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Книги з теми "Postmodernisme – Origines"

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Автор: Grafiati

Опубліковано: 7 липня 2024

Оновлено: 7 липня 2024

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1

Perry, Anderson. The origins of postmodernity. London: Verso, 1998.

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2

Harvey, David. The condition of postmodernity: An enquiry into the origins of cultural change. Oxford [England]: Blackwell, 1989.

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3

Lynne, Cooke, Eiblmayr Silvia, and Salzburger Kunstverein, eds. Original: Symposium, Salzburger Kunstverein. Ostfildern: Cantz, 1995.

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4

Herbert, David. The faces of origins: A historical survey of the underlying assumptions from the early church to postmodernism. London, Ont: D & I Herbert Pub., 2004.

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5

Cole, Mike. Marxism and educational theory: Origins and issues. Milton Park, Abingdon, Oxon: Routledge, 2008.

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6

Hellemans, Babette. Understanding Culture. Translated by Gioia Marini. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789089649911.

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This pioneering textbook explores the theoretical background of cultural variety, both in past and present. How is it possible to study 'culture' when the topic covers the arts, literature, movies, history, sociology, anthropology and gender studies? Understanding Culture examines the evolution of a concept with varying meanings depending on changing norms. Offering a long-duration analysis of the relationship between culture and nature, this book looks at the origins of studying culture from an international perspective. Using examples from the several scholarly traditions in the practice of studying culture, Understanding Culture is a key introduction to the area. It identifies the history of interpreting culture as a meeting point between the long-standing historical investigation of 'humanism' and 'postmodernism' and is a comprehensive resource for those who wish to further their engagement with culture as both a historical and contemporary phenomenon.

7

Erdpohl, Evamaria. Criteria of identity: A comparative analysis of Raymond Federman's The voice in the closet and selected works by Jasper Johns : together with the original text of Raymond Federman's The voice in the closet. Frankfurt am Main: P. Lang, 1992.

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8

Tang, Wenming. Yu ming yu ren: Yuan shi ru jia lun li jing shen yu xian dai xing wen ti = Destiny and humanity : the ethos of original confucianism and the problems of modernity. 8th ed. Baoding Shi: Hebei da xue chu ban she, 2002.

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9

Harrison, Sylvia. Pop Art and the Origins of Post-Modernism. Cambridge University Press, 2009.

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10

Harvey, David. The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. Blackwell Publishing Limited, 1991.

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11

Tauber, Alfred I. Requiem for the Ego: Freud and the Origins of Postmodernism. Stanford University Press, 2013.

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12

Tauber, Alfred I. Requiem for the Ego: Freud and the Origins of Postmodernism. Stanford University Press, 2013.

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13

Tauber, Alfred I. Requiem for the Ego: Freud and the Origins of Postmodernism. Stanford University Press, 2013.

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14

Pop Art and the Origins of Post-Modernism. Cambridge University Press, 2001.

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15

Cole, Mike. Marxism and Educational Theory: Origins and Issues. Taylor & Francis Group, 2007.

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16

Cole, Mike. Marxism and Educational Theory: Origins and Issues. Taylor & Francis Group, 2007.

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17

Cole, Mike. Marxism and Educational Theory: Origins and Issues. Taylor & Francis Group, 2007.

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18

Blanton, Ward. Displacing Christian Origins: Philosophy, Secularity, and the New Testament (Religion and Postmodernism Series). University Of Chicago Press, 2007.

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19

Blanton, Ward. Displacing Christian Origins: Philosophy, Secularity, and the New Testament (Religion and Postmodernism Series). University Of Chicago Press, 2007.

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20

Harrison, Sylvia. Pop Art and the Origins of Post-Modernism (Contemporary Artists and their Critics). Cambridge University Press, 2001.

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21

Marmysz, John. Cultural Change and Nihilism in the Rollerball Films. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424561.003.0009.

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This chapter contrasts the original, 1975 version of Rollerball with the 2001 remake. Whereas the original version of the film features a hero who dooms himself to a tragic end by actively, yet nihilistically, rebelling against the forces of corporate control, the remake depicts a hero who engages in a successful revolution against the powers that be. In so doing, he promises the establishment of a counter-order that overcomes nihilism. It is argued that while the original version of Rollerball presents a modernist perspective on nihilism, depicting it as a phenomenon that cannot authentically be overcome, the remake presents a postmodernist perspective on nihilism, depicting it as a transitional stage leading from personal despair to ultimate triumph. The ideas of Friedrich Nietzsche, Albert Camus and Jean-Francois Lyotard are drawn upon in order to characterize the differences between modernist and postmodernist renderings of the “problem” of nihilism.

22

Sidky, H. A Critique of Postmodern Anthropology: In Defense of Disciplinary Origins and Traditions (Mellen Studies in Anthropology, V. 10). Edwin Mellen Press, 2003.

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23

Original: Symposium, Salzburger Kunstverein (Reihe Cantz). Cantz, 1995.

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24

Engell, Lorenz. Thinking Through Television. Edited by Markus Stauff. Amsterdam University Press B.V., 2019. http://dx.doi.org/10.5040/9789048561513.

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This original and engaging book investigates American television viewing habits as a distinct cultural form. Based on an empirical study of the day-to-day use of television by working people, it develops a unique theoretical approach integrating cultural sociology, postmodernism and the literature of media effects to explore the way in which people give meaning to their viewing practices. Accessibly written and at the cutting edge of cultural studies and television research, this book is essential reading for students and academics in cultural studies, television research, media and communication studies.

25

Ball, Terence. The Value of the History of Political Philosophy. Edited by George Klosko. Oxford University Press, 2011. http://dx.doi.org/10.1093/oxfordhb/9780199238804.003.0004.

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To ask, “What is the worth or value of the history of political philosophy?” is a rather complicated question with many competing answers. The answer(s) one gives depends to a very large degree on the approach one takes or the “school” of interpretation to which one belongs. Some answer that there are “perennial questions” and “timeless truths” to be found in classic works of political philosophy that speak to us still. Others answer that such study reveals the roots or origins of present-day political movements such as communism and fascism. This article considers the possibility that the history of political philosophy and its scholarly study are without value. After dispatching this rather philistine view, it shows how various approaches to interpretation assign very different value to the study of the history of political philosophy. These approaches include the “perennial problems,” Marxism, “ideological origins,” feminism, Straussian approach, postmodernism, and the Cambridge School.

26

Strmiska, Michael, ed. Modern Paganism in World Cultures. ABC-CLIO, 2005. http://dx.doi.org/10.5040/9798400686818.

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The most comprehensive study available of neo-pagan religious movements in North America and Europe. Modern Paganism in World Culturescollects the work of specialists in religion, folklore, and related fields to provide a comprehensive treatment of the movement to reestablish pre-Christian religions. Detailed accounts of the belief systems and rituals of each religion, along with analysis of the cultural, social, and political factors fueling the return to ancestral religious practice, make this a rich, singular resource. Scandinavian Asatru, Latvian Dievturi, American Wicca—long-dormant religions are taking on new life as people seek connection with their heritage and look for more satisfying approaches to the pressures of postmodernism. The Neopagan movement is a small but growing influence in Western culture. This book provides a map to these resurgent religions and an examination of the origins of the Neopagan movement.

27

Cunningham, David, and Nigel Mapp, eds. Adorno and Literature. Continuum International Publishing Group, 2006. http://dx.doi.org/10.5040/9781350333574.

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Despite the recent upsurge of interest in Theodor Adorno's work, his literary writings are generally under-represented. However, literature is a central element in his aesthetic theory. Bringing together original essays from a distinguished international group of contributors, this book offers a wide ranging account of the literary components of Adorno's thinking. It is divided into three sections, dealing with the concept of literature, with poetry, and with modernity and the novel respectively. At the same time, the book provides a clear sense of the unique qualities of Adorno's philosophy of literature by critically relating his work to a number of other influential theorists and theories including contemporary postmodernist theory and cultural studies.

28

Dienstag, Joshua Foa. Postmodern Approaches to the History of Political Thought. Edited by George Klosko. Oxford University Press, 2011. http://dx.doi.org/10.1093/oxfordhb/9780199238804.003.0003.

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This article describes the postmodern approach to the history of political thought that has evolved through the practices of a variety of theorists in both Europe and the United States since the 1950s. It maintains that Friedrich Nietzsche's philosophy is the originating point of this movement, although neither he nor any of the other theorists it mentions left any canonical statements of methods to compare with the works of Quentin Skinner or Leo Strauss. Terms such as “deconstruction,” “genealogy,” and “radical hermeneutics” are often used to describe these methods. At the broadest level, the postmodern approach displays an acute sensitivity to the role of language in politics, and in political theory itself, that originates in the work of Nietzsche. While postmodernism is nothing if not a congeries of method, this article argues that these diverse approaches have, if not a unity, than at least common sources and overlapping themes.

29

Moffett, Joe W. The Search for Origins in the Twentieth-Century Long Poem: Sumerian, Homeric, and Anglo-Saxon. West Virginia University Press, 2007.

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30

Giaimo, Paul. Appreciating Don DeLillo. ABC-CLIO, LLC, 2011. http://dx.doi.org/10.5040/9798400613760.

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An insightful work providing state-of-the-art critical guidance and informative commentary on the major novels of Don DeLillo in terms of how they respond to current social and ethical issues. Unlike the majority of American academic critics, author Paul Giaimo contends that Don DeLillo’s award-winning novels are fully defined by neither postmodernism nor modernism. To demonstrate this thesis, Appreciating Don DeLillo: The Moral Force of a Writer’s Work traces DeLillo’s style through his novels, showing how it evolved from a recognizably postmodern mode into a realistic treatment of contemporary, postmodern conditions. In this original and nuanced examination, Giaimo discusses themes that range from the devastating portrayals of evil in Mao II, Libra and Cosmopolis, to the good and inspiring confrontation of media stereotypes and urban missionary work in Underworld. The powerful vision of language in The Names and White Noise is examined as a potent moral force of the novels. Equally important is discussion of the cultural background Giaimo believes should inform any reading of DeLillo’s work, especially his Italian-American ethnic heritage and the American Catholic church of the 1950s.

31

Kitses, Jim. Horizons West. Bloomsbury Publishing Plc, 2007. http://dx.doi.org/10.5040/9781838711276.

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When first published in 1969, Horizons West was immediately recognised as the definitive critical account of the Western film and some of its key directors. This greatly expanded new edition is, like the original, written in a graceful, penetrating and absorbingly readable style. It provides definitive critical analysis of the six greatest film-makers of the Western genre: John Ford, Anthony Mann, Budd Boetticher, Sam Peckinpah, Sergio Leone and Clint Eastwood. And it offers illuminating accounts of such classic Westerns as The Searchers, Pat Garrett and Billy the Kid, Once Upon a Time in the West, Shane and many more. Among the completely new material in this edition is Kitses's magisterial account of the work of the greatest of Western directors, John Ford. Kitses also assesses how the Western has been challenged by revisionist historical accounts of the West and the Western, and by movement such as feminism, postmodernism, multiculturalism and psychoanalysis. The product of a lifetime's labour and love, Horizons West is a landmark of scholarship and interpretation devoted to, what is for many, Hollywood's signature genre. It provides a compelling account of the powerful mythology of America's past as forged by Western films and the men who made them.

32

Dean, Andrew. Metafiction and the Postwar Novel. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198871408.001.0001.

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This book examines the origins, poetics, and capacities of self-reflexive fiction across the globe after World War II. Focusing on three authors’ careers—J. M. Coetzee, Janet Frame, and Philip Roth—it seeks to circumvent the large-scale theoretical paradigms (such as ‘postmodernism’) that have long been deployed to describe this writing. The book does so by developing new terms for discussing the intimacies of metafictional writing, derived from the writing of Miguel de Cervantes and J. L. Borges. The ‘self of writing’ refers to the figure of the author that a writer may imagine exists independently from discourse. The ‘public author as signature’ represents the public understandings of an author that emerge from biography and the author’s corpus itself. The book shows how these figures of authorship are handled by authors, as they draw on the materials offered by their own corpora and communities of readers. Sometimes, this book shows, authors invent distinctively literary ways of adjudicating enduring political debates: the responsibility of a novelist to the political aspirations of a community, the ability of the novel to pursue justice on behalf of others, and the public good that literature serves. Yet this is not a story of unmitigated success: the book also demonstrates how metafiction can be used as a way to close down interpretive schemes and to avoid contributing to public value. Through a close focus on literary environments, the book ultimately gives a finer-grained account of the history of postwar metafiction, and offers new ways of theorizing the relationship between fiction, life-writing, and literary institutions.