is one of conflict and contention at many levels. This is studied in relation to four editions which have emerged from engagement with the fragmented text, each marking a milestone in the evolution of editorial practice and mastery over the work of the dead author. The text is presented as target, bystander, and agent of conflict. The first two chapters deal with motivation to publish, target readership, and the sources of conflict themselves. Chapter three examines these issues with respect to the original edition (L'Édition de Port-Royal), and the subsequent three chapters examine respectively the editions of Prosper Faugère, Léon Brunschvicg, and Louis Lafuma. The narrative charts the gradual approach to the currently accepted presentation of the fragments, and the long persistence of efforts to imagine Pascal's plan for an apology for Christianity, against a reluctance to take account of the authority of existing documents. The reception of these editions provides clues to why the Pensées have an eternal youthfulness and a constant appeal to editors. I argue that the apology lies in the fragments, however they are arranged, that all editors have accepted their apologetic intent, and that their universal significance springs from the deep sensibility they express about the human condition.
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31

An, Yu Lee. "Music Publishing in London From 1780 to 1837 as Reflected in Music Publishers' Catalogues of Music for Sale: A Bibliography and Commentary." Thesis, University of Canterbury. Music, 2008. http://hdl.handle.net/10092/4197.

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Анотація:
This study documents and analyses the music-selling and publishing industry in London from 1780 to the end of the Georgian period as reflected in publishers' catalogues of music for sale. It assembles the histories and activities of these music publishers in relation to the society they served. Catalogues inform us quite precisely not only of the activities of music publishers, but also the role they played in accommodating, influencing, expanding and educating the contemporary musical taste. In addition, catalogues provide documentary evidence of compositions in issues no longer extant, and even of some works themselves at least by the lesser-known composers. Nearly 600 catalogues in over 1100 states, issued by over 100 London music-publishing firms from 1780 to 1837 have been gathered from the British Library, London; the Bodleian Library, Oxford, and Cambridge University Library, Cambridge. Arguably, publishers' catalogues are among the sharpest yet least appreciated mirrors of changes in musical taste. This study attempts to bring them into the foreground, place them in their proper historical perspective and establish their role in musicological research.
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32

Whitehead, Nicola Marie. "The publisher Humphrey Moseley and royalist literature, 1640-1660." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:55a6d252-ddc4-401b-8a50-988d40121483.

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The principal argument of this thesis is that royalist literary publishing in the civil wars and Interregnum was a more coherent and wider movement than has been recognised. It asserts the importance of print culture to royalists, both as a vehicle for personal responses to political circumstances, and as a means to criticize and undermine the opposition. The thesis uses the publisher Humphrey Moseley as a lens through which to examine the publisher's role in the dissemination of a wide range of royalist texts. It demonstrates that publishers, as well as authors, were driven by their political and ideological opinions. The thesis begins by establishing that the royalist and Anglican convictions expressed within the texts published by Moseley corresponded with his own. This opening chapter also demonstrates the editorial control that he exerted when publishing a book. Next follow five case studies. In the second chapter I examine writings of Moseley's most prolific author, James Howell. I show that until the censorship legislation of September 1649, Howell published royalist polemical pamphlets. I argue that in response to the censorship act Howell shifted to a more subtle method of polemical writing, most notably when he embedded extracts from his polemical pamphlets in his historical allegory Dodona's Grove which Moseley published in 1650. Chapters Three to Six are genre-based case studies. These chapters analyse the ways that a variety of genres were used by royalists in support of the Stuart cause and the Anglican Church. In the final chapter I set Moseley within the context of royalist publishing more widely. I review the careers of Henry Seile and Richard Royston to demonstrate that Moseley was not the only publisher committed to the royalist cause and that his productions belonged to a broad spectrum of royalist publishing.
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33

Sloneker, G. Mark. "Burris Butler the man who helped save Standard Publishing Company /." Theological Research Exchange Network (TREN), 1992. http://www.tren.com.

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34

Skinner, Jeremy. "The Binfords and Mort Publishing Company and the Development of Regional Literature in Oregon." PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/156.

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Анотація:
During the first half of the twentieth century there was a flourishing of publishers in the United States that specialized in books with content targeted for regional audiences. One of the largest regional publishers west of the Mississippi was the Binfords & Mort publishing company of Portland, Oregon. In 1930, Binfords & Mort began publishing works of fiction, history, poetry, children's literature, and natural history by Pacific Northwest authors with content focused on the Pacific Northwest. Between 1930 and 1984, when the Binford family sold the publishing company, Binfords & Mort published around one thousand titles, and became a one of the leading influences on the Oregon literary scene. Although Binfords & Mort did not publish books that received widespread critical praise from national literary critics, its books sold well to Oregon readers. This thesis examines the economic and cultural contexts for Binfords & Mort, and its larger cultural impacts. The thesis also challenges the standard claim that Oregon literature underwent a major shift toward modernism after the publication of H.L. Davis's and James Stevens's critique of Oregon writing, Status Rerum in 1927. Instead, the thesis proposes that by looking at the output of Oregon's most popular publisher, Binfords & Mort, one finds that an older style of writing focused on the pioneer period continued to be popular well into the twentieth century. These publications had a widespread impact on Oregon's cultural development.
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35

Gassert, Imogen L. "Collaborators and dissidents : aspects of British literary publishing in the First World War, 1914-1919." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391071.

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36

Reid, Grace. "The Impact of Digital Technologies and COVID-19 on the Role of the Primary Educational Publisher." Thesis, Department of Media and Communications, 2021. https://hdl.handle.net/2123/27729.

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Анотація:
The 21st century has seen the education ecosystem change drastically, with the increased digitisation of the classroom and more recently the global pandemic. This thesis aimed to understand the role of the primary educational publisher in this new climate through the lens of Darnton’s (1982) revised communications circuit and gatekeeping theory. Semi-structured interviews with 10 industry professionals from the primary educational publishing sector and a website audit were used to collect data about the impact of digitisation and COVID-19 on the role of publishers, the formats of educational resources produced, and the future of the industry. The findings reveal a mission-driven industry. To support educators, publishers conduct user, market and educational research and interpret government curricula and regulations to create products underpinned by cutting-edge learning design and responsive to the demands of educators. As intermediaries in the publishing ecosystem, primary educational publishers navigate the gatekeeping forces of governments, learning design, pedagogy and technology. COVID-19 has accelerated existing trends, particularly the move to digital products, and has reinforced the importance of primary educational publishers in the minds of educators. Publishers are set to continue to adapt and solve problems, innovate within the digital space, and develop the capabilities of personalised and differentiated products without neglecting the print formats that are integral to primary education.
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37

Chang, Yu. "Publishing culture in eighteenth-century Japan, the case of the Edo publisher Tsutaya Jûzaburô, 1751-97." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ51565.pdf.

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38

Ellwand, Geoffrey Roy. "The mercury rising, James Innes : the honesty of purpose and sound judgement of a Victorian journalist." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0018/MQ27497.pdf.

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39

Reed, Christopher A. "Gutenberg in Shanghai mechanized printing, modern publishing, and their effects on the city, 1876-1937 /." online access from Digital dissertation consortium, 1996. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9703253.

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40

Cheung, Iva. "The editorial handbook: a comprehensive document to guide authors through the editorial process at Douglas & McIntyre Publishing Group /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2320.

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41

Darko-Ampem, Kwasi Otu. "Scholarly publishing in Africa : a case study of African university presses." Thesis, University of Stirling, 2004. http://hdl.handle.net/1893/71.

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University press publishing was introduced in sub-Sahara Africa around the mid 1950s as the new independent countries strived to accelerate the pace of education and training of their peoples with the sole purpose of the rapid socio-economic development of their countries. Just like their universities, African university presses were modeled after their American and European counterparts. Like all genres of publishing, scholarly publishing in Africa has not been cushioned from the challenges imposed by economic factors. In fact publishing in Africa enjoyed a short boom in the early 1970s, but due to the serious socio-economic downturns in most of these countries, starting from the early 1980s, these gains have been halted and in some cases reversed. This study examines the policies and practices of six sub-Saharan Africa university presses. It is a multi-site case study to establish how far the presses have adopted and/or adapted their policies to suit the environment and circumstances of Africa. The study investigates the extent to which constraints facing them affect their publishing efforts, their coping strategies, and the possible avenues of reducing the effect of these constraints. Several data collection methods were employed including on-site visits, interviews, and observations at three of the presses, and a mail survey of all six presses. There is a serious absence of competition and cooperation between the presses surveyed. There are no aggressive fund raising strategies, yet the survey showed financial constraint as the most crucial factor that impedes the development of their publishing activities. The presses do not have press publishing areas or press lists, which define the subject areas in which each of them concentrates its publishing. None of the presses has a formal written policy on manuscript acquisition. The study confirms that university presses publish mainly in the humanities and social sciences. Views on a unique African model of a university press are divided. The issue of author-publisher relationship is high on the presses agenda, especially as African scholars seek publishing avenues with African presses. Opinion on publishing non-scholarly materials was divided but swayed towards getting the needed profits to support non-profitable but essential publishing by the university press. For the majority of the presses, the most important publishing category is undergraduate textbook, and direct sales is the most popular means of marketing their works. The presses have succeeded at selling between 25-65% of their output. The study concludes that the coping strategies adopted by the presses in the face of harsh environmental conditions include the introduction of ICTs, changes in the treatment of authors, editorial policy on publishing non-scholarly materials, staff levels and use of outsourcing, and different approaches to sources of funding. It recommends a consortium of African university presses based at the micro level on Specialization, Cooperation, and the adoption of ICTs especially print-on-demand technologies. Each press must operate as a Trust in order to enjoy autonomy as a private company, but be registered as a non-profit organization. At the macro level funding must be vigorously sourced through donor agencies including The African Development Bank. Governments should prioritize book publishing, the development and stocking of libraries, encourage reading, set up regional university presses, and introduce book and publishing components into research project funds. The study recommends further research into the effect of technological developments on university press publishing in Africa, a follow up study in 10 years to see how university presses in Africa are surviving, and a detailed study of university press consortia and the implications for tertiary education in Africa.
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42

Cooper, Gael L. "Edwin Thomas Meredith : a commitment to service /." free to MU campus, to others for purchase, 1996. http://wwwlib.umi.com/cr/mo/fullcit?p9737888.

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43

Hardah, Saʻīd. "al-Zahrāʼ lil-Iʻlām al-ʻArabī wa-al-namūdhaj al-Islāmi al-maṭlūb". Madīnat Nasr, al-Qāhirah : Al-Zahrāʼ, Qism al-Nashr, 1991. http://books.google.com/books?id=sl5tAAAAMAAJ.

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44

Azzam, Firdaus Ahmad. "Scholarly publishing in Malaysia : a study of marketing environment and influences on readership behaviour." Thesis, University of Stirling, 1995. http://hdl.handle.net/1893/2172.

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The role of publishing in the development of societies has been crucial, but many still tend to overlook the wider societal impact of publishing and concentrate purely on its direct economic contribution. The aim of this thesis is to draw attention to the wider impact of publishing as an instrument for the betterment of society. In particular the thesis examines the role of marketing in all its aspects in the publishing process at the international, national and industrial level (from inception to completion of publications). The study hopes to shed light on some of the environmental factors which affect publishing in general, publishing in the Malaysian context, and particularly scholarly publishing, which has its own peculiar traits. In order to have a clearer idea of the publishing scenario it is essential first to identify the symptoms; therefore it is important to examine the macro-marketing environment which constitutes the socio-political and commercial envelope in which the publishing industry resides, and then the micro-marketing environment and marketing systems which constitute the local industry level influences and internal company marketing force respectively. Having looked at these aspects of the marketing environment, the research concentrates on the most crucial factor in the success of any business, the buyer. The importance of measuring consumer satisfaction also dictated why the researcher made use of questionnaires for lecturers and students as sources of primary data for this study. Lecturers' roles in marketing books indirectly should not be overlooked by publishers; their unique offering is the special ability to identify and satisfy students' needs, analogous to the role played by doctors in the marketing of pharmaceutical drugs. An investigation is made of consumers' profile (lecturers and students) in order to deduce their reading and buying behaviour, and further in the case of lecturers, writing proficiency. These findings may provide better understanding of the marketing ramifications emanating from the publishing process in general and scholarly publishing in particular. Although libraries are one of the primary customers for scholarly publications, the survey conducted with them was far smaller in scope than those conducted on lecturers and students since they merely act as intermediaries while the latter are the ultimate users of scholarly publications. Scholars and publishers may co-operate happily in the writing and creating of scholarly books, but the publisher faces serious limitations upon his freedom to act purely for the betterment of scholarship. Thus, the focus of this study is how to bridge the gap between dissemination of knowledge through published means and the economics of publishing as a commercial concern. The notion of "social profit" is introduced to help deal with some of the conflicting concerns of scholarly publishers, as well as to argue against the normal argument of "social obligations" put forward by many government publishing agencies and university presses in Malaysia. The study concludes that main factors which determine the present situation of scholarly publishing include the relative infancy of the publishing industry in Malaysia; the small market for publications, in particular scholarly publications; the emphasis on textbook production which has resulted in a dearth of books in other areas; frequent changes of language policy which have damaged publishing programmes in both English and bahasa Melayu; the poor reading habit of the population in general (notwithstanding the high literacy rate); and more distressingly for scholarly publishers, the poor reading habit of students and lecturers; the lack of understanding of the publishing process by people involved in the industry; insufficient numbers of good authors especially those who can write in bahasa Melayu; poor planning and distribution, and above all the absence of reliable and up to date information on the industry. It is hoped that this research will generate interest in this neglected, yet nevertheless important, area which is essential to the development and national well being. An analysis of the marketing environment within the publishing business reveals the problems facing the industry, and suggests that a more appropriate system will be possible only when effective steps are taken to meet the needs of this industry and provide the needed support. This can only be realised by a detailed study to determine the long-term and short-term needs for books and other materials, and the various methods of meeting these needs. It is also important in determining how the industry can be strengthened and expanded to meet future needs. Although government efforts have reflected the awareness of the importance of textbooks in developing and upgrading the standard of education in Malaysia, they have also resulted in some measure in discouraging scholarly publications within the publishing industry. The publishing business in Malaysia deserves greater attention because of the significant position of Malaysia in Asia and ASEAN sub-continent in particular, and the contribution of education to its economic and social development.
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45

Bruntjen, Sven H. A. "John Boydell, 1719-1804 a study of art patronage and publishing in Georgian London /." New York : Garland Pub, 1985. http://catalog.hathitrust.org/api/volumes/oclc/12049935.html.

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46

Ibironke, Olabode. "Between African writers and Heinemann educational publishers the political economy of a culture industry /." Diss., Connect to online resource - MSU authorized users, 2008.

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47

Guérin, Delphine. "MDPI Multidisciplinary Digital Publishing Institute." Universitätsbibliothek Chemnitz, 2016. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-213161.

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Im Rahmen der Internationalen Open Access Week 2016 fand am 26.10.2016 die Veranstaltung "Open in Action at TU Chemnitz" statt. Der Vortrag des MDPI - Multidisciplinary Digital Publishing Institute - berichtet über die Aktivitäten des Open-Access-Verlages und die Vorteile für Autoren. Die Präsentation zeigt das Leistungsspektrum und gibt Auskunft über den Peer Review-Prozess. Seit 2015 hat die Universitätsbibliothek eine Institutionelle Vereinbarung mit dem MDPI geschlossen. Der Publikationsworkflow ist für Wissenschaffende einfach und transparent
In the context of the International Open Access Week 2016, the event "Open in Action at TU Chemnitz" was held on 26 October 2016. The lecture of the MDPI – the Multidisciplinary Digital Publishing Institute – presents the past and current activities of the open access publisher and the author benefits. The presentation shows the procedures and the range of inhouse services in the editorial and the peer review process. The University Library of the Technische Universität Chemnitz has held an institutional membership with the MDPI AG since 2015. Thus, the publication and invoicing workflow is made simple and transparent for academics
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48

Medina, Grecia. "How to Get a Job in Book Publishing." ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2701.

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There are many different doorways into the world of book publishing and it can be challenging, but there are choices that can make it easier. Aspiring publishers often have a hard time breaking into this world because they have no guide. This thesis will be a guide to traversing the different avenues into the world of publishing. Prospective publishers, editors, and writers will be provided with a landscape of what it’s like to work in book publishing. It will also cover the two different ways that people become publishers, an overview of the basic requirements that publishing houses look for in potential employees, and the basic process of what publishers do.
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49

Clifford, Kristopher. "Appalachian literature and the "red-headed stepchild of publishing" the writings of Victor Depta and the cultural work of independent presses /." Huntington, WV : [Marshall University Libraries], 2007. http://www.marshall.edu/etd/descript.asp?ref=815.

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50

Li, Jiaju. "Shanghai shang wu yin shu guan yu jin dai zhi shi wen hua de chuan bo he su zao (1897 zhi 1949) cong shu ji chu ban shi jiao du kao cha /." online access from Digital dissertation consortium, 2001. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3066579.

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