Статті в журналах з теми "Presse – Audience"
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Malcorps, Sylvain. "L’entreprise de presse et son audience en ligne." Réseaux 205, no. 5 (2017): 145. http://dx.doi.org/10.3917/res.205.0145.
Dupont, Françoise. "Les lecteurs de la presse : une audience difficile à mesurer." Le Temps des médias 3, no. 2 (2004): 142. http://dx.doi.org/10.3917/tdm.003.0142.
Bentounsi, Ikram Aya, and Mohamed Ramzi Hechiche. "The North African print media: from reported discourse to subjective discourse." XLinguae 15, no. 4 (October 2022): 91–103. http://dx.doi.org/10.18355/xl.2022.15.04.09.
Amiel, Pauline. "Vers une polyphonie énonciative de proximité ? Pages Facebook de communautés, crowdfunding et presse locale en ligne." Sur le journalisme, About journalism, Sobre jornalismo 7, no. 2 (December 16, 2018): 80–91. http://dx.doi.org/10.25200/slj.v7.n2.2018.360.
Mrozowicki, Michał Piotr. "Tannhäuser réhabilité (VI) – « La Quatrième » devant la presse parisienne – le snobisme et l’enthousiasme." Cahiers ERTA, no. 28 (December 30, 2021): 196–220. http://dx.doi.org/10.4467/23538953ce.21.041.15191.
Mrozowicki, Michał Piotr. "Tannhäuser réhabilité (IV) – « La quatrième » devant la presse parisienne – les décors et la mise en scene." Cahiers ERTA, no. 26 (2021): 111–26. http://dx.doi.org/10.4467/23538953ce.21.029.14001.
Attencourt, Boris. "L’emprise des médias sur le champ intellectuel." Politiques de communication N° 20-21, no. 1 (March 6, 2024): 259–97. http://dx.doi.org/10.3917/pdc.020.0259.
Hopkins-Loféron, Fleur. "Adèle en Égypte ou l’adaptation-trahison Les Aventures extraordinaires d’Adèle Blanc-Sec (2010) de Luc Besson." Transcr(é)ation 2, no. 1 (March 14, 2023): 1–25. http://dx.doi.org/10.5206/tc.v2i1.16314.
Mithun, Marianne. "Grammars and the community." Perspectives on Grammar Writing 30, no. 2 (March 31, 2006): 281–306. http://dx.doi.org/10.1075/sl.30.2.06mit.
Kuznetsov, Egor S. "The evolution of clickbait: from a yellow press tool to the key Internet media technology." Verhnevolzhski Philological Bulletin 2, no. 25 (2021): 48–54. http://dx.doi.org/10.20323/2499-9679-2021-2-25-48-54.
GOERG, ODILE. "VISIBILIDADE E INVISIBILIDADE DOS CINEMAS NA áFRICA COLONIAL: revivendo as primeiras cenas." Outros Tempos: Pesquisa em Foco - História 13, no. 22 (December 28, 2016): 89–102. http://dx.doi.org/10.18817/ot.v13i22.548.
Baranova, Ekaterina Andreevna, and Galina Germanovna Novoselova. "Transition Features of the Russian Regional Press to Digital Technology." Litera, no. 1 (January 2024): 166–81. http://dx.doi.org/10.25136/2409-8698.2024.1.69280.
Getz, Christine. "Simon Boyleau and the Church of the ‘Madonna of Miracles’: Educating and Cultivating the Aristocratic Audience in Post-Tridentine Milan." Journal of the Royal Musical Association 126, no. 2 (2001): 145–68. http://dx.doi.org/10.1093/jrma/126.2.145.
Moore, Martin, and Colm Murphy. "Press officers find a new audience." British Journalism Review 34, no. 2 (June 2023): 41–45. http://dx.doi.org/10.1177/09564748231179355.
Crantor, Jean-Marc, Françoise Laugée, and Jean-Pierre Bacot. "Les audiences de la presse écrite." Réseaux 9, no. 48 (1991): 97–102. http://dx.doi.org/10.3406/reso.1991.1856.
Bennett, W. Lance. "Television, Power, and the Public in Russia. By Ellen Mickiewicz. New York: Cambridge University Press, 2008. 220p. $81.00 cloth, $29.99 paper." Perspectives on Politics 7, no. 4 (December 2009): 931–33. http://dx.doi.org/10.1017/s1537592709991708.
Ibragimova, Karina R. "The Voice of the March Hare. A Review. (Stayer, Jayme. Becoming T.S. Eliot: The Rhetoric of Voice and Audience in “Inventions of the March Hare”. Baltimore: Johns Hopkins University Press, 2021. 343 p.)." Literature of the Americas, no. 13 (2022): 400–408. http://dx.doi.org/10.22455/2541-7894-2022-13-400-408.
Guiot, Denis. "Comment la presse magazine peut-elle cibler les 15-24 ans qui se perçoivent plus jeunes ou plus âgés ?" Décisions Marketing N° 45, no. 1 (January 1, 2007): 21–33. http://dx.doi.org/10.3917/dm.045.0021.
Atkin, Tamara. "Shakespeare’s Reading Audiences: Early Modern Books and Audience Interpretation. By Cyndia Susan Clegg. Cambridge: Cambridge University Press, 2017. Pp. vi + 222." Shakespeare Quarterly 70, no. 2 (2019): 166–68. http://dx.doi.org/10.1093/sq/quz012.
Kaethler, Mark. "Shakespeare’s Reading Audiences: Early Modern Books and Audience Interpretation. Cyndia Susan Clegg. Cambridge: Cambridge University Press, 2017. vi + 222 pp. $99.99." Renaissance Quarterly 71, no. 4 (2018): 1602–3. http://dx.doi.org/10.1086/702151.
Chari, Sharad, and Katherine Verdery. "Thinking between the Posts: Postcolonialism, Postsocialism, and Ethnography after the Cold War." Comparative Studies in Society and History 51, no. 1 (December 16, 2008): 6–34. http://dx.doi.org/10.1017/s0010417509000024.
Dikizeko, Élisabeth. "Lumumba et le Congo dans les journaux ghanéens, 1958-1961." Revue d'histoire contemporaine de l'Afrique, no. 5 (December 15, 2023): 55–75. http://dx.doi.org/10.51185/journals/rhca.2023.0504.
Ozieblo, Barbara. "Composing Ourselves: The Little Theatre Movement and the American Audience. By Dorothy Chansky. Carbondale: Southern Illinois University Press, 2004; pp. 256; 15 illus. $55 cloth; Summer Stock! An American Phenomenon. By Martha Schmoyer LoMonaco. New York: Palgrave Macmillan. 2004; pp. 320; 25 illus. $27.95 cloth." Theatre Survey 46, no. 2 (October 25, 2005): 343–46. http://dx.doi.org/10.1017/s0040557405370207.
Al-Emadi, Talal, Hassan Rashid Al-Derham, and Abdelwahab El Afandi. "QU Press Dialogue with 2021 Literature Nobel Laureate Prof. Abdulrazak Gurnah." Research in African Literatures 54, no. 1 (March 2023): 179–91. http://dx.doi.org/10.2979/ral.2023.a915646.
Seeger, Christof, Thomas Horky, Jörg-Uwe Nieland, and Peter English. "Social Media Publishing Strategies of German Newspapers: Content Analysis of Sports Reporting on Social Networks by German Newspapers—Results of the 2021 Social Media International Sports Press Survey." Journalism and Media 4, no. 2 (May 16, 2023): 599–611. http://dx.doi.org/10.3390/journalmedia4020038.
Empey, Mark. "Select documents: Sir James Ware's bibliographic lists." Irish Historical Studies 39, no. 153 (May 2014): 112–25. http://dx.doi.org/10.1017/s0021121400003655.
Philipsen, Lotte. "Who’s Afraid of the Audience? Digital and Post-Digital Perspectives on Aesthetics." A Peer-Reviewed Journal About 3, no. 1 (June 1, 2014): 120–30. http://dx.doi.org/10.7146/aprja.v3i1.116092.
Varenyk, Valentyna M., and Olga V. Trishchuk. "Audience loyalty as the main prerequisite for trade press thriving." Linguistics and Culture Review 5, S4 (October 23, 2021): 128–38. http://dx.doi.org/10.21744/lingcure.v5ns4.1572.
Mendelson, Eric F., Alexander Hurley, and Tegwyn Williams. "Trainees' attitudes to forensic psychiatry, the courts, and attending conferences." Psychiatric Bulletin 14, no. 2 (February 1990): 77–79. http://dx.doi.org/10.1192/pb.14.2.77.
Guillen, Alberto, and Raquel Rodríguez-Diaz. "Frames y agendas durante el proceso soberanista catalán (2013-2015)." Sur le journalisme, About journalism, Sobre jornalismo 6, no. 2 (December 14, 2017): 140–57. http://dx.doi.org/10.25200/slj.v6.n2.2017.321.
Yung, Bell. "A Humble Blind Singer's Autobiographical Song: Oral Creation Facing a Hong Kong Teahouse Audience." Ethnomusicology 67, no. 2 (July 1, 2023): 153–90. http://dx.doi.org/10.5406/21567417.67.2.04.
Willig, Ida. "Constructing the audience: a study of segmentation in the Danish press." Northern Lights: Film and Media Studies Yearbook 8, no. 1 (October 1, 2010): 93–114. http://dx.doi.org/10.1386/nl.8.93_1.
Vidor, Gian Marco. "The Press, the Audience, and Emotions in Italian Courtrooms (1860s–1910s)." Journal of Social History 51, no. 2 (2017): 231–54. http://dx.doi.org/10.1093/jsh/shx018.
Palmer, Glenn. "The Political Economy of NATO: Past, Present, and into the 21st Century. By Todd Sandler and Keith Hartley. Cambridge: Cambridge University Press, 1999. 240p. $29.95, cloth." American Political Science Review 95, no. 2 (June 2001): 521–22. http://dx.doi.org/10.1017/s0003055401832020.
Macleod, Allison. "Embodying Counter-Public Space and Performing Queer Culture: The Inaugural Scottish Queer International Film Festival 2015." Screen Bodies 1, no. 2 (December 1, 2016): 92–98. http://dx.doi.org/10.3167/screen.2016.010207.
Easley, Alexis. "Frederick Douglass, Copyright, and the British Press, 1845-47." Victorian Popular Fictions Journal 3, no. 2 (December 17, 2021): 45–62. http://dx.doi.org/10.46911/vrzz5968.
Ward, Ian. "A genuinely free press?" Pacific Journalism Review : Te Koakoa 6, no. 1 (January 1, 2000): 112–20. http://dx.doi.org/10.24135/pjr.v6i1.679.
Ganje, Lucy A. "Living Pictures: Design and the Native Press." Newspaper Research Journal 19, no. 2 (March 1998): 31–46. http://dx.doi.org/10.1177/073953299801900203.
Bagnoli, Carla. "Feeling Wronged: The Value and Deontic Power of Moral Distress." Ethical Theory and Moral Practice 25, no. 1 (November 24, 2021): 89–106. http://dx.doi.org/10.1007/s10677-021-10241-0.
Stangos, Nikos. "Art book publishing: minority interest, popular entertainment, or kudos?" Art Libraries Journal 17, no. 3 (1992): 31–33. http://dx.doi.org/10.1017/s0307472200007938.
LAI, JOHN T. P. "Doctrinal Dispute within Interdenominational Missions: The Shanghai Tract Committee in the 1840s." Journal of the Royal Asiatic Society 20, no. 3 (June 4, 2010): 307–17. http://dx.doi.org/10.1017/s1356186310000052.
Watt, Stephen. "Paige Reynolds, Modernism, Drama, and the Audience for Irish SpectacleModernism, Drama, and the Audience for Irish Spectacle. PaigeReynolds. Cambridge: Cambridge University Press, 2007. Pp. ix+257." Modern Philology 109, no. 1 (August 2011): E59—E63. http://dx.doi.org/10.1086/660868.
Mazer, Cary M. "Shakespeare's Theater of Presence: Language, Spectacle, and the Audience. By Sidney Roman. Lewisburg: Bucknell University Press (Cranbury, NJ: Associated University Presses), 1986. Pp. 253. $32.50." Theatre Research International 14, no. 2 (1989): 194–95. http://dx.doi.org/10.1017/s0307883300006209.
Peng, Wu. "Strategic maneuvering by personal attacks in spokespersons’ argumentative replies at diplomatic press conferences." Argumentative Discourse in Contemporary China 6, no. 3 (December 4, 2017): 285–314. http://dx.doi.org/10.1075/jaic.17022.wu.
Wolfenden, Helen, Howard Sercombe, and Adrian Renzo. "Banging tunes in the basement: Finding online community in COVID-19 lockdown." Radio Journal: International Studies in Broadcast & Audio Media 20, no. 1 (April 1, 2022): 65–84. http://dx.doi.org/10.1386/rjao_00056_1.
Coletti, Theresa. "Elizabeth Robertson, Early English Devotional Prose and the Female Audience. University of Tennessee Press, 1990." Medieval Feminist Newsletter 12 (September 1991): 21–22. http://dx.doi.org/10.17077/1054-1004.1594.
Barclay, Donald A. "The End of the Printed Scholarly Monograph: Collapsing Markets and New Models." International Higher Education, no. 85 (March 14, 2016): 5–7. http://dx.doi.org/10.6017/ihe.2016.85.9233.
Linares, Laura. "Institutional desires, individual endeavours: Contemporary Galician narrative in English translation." International Journal of Iberian Studies 35, no. 3 (September 1, 2022): 313–22. http://dx.doi.org/10.1386/ijis_00084_7.
Sadoff, Dianne F. "Claire Monk . Heritage Film Audiences: Period Films and Contemporary Audiences in the UK . Edinburgh: Edinburgh University Press, 2011. Pp. 240. £65.00 (cloth)." Journal of British Studies 51, no. 4 (October 2012): 1064–65. http://dx.doi.org/10.1086/666715.
Loy-Wilson, Sophie. "‘Reading in Brown Paper’: Beckett's Budget and the Sensationalist Press in Interwar Sydney." Media International Australia 131, no. 1 (May 2009): 70–82. http://dx.doi.org/10.1177/1329878x0913100109.