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1
Schmidt, Hajo. "Schopenhauer in the Postmodern Period." Philosophy and History 24, no. 1 (1991): 42–43. http://dx.doi.org/10.5840/philhist1991241/224.
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2
von Recum, Hasso. "Education in the Postmodern Period." Western European Education 22, no. 1 (April 1990): 6–16. http://dx.doi.org/10.2753/eue1056-493422016.
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3
Breslavets, Halyna, Halyna Shpak, Alla Khomenko, Lydmyla Bakalo, Viktoriia Osypenko, and Oleg Dziuba. "Distance Vocal Training in the Postmodern Period." Revista Romaneasca pentru Educatie Multidimensionala 15, no. 2 (April 10, 2023): 440–55. http://dx.doi.org/10.18662/rrem/15.2/743.
Повний текст джерелаАнотація:
The relevance of the article lies in the fact that in the 21st century the distance learning of vocal arts is becoming increasingly important in the postmodern period. The article characterizes the role and importance of educational innovations in the development of music education during distance learning. The author indicates the most important tasks, the solution of which involves the use of educational innovations during distance learning vocal art in the postmodern period. Along with this, such main directions of innovation activities as the formation of new content of the educational process, assimilation of new pedagogical technologies, and the creation of new varieties of educational institutions are influencing. The topic of the article is relevant in the international context, since examples of relevant innovations at the university level consider a "universal" approach to teaching vocal methodology (with coverage of "child" and "adult" periods as interrelated components), the use of media technologies to find professional information, the study of priority aspects of singing in distance vocal training in the postmodern period.
The article presents innovations in vocal arts distance learning in the postmodern era; the use of innovations in vocal arts instruction; the renewal of present-day vocal arts institutions in the postmodern era: the vocal arts distance learning process in the twenty-first century.
4
Yaman, Handan Sabriye. "The Reading of Art in Virtual Reality in the Postmodern Period." SPACE International Journal of Conference Proceedings 3, no. 1 (July 31, 2023): 25–34. http://dx.doi.org/10.51596/sijocp.v3i1.50.
Повний текст джерелаАнотація:
Postmodernism, a mid-20th-century cultural movement reacting against modernism, challenges grand narratives and absolute truth, emphasising fragmentation. Virtual Reality (VR), simulating real or alternative experiences, has become an accessible artistic medium. Postmodern art in VR is self-referential and interactive, exploring reality-simulation dynamics. Artists like Gibson/Martelli's "The History of the Future" transport users to a dystopian future, emphasising activism and choice. Jacolby Satterwhite employs VR for performance, blurring virtual and real through digital sculptures and live presentations. VR in postmodern art prompts questions about reality and viewer-artwork relationships. As users immerse in virtual environments, the line between reality and simulation blurs, challenging traditional ideas of authorship and interpretation. Multiple perspectives emerge, aligning with a postmodern emphasis on plurality. The abstract concludes by asserting VR's role as a platform for postmodern exploration, enabling new forms of expression and interaction, and pushing artistic boundaries.
5
Lumintang, Stevri Indra. "Hamba Tuhan sebagai Aktor Utama di Era Transisi dari Specialization kepada Globalization (Eksposisi Konteks Postmodern dan Teks Efesus 5:15-21)." Excelsis Deo: Jurnal Teologi, Misiologi, dan Pendidikan 3, no. 1 (June 26, 2019): 39–48. http://dx.doi.org/10.51730/ed.v3i1.7.
Повний текст джерелаАнотація:
The movement of globalization caused postmoderns to "replace the modern worldview" with "postmodern worldview". That means there are massive and fundamental changes. Therefore, this transition period is a period of great change, which is not easily accepted by many people because it has caused many major problems with humanity. Globalization presses in many directions, so that nothing is lost. Globalization has made many people and organizations become voracious and ferocious. That means using the time available. Nothing is greater than God's will. The will of globalization is under God's will. This is the strong foundation of a servant of God acting as the main actor of globalization. The main role of God's servants as the main actor of globalization, namely preaching the Word. Gerakan globalisasi menyebabkan kaum postmodern “mengganti worldview modern” dengan “worldview postmodern”. Itu artinya terjadi perubahan besar-besaran dan mendasar. Karena itu, masa peralihan ini merupakan masa perubahan besar, yang tidak mudah diterima oleh banyak orang karena telah menyebabkan banyak masalah yang besar terhadap humanistas. Globalisasi menekan ke banyak arah, sehingga tidak ada yang luput dari pengaruhnya. Globalisasi telah membuat banyak orang dan organisasi tertentu menjadi rakus dan ganas tiada ampun. Itu artinya menggunakan waktu yang ada. Tidak ada yang lebih hebat dari pada kehendak Allah. Kehendak globalisasi berada di bawah kehendak Allah. Inilah dasar yang kuat dari seorang hamba Tuhan berperan sebagai aktor utama globalisasi. Peran utama hamba Tuhan sebagai aktor utama globalisasi, yaitu memberitakan Firman.
6
Semydotska, Zh D., I. O. Chernyakova, and O. V. Avdeyeva. "The art of medicine healing in the postmodern epoch." Shidnoevropejskij zurnal vnutrisnoi ta simejnoi medicini 2023, no. 2 (2023): 63–69. http://dx.doi.org/10.15407/internalmed2023.02.063.
Повний текст джерелаАнотація:
The article deals with the peculiarities of the development of the mankind, medicine, the art of healing in different periods (pre-industrial, industrial, post-industrial) of the pre-modern, modern, postmodern epochs. Particular attention is paid to the postmodern period the appearance of which is connected with the disturbance of a human to adapt to the extraordinary acceleration of the pace of scientific development as well as development of technology, biomedical technologies, the increase in the number of crises and catastrophes. The features of the postmodern period in which the mankind is are under consideration: dehumanization of society, culture, medicine; identity crisis of an individual, patient, doctor; transformation of medicine into a service sector; a gap between the achievements of the life sciences, modern biotechnologies and a disappearing art of healing. The problems of the post-COVID world, the nearest future of the mankind are discussed.
7
An, Sihwan. "Period Films in the Postmodern or the “Enjoy!” Era." International Journal of Korean History 20, no. 2 (August 31, 2015): 189–97. http://dx.doi.org/10.22372/ijkh.2015.20.2.189.
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Mujagić, Nermina, and Sarina Bakić. "Mythologization of the Balkans in Postmodern Period: Bosnia and Herzegovina between Desire and Reality." Technium Social Sciences Journal 33 (July 9, 2022): 541–48. http://dx.doi.org/10.47577/tssj.v33i1.6821.
Повний текст джерелаАнотація:
In this article, authors attempt to provoke the need of renewed understanding and researching related to the mythologization of the Balkans in Postmodern period. In the midpoint of this article is postmodern critic of international experts for legitimacy in ‘new state democracy’ (for example Bosnia and Herzegovina). Authors will try to make distinction between what is reality on the ground and what is the desirable model of Bosnia and Herzegovina for Europe. Regardless of various processes that are ongoing in Bosnia and Herzegovina, it is not possible to move away from mythological narratives and concepts
9
Yıldız Kuyrukçu, Emine, and Hatice Ülkü Ünal. "Examining “Eclektic”, “Kitch” “Neoclasic” and “Orientalist” architectural production methods on university structures." Journal of Human Sciences 18, no. 1 (March 31, 2021): 108–30. http://dx.doi.org/10.14687/jhs.v18i1.6143.
Повний текст джерелаАнотація:
Postmodern architectural products that can be described as kitsch have become rapidly consumed objects because they have appealed to the whole society. As a demand stimulating, easily comprehensible, and rapidly consumable product, kitsch has gained an important place in postmodern culture and architecture. These features of kitsch have easily made it a paradoxical part of consumption culture. After the Neoclassical boom in the 18th century, architectural movements such as Eclecticism, Orientalism, and Historicism became widespread in the 19th century. Towards the end of the 20th century, these tendencies came to the fore again within the Postmodern paradigm, and new kitsch architectural structures have begun to be produced in these undertakings in accordance with the spirit of the period. Eclecticism which has become prominent again in postmodern architecture has been referred to as neo-eclecticism or eclectic populism and has been defined as a style that ‘complexity, uncertainty and contradictions’ are expressed, ‘references from history and symbolic elements are used. Together with various historical forms in the postmodern period, orientalist images have been also used. Images consisting of stylized views of the Western culture on the Orient and that are not based on an authentic eastern depiction have been used in the production of orientalist architectural form. In recent years, eclectic, kitsch, orientalist, neoclassical forms that are independent of context and time have been frequently encountered in architectural applications in also Turkey. On one hand, elements from Turkish culture have been used and on the other hand, architectural elements from foreign cultures have been preferred. It is seen that there have been contradictions between form and meaning in educational structures built in Turkey during the period that the paradigms of the Postmodern era have been dominant. In this study, it is aimed to read and analyze the concepts of kitsch, eclecticism, neoclassicism, orientalism in the postmodern paradigm on recent university buildings and campus portals. In line with this purpose, an extensive literature research was conducted within the scope of the study; in the case study, recent university buildings and portals were analyzed in terms of postmodernism, the historical periods and architectural elements they derived were determined.
10
ÇAKIROĞLU, Elif. "APPROPRIATION IN THE POSTMODERNISM PROCESS: REVIEW OF LLUIS BARBA'S ARTWORKS IN THE CONTEXT OF INTERSEMIOTIC." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, no. 2 (April 1, 2021): 490–504. http://dx.doi.org/10.7456/11102100/011.
Повний текст джерелаАнотація:
Appropriation can generally be explained as the reinterpretation and production of artworks by quoting them. Appropriation is associated with the postmodern period, although it was also seen in previous periods. In the postmodern period, in which the pluralist approach gained prominence, collage and montage became widespread; artists perform reproductions containing different expressions and effects, using quotes, pastiche, parody, emulation, and similar usage within the scope of intersemiotic. Artists can use the works they quote through these reproduction forms in different contexts as meaning and content, as well as in similar tendencies. In this study, it is aimed to examine the concept of appropriation in line with the artistic qualities of the postmodern period and the Spanish artist Lluis Barba's reproduction on famous artworks named American Gothic, Athens School and The Gleaners in the context of intersemiotic. Within the scope of the study, the reproductions analyzed with intersemiotic,which examines interformal quotations between homogeneous or different types of art products, were interpreted in consideration of the artist's explanations. Analyzing and interpreting the reproductions in relation to the artworks is considered important in terms of developing interpretation knowledge and critical perspective.
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PİLİCİ, Elanur. "POSTMODERN REKLAM AFİŞİ TASARIMI." IEDSR Association 6, no. 11 (February 24, 2021): 329–42. http://dx.doi.org/10.46872/pj.245.
Повний текст джерелаАнотація:
The history of the art of graphic design and posters goes back to cave drawings during the Stone Age. Graphic design and posters are based on social needs and change in different stages of social development. They are now enjoying one of the apexes of their development. The art of graphic and poster design which developed and evolved in the historical and social development process, has taken on new dimensions during the transition from the modern to the postmodern period in accordance with the needs of our society of consumption and by using the technical/technological tools and methods within this period. In particular, the invention of the printing press, lithography, and the Industrial Revolution have led to great leaps in the art of graphic and poster design as in all other areas of life. Computer and digital technologies that were first developed in the middle of the 20th century almost brought about a revolution in the art of graphic and poster design. These great breakthroughs caused technical and technological innovations and changed the art of graphic design. While education in graphic design acquired an institutional dimension, its aims and objectives were transformed. Discussions of postmodernism, new forms of relationship, concepts and schools are reflected in the art. Relationships between postmodernism and graphic design, poster styles categorized as postmodern and advertising culture have caused new debates. Advertisements and advertising posters have acquired new forms to meet the needs of today’s consumer society, which are getting more and more complex. Its dynamics have changed posters and advertising. This study discusses the evolution of the art of graphic and poster design within the whole historical and social development process, its dimensions, postmodernism and striking examples of postmodern advertising posters.
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Łaniewski, Paweł. "DEKONSTRUKCJA MYŚLI NEOIMPERIALNEJ W ANANASOWYM NAPOJU DLA PIĘKNEJ DAMY WIKTORA PIELEWINA." Rusycystyczne Studia Literaturoznawcze 28 (December 12, 2018): 138–56. http://dx.doi.org/10.31261/rsl.2018.28.07.
Повний текст джерелаАнотація:
Politically involved works of Victor Pelevin describe and deconstruct phenomena characteristic for the social life of the postmodern period. The new neoimperial paradigm is different from the previous one. Thanks to the development of new means of communication, countries use unconventional weapons in their struggle for influence, and certain elements of postmodern wars become simulacric phenomena of postmodern culture. The grotesque stories and novels of Pelevin, included in the collection Pineapple Water for the Fair Lady, are connected with poststructural philosophy and deconstruct the traditional perception of history and politics.
13
Budnyk, Andriy. "Postmodernism Techniques in Poster Projects of the Period of Covid-19 Pandemic." Demiurge: Ideas, Technologies, Perspectives of Design 4, no. 1 (July 2, 2021): 8–20. http://dx.doi.org/10.31866/2617-7951.4.1.2021.236115.
Повний текст джерелаАнотація:
The purpose of the study is to identify the features of the use of postmodern techniques in poster projects of the period of the COVID-19 pandemic. Research methods. The methodological basis of the study is comparative and art analysis. The scientific novelty of the study is the consideration of the poster activity of the pandemic period 2020-2021 in the context of postmodernism. Conclusions. In the current poster projects of the quarantine period, postmodern features are clearly traced, which are manifested not only in the visual language of the works, but also in the ways of exhibiting and positioning posters in society and the media. The pictorial component is characterized by the use of metaphor as a universal method, as well as a combination of different styles, multiple approaches, the lack of a dominant vector in solving the visual image. The use of double coding, quotes, reminiscences, games, irony, etc. is revealed.
14
Kutyryova, I. V. "The Language and its Metamorphoses in Postmodernity." Izvestiya of Saratov University. Philosophy. Psychology. Pedagogy 10, no. 2 (2010): 21–25. http://dx.doi.org/10.18500/1819-7671-2010-10-2-21-25.
Повний текст джерелаАнотація:
The Postmodern Era has been widely researched in Russia and abroad. Nevertheless, it is still debatable for both Russian and Western scholars. The problem of language and its metamorphoses has become one of the key issues in this respect. We focus on studying characteristics of the postmodern period, not taking into account its value system. Thus, based on the characteristics of postmodernity we might form an idea of the language itself in the above-mentioned period, since every concept is inevitably manifested in the language.
15
Ilhan, Ahmet. "COMPARISON OF ORGANIZATIONAL THEORY IN THE AXIS OF THE "PANDEMONIUM" METAPHOR IN MODERN, SYMBOLIC AND POSTMODERN APPROACHES." EURASIAN JOURNAL OF BUSINESS AND MANAGEMENT 8, no. 4 (2020): 292–304. http://dx.doi.org/10.15604/ejbm.2020.08.04.002.
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The development and position of the field of organizational theory differ at certain levels depending on the perspectives emerging in different periods. It is thought that analyzing organizational theory in the context of different perspectives adds diversity to organizational research within the development line. In addition, the linguistic codes used in different periods to understand today's organizations and the discourses developed in this context are seen as valid features in understanding organizational structures and functioning. This study examines the organizations established based on the reflections of modern, symbolic and postmodern approaches in organizational theory in the pandemonium axis related to human life and its organization at the organizational level, and the issues that organizational theory focuses on. In this direction, the main purpose of the study is to analyze the fundamental philosophical differences that constitute modern, symbolic and postmodern approaches and their effects on organizations and organizational theory in the context of issues that epistemological, ontological, metaphor, organizational theory focuses on, nature of information and pandemonium metaphor. Within the scope of the study, as a result of the analysis of organization theory with the pandemonium metaphor as a field of study in social sciences, it was concluded that organizations had linear, symbolic in the modern period and nonlinear structures in the postmodern period with fundamental philosophical differences.
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Tursunova, M. "Julian Barnes as a Postmodern Humanist." Bulletin of Science and Practice 6, no. 8 (August 15, 2020): 301–3. http://dx.doi.org/10.33619/2414-2948/57/37.
Повний текст джерелаАнотація:
This article enlightens one of the greatest contemporary English writers Julian Barnes as a postmodern humanist by studying his several novels and his own conversations on his works and gives some justifications on his true humanism by comparing his humanism to the humanism that was prevalent in the period of Renaissance.
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Gerasimova, M. A. "On the Question of Social Flaneur Origin in the Postmodern Period." Sociology. Politology 15, no. 4 (December 20, 2015): 60–62. http://dx.doi.org/10.18500/1818-9601-2015-15-4-60-62.
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Ersoy Cak, Seyma. "In the light of postmodern indicators Zeki Müren’s musical careerPostmodern göstergelerin ışığıda Zeki Müren’in müzikal yaşamı." International Journal of Human Sciences 12, no. 2 (October 21, 2015): 950. http://dx.doi.org/10.14687/ijhs.v12i2.3214.
Повний текст джерелаАнотація:
<p>There has been important differences in gender structure, musical and socio-cultural structure in shifting from Ottoman period towards republican years with the effect of modernization. While heterosexual gender structure is strengthened with Turkish modernization, existence of both female and made soloist caused people of third gender to be forgotten both in the sense of voice and as appearance. People of third gender, forgotten due to modern life were recalled by the ‘nostalgic’ connotations of postmodernism. Zeki Müren was considered through postmodern case due to his sociological characteristic and analyzed as a postmodern subject. The study is based on the life of Zeki Müren during 1931-1996 and findings which evaluate his art and stage life as the actor of Post-republican modernization movements in Turkey and process of social and musical change and indicator intersexual postmodern compounds. Zeki Müren is an important example in tradition to become popular with his pioneering behaviors in performance stage and show elements through mass media in 1950-80 during transformation of Turkish maqam music. Zeki Müren who combines tradition with contemporary succeeded in being a phenomenon with his eclectic performance set up in his repertory, costume and stage exercises. Gender readings in which Zeki Müren is related with köçek and tavşan which are the figures of Ottoman period entertainment life characterize the postmodern case.</p><p> When the artistic life of Zeki Müren – as the subject of postmodern case- is analyzed, the element of difference comes into prominence generally. His movies, gender discourses, media relations can be regarded over the concept of irony. His appearance/image being androgenous, his gender being ambiguous, his pluralist representation with soloist, composer, film actor, poet, designer sides and homosexual identity, his eclectic structure with his repertory and costumes were related with postmodern status. Historical period evaluated in the study in which qualitative methods are applied were regarded in two main sections in artistic life of Müren, being periods of 1950-60 and 1970-80. In this sense, postmodern concepts and gender theories were referred within Zeki Müren biography prepared by using historical methodology, his stage life, costumes, repertory and movies and recounted on musical and socio-cultural basis of Turkey. Apart from written (literature study, periodical and newspaper surveys), visual (photographs which have media coverage and found in Zeki Müren Museum) and audio (published records and CD) resource inspections; interviews and repertory detections were also made in the study.</p><p> </p><p><strong>Özet</strong></p><p>Osmanlı döneminden cumhuriyet yıllarına geçişte, modernleşmenin etkileri ile toplumsal cinsiyet kurgularında, müzikal ve sosyo-kültürel yapıda oldukça önemli farklılıklar söz konusu olmuştur. Heteroseksüel cinsiyet yapısının Türkiye modernleşmesi ile kuvvetlendirildiği yıllarda, müzikal anlamda erkek ve kadın solistlerin mevcudiyeti ara-cinslerin gerek ses, gerekse görünüm anlamında unutulmasını sağlamıştır. Modern dünya ile unutulan ara-cinsler postmodernizmin ‘nostaljik’ çağrışımları ile geri gelmiştir. Zeki Müren, sosyolojik niteliği sebebi ile postmodern durum üzerinden ele alınmış ve postmodern bir özne olarak incelenmiştir. Araştırmanın içeriği, Türkiye’de Cumhuriyet sonrası modernleşme hareketleri ile toplumsal ve müzikal değişim sürecinin aktörü ve cinsiyetler arası postmodern bileşimlerin bir göstergesi olarak Müren’in sanat ve sahne yaşamını değerlendiren bulgulara dayanmaktadır. Zeki Müren, Türk makam müziğinin dönüştüğü 1950-80 yılları arasında kitle iletişim araçlarının vasıtasıyla icra, sahne ve şov unsurlarına getirdiği öncü tavır ile geleneğin popülerleşmesinde önemli bir örnek teşkil etmektedir. Gelenek ile günceli birleştiren Zeki Müren, repertuar, kostüm ve sahne çalışmalarında kurguladığı eklektik gösteri tavrı ile fenomen olmayı başarmıştır. Zeki Müren’in, Osmanlı dönemi eğlence yaşamının figürleri köçek ve tavşan ile ilişkilendirildiği cinsiyet okumaları da postmodern durumu nitelemektedir.</p><p>Postmodern durumun öznesi olarak Zeki Müren’in sanat yaşamı incelendiğinde genel anlamda farklılık unsuru ön plana çıkmaktadır. Sinema filmleri, cinsiyet söylemleri, medya ilişkileri ironi kavramı üzerinden ele alınabilmektedir. Görünüm/imajının androjen olması, cinsiyetinin belirsizliği, solist, besteci, film aktörü, şair, desinatör gibi yönleri ve homoseksüel kimliği ile çoğulluk temsiliyeti, repertuar ve kostümleri ile eklektik yapısı postmodern durum ile ilişkilendirilmiştir. Tarihsel metodolojilerden yararlanılarak hazırlanan Zeki Müren biyografisi, sahne yaşamı, kostümleri, repertuarı ve filmleri dahilinde postmodern kavramlara ve toplumsal cinsiyet teorilerine atıfta bulunularak, Türkiye’nin müzikal ve sosyo-kültürel yapısı tabanında anlatılmıştır. Çalışmada yazılı (literatür çalışması, dönemsel süreli yayın ve gazete taraması), görsel (basında yer alan ve Zeki Müren Müzesi fotoğrafları) ve işitsel (yayınlanmış plak ve CD) kaynak incelemelerinin yanı sıra derinlemesine görüşmeler ve repertuar tespitleri yapılmıştır.</p>
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Perišić, Srđan. "The crisis of the West, Russia's resistance and war: Paradigmatic changes in the world." Socioloski pregled 57, no. 2 (2023): 424–48. http://dx.doi.org/10.5937/socpreg57-42989.
Повний текст джерелаАнотація:
The crisis of the West is perceived through the diminishing expansion of the postmodern paradigm to the non-Western parts of the world. The West entered the postmodern at the end of the 20th century, when liberalism remained alone in the political field, while the bipolar international order of the balance of power was destroyed. Liberal postmodernization of the world, initiated by globalization, was adamant. Postmodern liberalism imposed itself to the whole world as the only ideological matrix, whereas the global market and global corporations dictated the relations in the world. The Westphalian system of international relations, as one of the remaining modern categories implying the primacy of the sovereign state, began disappearing. However, the power of the hegemon USA as a military, political and ideological protector of globalization and postmodern, began dwindling in 2008 (a declining power). On the other hand, resistance emerged to the imposition of the postmodern. Russia was the first to adopt anti-liberal and anti-globalization laws (2013), which prompted the West to start a postmodern campaign against Russia. The USA and the West, faced with the increasing resistance, resort to geopolitical strategies from the period of the modern in order to preserve hegemony. Ukraine (as a postmodern creation in the mediation war against Russia) is geopolitically used against Russia). Russia opposes the postmodern West ideologically and geopolitically (by introducing spirituality and tradition in its public sphere) and it is geopolitically engaged in creating multipolarity and the balance of power. In this manner, Russia leaves the West. That creates a different paradigm, not only for Russia, but for the whole world. The paper considers the war a consequence and not a cause of the world crisis (which is also a consequence). The causes lie in the inability of the postmodern (in all its aspects) to impose itself onto the whole world.
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Puji Purwatiningsih, Aris, and Hendri Hermawan Adinugraha. "Histori Filantropi: Tinjauan Teori Postmodern." ZISWAF : Jurnal Zakat dan Wakaf 5, no. 1 (June 18, 2018): 149. http://dx.doi.org/10.21043/ziswaf.v5i1.3573.
Повний текст джерелаАнотація:
<p><em><span lang="IN"><span style="font-size: medium;">Postmodern is a breeding effort, epistemological innovation, so anthropology becomes more adaptive and productive. This can be demonstrated through the application of his theory in practice and philanthropy models. This paper aims to describe the history of philanthropy in terms of the perspective of postmodern theory. The results of the literature review indicate that at first the emergence of the philanthropy movement was the way of the rulers of the time to maintain the stability of public security by providing assistance to the community, but in the postmodern period turned into non-profit social institutions or institutions that serve as mediators of donors to the needy. Philanthropy, initially only in the form of goods aimed at relieving and meeting the needs of a deficient society, in the postmodern era can develop into donor body parts, smiles and even empathy can be referred to as philanthropy. Alms that were originally human goods, the postmodern expanded that spread the science, moving the masses can also be called philanthropy.</span></span></em></p>
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Doğmuş, Engincan. "POSTMODERN DÖNEMDE TÜKETİCİYİ ANLAMAK, REKLAMLARDA KULLANILAN ARKETİPLERİN POSTMODERN TÜKETİCİ İLE İLİŞKİSİ: TÜRKİYENİN EN DEĞERLİ 20 MARKASININ YOUTUBE REKLAMLARININ ÖRNEĞİ." IEDSR Association 6, no. 15 (September 20, 2021): 454–81. http://dx.doi.org/10.46872/pj.391.
Повний текст джерелаАнотація:
Postmodern culture, which developed after the modern period, is in a structure in which postfordist consumption understanding is adopted instead of fordist consumption and consumption for image purposes is at the forefront. In this context, brands create their images in order to be remembered in the current culture and to create a lifestyle for the continuity of consumption. The creation process of images, on the other hand, is through advertisements where the continuous production and consumption of high reality and commodities is made, and it shows a common development with postmodern culture brand images. Within the scope of the study, a descriptive approach and content analysis method were preferred in order to make sense of how brand images are produced through advertisements in the postmodern period and to deal with the constructing dimension. Accordingly, the top 10 brands in the ranking of the Brand Finance 2021 Turkey Report were selected as a sample and the ads of the selected brands between 1 June 2021 and 5 June 2021 with the theme of world environment day were analyzed. As a result of the analysis, within the framework of advertising and consumption; brand images in the postmodern period, where there are higher realities, fragmented consumer structure, production and consumption change places and the subject is decentralized; Impressions can be evaluated in various ways such as symbolism, personification, meanings and messages and psychological elements. Looking at the general position, it has been concluded that the structural features of postmodernity are effective in creating and creating brand image characters, and in this respect, it shapes brand images.
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Iqra Mazhar and Rana Abdul Munim. "ANALYZING INTERTEXTUALITY IN COETZEE’S DISRACE: A POSTMODERN CRITIQUE." Inception - Journal of Languages and Literature 2, no. 2 (December 30, 2022): 16–29. http://dx.doi.org/10.36755/ijll.v2i2.27.
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This paper aims at analyzing J. M. Coetzee’s use of intertextuality in his most phenomenal novel Disgrace. In postmodern literature, intertextuality plays a fundamental role as postmodern fiction sifts to historical and literary intertexts. Postmodern fiction points to the reality that by means of other texts we understand the past and that there is an intertextuality in all the historical accounts. Postmodern fiction tells us that only through its fragments, relics, and its textualized remains canwe know the past. This paper explores the intertextual presence of romantic poets in the novel and the influence of romantic period on post-apartheid minds. Lurie’s connection with the romantic poets is not of the kind to exchange of sources or sentences to assist his ideas or the transmission of his message rather he is affected to the point that he refers himself to them and follows their concepts of existence, females, history, and longing. Thus, the juxtaposition of Wordsworth, Byron and David Laurie will form the basis of this paper.
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Yurttadur, Oguz. "A MODERNIST APPROACH TO THE POSTMODERN PERIOD IN TURKISH AND WESTERN PAINTING." Idil Journal of Art and Language 4, no. 16 (April 20, 2015): 125–32. http://dx.doi.org/10.7816/idil-04-16-07.
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Abdula, Sevba. "Power and History in the Serbs: Historiography after 1990." Journal of Balkan Studeis 2, no. 2 (July 25, 2022): 7–46. http://dx.doi.org/10.51331/a023.
Повний текст джерелаАнотація:
This study aims to examine the processes brought forth in Serbian historiography using the structural nature of the mutually influential relationship between power and history as data. The study focuses on the post-1990 period and examines the history, institutions, major works, and historians of Serbian historiography. The period under study includes two distinct power eras: the nationalist transition and the postmodern period. The study examines the characteristics, structures, and dynamics of these periods within this framework and attempts to determine the continuity and differences between these two periods. The study analyzes the results of Serbian historiography’s relationship to power and history by examining the Ottoman narrative in general works on Serbian history.
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Abdula, Sevba. "Power and History in the Serbs: Historiography after 1990." Journal of Balkan Studies 2, no. 2 (July 30, 2022): 7–46. http://dx.doi.org/10.51331/a23.
Повний текст джерелаАнотація:
This study aims to examine the processes brought forth in Serbian historiography using the structural nature of the mutually influential relationship between power and history as data. The study focuses on the post-1990 period and examines the history, institutions, major works, and historians of Serbian historiography. The period under study includes two distinct power eras: the nationalist transition and the postmodern period. The study examines the characteristics, structures, and dynamics of these periods within this framework and attempts to determine the continuity and differences between these two periods. The study analyzes the results of Serbian historiography’s relationship to power and history by examining the Ottoman narrative in general works on Serbian history.
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Mitchell, Sebastian. "Celtic Postmodernism: Ossian and Contemporary Art." Translation and Literature 22, no. 3 (November 2013): 401–35. http://dx.doi.org/10.3366/tal.2013.0130.
Повний текст джерелаАнотація:
This article examines the depiction of Ossian in the works of four prominent contemporary artists: Calum Colvin, Gayle Chong Kwan, Geoff MacEwan, and Alexander Stoddart. Recent Ossianic artworks in terms of two significant and opposing definitions of the postmodern are discussed. On the one side, the approach of Jean Baudrillard stressed fabrication and imitation as the distinctive features of the postmodern aesthetic; on the other, Charles Jencks conceived of the postmodern as a revival of classical form. The essay demonstrates ways in which contemporary Ossianic art draws together both conceptions. It argues, furthermore, that Ossian has made a significant contribution to British art through the introduction of Celtic primitivism into more familiar forms of representation. It concludes by suggesting that the last twenty years have produced the most important visual interpretations of Ossian since the Romantic period.
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Nargiz, Ismayilova. "UMBERTO ECO’S POSTMODERNISM AND POSTMODERN REVERBERATION OF INDEPENDENCE PERIOD OF AZERBAIJAN LITERARY PROSE." Тrаnscarpathian Philological Studies 2, no. 14 (2020): 200–206. http://dx.doi.org/10.32782/tps2663-4880/2020.14-2.37.
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June, Pamela B. "The Tribe of Pyn: Literary Generations in the Postmodern Period by David Cowart." Studies in the Novel 48, no. 3 (2016): 386–87. http://dx.doi.org/10.1353/sdn.2016.0044.
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Baratova, Olga A., Vera B. Shamina, and Elena M. Apenko. "Metaphors of Postmodernism in Neo-Victorian Fiction: “The Trial of Elizabeth Cree” by Peter Ackroyd and “The Decorator” by Boris Akunin." Journal of History Culture and Art Research 6, no. 5 (November 28, 2017): 139. http://dx.doi.org/10.7596/taksad.v6i5.1260.
Повний текст джерелаАнотація:
<p>One of the features that characterizes postmodern fiction is an intense interest in the past, and especially so – in Victorian period, chiefly in its sensational aspects. Therefore we witness a revival of Victorian crime novel and this tendency can be traced not only in recent English literature, but in other literatures as well, Russian in particular. This gave birth to the term “neo-Victorian novel”, referring to the pieces, which recreate the atmosphere of the period, introduce a lot of intertextual allusions and references to the well-known Victorian novels and exploit most popular subjects of the 19th century literature. However as we will argue in this essay the authors often use these plots as implicit metaphors of postmodern art as such. It will be demonstrated on the example of two Neo-Victorian novels – “The Trial of Elizabeth Cree” by Peter Ackroyd (1995) and “The Decorator” by Boris Akunin; for the latter Ackroyd’s novel can be also regarded as one of the precedent texts. Both novels give their versions of the story of <em>Jack the Ripper</em> but what is more important in our case – employ akin plot structures, images and artistic devices, which in fact become metaphoric actualization of postmodern techniques.</p>
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Keliyan, Maya. "Postmodern Japan Middle Class Related Mythology and Nostalgia." Slovak Journal of Political Sciences 12, no. 2 (May 1, 2012): 1–16. http://dx.doi.org/10.2478/sjps-2013-0004.
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Abstract The paper explores the transformations of middle class mythology in contemporary Japan, studying phenomena, connected to the objective and subjective middle class identification. After 1970s, when the share of people self-identified with the middle class reached 90% Japanese identity has been shaped around the sense of “all nation belonging to the middle class”. The economic prosperity after World War Two and the fact that within two generations Japan turned from a poor country into a rich society, provide the foundations of the myth of “a middle class society”, zealously maintained by political parties and the media. Since the end of the 1990s, the issue of growing economic inequality is becoming a topic of intense discussion. During this period Japanese society underwent recessions and crises followed by periods of revival; as a result Japan changed its direction from the lavish lifestyle of the 1980s to growing sense of deepening social inequalities. These transformations brought about the popularity of a new myth, this time about melting and even vanishing middle class, and nostalgic reminiscences of “happy late 1970s and 1980s” when supposedly Japanese people used to live in better society. The March 11, 2011 natural disasters and the ensuing nuclear crisis in Japan have destroyed another myth - that of prime importance of consumers` comfort, and of nuclear power plant safety. The ecologically and environmentally responsible consumption and lifestyle are an important resource for achieving vitally important task of revitalizing our-day Japan
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Lee, Seong-Go, Mi-Kyeong Hwang, and Sang-Hwa Lee. "A study on Humane Sensibility and Ecological Charactueristics of Post-Modern Architecture." Residential Environment Institute Of Korea 21, no. 3 (September 30, 2023): 167–85. http://dx.doi.org/10.22313/reik.2023.21.3.167.
Повний текст джерелаАнотація:
There are two main trends in modern worldview. The main trend is pluralistic thinking that suggested the restoration of human identity and ecological thinking that emphasizes the coexistence of humans and nature for a sustainable society. Postmodernism includes stylistic values as well as timing meaning “after the present,” and it does not mean to escape from the present, but to realize simultaneous stratification of “past, present, future”and reproduce stratification of values such as “superior culture” and “minority and majority.” Postmodern architecture can be divided into periods from the 1960s to the present, such as exploration period (60s), introduction period (70s-80s), formation period (90s), and evolution period (2000s). The period of exploration attempted to shift from functionalistic thinking to pluralistic thinking in modern times, and the period of introduction reflected ecological thinking as well as human sensibility. As a result of analyzing 40 cases into 17 significant factors, they were divided into three groups: Group A, which mainly considers emotional design elements, Group B, which balances emotional and complex system science, and Group C. Group B includes the cases of Peter Eisenman, Norman Foster, Frank O. Gehry, Rem Koolhas and Enric Miracles, which have been considered major examples of modern architecture since the 1990s. Therefore, it can be seen that the main trends in modern architecture reflect human sensibility, which is the main motivation for the formation of postmodern architecture, and design elements considering complex system paradigms, fractals, and ecological characteristics. Therefore, the main trend of modern architecture is to realize design elements based on human sensibility and ecological characteristics in architecture by applying modern science and technology.
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Stevanović, Vladimir. "Implications of Vattimo's 'Verwindung' of modernism in architectural theory." SAJ - Serbian Architectural Journal 7, no. 2 (2015): 157–72. http://dx.doi.org/10.5937/saj1502157s.
Повний текст джерелаАнотація:
In the postmodern era, besides new approaches to architectural practice, substantial changes happen in architectural textual production owed to the inflow of the postmodern transdisciplinary theory in architectural discourse. Theorists, critics and historians of architecture gladly use the contribution from philosophy, political sciences, sociology, art theory and literary criticism to categorize and explain postmodern architectural styles or tendencies, no longer unifying them exclusively by means of formalistic aspects dating from the same period. Now, topics and paradigms from various postmodern theories are being implemented and thus created the phenomenon of the translation of a theory into an instrument of architectural purpose. In most cases, theoretical outlooks serve as a cover which the theorists of architecture use to formulate the poetics of architects, proclaim desirable models of reception, and develop the stance on the disciplinary and socio-historical contexts. However, it becomes interesting when the same architectural works of a single or several architects are differently interpreted by different theorists of architecture. The paper examines these premises on a specific example, which is: 1) demonstrated in practice by Catalan architecture of the 1980s; 2) the point of convergence between de Solà-Morales, Rossi and Frampton; 3) underlain by Vattimo's philosophical concept of Verwindung of modernism.
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Zheng, Zihui. "The Structure Researh on the Post-Modernism Feminism of Luce Irigaray." Frontiers of Engineering and Scientific Research 1, no. 1 (May 29, 2022): 50. http://dx.doi.org/10.56028/fesr.1.1.50.
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This dissertation demonstrates the thoughts on the outstanding theory of Luce Irigaray.In the introduction part of this dissertation,it specified the research perspective, research features and research significance.This dissertation is to study the feminist theory of Irigaray from the perspective of postmodernism. One thing is that the feminist research has entered the postmodern context as of the period of Irigaray's theory creation,hence,as Irigaray is deeply influenced by the western postmodern philosophy,her theory therefore reflects the deconstruction philosophy significantly.Whereas, this dissertation interprets the general context of the development of western feminist movement and feminist literary criticism and then explains the basic position of deconstruction philosophy.
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Starostenko, Tetiana M., and Ianina V. Gurtova. "THE POSTMODERN CITY TEXT IN SERHIY ZHADAN’S POETICS." Alfred Nobel University Journal of Philology 1, no. 25 (May 30, 2023): 78–89. http://dx.doi.org/10.32342/2523-4463-2023-1-25-6.
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The article explores the display mechanisms of the postmodern city as a text in Serhiy Zhadan’s works during the period between 2008 up to 2022. We’ve investigated the city representation tools portrayed in the diachronic aspect. There have been studies of Ukrainian urbanism time-space and audio characteristics, viewed through the connection with European urbanity on the examples of Kharkiv regional centers’ and Voroshilovgrad depictions, the east of Ukraine urban points of district significance, as well as particular foreign urban locations. The purpose of the research paper is to distinguish and analyze the main categories of the Postmodern city as a text in poetry and prose by Serhiy Zhadan. The tasks of the research are focused on the definition and interpretation of the modern research methods within the investigation of the ‘the urban text’ category, the identification of the fundamental content-representative elements of the Eastern Ukrainian cities significant to the author, the interpretation of the main categories of the city as a text, and Kharkiv as a text in particular, in the creative heritage of the author. The research methods include hermeneutical, historical, literary, cultural methods and the method of contextual analysis. As a result of the study, it has been proved that the city text in Serhiy Zhadan’s works is represented by multiple forms, as well as the paradigm “the past – the present – the mixture of the past / the present”. The chronotopic skeleton of the city is embodied in a number of material congestions, represented by the intervened example of architecture, which bears the imprint of different historical eras. The urban chronotope is marked by location points, endemic for the writer: numerous spatial models of the railway stations, representing a gallery of social characters and algorithms of criminal schemes; bus routes, city transport, personified and serving as the “bodily organs” of the city; industrial facilities; monuments to Soviet leaders; hotels; zoo-images. A characteristic feature of destabilization is the depiction of the marginal components of the city (drunkards, drug addicts, prostitutes, dishonest politicians). The hotels serve as the points of sin and the marks of well-being. Serhiy Zhadan’s text is coded, symbolic, and is socially marked. The accompanying fragments of the realistic depiction are music, dances, weather, color, natural and unnatural sounds. The cities, marked by the influence of the historic shifts, create a picture of a transitional period in Ukrainian society. The frozen reality of the post-Soviet reality, embodied in the cities, reaches the peak of its transformation during the military conflict, which defaces the body of the city and modifies the mentality of its inhabitants. The buildings, the animals, the natural world tend to echo the military events and reflect the gradual degeneration and altogether rebirth of the city of Kharkiv. The urban space by Serhiy Zhadan is a mocking festivity. It revolves around day-to-day reality with the print of the epoch that dominates. The city by the author acquires the features of the whore-city. Serhiy Zhadan also generates a number of fresh or updated forms like city-orphan, city-cripple, city-mechanism, city-animal. The Ukrainian cities in the writer’s legacy are of male gender, whereas the foreign ones acquire noticeable female Biblical features. Thus, the Postmodern urban text as a holistic system of images and signs reflecting the specificity of the post-totalitarian urban culture gets formed in the writings by Serhiy Zhadan. The poetics of the Postmodern urban text by Zhadan enclude the intertextual devices; parodic and ironic reasoning of the traditional cultural archetypes (the sun-city, the city-whore, the garden-city, etc.) and their substitution with the new connotations (the city-dog, the city-fish, the city-ghost, the city-mechanism, the city-cripple, the city-orphan, the city of whores, etc.); the motif of escapism; fragmentation of depiction; the mode of a game with a reader. The works of the writer create the image of the Postmodern urban mind as nomadic, shelterless and carnival. This type of mind serves as a basis of a new peculiar type of a character formation – the eternal nomad-wanderer.
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Rudnytska, A. R., and F. İ. Arnaut. "Change of mythological motifs in the chain "folklore-mythology-literature" (on the example of myths “King Oedipus”, “Rustem and Suhrab” and Orhan Pamuk's novel “The Red-Haired Woman”)." Science and Education a New Dimension IX(253), no. 45 (June 25, 2021): 51–54. http://dx.doi.org/10.31174/send-hs2021-253ix45-12.
Повний текст джерелаАнотація:
There are many works devoted to the study of the evolution of literary motifs common for a folklore and myths “King Oedipus” and “Rustem and Suhrab”. However, there are quite a few thorough studies on their use in the literature of the postmodern era. In the postmodern period, the concept of "originality" completely disappears, which makes the reference of the author of a novel to other works of oral and written literature, in particular myths, quite frequent. Due to the fact that the mythological motif borrowed by the author undergoes changes in the process of interpretation, there is a threat that the myth will acquire a new form, which may lead to its complete remoteness from the original source. This article is devoted to the study of the process of deformation of such motifs in the chain "folklore-mythologyliterature" and determining the stage at which the myths are located. Prospects for further research lie in the analysis of the functioning of the motives we have studied in other novels written in the postmodern era
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Hogg, Christopher. "The Punk-Rock King: Musical Anachronism in Period Film." Media International Australia 148, no. 1 (August 2013): 84–93. http://dx.doi.org/10.1177/1329878x1314800110.
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Music has a powerful indexical ability to evoke particular times and places. Such an ability has been exploited at length by the often-elaborate soundscapes of period films, which regularly utilise incidental scores and featured period songs to help root their narrative action in past times, and to immerse their audiences in the sensibilities of a different age. However, this article will begin to examine the ways in which period film soundtracks can also be used to complicate a narrative sense of time and place through the use of ‘musical anachronism’: music conspicuously ‘out of time’ with the temporality depicted on screen. Through the analysis of a sequence from the film W.E. (Madonna, 2011) and the consideration of existing critical and conceptual contexts, this article will explore how anachronistic soundtracks can function beyond ‘postmodern novelty’ or ‘nuisance’ to historical verisimilitude, instead offering alternative modes of engagement with story and history.
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Swartz, Sally. "Shrinking: A Postmodern Perspective on Psychiatric Case Histories." South African Journal of Psychology 26, no. 3 (September 1996): 150–56. http://dx.doi.org/10.1177/008124639602600304.
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This article traces the changing form and content of histories taken from patients in South African psychiatric settings over a period of a century, and analyses ways in which current history-taking practice continues to be moulded by discursive practices which have their origin in mid-19th century British psychiatry. It examines the implications of clinicians being record-keepers of their own clinical activities, and comments on ways in which patient identities are constructed by records produced through history-taking activities. The postmodern perspective usefully interrogates the assumption of a linear and unambiguous relationship between past events and present distress, and offers an opportunity for clinicians to understand patients' life stories as rich and ambiguous discourses through which relationships to both past and future are constantly in the process of negotiation.
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Perepelytsia, Oksana, Valentyna Hryhorieva, Olena Konshyna, Kateryna Kucherenko, Nataliia Melnyk, Nataliia Kubrysh, and Svitlana Karpova. "The Concept of an Individual Style in Postmodern Architectural Graphics." Postmodern Openings 13, no. 1 Sup1 (March 14, 2022): 331–49. http://dx.doi.org/10.18662/po/13.1sup1/430.
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The article deals with the essence and genesis of an individual style in postmodern architectural graphics as a special signature of creativity. It considers conceptual and terminological issues regarding the concept of “architecture”, “architectural graphics”, and “an individual style”. Besides, the article shows that the knowledge of architectural graphics makes it a powerful visual tool in any kind of design activity. In the current post-industrial period, manual graphics acts as an individual unit. An individual style is always formed based on a specific personal programme, whose postulates influence the architect’s work. The international relevance of the article lies in a new approach to the concept of “style” in postmodern architectural graphics. In turn, it allows one to discover new methodological guidelines for its formation.
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Demchenko, Alexander I. "The Enlightenment (the Second Half of the 18th Century). Horizons of Light and Mind. First Essay." ICONI, no. 3 (2021): 6–21. http://dx.doi.org/10.33779/2658-4824.2021.3.006-021.
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The essence of the series of essays published by the magazine is that with a maximum compactness of presentation it provides a summary of the main phenomena of world artistic culture covered in general, both from the point of view of the general historical process, and in relation to the various forms of art (literature, the visual arts, architecture, music, theater and cinema). At the same time, the usual categorization of national schools and division into separate types of art with the genre specification inherent in each of them is overcome, which meets the positive trends of globalization and provides a holistic view of artistic phenomena. The following artistic and historical periods are considered in a stepwise manner: the Ancient world, Antiquity, the Middle Ages, the Renaissance, the Baroque Period, the Enlightenment, Romanticism, Post-Romanticism, the First Modern Period, the Second Modern Period, the Third Modern Period, the Postmodern Period, and as an afterword — “The Golden Age of Russian Artistic Culture”.
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Martynov, Andrii. "The European Union in the postmodern system of international relations." European Historical Studies, no. 22 (2022): 23–39. http://dx.doi.org/10.17721/2524-048x.2022.22.2.
Повний текст джерелаАнотація:
In the history of international relations, discussions continue on the definition of criteria and chronological boundaries of different systems of international relations. The purpose of the article is to consider the theoretical and practical problems of positioning the European Union in the postmodern system of international relations. The Modern period was characterized by a block approach to security. The postmodern system of international security is based on a combination of hierarchical and network characteristics of the international system. The sovereign states of the European Union are often critical of each other, although this fact may for some time be masked by the need for solidarity in relations with the outside world and its risks. As soon as the factor of identity or proximity of interests is leveled off, the motives for concerted joint action disappear. Real politics is also influenced by the idea of European integration of many speeds. Following the enlargement of the EU to 28 member states (before the withdrawal of the United Kingdom), the core of European integration (the six founding members of the European Communities) and the concentric circles touching the core stood out. The accession of new EU member states to the highest achievements of European integration is possible at different speeds. Neutral EU countries such as Finland and Sweden have responded to Russia’s war against Ukraine by applying to join NATO. The United States still has a special consolidating role in the alliance. The postmodern multipolar system of international relations will consist of several hierarchical structures. First, it will be transformed military-political blocs, and secondly, networks of interaction between states that are regional leaders in their regions. Russia’s aggression against Ukraine has consolidated the European Union and the United States. The Euro-Atlantic space is in fact a consolidated pole of power in the postmodern system of international relations. The United Kingdom is ensuring the expansion of the Euro-Atlantic space through the AUCUS into the Pacific. The postmodern system of international relations is multipolar. It is not limited to bipolar US-China confrontation. In the postmodern system of international relations, the European Union is not only a pole of power, but also its typological symbol.
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S, Martin Raja, and Rajasekaran M. "A Comparison of Sangam Society and Postmodern Society." International Research Journal of Tamil 4, S-13 (October 6, 2022): 1–9. http://dx.doi.org/10.34256/irjt224s131.
Повний текст джерелаАнотація:
The Sangam age society is an ethnic society based on the divisions of five thinai lands and a society that accommodates pluralistic ideas. In this context, postmodernism, which originated in western art and literature, is seen in the Tamil context as a thought to bring out the state of society after the nineties. On this basis, the definitions of the society of the Sangam age and the definitions of postmodern society are taken up. The comparison of these two societies also provides a comparatively critical explanation. Love has been transformed from being the basis of marriage to today's casteist background. The man-leader and his friend's guidance have been the cure for the malady of the Marutham woman. But the lovesickness of a woman who is in love today is cured by her old age. In this article, the situation where women are fighting for their livelihood in adulthood like Ovvai, admired by Athiyaman, and the situation where education has been liberalized, privatized, and commercialized by globalization in a society where the importance of education has been emphasized, has been explained in a way that compares the society during the Sangam period and the post-modern society.
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Abood, Oday Abbas. "Postmodern Architecture between the pillars of philosophical discourse and architectural practice." Journal of Engineering 25, no. 5 (May 1, 2019): 1–20. http://dx.doi.org/10.31026/j.eng.2019.05.08.
Повний текст джерелаАнотація:
Postmodern arguments, formed a critic case of what modernity brought in several levels. Postmodern practice was considered as a proactive case having amorphous concepts and features to what entiled as an intellectual trends postmodern philosophically and intellectually. But, what postmodernism architecture broughts in it essence, was not isolation from the intellectual context and entrepreneurship case, and it was not disconnecting from the intellectual and philosophical era of that period. Lliteratures and philosophical argument precede what (Robert Venturi) and (Charles A Jencks) had brought, albeit it was closer to critics and correction the path of modernity from crystallizing a direction that exceeds modrinity to what follows.
In this context, the research's aim had been determined by: (investigating the philosophical depth and intellectual arguments for postmodernism, and them implications in the architectural practice comparing to the philosophical narratives, and then determine the reflection of that in the architectural technology practice). For achieving the aim of the research, the research was initiated to discuss the intellectual foundations of the postmodernism by discussing the philosophical propositions constitutive and the crystallized, first. And then discuss the propositions of postmodernism in architecture, secondly. And discuss the presence of thought in the technological practice as influential and affected. And then the research reached the most important general and particular conclusions of the postmodern trends and its reflection in architecture, and then to reached the comparative conclusions for each of the philosophical and architectural propositions, and then to determining a reflection all of that in the architectural technological practice directions.
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Fahad, Ali Raza, Malik Haq Nawaz Danish, and Muhammad Asif. "Alternative Narrative of Partition: A Lyotardian Analysis of Parmeshar Singh." Pakistan Journal of Humanities and Social Sciences 10, no. 1 (January 18, 2022): 11–19. http://dx.doi.org/10.52131/pjhss.2022.1001.0169.
Повний текст джерелаАнотація:
The study aims at investigating alternative narratives in the partition narrative of the subcontinent concerning the postmodern conditions. The shared knowledge in postmodern traditions invites multiple realities for the epistemology of the perceivers. The Reconstruction of knowledge is marked with putting Meta-narratives into question, especially in the late 1950s in Europe. These constructions of ‘realities’ in Postmodern traditions import in-depth study of the narratives produced in the specific period of time, unchallenged and accepted until postmodern critique deconstructed the structures of realities. In this response, the partition narrative of Indo-Pak history has been investigated to identify the alternative narratives of the violent event, raging heavy death toll on both sides of the border. Lyotard’s alternative narrative technique is framed to identify humane aspects under the bloodshed riddles of the partitions in the partition narratives. The events recorded in the narratives regarding the humane aspects are spotlighted to offer an alternative narrative lying under the cover of the violent partition narrative. Indo–Pak fiction concerning the partition of the sub-continent, giving a ferocious account of the mass immigration across the border and the brutalities on the ‘others’ on theological details are narrowed down. Amongst these violent accounts of partition, showing a hostile face of the event, humane aspects are ignored to be acknowledged and partition is always propagated as a nightmare with bloodshed, brutality, and savagery. The present study focuses on providing sufficient grounds to proceed by alternating narratives from the nexus of partition towards a humanitarian approach.
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Kerdarunsuksri, Kittisak. "Malai Mongkhon: A Case of Postmodern Thai Theatre." MANUSYA 5, no. 1 (2002): 50–66. http://dx.doi.org/10.1163/26659077-00501004.
Повний текст джерелаАнотація:
Modern stage drama was introduced into Thai theatre during the mid-1960s within the university circle and later spread to the commercial level. To make their productions more attractive and accessible to popular audiences, some theatre practitioners sought to experiment with adopting indigenous sources, either traditional stories or theatrical elements, which have been found in modern Thai theatre from time to time since the early 1970s. During the 1990s, several productions made use of traditional stories and elements to a greater degree due to many factors, such as the promotion of Thainess, the demand for original Thai plays, and the trend in Southeast Asian theatre. Most of these productions can thus be considered as postmodern Thai theatre since revisiting the past, disrupting the distinction of high and low art forms, and juxtaposing unmatched elements are clearly discernible. Makhampo’m’s Malai Mongkhon, adapted from the myth of Phra Malai, was one of the works based on traditional Thai literature produced in this period. Not only was the myth used, but this production also made use of traditional theatrical elements, both court and folk, in juxtaposition with modern techniques. This production can be regarded as a representative of postmodern Thai theatre in the 1990s.
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Rostoka, Marina, Gennadii Cherevychnyi, Olha Luchaninova, and Andrii Pyzhyk. "Philosophical and Pedagogical Discourse in the Postmodern Educational Space: Peculiarities of Distance Learning." Postmodern Openings 13, no. 4 (November 29, 2022): 244–72. http://dx.doi.org/10.18662/po/13.4/517.
Повний текст джерелаАнотація:
The article presents a philosophical understanding and real interpretation of the existence and evolution of pedagogical (educational) discourse in the postmodern space. The results of scientific research are analyzed and the structural-semantic relationship of the concepts, terms and categories associated with the terminological field “discourse” is defined. The authors raise the problem of the postmodern significance of discourse in the period of the global transformation of the educational environment, caused by the pandemic COVID-19, which has put humanity before the fact of actualization of remote communication and receipt of educational services. The authors believe that distance learning should be provided with strong technical and technological support on the one hand and the use of this vector set of educational, pedagogical, learning and development technologies in the preparation of future specialists in the system of higher education on the other. The article deals with new approaches to the application of discourse-supporting technologies and methods. Thus, the emphasis is placed on the relevance of an open informational and educational environment of higher education institutions in the postmodern space where the role of discourse as a constructive tool of postmodernism is determined by the new interpretation, and the teacher becomes a generator of innovations in this context.
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Roliak, Angelina, and Iryna Humeniuk. "University Education Standards in the Postmodern Context of Sustainable Growth." Revista Romaneasca pentru Educatie Multidimensionala 15, no. 3 (September 1, 2023): 217–31. http://dx.doi.org/10.18662/rrem/15.3/763.
Повний текст джерелаАнотація:
In the period of postmodern changes, trends for global cooperation and the development of the contemporary standards of university education are focused on the convergence of state higher education layouts in Europe to design an Area for Higher Education in Europe (EHEA), which will mainly strengthen worldwide competitiveness. The principles of university standards system modernization in the postmodern era are not the same but similar in both European and global educational environments. In general, they may be described as the triple-phased process of standardized assessment, combining a triangle of education, research, and innovation. Global cooperation trends and the adoption of common standards in European and world education enable university students and staff at different levels to be mobile without legal or other restrictions within the international community. The university has always been and remains a powerful structure that has survived many historical epochs. Thus, postmodern transformation processes in the university education sector have led to the need to review and reorganize the whole system of standardized assessment of a threefold set of knowledge, based on exploration and alteration, correlated with the conventional and contemporary university function, connected with producing new knowledge, that is not restricted to the national frameworks, but is worldwide, directed on the global cooperation, and development.
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Boylan, Amy. "Memory, History and a Mother’s Resistant Mourning in Giuseppe Dessì’s Il disertore." Quaderni d'italianistica 33, no. 2 (February 9, 2013): 133–49. http://dx.doi.org/10.33137/q.i..v33i2.19421.
Повний текст джерелаАнотація:
This essay proposes a re-reading of Giuseppe Dessì’s Il disertore (1961) in the context of collective memory theory and postmodern concerns with mourning and melancholia. Through an examination of the way Dessì represents the interaction between individual memories and official memorialization in the post-WWI period, I argue that Dessì anticipates postmodern perspectives on commemoration. In particular, I look at the protagonist, Mariangela, both as a recuperation of the private and public anti-war activities of many Italian women, and as a melancholic mother whose refusal to obey normative modes of mourning results in a form of resistant mourning. Furthermore, it is precisely through Mariangela’s oppositional gaze that Dessì exposes the inadequacies of her town’s official receptacle of war memories, the monumento ai caduti, in order to interrogate the way collective—but also individual—memory is constructed.
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Koschorke, Albrecht, Michael Thomas, and Sasha Rossman. "Facts Shifting to the Left: From Postmodernism to the Postfactual Age." PMLA/Publications of the Modern Language Association of America 134, no. 5 (October 2019): 1150–56. http://dx.doi.org/10.1632/pmla.2019.134.5.1150.
Повний текст джерелаАнотація:
How postmodern is populism? Is there a hidden legacy of the 1968 manifestos in today's right-wing protest culture? In recent years, questions like these have often been posed in a more or less polemical manner. They should be reconsidered in a more sober, nuanced way. In academia, they are of far more than merely historical interest since unlike the hairstyles, clothing fashions, body culture, and living spaces from the late 1960s, many of the theories from that period are still regarded as contemporary. Above all, this applies to poststructuralism as a collective name for the impulses of what is often called French theory, which have set the tone in the humanities for two generations. However, the problem with the continuing topicality of poststructuralist and postmodern ways of thinking is that many of their elements are becoming virulent under completely changed political circumstances.
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Miller, Gordon L. "The Intervening Touch of Mentality." Process Studies 50, no. 2 (2021): 155–200. http://dx.doi.org/10.5840/process202150210.
Повний текст джерелаАнотація:
Prey-catching behavior (PCB) in frogs and toads has been the focus of intense neuroethological research from the mid-twentieth century to the present and epitomizes some major themes in science and philosophy during this period. It reflects the movement from simple reflexology to more complex views of instinctive behavior, but it also displays a neural reductionism that denies subjectivity and individual agency The present article engages contemporary PCB research but provides a philosophically more promising picture of it based on Whitehead's nonreductionist "philosophy of organism," which proposes that the flow of events from stimulus to response in organisms of all kinds is mediated by "the intervening touch of mentality " This approach resolves some basic mind-body and mind-nature issues that have long bedeviled modern philosophy and presents an image of a postmodern frog for a constructively postmodern science.
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Miller, Gordon L. "The Intervening Touch of Mentality: Food Seeking in Frogs and Whitehead’s Philosophy of Organism." Process Studies 50, no. 2 (October 1, 2021): 155–200. http://dx.doi.org/10.5406/processstudies.50.2.0155.
Повний текст джерелаАнотація:
Abstract Prey-catching behavior (PCB) in frogs and toads has been the focus of intense neuroethological research from the mid-twentieth century to the present and epitomizes some major themes in science and philosophy during this period. It reflects the movement from simple reflexology to more complex views of instinctive behavior, but it also displays a neural reductionism that denies subjectivity and individual agency. The present article engages contemporary PCB research but provides a philosophically more promising picture of it based on Whitehead’s nonreductionist “philosophy of organism,” which proposes that the flow of events from stimulus to response in organisms of all kinds is mediated by “the intervening touch of mentality.” This approach resolves some basic mind-body and mind-nature issues that have long bedeviled modern philosophy and presents an image of a postmodern frog for a constructively postmodern science.