Добірка наукової літератури з теми "Presse – Numérisation"
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Статті в журналах з теми "Presse – Numérisation"
Lallich-Boidin, Geneviève, and Céline Brun-Picard. "Collections de presse, numérisation et patrimoine des bibliothèques." Culture & Musées 21, no. 1 (2013): 89–110. http://dx.doi.org/10.3406/pumus.2013.1733.
Повний текст джерелаPrémel, Benjamin. "La numérisation de la presse rétrospective à la BnF." Le Temps des médias 8, no. 1 (2007): 267. http://dx.doi.org/10.3917/tdm.008.0267.
Повний текст джерелаRegamey, Liliane. "La numérisation à la Bibliothèque nationale suisse : la presse à l’honneur." I2D - Information, données & documents 2, no. 2 (November 22, 2021): 96–102. http://dx.doi.org/10.3917/i2d.212.0096.
Повний текст джерелаCotte, Dominique. "Epaisseur documentaire et numérisation : le cas des dossiers d'actualité dans la documentation de presse." Document numérique 6, no. 1-2 (April 1, 2002): 13–28. http://dx.doi.org/10.3166/dn.6.1-2.13-28.
Повний текст джерелаLèbre, Céline. "La presse hispanophone dans les collections de La contemporaine : projets de numérisation et de valorisation." Çédille, no. 16 (2019): 19–28. http://dx.doi.org/10.25145/j.cedille.2019.17.16.05.
Повний текст джерелаAbderrahmane, Batache, Bouzar Chabha, and Arkoub Ouali. "L'industrie De La Presse Ecrite En Algérie:, De "l’entreprisation" Au Défi De La Numérisation." مجلة العلوم الإدارية والمالية, 2021, 549. http://dx.doi.org/10.37644/1939-005-001-030.
Повний текст джерелаДисертації з теми "Presse – Numérisation"
Bernard, Guillaume. "Détection et suivi d’événements dans des documents historiques." Electronic Thesis or Diss., La Rochelle, 2022. http://www.theses.fr/2022LAROS032.
Повний текст джерелаCurrent campaigns to digitise historical documents from all over the world are opening up new avenues for historians and social science researchers. The understanding of past events is renewed by the analysis of these large volumes of historical data: unravelling the thread of events, tracing false information are, among other things, possibilities offered by the digital sciences. This thesis focuses on these historical press articles and suggests, through two opposing strategies, two analysis processes that address the problem of tracking events in the press. A simple use case is for instance a digital humanities researcher or an amateur historian who is interested in an event of the past and seeks to discover all the press documents related to it. Manual analysis of articles is not feasible in a limited time. By publishing algorithms, datasets and analyses, this thesis is a first step towards the publication of more sophisticated tools allowing any individual to search old press collections for events, and why not, renew some of our historical knowledge
Buard, Jean-Luc. "A l’ombre du roman-feuilleton : Marie Aycard et la circulation internationale du feuilleton-nouvelle parisien et de la variété (autour de 1840) : Un acteur oublié de la communication de masse dans la sphère médiatique de son temps." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCD046.
Повний текст джерелаAs a novelist and newspaperman, Marie Aycard (1794-1859) has been considered as a minor and obscure writer, but he undoubtedly belongs to the literary history. A witness of the great changes in the press world of his time (1830-1848), he is actively involved in the development of a new kind of contents, more devoted to entertainment, in publishing weekly chronicles and short stories, from 1837-1842 and after, which gain a large audience in being widely reproduced in Paris newspapers and magazines, in provincial papers, or foreign ones, in French but also in translation, which found their way in all the major European languages, on all the continents. This massive international circulation makes their author a kind of unofficial ambassador (and often anonymous) of the French and Parisian culture all over the world and in many periodicals and media of his time. The recent digitization of these periodicals and newspapers offers a unique way to clearly measure this phenomenon, and an opportunity to take in consideration a new tool to gauge the "popularity" of such contents. It also offers new approaches and insights in the newspaper network, organized and world-connected, ready for its continuous expansion, as early as the 1840s
Bouveresse, Clara. "L'invention d'une académie : Magnum Photos, 1947-2015." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H001.
Повний текст джерелаFounded in 1947 by a group of entrepreneurial photographers, Magnum Photos, amythic institution in the world of photography, is more than a cooperative.Throughout the second half of the 20th century, it remained a prestigious model for the whole profession, claiming its excellence and promoting a canon of exceptional images. More than a mere agency, may Magnum be seen as an academy, a prestigious institution whose access is controlled by peers? The concept of an “academy” brings together the economic evolution of a business, the analysis of the pictures produced,the account of numerous debates amongst photographers, and the story of their collective dreams.This dissertation offers to retrace Magnum’s history, based on the study of unpublished archives. The first part investigates the sources of the academy, starting with the dissemination of Magnum’s myth and the first ten years of existence, when the agency was at one with the post-war cosmopolitan world. The second part analyzes the academic renewal from the end of the 1950s until 1981. It explores there-rooting of concerned photography into the memory urge of the 1960s; thecooperative dialectics, which divided and reconciled Magnum members; and the cynical answer to the conformist and commercial threats of the 1970s. The third part demonstrates how the academy claims its everlasting fame from 1981 until today,establishing itself both as a heritage landmark and an online reference; it alsointerrogates the history of women within Magnum.This dissertation sheds new light on a little-known stage of photographs’ production.Magnum is a nodal point defining the economic value of images, their legal status,their commercial, journalistic, documentary and artistic uses within circulation and legitimating networks. As an exchange platform shared by many authors, it invites us to rethink, within the context of a digital and collaborative economy, the history and the role of the “commons”
Книги з теми "Presse – Numérisation"
Kathryn, Sutherland, ed. Transferred illusions: Digital technology and the forms of print. Aldershot, Hants, England: Ashgate, 2008.
Знайти повний текст джерелаDeegan, Marilyn, and Kathryn Sutherland. Transferred Illusions: Digital Technology and the Forms of Print. Taylor & Francis Group, 2016.
Знайти повний текст джерелаDeegan, Marilyn, and Kathryn Sutherland. Transferred Illusions: Digital Technology and the Forms of Print. Taylor & Francis Group, 2016.
Знайти повний текст джерелаЧастини книг з теми "Presse – Numérisation"
Weber, Yvette. "I. Numériser des dossiers de presse." In Du CD-Rom à la numérisation, 139–56. Presses de l’enssib, 1997. http://dx.doi.org/10.4000/books.pressesenssib.14523.
Повний текст джерела