Дисертації з теми "Printed image"
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遲秉壯 and Ping-chong Chee. "Hand-printed Chinese character recognition and image preprocessing." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31213972.
Повний текст джерелаChee, Ping-chong. "Hand-printed Chinese character recognition and image preprocessing /." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18597579.
Повний текст джерелаBanks, R. N. "Neural networks for hand-printed character recognition." Thesis, University of Nottingham, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.293655.
Повний текст джерелаKocsis, Alexandra. "The functions of texts in printed images : text and image in reproductive prints by Hieronymus Cock, Antonio Salamanca, and Antonio Lafreri." Thesis, University of Kent, 2017. https://kar.kent.ac.uk/69147/.
Повний текст джерелаAnderson, Patricia J. "The printed image and the transformation of popular culture, 1790-1860." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/29002.
Повний текст джерелаArts, Faculty of
History, Department of
Graduate
Keskinarkaus, A. (Anja). "Digital watermarking techniques for printed images." Doctoral thesis, Oulun yliopisto, 2013. http://urn.fi/urn:isbn:9789526200583.
Повний текст джерелаTiivistelmä Digitaalinen vesileimaus on parin viime vuosikymmenen aikana runsaasti huomiota saanut tekniikka, jonka avulla kuviin voidaan piilottaa aistein havaitsematonta tietoa. Tämä tieto voidaan myöhemmin poimia esiin, minkä vuoksi sovelluskohteita esimerkiksi Internetin kautta tapahtuvassa jakelussa on useita. Perinteisesti vesileimaustekniikat keskittyvät pelkästään digitaalisessa muodossa pysyvään tietoon. Kuitenkin iso osa kuvainformaatiosta saa yhä vielä myös fyysisen muodon esimerkiksi kirjoissa, julisteissa ja etiketeissä. Myös vesileimauksella on useita sovelluskohteita painettujen kuvienkin osalta. Vesileimausta ajatellen painatus tuo kumminkin omat erityishaasteensa vesileimaustekniikoille. Tässä väitöskirjassa kehitetään menetelmiä, jotka mahdollistavat piilotetun tiedon säilymisen painetussa kuvassa. Piilotettu tieto voidaan lukea käyttämällä skanneria tai matkapuhelimen kameraa tiedon digitalisointiin. Digitalisoinnin jälkeen vesileimausohjelma osaa lukea piilotetun tiedon. Vesileimauksen osalta haasteellisuus tulee vääristymistä, joita sekä kuvien tulostus sekä digitalisointi aiheuttavat. Väitöstyössä keskitytään monibittisiin vesileimaustekniikoihin, joissa alkuperäistä kuvaa ei tarvita vesileimaa poimittaessa. Väitöstyössä kehitetyt menetelmät on testattu toimistoympäristössä standardi toimistolaitteita käyttäen. Käytännön sovelluksia ajatellen, testeissä on kiinnitetty huomiota myös yhdistelmähyökkäysten sekä painetun kuvan taustan vaikutukseen algoritmin robustisuudelle. Ensisijainen tavoite on kehittää menetelmiä, jotka kestävät printtaus ja skannaus operaation. Toinen tavoite on tiedon kestävyys luettaessa tietoa matkapuhelimen kameran avulla. Väitöskirjassa tarkastellaan ja kehitellään ratkaisuja neljälle eri osa-alueelle: (1) Ihmisaisteja mallintavien menetelmien käyttö vesileimauksen kestävyyden lisäämiseksi; (2) Robusti synkronointi luettaessa monibittistä tietoa painotuotteesta; (3) Suunnattuja jaksollisia kuvioita käyttävä menetelmä, joka mahdollistaa monibittisen tiedon koodaamisen ja dekoodaamisen hyökkäysten jälkeen; (4) Sovellustasolla tarkastellaan kahta pääsovellusta: interaktiivinen juliste sekä kestävä ja turvattu avaimen avulla tapahtuva painotuotteen identifiointi
Kocsis, Alexandra [Verfasser]. "The Functions of Texts in Printed Images : Text and Image in Reproductive Prints by Hieronymus Cock, Antonio Salamanca, and Antonio Lafreri / Alexandra Kocsis." Berlin : Freie Universität Berlin, 2019. http://d-nb.info/1187734624/34.
Повний текст джерелаCarter, Nicholas Paul. "Automatic recognition of printed music in the context of electronic publishing." Thesis, University of Surrey, 1989. http://epubs.surrey.ac.uk/843542/.
Повний текст джерелаGennetten, K. Douglas. "Color transformation modeling for printed images using interpolation based on barycentric coordinates /." Online version of thesis, 1989. http://hdl.handle.net/1850/11530.
Повний текст джерелаBriggs, Amanda. "A study of photographic images, processes and computer aided textile design." Thesis, Nottingham Trent University, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.388871.
Повний текст джерелаLove, Johanna. "Dust : exploring the relationship between contemporary modes of viewing the printed photographic image." Thesis, University of the Arts London, 2012. http://ualresearchonline.arts.ac.uk/5887/.
Повний текст джерелаRahman, Ahmad Fuad Rezaur. "Study of multiple expert decision combination strategies for handwritten and printed character recognition." Thesis, University of Kent, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.245624.
Повний текст джерелаPink, Jeffrey R. "Features and neural net recognition strategies for hand printed digits /." Online version of thesis, 1995. http://hdl.handle.net/1850/12230.
Повний текст джерелаPramila, A. (Anu). "Reading watermarks with a camera phone from printed images." Doctoral thesis, Oulun yliopisto, 2018. http://urn.fi/urn:isbn:9789526218052.
Повний текст джерелаTiivistelmä On olemassa useita syitä tulosteesta otetun valokuvan jakamiseen. Aikomuksena voi olla kopioida kuva omaan käyttöön tai jakaa mielenkiintoinen ilmoitus ystävien kanssa. Vesileimauksessa kuvaan voidaan sijoittaa lisätietoa ja erityisillä menetelmillä tieto voidaan myöhemmin lukea mobiililaitteen kameralla. Digitaalisten kuvien vesileimauksen tavoite on piilottaa tietoa kuvaan siten, että tietokone pystyy lukemaan piilotetun informaation, siinä missä ihminen ei pysty sitä havaitsemaan. Tämän väitöskirjan tavoitteena on tutkia prosessia, missä vesileimattu kuva tulostetaan ja vesileima luetaan digitaalisella kameralla tai kamerapuhelimella tulosteesta. Selviytyäkseen tästä prosessista, vesileiman on kestettävä useita hyökkäyksiä. Osa hyökkäyksistä esiintyy tulostuksen aikana, kun kuva rasteroidaan, ja osa valokuvatessa, jolloin kamera voi olla kiertynyt. Näiden hyökkäysten seurauksena vesileiman synkronointi voi kadota, jolloin vesileiman lukeminen ei enää onnistu. Väitöskirjan päätavoitteena on siis kehittää tulostuksen ja valokuvauksen kestäviä vesileimausmenetelmiä erityisesti niitä tilanteita varten, jolloin kuvauskulma on suuri. Tämä ongelma sisältää olosuhteet, joissa synkronointi menetetään, ja kun kameran linssi ei ole kohdistunut oikein. Työssä yhdistetään digitaalinen kuvien vesileimaus, laskennallinen valokuvaus ja matkapuhelimet. Tutkimus voidaan jakaa kahteen osa-alueeseen: Ensimmäisessä kehitetään kaksi tulostuksen ja valokuvauksen kestävää menetelmää, joista toinen perustuu kehykseen ja toinen autokorrelaatioon synkronoinnin säilyttämiseksi. Toisessa osassa näitä menetelmiä hyödynnetään algoritmissa, joka kykenee vesileiman lukemiseen myös silloin kun kameran kiertyminen on voimakasta ja objektiivin kapea tarkennussyvyys aiheuttaa sumeita alueita kuvassa. Tutkimustyön lopussa tätä algoritmia viedään eteenpäin ja testataan matkapuhelinalustalla. Tulokset osoittavat menetelmän kestävän kameran kiertymistä 60°:seen saakka suoritusajoilla, jotka ovat hyväksyttäviä sovelluskäyttöön
Chandu, Kartheek. "Automatic image registration and defect identification of a class of structural artifacts in printed documents /." Online version of thesis, 2008. http://hdl.handle.net/1850/7761.
Повний текст джерелаNellis, Jaan. "The application of artificial neural networks and associated technologies to the task of hand-printed character recognition." Thesis, Brunel University, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.333516.
Повний текст джерелаVijayan, Suvendra. "Reliability of 3D-printed mandibles constructed from CBCT volumes of different voxel sizes." Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6323.
Повний текст джерелаTaboada, Efren De Jesus Rangel. "Improved Signal Integrity in IEEE 1149.1 Boundary Scan Designs." Diss., CLICK HERE for online access, 2004. http://contentdm.lib.byu.edu/ETD/image/etd587.pdf.
Повний текст джерелаStellmar, Justin. "Predicting the Deformation of 3D Printed ABS Plastic Using Machine Learning Regressions." Youngstown State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1587462911261523.
Повний текст джерелаLi, Wei Verfasser], Dorit [Akademischer Betreuer] [Merhof, and Jens-Rainer [Akademischer Betreuer] Ohm. "Image-based information retrieval in an automated analysis of printed circuit boards / Wei Li ; Dorit Merhof, Jens-Rainer Ohm." Aachen : Universitätsbibliothek der RWTH Aachen, 2018. http://d-nb.info/116250322X/34.
Повний текст джерелаLi, Wei [Verfasser], Dorit [Akademischer Betreuer] Merhof, and Jens-Rainer [Akademischer Betreuer] Ohm. "Image-based information retrieval in an automated analysis of printed circuit boards / Wei Li ; Dorit Merhof, Jens-Rainer Ohm." Aachen : Universitätsbibliothek der RWTH Aachen, 2018. http://d-nb.info/116250322X/34.
Повний текст джерелаBasoli, Lídia Pampana [UNESP]. "O texto e o traço: reflexões sobre as crônicas ilustradas de Arnaldo Jabor." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/89500.
Повний текст джерелаUniversidade Estadual Paulista (UNESP)
Subjetividade, crônica, ilustração, jornalismo impresso e produção de sentido. O que esses termos têm em comum? Mais do que apresentar uma opinião pessoal, a crônica e a ilustração, frutos de uma indústria cultural que chega ao Brasil em meados do século XX, influenciam outra visão social, uma vez que se caracterizam pela busca incessante em captar um momento da realidade e interpretá-lo por meio do texto ou do traço. Os meios de comunicação atraem a atenção do leitor pelas diferentes maneiras de informar ou comentar uma notícia. Ao longo da evolução do jornalismo impresso, colunas de informação foram adaptadas ao jornal e o uso da ilustração passou a ser um recurso utilizado para produção de sentido na realidade. Tão subjetiva quanto as crônicas, editoriais e comentários, a ilustração hoje é empregada diariamente no meio impresso, devido ao avanço proporcionado pelas novas tecnologias e também pela boa recepção que obteve junto ao público leitor que cada vez mais consume imagens. A partir dessa perspectiva, temos a inegável importância de se estudar a relação entre o texto e a imagem para compreendermos a implicação do verbal e do não verbal através das novas propostas de comunicação. Na presente dissertação, verificaremos a produção de sentido entre determinadas crônicas de Arnaldo Jabor e ilustrações de Cido Gonçalves publicadas no Caderno 2 do jornal O Estado de S. Paulo entre 2006 e 2007. Analisaremos as mesmas como manifestações de uma indústria cultural consolidada e ainda forte. Verificar a relação texto e imagem é o objetivo principal a que nos propomos, refletindo sobre a importância da crônica e da ilustração no meio impresso. Pretendemos analisar as crônicas selecionadas averiguando como essas superam a efemeridade das notícias utilizando outros referenciais para situar os constantes conflitos sociais. Analisaremos...
Subjectivity, chronics, illustration, printed journalism and production of meaning. What do these terms have in common? More than presenting a personal opinion, chronics and illustrations, offspring of a cultural industry that arrives in Brazil in the beginning of the 20th century, influence other social vision, once they are characterized by a restless search to capture a moment of reality and interpret it through text or illustration. The means of communication attracts the reader’s attention through different ways of informing or commenting a piece of news. During the evolution of printed journalism, columns of information were adapted to the newspaper and the use of illustration started being a resource used in the construction of a new production of meaning over the reality. As subjective as the chronics, editorials and comments, the illustration is used nowadays in a daily basis in the printed media, due to the evolution enabled by the new technologies and also by the good acceptance which received along to the readers which more and more consumes images. From this perspective, there is the undeniable importance of studying the relationship between text and image to understand the implication of the verbal and non-verbal through the new propositions of communication. In the present dissertation, we are going to check the production of meaning among determined chronics by Arnaldo Jabor and the illustrations of Cido Gonçalves published in Caderno 2 of the O Estado de S. Paulo newspaper between 2006 and 2007. We will analyze them as manifestations of a consolidated and strong cultural industry. Checking the relationship between text and image is the main objective proposed, reflecting over the importance of chronics and illustration in the printed media. We intend to analyze the selected chronics noticing how they overcome the ephemerity of the news using other referentials to site ...(Complete abstract click electronic address below)
Pereira, Gustavo Moraes Queirolo. "Infojornalismo nos jornais diários: análise de coberturas no jornal Folha de S. Paulo." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/27/27152/tde-13082009-154649/.
Повний текст джерелаFor the last decades, the informatization of newspaper publishing, as well as the development of desk top publishing software, have made it possible to consolidate the application of infographics as an ancillary tool to news transmission on daily printed periodicals. The publishing practices of infojournalism integrate verbal texts with different non-verbal expressions, such as illustrations, maps, charts, tables, pictures, among others. Departing from the concept of text as a semiotic mechanism generating senses, we have analyzed eight infographic texts in three news coverages taken out from the newspaper Folha de S.Paulo, for the purpose of pointing at structuring formats of infographics, and such modeling implications on the formation of senses. Based on the observation of the corpus, we have identified how infojournalism incorporates and adapts external resources into journalism, and have distinguished possible signifying flows in the dialogue that an infographic text establishes with the other texts on a newspaper page. These elements have allowed us to establish the relations of the basic roles that infographics may play in a printed newspaper.
Cardoso, Cleiri Adriana. "Habitar a paisagem." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-04022015-154814/.
Повний текст джерелаIn the project Inhabiting the Landscape, I proposed an investigative practice involving the printed image and various means of reproduction of images, including languages such as video and photography, considering its uniqueness and approximations. The images poetically deal with issues of landscape and man\'s relation to the space it inhabits. The main concepts that permeate and constitute the axis of this group of works are: seriality, transience, materiality, uniqueness and repetition.
Qassim, K. A. S. "Optimisation of focal plane arrays for microwave imaging : printed Yagi, dielectric rod and constant width slot antennas are investigated and optimised for close stacking in focal plane arrays intended for microwave imaging." Thesis, University of Bradford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320761.
Повний текст джерелаDewing, Wende L. "Perception of Color Quality for Natural Images Viewed, Edited, and Printed Within the Context of a Home Digital Color Imaging System." Diss., Virginia Tech, 1999. http://hdl.handle.net/10919/26232.
Повний текст джерелаPh. D.
Basoli, Lídia Pampana. "O texto e o traço : reflexões sobre as crônicas ilustradas de Arnaldo Jabor /." Bauru : [s.n.], 2008. http://hdl.handle.net/11449/89500.
Повний текст джерелаBanca: Rozinaldo Antonio Miani
Banca: Maria Lúcia Vissotto Paiva Diniz
Resumo: Subjetividade, crônica, ilustração, jornalismo impresso e produção de sentido. O que esses termos têm em comum? Mais do que apresentar uma opinião pessoal, a crônica e a ilustração, frutos de uma indústria cultural que chega ao Brasil em meados do século XX, influenciam outra visão social, uma vez que se caracterizam pela busca incessante em captar um momento da realidade e interpretá-lo por meio do texto ou do traço. Os meios de comunicação atraem a atenção do leitor pelas diferentes maneiras de informar ou comentar uma notícia. Ao longo da evolução do jornalismo impresso, colunas de informação foram adaptadas ao jornal e o uso da ilustração passou a ser um recurso utilizado para produção de sentido na realidade. Tão subjetiva quanto as crônicas, editoriais e comentários, a ilustração hoje é empregada diariamente no meio impresso, devido ao avanço proporcionado pelas novas tecnologias e também pela boa recepção que obteve junto ao público leitor que cada vez mais consume imagens. A partir dessa perspectiva, temos a inegável importância de se estudar a relação entre o texto e a imagem para compreendermos a implicação do verbal e do não verbal através das novas propostas de comunicação. Na presente dissertação, verificaremos a produção de sentido entre determinadas crônicas de Arnaldo Jabor e ilustrações de Cido Gonçalves publicadas no Caderno 2 do jornal O Estado de S. Paulo entre 2006 e 2007. Analisaremos as mesmas como manifestações de uma indústria cultural consolidada e ainda forte. Verificar a relação texto e imagem é o objetivo principal a que nos propomos, refletindo sobre a importância da crônica e da ilustração no meio impresso. Pretendemos analisar as crônicas selecionadas averiguando como essas superam a efemeridade das notícias utilizando outros referenciais para situar os constantes conflitos sociais. Analisaremos ...(Resumo completo, clicar acesso eletrônico abaixo)
Abstract: Subjectivity, chronics, illustration, printed journalism and production of meaning. What do these terms have in common? More than presenting a personal opinion, chronics and illustrations, offspring of a cultural industry that arrives in Brazil in the beginning of the 20th century, influence other social vision, once they are characterized by a restless search to capture a moment of reality and interpret it through text or illustration. The means of communication attracts the reader's attention through different ways of informing or commenting a piece of news. During the evolution of printed journalism, columns of information were adapted to the newspaper and the use of illustration started being a resource used in the construction of a new production of meaning over the reality. As subjective as the chronics, editorials and comments, the illustration is used nowadays in a daily basis in the printed media, due to the evolution enabled by the new technologies and also by the good acceptance which received along to the readers which more and more consumes images. From this perspective, there is the undeniable importance of studying the relationship between text and image to understand the implication of the verbal and non-verbal through the new propositions of communication. In the present dissertation, we are going to check the production of meaning among determined chronics by Arnaldo Jabor and the illustrations of Cido Gonçalves published in Caderno 2 of the O Estado de S. Paulo newspaper between 2006 and 2007. We will analyze them as manifestations of a consolidated and strong cultural industry. Checking the relationship between text and image is the main objective proposed, reflecting over the importance of chronics and illustration in the printed media. We intend to analyze the selected chronics noticing how they overcome the ephemerity of the news using other referentials to site ...(Complete abstract click electronic address below)
Mestre
Hartigan, Caitlin Carol. "Image, manuscript, print : Le Roman de la rose, ca. 1481-1538." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:51474485-d7f1-43f9-8fc7-c7132037e75b.
Повний текст джерелаSilva, Alan Henrique Ferreira. "Aplicação de transformação conforme em codificação e decodificação de imagens." Universidade Federal de Goiás, 2016. http://repositorio.bc.ufg.br/tede/handle/tede/7015.
Повний текст джерелаApproved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-03-27T15:13:01Z (GMT) No. of bitstreams: 2 Dissertação - Alan Henrique Ferreira Silva - 2016.pdf: 10881029 bytes, checksum: 1c411277f8b103cc8a55709053ed7f9b (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)
Made available in DSpace on 2017-03-27T15:13:01Z (GMT). No. of bitstreams: 2 Dissertação - Alan Henrique Ferreira Silva - 2016.pdf: 10881029 bytes, checksum: 1c411277f8b103cc8a55709053ed7f9b (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2016-03-31
This work proposes method to encode and decode imas using conformal mapping. Conformal mapping modifies domains without modifyung physical characteristics between them. Real images are processed between these domains using encoding keys, also called transforming functions. The advantage of this methodology is the ability to carry the message as an encoded image in printed media for posterior-decoding.
Este trabalho propõe método que utiliza transformações conformes para codificar e decodificar imagens. As transformações conformes modificam os domínios em estudos sem modificar as características físicas entre eles. As imagens reais são transformadas entre estes domínios utilizando chaves, que são funções transformadoras. o diferencial desta metodologia é a capacidade de transportar a mensagem contida na imagem em meio impresso codificado e depois, decodificá-la.
Oliveira, Karoliny Almeida. "Desenvolvimento de sensores colorimétricos em materiais poliméricos para detecção de biomarcadores para diagnósticos clínicos." Universidade Federal de Goiás, 2017. http://repositorio.bc.ufg.br/tede/handle/tede/8652.
Повний текст джерелаApproved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-07-04T12:33:06Z (GMT) No. of bitstreams: 2 Tese - Karoliny Almeida Oliveira - 2017.pdf: 20054165 bytes, checksum: a9c846097d699d587dbf63736056a5a3 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)
Made available in DSpace on 2018-07-04T12:33:06Z (GMT). No. of bitstreams: 2 Tese - Karoliny Almeida Oliveira - 2017.pdf: 20054165 bytes, checksum: a9c846097d699d587dbf63736056a5a3 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2017-12-12
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This thesis describes the development of colorimetric sensors in polymeric materials for the biomarkers detection for clinical diagnostics. The devices were manufactured with 96 microzones from the direct printing technology, using transparency film. The printed microplates were used to detect dengue, glucose and total proteins. Dengue detection in patient serum samples was performed with the capture and indirect ELISA assay for the detection of immunoglobulin M and immunoglobulin G, respectively. After the acquisition of the images with a cellular camera, a color histogram analysis and the principal component analysis (PCA) were performed. The results of these analyzes allowed to easily differentiate the groups of serum samples from patients who were infected and non-infected with the dengue virus. In order to promote carboxyl groups on the surface of the polyester film, this was modified by two methodologies: alkaline hydrolysis and adsorption of a polymer. The glucose assay was performed on the films modified by both methodologies and detected by a cellular camera, and the detection limits found were 0.70 mM and 0.93 mM for the polymer and hydrolyzed film, respectively. In addition, the biuret assay was performed on the microplates for the analysis of total proteins in canine serum samples using a bench scanner as the detection system. The limit of detection was 9.7 μM for the analytical curve ranging from 0 to 200 μM albumin.
Essa tese descreve o desenvolvimento de sensores colorimétricos em materiais poliméricos para detecção de biomarcadores para diagnósticos clínicos. Os dispositivos foram fabricados com 96 zonas a partir da tecnologia de impressão direta, utilizando filme de transparência. As microplacas impressas foram utilizadas para realizar a detecção de dengue, glicose e proteínas totais. A detecção de dengue em amostras de soros de pacientes foi realizada com o ensaio imunoenzimático (ELISA) captura e indireto para a detecção da imunoglobulina M e imunoglobulina G, respectivamente. Após a aquisição das imagens com uma câmera de celular foi realizada uma análise por histogramas de cores e pela ferramenta multivariada de análise de componentes principais (PCA). Os resultados dessas análises permitiram diferenciar facilmente os grupos de amostras de soro de pacientes contaminados e não contaminados com o vírus da dengue. A fim de promover grupos carboxílicos na superfície do filme de poliéster, este foi modificado por duas metodologias: hidrólise alcalina e adsorção de um polímero. O ensaio de glicose foi realizado nos filmes modificados por ambas as metodologias e detectados por uma câmera de celular, e os limites de detecção encontrados foram 0,70 mM e 0,93 mM, para o filme com polímero e hidrolisado, respectivamente. Além disso, foi realizado nas microplacas o ensaio do biureto para a análise de proteínas totais em amostras de soro canino utilizando como sistema de detecção um scanner de bancada. O limite de detecção encontrado foi igual a 9,7 µM através da curva analítica variando de 0 a 200 µM de albumina.
Rodrigues, Célia Felícia Belim. "A imagem da primeira página:um estudo teórico semiológico e empírico sobre o jornalismo impresso português do Século XXI." Doctoral thesis, Instituto Superior de Ciências Sociais e Políticas, 2016. http://hdl.handle.net/10400.5/12746.
Повний текст джерелаA primeira página da imprensa é, por delegação social, o rosto do mundo que empresta imagens às mentes e à sociedade. Naquela, as lógicas de newsmaking e de estetização vulcanizam-‐se ao mais alto nível, pois é nela que o jornal grita mais e condensa o topo da sua pirâmide informativa. Como objetivo geral, propomos-‐nos a identificar e perceber a imagem da primeira página da imprensa portuguesa, concretamente dos periódicos Correio da Manhã e Diário de Notícias, no século XXI, nos seus desdobramentos de imagem do mundo, visual (textual, icónica e plástica) e mental. Analisamos conteúdo e forma numa intenção holística de entendimento. Dentro da moldura semiológica e dos estudos do emissor, apoiamo-‐nos numa metodologia mista, para, entre outros propósitos, fazer falar o corpus, para identificar os valores (semiológicos, noticiosos e sociais), para perceber as lógicas de decisão dos profissionais que actuam na criação de imagens. Construímos e testamos um modelo sobre a atenção da primeira página ao conteúdo e à forma. Entre as conclusões, anotamos na atenção ao conteúdo que, consoante, o tema, há variação no impacto das variáveis consideradas, que a atenção dedicada à forma aumenta com a personalização do evento, a prática de “good news is good news”.
The front page of the press is, by social delegation, the face of the world that lends images to the minds and society. Dynamics of newsmaking and aesthetization reach the highest level in this page since it is here that the newspaper screams more and condenses the top of its informative pyramid. As a general goal, we proposem to identify and understand the image of the front page of the Portuguese press, particularly of Correio da Manhã e Diário de Notícias, in the twenty-‐first century, in its dimensions of image of the world, visual image (textual, iconic and plastic) and mental one. We analyse contente and form in a holistic intention of understanding. Within the framework of Semiology and communicator’s studies, we support our investigation in a mixed methodology, for, among other purposes, to make the corpus talk, to identify values (semiological, news and social ones), to realize the logics of decision of professionals that create media images. We´build and test a model on the media attention to contente and form. Among the findings, we note that depending on the theme (content), there is variation in the impact of the variables considered, the attention to form increases with customization of the event, the practice of "good news is,,good news".
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Bringer, Yves. "Performances de nouvelles architectures machines pour la mise en oeuvre d'algorithmes de traitement et d'analyse d'image." Saint-Etienne, 1993. http://www.theses.fr/1993STET4024.
Повний текст джерелаAttersand, Åsa. ""Det är bara att hälla in texten" : – En studie om att anpassa ett tryckt läromedel till digitalt format." Thesis, Mälardalens högskola, Akademin för innovation, design och teknik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-39985.
Повний текст джерелаSammanfattning Den här studien handlar om vad som händer med text och bildinnehåll i ett tryckt läromedel när det ska anpassas till ett digitalt format. Syftet med mitt arbete är att ta reda på om läsbarheten förändras i det nya mediet. Studiens teoretiska fokus ligger på: Läsbarhet, text och bild i samverkan, samt multimodalitet. För att ta reda på om det digitala formatet påverkar läsbarheten har jag utfört två textanalyser, en läsbarhetsanalys av det tryckta materialet och en komparativ analys av det digitala. Jag har även utfört intervjuer med lärare och experter inom läromedelsutgivning. En utprovning samt en deltagarobservation genomfördes med målgruppen där mitt förbättringsförslag jämfördes med det befintliga materialet. De slutsatser jag har kommit fram till är att det behöver finnas tydliga kopplingar mellan text och bild i ett digitalt läromedel. Färgmarkeringar i brödtext med ordförklaringar kan störa läsrytmen och för många rubriknivåer kan förvirra läsaren. Den viktigaste slutsatsen är dock att hur läsbar en text är beror på målgruppens förkunskaper, läsmål och motivation för ämnet. En faktatext med svåra ord behöver nödvändigtvis inte bli lättare för att man delar in texten i korta stycken, det kan snarare bli svårare att förstå innehållet.
Davis, David Jonathan. "Picturing the invisible : religious printed images in Elizabethan England." Thesis, University of Exeter, 2009. http://hdl.handle.net/10036/85653.
Повний текст джерелаMehenni, B. "Fast visual inspection for quality control." Thesis, University of Nottingham, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328421.
Повний текст джерелаKrefer, Andriy Guilherme. "Fusão de modelos 3D com imagens térmicas para aplicações médicas." Universidade Tecnológica Federal do Paraná, 2015. http://repositorio.utfpr.edu.br/jspui/handle/1/1407.
Повний текст джерелаA termografia permite a visualização de valores de temperatura de um corpo por meio de imagens. Na área médica, encontra aplicações em oncologia, análise de queimaduras, doenças vasculares, doenças respiratórias, doenças de pele e como forma geral de verificação da vitalidade dos tecidos. A termografia 3D consiste de uma malha 3D com uma textura térmica projetada em sua superfície, oferecendo uma visualização mais precisa dos padrões de temperatura das estruturas anatômicas. Propõe-se, por meio do presente trabalho, um sistema capaz de combinar imagens termográficas 2D com sua malha 3D correspondente e, como resultado, entregar uma imagem termográfica 3D para aplicações médicas. Para isso foram utilizadas as técnicas de Otimização por Enxame de Partículas (PSO) e de reconstrução 3D Structure from Motion (SfM). Diferentemente de outros trabalhos na literatura, a malha 3D e as imagens térmicas não precisam ser adquiridas simultaneamente, não sendo necessário um arranjo mecânico dedicado. A malha 3D pode ter origem em um scanner 3D ou em uma imagem de ressonância magnética, por exemplo. Para avaliar os resultados, um phantom, isto é, um objeto estático de avaliação, com propriedades conhecidas, foi construído. Para tal, uma técnica inédita, utilizando placas de circuito impresso foi desenvolvida. Como resultado, comparações entre a saída do método proposto e o phantom, apresentaram um erro máximo de 3,73 mm e médio de 1,41 mm, com desvio padrão de 0,74 mm, em um phantom de 100 x 150 x 103,2 mm.
Thermography is an imaging method that allows temperature visualization of various regions of an object. In medicine, it finds applications related to oncology, burn trauma, vascular, respiratory and skin diseases, and as a general tissue vitality checking tool. 3D thermography adds tridimensional information to the conventional 2D thermography. It is made from a 3D mesh wrapped by thermal texture, enabling a more precise visualization of thermal patterns of anatomical structures. We propose a system capable of combining 2D thermal images with their corresponding 3D mesh, delivering a 3D thermogram for medical applications as a result. We used Particle Swarm Optimization (PSO) for mesh alignment and Structure from Motion (SfM) for 3D reconstruction in the present method. In contrast to most research found in the literature, the 3D mesh and the thermal images do not need to be acquired simultaneously, and a mechanical support for the thermal camera and the 3D scanner is not required. The 3D mesh may be acquired, for instance, from a 3D scanner or a magnetic resonance imaging machine. In order to evaluate the results, a phantom, that is, a static assessment object of known properties has been built. For this purpose, a novel technique using printed circuit boards has been developed. As a result, comparison between the output of the method and the phantom shows a maximum error of 3.73 mm and a mean error of 1.41 mm with 0.74 mm of standard deviation in phantom of 100 x 150 x 103.2 mm.
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Lieb, Michelle. "The Enduring Image." VCU Scholars Compass, 2006. http://hdl.handle.net/10156/1500.
Повний текст джерелаMiller, Henry James. "Printed images and political communication in Britain, c1830-1880 : production, content and reception." Thesis, Queen Mary, University of London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.510874.
Повний текст джерелаGourrame, Khadija. "Développement d'une technique robuste du tatouage des images aux attaques print-cam." Thesis, Orléans, 2019. http://www.theses.fr/2019ORLE3047.
Повний текст джерелаDigital image watermarking consists in embedding information within the image which cannot be seen by the human visual system, but recovered with a software. The aim of this thesis is to propose a watermarking method when the watermarked image is printed on a physical support and then read freehandedly with a smartphone camera. In order to survive to the print-cam process, the watermark must resist to multiple attacks. Those attacks occur during printing and capturing the image with a camera: in that case the captured image might be rotated around the optical axis of the camera producing 3D geometric deformation and translations and scaling may also occur. Pixel value distortions are also present. These attacks may cause the loss of synchronization of the watermark and make the detection impossible. Hence, the main objective of the thesis is to develop a watermarking method that is robust to the print-cam attack in the context of an industrial security application for ID images. Fourier transform is used as this watermarking domain has invariance properties against some geometric distortions. Three main correction methods were integrated to deal with print-cam attacks: frame-based perspective rectification of the freehandedly captured images using detection of Hough lines, a Wiener filter to decrease image blurring and reduce noise, and adjustments to reduce color degradations. Results show that the method is highly robust with a total error rate of 1%, compared to a least 25% of errors for other methods. the obtained error rate (1%) is being compatible with the targeted industrial application
Sayer, James Richard. "Preferred levels of image sharpness and their relation to image structure in thermal dye transfer prints." Diss., This resource online, 1993. http://scholar.lib.vt.edu/theses/available/etd-07132007-143150/.
Повний текст джерелаDamera-Venkata, Niranjan. "Analysis and design of vector error diffusion systems for image halftoning /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004247.
Повний текст джерелаLinford, Autumn Lorimer. "Royal Images and Rebel Ideals: Contradictory Symbols in American Revolutionary Newspaper Nameplates." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd2801.pdf.
Повний текст джерелаTurcato, José Milton. "Das paisagens gravadas em metal." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-27042009-112610/.
Повний текст джерелаIt is the production of metal engravings, etched on copper, with the procedures of etching, aquatint, burin and drypoint, printed in diverse papers. All prints were produced from the observation of reality captured in places visited, in the attempt to apprehend them in different levels. Registered by delineated annotations or recorded directly in the varnished matrix, were subsequently reinvented in the studio, with attention to the quality of language and the specificities of the means of production of metal engraving.
Andersson, Anna, and Klara Eklund. "A Study of Oriented Mottle in Halftone Print." Thesis, Linköping University, Department of Science and Technology, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-9233.
Повний текст джерелаCoated solid bleached board belongs to the top-segment of paperboards. One important property of paperboard is the printability. In this diploma work a specific print defect, oriented mottle, has been studied in association with Iggesund Paperboard. The objectives of the work were to develop a method for analysis of the dark and light areas of oriented mottle, to analyse these areas, and to clarify the effect from the print, coating and paperboard surface related factors. This would clarify the origin of oriented mottle and predict oriented mottle on unprinted paperboard. The objectives were fulfilled by analysing the areas between the dark halftone dots, the amount of coating and the ink penetration, the micro roughness and the topography. The analysis of the areas between the dark halftone dots was performed on several samples and the results were compared regarding different properties. The other methods were only applied on a limited selection of samples. The results from the study showed that the intensity differences between the dark halftone dots were enhanced in the dark areas, the coating amount was lower in the dark areas and the ink did not penetrate into the paperboard. The other results showed that areas with high transmission corresponded to dark areas, smoother micro roughness, lower coating amount and high topography. A combination of the information from these properties might be used to predict oriented mottle. The oriented mottle is probably an optical phenomenon in half tone prints, and originates from variations in the coating and other paperboard properties.
Mahalingam, Vijay Venkatesh. "WAVELET AND SINE BASED ANALYSIS OF PRINT QUALITY EVALUATIONS." UKnowledge, 2004. http://uknowledge.uky.edu/gradschool_theses/244.
Повний текст джерелаPetersson, Jonas. "A Review of Perceptual Image Quality." Thesis, Linköping University, Department of Science and Technology, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-2898.
Повний текст джерелаWhat is meant with print quality, what makes people perceive the quality of an image in a certain way? An inquiry was made about what the parameters are that strongly affect the perception of digital printed images.
A subjective test and some measurements make the basis for the thesis. The goal was to find a tool to predict perceived image quality when investigating the connections between the subjective test and the measurements.
Some suitable images were chosen, with a variety of motifs. A test panel consisting of people that are used to observe image quality answered questions about the perception of the quality. Measurements were made on a special test form to get information about the six different printers used in the investigation.
One of the discoveries was made when two images with the same colorful motif were compared. The first image got a much higher grade for general quality than the second image, even though the second image was printed with a printer that had a larger color gamut. The reason of this is that the first image consists of more saturated colors, and the second image has more details. The human eye perceives the more saturated image to be better than the image with more details. Another discovery was the correlation between the perceived general quality of a colored image and the perceived color gamut. One conclusion was that a great difference between two calculated color gamuts resulted in a large difference in perception of the color gamuts. A discovery of an image with very few colors and many glossy surfaces was that print mottle and sharpness are strictly connected to the general quality.
Debusigne, Birgitte Blomquist Mme. "The literary image in print and film : Karen Blixen (1885-1962)." Nice, 1989. http://www.theses.fr/1989NICE2025.
Повний текст джерелаThe initial idea was to study how a literary image was materialized in print and on film. Karen Blixen who can be classified as an author of tales treats time and space in order to appeal to the reader's mental participation so that his imagination is ignited and he witnesses a unique experience referring to a common memory. The printed image - despite a limited presentation through a single image - can function in the same way. The reader reacts upon the codes proposed by the cover by completing it in his mind and going beyond. Except when the economic interest is more important than the aesthetic research. The images which make out the film can be guided very closely by the writtent details. However, time and space are different mainly because the image is realised and therefore determined. The scriptwriter's subjective production bring the spectator into a state of fascination. He does not have to complete images since they are completed at the end of the film. In any case, there is an impossibility to render the written language by the two other techniques
Helman, Susannah. "'A prince of much and various knowledge, and curious observation' : Charles II's cultural interests through his collecting /." St. Lucia, Qld, 2003. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17524.pdf.
Повний текст джерелаMohan, Karuniya. "Ensemble Modelling of in situ Feature Variables for Printed Electronics Manufacturing with in situ Process Control Potential." Thesis, Virginia Tech, 2017. http://hdl.handle.net/10919/84947.
Повний текст джерелаMaster of Science
Garrouri, Sihem. "We princes are set on highest stage : performing and representing Elizabeth i's royal image." Caen, 2016. http://www.theses.fr/2016CAEN1030.
Повний текст джерелаIn this project, I analysed the representation and performance of Queen Elizabeth I's royal image. I examined how she utilized two significant devices: representation and performance in order to validate her dynastic inheritance, overcome gender restraints, sustain her power, and craft an idealized public persona. That is, her exercise of power was closely connected with her staging of monarchy and creation of images. In this way, dramatization and image-making, as mechanisms of governance, would characterize her entire reign. This would, definitely, espouse her mythology which is still explored today. The issue in question is the intersection between performance, representation, gender, and power. An exploration of these issues, which I found compelling, is thus a useful contribution to the study of Elizabeth's image. I argued that Elizabeth's use of performance and images during her reign were the mediums to negotiate gender and identity, as well as to consolidate her power. After her death, her image was reshaped and dramatized in an attempt to render her immortal, identify her identity, and respond to contemporary historical events. By retelling the history of the Queen, novel creations and inspirations have emerged and sometimes conflicting depictions are observed. Thus, it seems that she would not leave the stage