Дисертації з теми "Porto romano"
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Iansig, Massimo. "Le strutture fluviali del porto romano di Aquileia. Implementazione di un sistema informativo geografico per la gestione di dati archeologici, dati laser scanner, profili georadar, analisi stratigrafiche." Doctoral thesis, Università degli studi di Trieste, 2009. http://hdl.handle.net/10077/3140.
Повний текст джерелаThe objective of this Doctoral Thesis was to provide the archaeologists of the École Française de Rome, of CNRS Aix en Provence, and all those who carry out research on the territory of Aquileia with a tool enabling them to organize, store, visualize, share and compare the findings of a multitude of disciplines involved - their common subject being the ancient structures of the Fluvial Port of Aquileia. The study was carried out in the framework of a PICS-project and is based on the most recent findings on Roman Time - Aquileia, yet covering its complete history until the 19th and 20th century. Several institutions, departments and bodies both in Italy and abroad have been consulted for documents and technical support material. The result was an exhaustive collection of documents that was successively re-organised in a SIT-system, which had been created through constant exchange and consultation with the final user - the archaeologist himself. From the very outset the objective was not to create a mere IT application, but rather a tool for the efficient management of archaeological data which may in itself become an instrument for research and lead to new findings. The study ultimately proposes itself as a first step towards a better sharing of information through a common platform and better integration of technical and humanistic disciplines.
XXI Ciclo
1971
Santinon, Ivenise Teresinha Gonzaga. "AS RELAÇÕES DE PODER NAS PASTORAIS DO CATOLICISMO ROMANO PÓS-CONCÍLIO VATICANO II. Um estudo de gênero a partir do trabalho das mulheres na Arquidiocese de Porto Velho-RO." Universidade Metodista de São Paulo, 2009. http://tede.metodista.br/jspui/handle/tede/510.
Повний текст джерелаA preocupação desta pesquisa surge pela necessidade de se estudar a condição das mulheres e a relevância dos seus trabalhos na Igreja Católica e na sociedade atual. Estudar os fatores que possam contribuir ou prejudicar os trabalhos das mulheres se torna de máxima importância para repensar paradigmas pastorais e institucionais discriminatórios, que não são apenas religiosos, mas também culturais. Como no catolicismo romano as ações pastorais são majoritariamente exercidas por mulheres e estas não podem participar da hierarquia religiosa, as nossas pesquisas foram feitas com o intuito de responder a seguinte pergunta: Por que as mulheres insistem em trabalhar na Igreja mesmo sabendo que não poderão participar plenamente dos espaços decisórios? Ficou evidente que não se deva responder a essa pergunta com uma única resposta elaborada por bases teóricas, muito menos por dados apenas quantitativos. O que se pressupõe é a existência de um poder a ser comprovado que é, porém, complexo de ser investigado, considerando-se o emaranhado de relações no qual está inserido. A pesquisa de campo foi realizada na Arquidiocese de Porto Velho-RO e aí percebemos uma dialética: as mulheres, mesmo excluídas de certos trabalhos e proibidas de conquistarem alguns espaços, realizam-se no exercício das suas atividades por conseguirem fazer o necessário para a sobrevivência daquilo que a instituição lhe oferece. Além dos documentos do magistério teológico utilizamos teorias sobre relações de poder, eclesiologia e gênero, principalmente de Elisabeth Schussler Fiorenza e Michael Foucault. Repensar cientificamente essa situação e relançar novas perspectivas diante das atuais circunstâncias eclesiais são partes das intenções deste trabalho, que também tem como objetivo buscar, através da hermenêutica de gênero, dados e fundamentos que ajudem a compreender essa situação, já reconhecida nos documentos oficiais da Igreja, mas ainda praticada de forma discriminatória. Portanto, este estudo propõe-se a: conhecer a Igreja Católica em Porto Velho-RO, tanto nos seus aspectos histórico-religiosos quanto nos sócio-culturais; demonstrar os dados e os levantamentos obtidos no campo; contribuir com os estudos sobre as influências históricas que prejudicaram a presença das mulheres no catolicismo; e repensar cientificamente as relações de poder no catolicismo propondo novos discursos e posturas pastorais. Concluindo apontaremos perspectivas que mostram o real poder das mulheres na Igreja, possibilitando a abertura de novos caminhos para as inter-relações e institucionalizações nas pastorais católicas. Enfim, este trabalho quer contribuir para a garantia da presença das mulheres nas esferas de decisão, tarefa de suma importância não só como direito delas nas instâncias religiosas, mas diante da sociedade como um todo. Por isso, com dados empíricos e bases teóricas objetiva-se com este trabalho possibilitar novas discussões sobre a situação das mulheres e a institucionalização do seu poder vigente e real, mas ainda informal e subjugado na Igreja Católica.(AU)
Campos, Rafael da Costa. "Entre Roma e Capri: o afastamento de Tibério César como ponto de inflexão política durante seu Principado (14-37 d.C.)." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-13112013-112737/.
Повний текст джерелаThe main purpose of this thesis is to assert that the departure of Tiberius Caesar Augustus in 26 AD characterized an important moment of political inflexion in his government (14 - 37 AD). As a legacy, his antecessor Augustus left him a new political system that had constituted as a set of processual experimentations without a definitive consolidation, although had he aggregated republican precedents. Tiberius had to give continuity to this system through a delicated relationship of maintenance of the aristocratic dignity, his antecessors precedents and the accession of the imperial court, the new source of political power in Rome. However, once the autonomy and Senates participation do not longer have the same republican effervescence, the definition of the boundaries of procedure and influence between the Emperor and the senatorial body became more and more complex and conflictuous. To this, it has added the ambience of gossip and sucessory struggles between the Julian-Claudian households, whose network of interests has expanded of the participation of individuals arising from aristocracy, mostly by the dismantlement of the sucessory scheme previously conceived by Augustus due to the successive deaths of the young princes as potential candidates to the supreme power. This conjuncture of political tension has aggravated with Sejanus accession, prefect of the Praetorian Guard, who has exercised an unparalleled influence over Tiberius designs and had finally contributed to his departure of Rome. The island of Capri on the Campanian shore, besides being an agreeable retreat from the political concerns of the Capital, also became the new core of decisory power, a surprising and acrimonious perception to the public opinion of this period. The empire continued to be administrated without the daily presence of the Princeps in Rome, despite his departure has constituted as a filter that started to conditionate the dynamic of interactions between Tiberius, the imperial court and the rest of the aristocracy. Likewise, the emperors absence gave rise to an indiscriminate exploitation of prosecutions for majesty treason (maiestas), a new element to the traditional context of competitiveness that has marked the Senates history, the worsening of the familiar struggles in roman imperial family and the immoderated interference of Sejanus on the path of dynastic succession, in which several aristocracy members were variously positionated whitin this conflict. Sejanus removal does not appeased this mood and his successor Naevius Sutorius Macro continued to influence senators and eques, that in the last years of Tiberius life found themselves divided between the fear to keep supporting or not a distant emperor although he was aware of his command prerrogatives or to support a potential successor, Caligula.
Alves, Francine Oliveira. "Aspectos das relações entre o mosaico e a arquitectura no mundo romano. Iconografia e iconologia do tema da muralha no mosaico romano." Doctoral thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2010. http://hdl.handle.net/10362/6120.
Повний текст джерелаBombico, Sónia Alexandra Rupio. "Economia maritíma da Lusitânia Romana: exportação e circulação de bens alimentares." Doctoral thesis, Universidade de Évora, 2017. http://hdl.handle.net/10174/21051.
Повний текст джерелаRosatti, Elisabetta <1997>. "I porti fluviali d'età romana: un approccio topografico." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/20968.
Повний текст джерелаMoerman, Martine. "Le Port romain des Laurons (Martigues)." Aix-Marseille 1, 1994. http://www.theses.fr/1994AIX10046.
Повний текст джерелаThe roman port of laurons (martigues, bouches-du-rhone) was built under the protection of a rocked creek with three coves. The site was perhaps the property of the roman portuary complex in the gulf of fos, the seaside opening of the city of arles. It was occupied since the third century bc until the seventh century ac. The harbour strucutres comprise dykes and piers in big cut stones, as well as un quay, builded out of the wet in a wood caison, well preserved. Among the wreks, the boot 2 is particularly well know for its architecture, because it preserved its deck, and a element of the rudder. The site id perhaps dilis positio,which is called so in the "itineraire maritime" of antonin. It was at the opening of several fertile plains, where ware builed romans villas and agricultural sites. The principal characteristic of this study is the evidence that a harbour site is a unity through very different elements, harbour strucutres, wrecks, maritime villa, graves, aqueduc, and dump, with a important lot of archaeological artefacts, coming of the whole of the mediterranean basin
Mailleur, Stephanie. "Imagining roman ports : the contribution of iconography to the reconstruction of roman mediterranean portscapes of the impérial period." Thesis, Lyon, 2020. http://www.theses.fr/2020LYSE2049.
Повний текст джерелаUnder the Roman Empire, harbours played an important role for the image of the city. They were more than utilitarian constructions. The buildings and monuments were organised within the space of the port in a programmatic way that made up a genuine urban landscape that I have described as a “portscape”. This term, derived from Zanker’s townscape concept, is understood as the urban aspect, layout and design of Roman ports but also as the lived environment with its societies reflected by its cultural characteristics. Despite recent excavations conducted at Roman ports, our knowledge of portscapes under the Roman Empire is very unclear and the reality of port monuments remains poorly understood. Most known ancient Mediterranean ports are not well preserved, and often only preserved archaeologically at the level of their foundations. Whilearchaeologists are able to reconstruct a plan, understanding ports three dimensionally is at best a challenge. What did Roman ports really look like?Due to the lack of ancient sources relating to Roman ports, using iconography could be useful. This research aims to demonstrate that port depictions, quite abundant during the Imperial period and decorating various type of artistic media (coins, ceramics, mosaics, paintings, gemstones etc.), can make an important contribution for learning more about ports as they are the only source of information that allows us to understand volumetrically, the architecture of portsthat no longer survives archaeologically.Through this work, I will see how the pictorial genre of maritime landscape emerged during the Augustan period as well as the process of its diffusion, reception and standardisation in art during the Imperial period. I will also address the issue of the contexts in which port-themed decoration has been found. I will focus on the main characteristics of portscapes by means of a linguistic approach that distinguishes the different messages conveyed by images according to their contexts (domestic, funeral, politics, etc.).By means of three specific case studies, I will demonstrate how it is possible to deal with the iconographic and epigraphic evidence in order to better understand the components of Roman portscapes. Case-study 1 focuses on the weighing control systems (sacomaria). Case-study 2 studies the single monuments that decorated the portscape, such as freestanding column monuments and honorific arches. Case-study 3 aims to better understand cult spaces in portcontexts by using the example of the sanctuaries of Isis.Finally, I will focus on the urban syntax of the portscape through the case-study of the port of Leptis Magna. Enquiry will ascertain the extent to which the urban programme of its portscape corresponded to a standard design in reality and in iconography
Girard, André. "Port-Alfred Plaza : roman ; suivi de Port-Alfred evermore : déambuler dans la ville portuaire." Thesis, Université Laval, 2008. http://www.theses.ulaval.ca/2008/25594/25594.pdf.
Повний текст джерелаTerrado, Ortuño Patricia. "Portus Tarraconis. El puerto de Tarraco en época tardorrepublicana y altoimperial. Fuentes, historiografía y arqueología." Doctoral thesis, Universitat Rovira i Virgili, 2018. http://hdl.handle.net/10803/461947.
Повний текст джерелаEl objeto de esta tesis es presentar un estudio sobre el puerto de Tarraco en época tardorrepublicana y altoimperial desde una visión diacrónica e interdisciplinar que permita observar la evolución del puerto romano y comprender su uso, fisonomía y actividades. La delimitación de este enclave en nuestra investigación se debe a varios factores. Por un lado, los trabajos sobre el puerto romano son fragmentarios y se han realizado desde distintas perspectivas, sin tener en cuenta otras disciplinas que permitan la conjunción de datos. Por otro lado, un factor que a menudo limita el estudio de esta zona es que no se han conservado restos sobre las principales estructuras del puerto romano, como su muelle. Para ello, nuestro tratamiento monográfico permitirá centrar el estudio en la zona concreta del puerto para analizarla en detalle. A pesar de que con anterioridad muchos trabajos han ahondado en esta temática desde diferentes campos de estudio, queda pendiente todavía una puesta al día en conjunto de toda esta información. Por este motivo, nos hemos centrado en el estudio de las fuentes clásicas, la historiografía y la arqueología.
The object of this thesis is to present a study of the port of Tarraco during Late Republican and Early Roman Empire times from a diachronic and interdisciplinary perspective that enables the evolution of the Roman port to be observed and its use, physiognomy and activities to be understood. Our research into this enclave has been limited by several factors. On the one hand, studies of the Roman port are fragmentary and have been carried out from different perspectives, without taking into account other disciplines that allow data to be combined. On the other hand, no remains of the main structures of the Roman port, such as its harbour wall, have been preserved. For this reason, our monographic approach will enable us to focus the study on the specific area of the port in order to analyse it in detail. In spite of the fact that many works have already delved into this subject from different fields of study, what still remains outstanding is an overall updating of all of this information. Because of this, we have focused on the study of classical sources, historiography and archaeology.
De, Gaetano Elizabeth. "Reconstructing Pozzuoli : textual and visual reconstructions of a Roman port town." Thesis, University of Southampton, 2013. https://eprints.soton.ac.uk/380680/.
Повний текст джерелаHERNANDEZ, DAVID RAY. "STUDIES IN ROMAN REPUBLICAN TOPOGRAPHY: THE SERVIAN WALL AND THE PORTA TRIUMPHALIS." University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1077839141.
Повний текст джерелаHernandez, David Ray. "Studies in roman republican topography The Servian Wall and the Porta Triumphalis /." [S.l. : s.n.], 2004. http://www.ohiolink.edu/etd/view.cgi?ucin1077839141.
Повний текст джерелаRice, Candace Michele. "Port economies and maritime trade in the Roman Mediterranean, 166 BC to AD 300." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:28fd607b-153c-4567-9302-511df590f6e6.
Повний текст джерелаTillier, Margaux. "Economie végétale et échanges en Méditerranée romaine (1er s. av. n.è. – 5ème s. de n.è.) : étude carpologique de contextes portuaires." Thesis, Montpellier 3, 2019. http://www.theses.fr/2019MON30019.
Повний текст джерелаCultural and economic changes occurred during the Roman period, already started during the Iron Age due to Mediterranean contacts. This archaeobotanical research (archaeological seeds and fruits) aims to characterize plant economy of Roman populations. Harbours, as an interface between the Mediterranean Sea and the hinterland, are an interesting research subject to approach the dynamics of the circulation of food products and introduction of new plants. This work is based on the carpological study of new samples from 14 archaeological sites - harbours and coastal productive villae - located along the Lion Gulf and Adriatic Sea. They deliver an abundant macro remains material, mostly waterlogged. It allows registering a wider spectrum of economic plants (both cultivated and wild) providing new insights into diet, plant processing activities, local cultivation and trade. We establish a first carpological synthesis of published and new data, on economic plants from Mediterranean area. The most frequently recorded taxa are cereals, grapevine, fig tree, olive tree, stone pine and walnut tree. In north-western and central Mediterranean, some plants are just consumed and others locally introduced and grown during Roman times, such as peach tree, melon/cucumber, coriander, bottle gourd and rye. We observe no clear differences in the food access between harbours and their hinterland, and between urban areas and productive villae. Homogeneity of dietary practices and crop production seems to be link to the united power and the global economy of the Roman Empire, with a large and efficient sea trade. Exotic goods - date, jujube and sebesten fruits - seem to be reserve to privileged social classes of urban or suburban areas. Paleocontent analysis of jars gives new insights on food preparations, such as conserves of olives, which matches sometimes the ancient sources. Ornemental plants also contribute symbolically to the diffusion of Roman values. The morphometric analyses carried out on pips of Vitis vinifera and stones of Olea europaea show wide spectra of forms for both species. These morphotypes, cultivated and others close to the wild forms, were both cultivated and used for wine making, for oil making and for table grapes and olives
Pereira, Alessandro Alberto Atanes. "História e literatura no porto de Santos: o romance de identidade portuária \'Navios Iluminados\'." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-30092008-145514/.
Повний текст джерелаThis study contributes to the history of the city and the port of Santos (SP, Brazil) by using literature as a historical document. To do so, it researched the conditions in which the novel Shinning ships (Navios Iluminados, 1937) was written, highlighted the book among other fictions that have the port of Santos as a theme, and finally interpreted the historical contents of the novel by Ranulpho Prata, comparing them to other documentary sources. The conclusion suggests a new role of this work of art in Brazilian literary history.
Hernandez, David R. "Excavations of the Roman Forum at Butrint (2004-2007): The Archaeology of a Hellenistic and Roman Port in Epirus." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1273862873.
Повний текст джерелаLadds, Bryan. "Persians, Ports, and Pepper: The Red Sea Trade in Late Antiquity." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/32863.
Повний текст джерелаVollstedt, Barbara. "Ovids "Metamorphoses", "Tristia" und "Epistulae ex Ponto" in Christoph Ransmayrs Roman "Die letzte Welt." Paderborn ; Müchen ; Wien [etc.] : F. Schöningh, 1998. http://catalogue.bnf.fr/ark:/12148/cb38998125f.
Повний текст джерелаCorreia, Joaquim José Oliveira. "Análise da estrutura urbana da cidade do Porto a partir de quatro obras literárias." Master's thesis, [s.n.], 2012. http://hdl.handle.net/10284/3285.
Повний текст джерелаA arquitetura é multidisciplinar, sendo o sentido da sua interpretação um exercício de relação entre várias sensibilidades. A pintura, o desenho, a filosofia, a antropologia, a sociologia, a ciência e muitas outras matérias, são o conjunto dessa multidisciplinaridade. Dentro desse conjunto o trabalho concentra-se em quatro obras literárias, obras que não foram especialmente direcionadas para a arquitetura, mas sim, quatro romances de quatro autores diferentes. (…) Podemos imaginar que textos normalmente considerados às margens do domínio arquitetónico, ou mesmo exteriores a este, possam ser “arquitetonicamente” pensados, isto é, possam ser lidos como se contempla uma obra de arquitetura. Essa asserção pode parecer, inicialmente, desenvolta, e podemos mesmo afirmar que lhe faltam fundamentos. Como ler “A Metafísica de Aristóteles da maneira como foi sugerido, isto é, “Arquitetonicamente”? E, além disso, o que é uma leitura “arquitetónica”? (Lima, 2008, p. 12) O trabalho não pretende responder a “uma leitura “arquitetónica”. Pretende-se, sim, atingir uma reflexão em que se possa encontrar na literatura um método de interpretação e desenvolvimento sensorial em relação à Disciplina. Pretende-se então, através das referências deixadas pelo escritor nas suas obras literárias e através das narrações feitas pelas personagens, encontrar opções, movimentos e registos de um espaço urbano referente à cidade do Porto (local em que se concentra o estudo), ao longo de várias épocas. A necessidade de entender a literatura como uma ferramenta de estudo necessita de ponderação. Assim, no início do trabalho procede-se a várias reflexões com o objetivo de entender e justificar os critérios que levaram à seleção das quatro obras, as quais servirão como análise ao estudo da cidade do Porto. No período de análise das obras literárias, Sec. XIV, Sec. XIX e Sec. XX, serão considerados dois métodos de interpretação distintos, mas dependentes um do outro; um método quantitativo e um outro interpretativo, que em conjunto irão definir uma conclusão mais equilibrada. São utilizados gráficos e mapas da época que nos ajudaram a perceber de que forma o autor, através das suas personagens e narrações, nos transmite uma cidade em movimento, uma cidade de preferências, as quais fazem transparecer um quotidiano referente à época em que a obra foi escrita e enquadrada. Numa fase já conclusiva, inicia-se refletindo-se sobre os métodos utilizados na análise das obras. Reflete-se sobre esta passagem do verdadeiro sentido para qual as obras literárias tinham sido originalmente criadas, para a sua interpretação como matéria arquitetónica. Avaliam-se os resultados analisados da estrutura urbana da cidade referentes às quatro épocas a decorrer nas obras estudadas. Como essa estrutura se encontrava no passado, como se desenvolveu até ao presente e que perfectivas nos trás para o futuro. Finaliza-se refletindo sobre o uso da obra literária no estudo. Sobre a sua importância na matéria urbana e sobre a sua importância na arquitetura enquanto reflecção ao enriquecimento sensorial da disciplina. The architecture is multidisciplinary, and the sense of interpreting an exercise inrelationship between various sensitivities. A painting, drawing, philosophy, anthropology, sociology, advocacy, science and many other matters, are the set of multidisciplinarity. Within this group's work focuses on four literary works, works that were not specificallydirected to the architecture, but four novels belonging to four different authors. (…) Podemos imaginar que textos normalmente considerados às margens do domínio arquitetónico, ou mesmo exteriores a este, possam ser “arquitetonicamente” pensados, isto é, possam ser lidos como se contempla uma obra de arquitetura. Essa asserção pode parecer, inicialmente, desenvolta, e podemos mesmo afirmar que lhe faltam fundamentos. Como ler “A Metafísica de Aristóteles da maneira como foi sugerido, isto é, “Arquitetonicamente”? E, além disso, o que é uma leitura “arquitetónica”? (Lima, 2008, p. 12): The work does not intend to respond to "reading" architectural ". The aim is rather to achieve a reflection that can be found in the literature a method of interpretation and sensory development in relation to discipline. The aim is then, through references left by the writer in his literary works and through the narrations made by the characters, find options, movements and records relating to an urban city of Porto (where it focuses the study), along several times. The need to understand literature as a study tool requires consideration. At the beginning of the work proceeds to multiple reflections in order to understand and justify the criteria that led to the selection of four works, which will serve as analysis to study the city of Porto. During the period of literary works, Section XIV, XIX and XX Century Section, shall be considered two distinct methods of interpretation, but dependent on each other,a quantitative method and another interpretation, which together will define a more complete balanced. They are used charts and maps of the time which helped us to understand how the author, through his characters and stories in a city moving forward, a city of preferences, which make everyday a shine on the time when the work was written and framed. Late in conclusive, starts reflecting on the methods used in the analysis of the works. Reflects on the true meaning of this passage to which literary works were originally created for its interpretation as a matter of architecture. Evaluate the results analyzed the structure of the town regarding the course four times in the works studied. Because this structure was in the past, as developed to date and that perfectivas brings us to the future. It ends up reflecting on the use of literary work in the study.About its importance in the urban area and on their importance in architecture while enriching sensory reflection of the discipline.
Tremblay, Roseline. "Le poète et le porte-parole : sociogramme de l'écrivain dans le roman québécois (1960-1995)." Paris 8, 1999. http://www.theses.fr/1999PA081596.
Повний текст джерелаBatista-Lemaire, Olivier. "Typologie du roman des caraïbes de langue espagnole (Cuba, Porto-Rico, République Dominicaine, Vénézuéla) : 1900-1950 : essai de sociosémistique romanesque." Paris, EHESS, 1992. http://www.theses.fr/1992EHES0301.
Повний текст джерелаThe novelistic production in the spanish-speaking region of the caribbean is very heterogeneous and relatively abundant. Therefore we have divided this production in different types, first of all in a semiotic optic (actantial composition, axiologic values, thematic configurations) and then by inserting these novel-cultures in the intellectual and economic evolution of the four analysed countries. Considering the heterogeneous aspect of this approach, we insisted on a theoretical clarification in an introductory chapter. Three types result of our analysis: 1 - the novel on ethical-cognotive facts 2 - the novel of the charismatic anti-hero 3 - the novel of nationalist humanism
Behan, Thomas. "The Italian Communist Party and industrial workers in the Porta Romana area of Milan, 1943-1948." Thesis, University of Reading, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.293554.
Повний текст джерелаHeinzelmann, Michael Martin Archer Coletti Caterina. "Die Nekropolen von Ostia : Untersuchungen zu den Gräberstraßen vor der Porta Romana und an der Via Laurentina /." München : F. Pfeil, 2000. http://catalogue.bnf.fr/ark:/12148/cb38899561g.
Повний текст джерелаGarcia, Casacuberta Nuria. "LIMENES : the terminology of the Mediterranean ports of the Roman Empire as documented in the literary sources." Thesis, University of Southampton, 2018. https://eprints.soton.ac.uk/425277/.
Повний текст джерелаMarsden, Peter R. V. "Shipping and the port of London, from Roman times to the 13th century : some archaeological evidence." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.316832.
Повний текст джерелаBarriere, Vivien. "Les portes de l'enceinte antique d'Autun et leurs modèles (Gaule, Italie, provinces occidentales de l'Empire romain)." Thesis, Dijon, 2012. http://www.theses.fr/2012DIJOL042/document.
Повний текст джерелаAugustodunum, civitas Aeduorum, roman city founded under the reign of Augustus, was equipped with four roman city gates : the gate of Arroux and the gate of Saint André, both well preserved, the gate of Saint Andoche which sole remaining part is a flanking tower, and the gate of Rome, destroyed long ago.The heart of this study lies in the stratigraphic reading of those gates structure and in thoughts about the building site of Autun’s city gates operating process. Moreover, since the 16th century, antiquaries, travelers and artists have described in many ways their visits to the roman city gates of Autun. These accounts constitute a major documentary collection of written and iconographical sources that had never been studied as a whole before. A classification of written sources was necessary in order to understand the borrowings from previous works. A similar work of critical study has been realized for the iconographical representations of the gates. As an essential complement of the stratigraphic reading of remaining elevations of the gates, the ancient archeological documentation study was indispensable to propose a restoration hypothesis of Augustodunum’s city gates long term history from their construction time to nowadays. The last section of this study aims to locate Autun’s city gates in the series of monumental city gates built in Western Roman Empire between the 2nd century BC and the 2nd century AD. Furthermore, that section presents new propositions for the restoration of the architectural project, of the gates plan and of the inner organization of these gates flanking towers
Adorno, Camilo Tellaroli [UNESP]. "A ironia no romance quase memória de Carlos Heitor Cony." Universidade Estadual Paulista (UNESP), 2006. http://hdl.handle.net/11449/99143.
Повний текст джерелаCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Esta dissertação procura analisar o romance Quase memória, de Carlos Heitor Cony, com base em alguns tipos de ironia considerados relevantes para a compreensão da narrativa, bem como o modo como ela é utilizada pelo autor e qual a função desempenhada ao longo do texto, especialmente na relação entre as personagens principais da narrativa. Para tanto, faz-se, primeiramente, um levantamento acerca da ironia, levando-se em conta os tipos mais relevantes para a compreensão da narrativa: ironia socrática, ironia romântica, ironia como figura de retórica capaz de tornar ambíguo um determinado discurso, ironia e humor (especialmente sua capacidade de desmistificar uma situação ou pessoa) e o modo bastante acentuado da ironia nas relações entre os homens - característica bastante marcante no romance Quase memória. Essas características da ironia são utilizadas na análise dos elementos principais do romance - foco narrativo, personagens, empo, memória e a idéia de duplo presente no texto. Além disso, tenta-se, contribuir, de alguma forma ao estudo da obra de Carlos Heitor Cony, ainda insuficientemente trabalhada nos meios acadêmicos.
The aim of this paper is to analyze Carlos Heitor Cony's novel Quase memória. In order to gain access to this particular narrative and its variety of meanings different concepts of irony, as it has been defined along literatyhistory, have been outlined and employed - ranging from the so-called Socratic irony to Romantic irony, as well as to irony as a narrative device aimed at producing ambiguity. How irony is employed by the author and the important relo it plays throughout the book, particular with regards to characterization, point of view and memory, are therefore the main concerns of this study, whose purpose it is furthermore to contribute to the still insufficient number of literary studies dedicated to the novels of Carlos Heitor Cony.
Rizzo, Chiara <1995>. "Proposta di traduzione del romanzo breve “La Porta dell'Inferno: Oscurità Terminale” di Bao Shu: Distruzione e ricostruzione nella fantascienza distopica." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17082.
Повний текст джерелаAdorno, Camilo Tellaroli. "A ironia no romance quase memória de Carlos Heitor Cony /." Araraquara : [s.n.], 2006. http://hdl.handle.net/11449/99143.
Повний текст джерелаBanca: Roberto de Oliveira Brandão
Banca: Karin Volobuef
Resumo: Esta dissertação procura analisar o romance Quase memória, de Carlos Heitor Cony, com base em alguns tipos de ironia considerados relevantes para a compreensão da narrativa, bem como o modo como ela é utilizada pelo autor e qual a função desempenhada ao longo do texto, especialmente na relação entre as personagens principais da narrativa. Para tanto, faz-se, primeiramente, um levantamento acerca da ironia, levando-se em conta os tipos mais relevantes para a compreensão da narrativa: ironia socrática, ironia romântica, ironia como figura de retórica capaz de tornar ambíguo um determinado discurso, ironia e humor (especialmente sua capacidade de desmistificar uma situação ou pessoa) e o modo bastante acentuado da ironia nas relações entre os homens - característica bastante marcante no romance Quase memória. Essas características da ironia são utilizadas na análise dos elementos principais do romance - foco narrativo, personagens, empo, memória e a idéia de duplo presente no texto. Além disso, tenta-se, contribuir, de alguma forma ao estudo da obra de Carlos Heitor Cony, ainda insuficientemente trabalhada nos meios acadêmicos.
Abstract: The aim of this paper is to analyze Carlos Heitor Cony's novel Quase memória. In order to gain access to this particular narrative and its variety of meanings different concepts of irony, as it has been defined along literatyhistory, have been outlined and employed - ranging from the so-called Socratic irony to Romantic irony, as well as to irony as a narrative device aimed at producing ambiguity. How irony is employed by the author and the important relo it plays throughout the book, particular with regards to characterization, point of view and memory, are therefore the main concerns of this study, whose purpose it is furthermore to contribute to the still insufficient number of literary studies dedicated to the novels of Carlos Heitor Cony.
Mestre
Delacroix, Barbara. "De brignatium à gesoriacum : les amers, les navires et les ports en mare externum sous l'empire Romain." Thesis, Lille 3, 2016. http://www.theses.fr/2016LIL30044.
Повний текст джерелаNavigation in the Atlantic arc – enlarged to the English Channel and the North Sea – in Roman period, is a vast topic that, too often, still suffers from the sceptical opinion of researchers obsessed with the Mediterranean. It has been necessary to unravel the myth of the impassable Ocean, by means of a deep study of the mutually dependent elements forming the maritime and fluvial navigation and driving force of the Atlantic arc economy: the landmark, the vessel and the harbour. Moreover, the study of the organization of the Atlantic trade through the maritime and fluvial routes, from A Coruña to Boulogne-sur-Mer, have result in the establishment of a three-party ‘Atlantic’ typology
Santos, Joelice Barbosa dos. "Entre o porão e o lustre: a relação personagem e espaço no romance O lustre, de Clarice Lispector." Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/14845.
Повний текст джерелаSecretaria da Educação do Estado de São Paulo
The central object of this research is the analysis of the novel O Lustre, by Clarice Lispector. Some theoretical reflections about the modern novel, as well as the criticism about this book, helped us in this study. Therefore, the present work does not base itself only in the theoretical discussion, but in the critical voice too, which did not recognize this literary work of 1946 as criticism did with the others novels by this author. The observations about the Aesthetics of Reception, proposed by Hans Robert Jauss, served to draw up the way in which the horizon of expectations about this novel developed. From this approach, we can observed that the question about the convention of the genres in the Lispector s work was a key factor that bothered many critics. Actually, this book does not follow the straight rules of the traditional novel. In this novel, the character stands out in the process of construction and the relations with the space. For this, it is transforming according to the place where it is. Gaston Bachelard s concepts were the base to analyze the space in this novel. The central attention about the question of space was based in the discussions that appear in his book The Poetics of the Space. The importance of the O Lustre in Lispector s work is also noted in the quotations from the other authors which appear in this narrative, as Edgar Allan Poe. Moreover, this book presents various relations with other arts. The present research wishes to contribute with the studies about Lispector s work. Especially with a novel considered minor in the Brazilian writer s production
O objetivo principal desta pesquisa é a análise do romance O lustre, de Clarice Lispector. Diversas reflexões teóricas acerca do romance moderno, assim como a fortuna crítica sobre este livro, nos auxiliaram neste estudo. Portanto, nosso trabalho não se pauta apenas na discussão teórica, mas na voz da crítica que, de certo modo, não valorizou o volume de 1946 do mesmo modo que julgou os demais romances da escritora. As considerações sobre a recepção crítica, propostas por Hans Robert Jauss, serviram para traçarmos uma linha evolutiva do horizonte de expectativas do leitor de O lustre. A partir dessa abordagem, verificamos que a questão sobre a convenção dos gêneros na obra de Lispector foi um fator que incomodou grande parte dos críticos, uma vez que esse livro não obedece a regras rígidas. Nesse romance, a personagem ganha destaque no processo de construção e nas relações com o espaço que se mostram necessárias à medida que ela se transforma e se constrói a partir do lugar em que se encontra. As idéias de Gaston Bachelard foram relevantes na análise do espaço, pois o recorte foi baseado nas discussões presentes em seu livro A poética do espaço. A importância de O lustre dentro da obra clariceana se mostra ainda no que diz respeito às referências a outros autores presentes nessa narrativa, como Edgar Allan Poe, bem como o diálogo com outras artes, conforme observamos. Em suma, esta pesquisa quer contribuir com os estudos que abordam a obra de Clarice Lispector a partir de um romance considerado menor na produção da escritora brasileira
Vieira, Cristina Maria da Costa. "Viagem pelo universo feminino de A Esmeralda Partida de Fernando Campos : o romance histórico como ponto de fuga." Master's thesis, Porto : [Edição do Autor], 2000. http://hdl.handle.net/10216/18437.
Повний текст джерелаVieira, Cristina Maria da Costa. "Viagem pelo universo feminino de A Esmeralda Partida de Fernando Campos : o romance histórico como ponto de fuga." Dissertação, Porto : [Edição do Autor], 2000. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000102350.
Повний текст джерелаAlmeida, Londina da Cunha Pereira de. "Do romance ao filme: um olhar sobre crônica da casa assassinada." Universidade Presbiteriana Mackenzie, 2016. http://tede.mackenzie.br/jspui/handle/tede/3020.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
The objective of this thesis is to analyze how the narrative instances of point of view and space compete to create the intimate aura of the novel Crônica da casa assassinada (1959), by Lúcio Cardoso. Using the theory of Jean Pouillon, in O tempo no romance (1974), on the point of view, we try to understand the subjective effects drawn from multiple perspectives looking, combined with the intimate writings of the ten characters-narrators of the text. The variety of versions upon the protagonist of the narration helps to make her indecipherable to our eyes, and leads us to suspect of what some narrators say driven by a jumble of feelings. We also found the space to which these characters-narrators are confined, for being isolated and tedious, contributes to the consolidation of their distress and interpersonal conflicts that settle among them. Moreover, this space is seen in a perspective away, so it expresses the personal impression that each of them has of Chácara dos Meneses. To support our analysis of space, we use essentially the study by Osman Lins, in Lima Barreto e o espaço romanesco (1976), Michel Foucault, in “Outros espaços” (2009) and Gaston Bachelard, in Poéticas do Espaço (2008), because they evaluate subjectively the relation character versus space. The last chapter provides a study of the same narrative instances in the adaptation of the novel to cinema, in the production by Paulo Cesar Saraceni, A casa assassinada (1971). In this chapter we use a more sociological approach to the adaptation process, not focusing exclusively on the aesthetic elements of the text. Whereas the adaptation is not only the product, as a process that sees the film as artistic representation as well as socio-cultural, our analyses are supported by the studies of Linda Hutcheon in Uma teoria da adaptação (2011). Despite the broad possibilities of modifications that adaptation offers, the filmmaker chose to keep the main aspects of the text, which led us to assess how sued the narrative focus and space in the filmic texture.
O objetivo desta tese é analisar como as instâncias narrativas do ponto de vista e do espaço concorrem para criar a aura intimista do romance Crônica da casa assassinada (1959), de Lúcio Cardoso. Utilizando a teoria de Jean Pouillon, em O tempo no romance (1974), sobre o ponto de vista, procuramos compreender os efeitos subjetivos extraídos das perspectivas múltiplas do olhar, associadas às escritas íntimas das dez personagens-narradoras do texto. As variedades de versões sobre a protagonista da diegese contribui para torná-la indecifrável aos nossos olhos, assim como nos levam a desconfiar do que dizem alguns narradores movidos por uma desordem de sentimentos. Também constatamos que o espaço a que estão confinadas essas personagens-narradoras, por ser isolado e fastidioso, contribui para o adensamento de suas angústias e dos conflitos interpessoais que se instalam entre elas. Além disso, esse espaço é visto de modo perspectívico, logo expressa a impressão pessoal que cada uma delas têm da Chácara dos Meneses. Para fundamentar nossa análise do espaço, usamos, essencialmente, os estudos de Osman Lins, em Lima Barreto e o espaço romanesco (1976), de Michel Foucault, em “Outros espaços” (2009) e de Gaston Bachelard, em Poéticas do Espaço (2008), por avaliarem a relação personagem versus espaço de forma subjetiva. O último capítulo oferece um estudo das mesmas instâncias narrativas na adaptação feita do romance para o cinema, na produção de Paulo César Saraceni, A casa assassinada (1971). Nesse capítulo utilizamos uma abordagem mais sociológica do processo de adaptação, não focando exclusivamente nos elementos estéticos do texto. Considerando que a adaptação não é só produto, como um processo que vê o filme como representação artística tanto quanto sociocultural, apoiamo-nos nos estudos de Linda Hutcheon, em Uma teoria da adaptação (2011), para nossas análises. Apesar das amplas possibilidades de modificações que uma adaptação oferece, o cineasta optou por manter os aspectos principais do texto, o que nos levou a avaliar como se processaram o foco narrativo e o espaço na tessitura fílmica.
Kotarba-Morley, Anna Maria. "The Port of Berenike Troglodytica on the Red Sea : a landscape-based approach to the study of its harbour and its role in Indo-Mediterranean trade." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:dc80167b-8b1e-499d-9b7c-038e10b2e782.
Повний текст джерелаGinalis, Alkiviadis. "Byzantine ports : Central Greece as a link between the Mediterranean and the Black Sea." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:06056474-143b-4547-b7eb-3bf635994295.
Повний текст джерелаDiallo, Jean-Paul. "Le peuplement des ports de l'afrique du nord sous l'empire romain de 27 avant jc a 395 apres jc." Paris 4, 1986. http://www.theses.fr/1986PA040166.
Повний текст джерелаStudy of the differents groups of populations in the ports of the north africa under the roman empire from 27 before j. C. To 395 after j. C. We observe also the migrations of these populations, their place in the exchanges and the municipal evolution of the towns in the purpose of a differential study
Sales, Willame Santos de. "Dialogiza??o de vozes: o fio construtor do estilo de Jos? Bezerra Gomes no romance A porta e o vento." Universidade Federal do Rio Grande do Norte, 2014. http://repositorio.ufrn.br/handle/123456789/19581.
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A presente pesquisa tem por objetivo investigar o processo de constru??o estil?stica na prosa romanesca do escritor norte-rio-grandense Jos? Bezerra Gomes, tomando, como corpus, o romance A porta e o vento. Os fundamentos te?ricos sobre os quais se assenta esta empresa est?o relacionados ?s ideias difundidas pelo chamado C?rculo de Bakhtin, especialmente, as no??es de linguagem dial?gica, palavra liter?ria, enunciado concreto, vozes sociais e estilo/estil?stica sociol?gica. Quanto ? orienta??o metodol?gica, o trabalho caracteriza-se por adotar o paradigma interpretativista de base s?cio-hist?rica, situando-se, ainda, no grande campo da Lingu?stica Aplicada, ?rea de investiga??o indisciplinar e fronteiri?a cujo foco primordial ? a linguagem concretamente situada. A an?lise dos discursos presentes na obra A porta e o vento possibilitou-me escutar diversas vozes sociais ali encarnadas, enxergar diversas formas de di?logo, in?meras vis?es de mundo em embate constante que, em raz?o do gerenciamento e do acabamento dados pelo autor, acabam por conferir-lhe um tom, um estilo peculiar frente aos demais discursos e estilos circulantes em seu meio. Os embates ideol?gicos s?o evidentes: voz da tradi??o versus voz particular do personagem Santos, no que respeita ? institui??o do casamento; confronto entre imagens de sert?o antag?nicas ? um sert?o vivo (rico e diverso) em contraposi??o ? no??o estereotipada de sert?o (pobre e est?ril); e A porta e o vento como met?fora de uma arena de combate e ind?cio de uma poetiza??o da linguagem da prosa. A caracter?stica principal do estilo bezerriano, em A porta e o vento, est? relacionada aos modos de dialogiza??o das aludidas vozes presentes no romance. Nesse sentido, tem-se, com frequ?ncia, o uso de pol?micas veladas, r?plicas dial?gicas e di?logos velados, que s?o categorias j? discutidas na teoria bakhtiniana, mas tamb?m outros modos de dialogiza??o novos, alicer?ados na din?mica da linguagem viva e concreta
This research aims to investigate the process of stylistic construction in novelistic prose of Northeastern Brazilian writter Jos? Bezerra Gomes, taking as a corpus his novel called A porta e o vento. The theoretical foundations supporting this study are related to the ideas disseminated by a group of linguistic researchers known as Bakhtin Circle, especially the notions of dialogic language, literary word, concrete utterance, social voices, and sociological style/stylistic. Concerning to methodological guidance, this work is characterized by adopting the interpretive paradigm of socio-historical background, still situated in the great field of Applied Linguistics, an undisciplinary area of research and frontier whose primary focus is concrete and situated language. The analysis allowed me to hear several social voices embodied therein, realizing a variety of dialogs, numerous worldviews in constant struggle, that due to the management and the finish given by the author, eventually create a tone, a unique composition compared to other discourses and current styles in his midst. Ideological clashes are evident: the voice of tradition versus particular character Santos? voice regarding the institution of marriage; confrontation between antagonistic hinterland pictures - a living hinterland (rich and diverse) as opposed to the stereotypical notion of hinterland (poor and sterile); and the door and the wind as a metaphor of a fighting arena and a hint of poeticization of the language of prose. The main feature of Bezerra?s style in A porta e o vento is related to the aforesaid modes dialogization voices present in the novel. Therefore, one can found veiled polemic, dialogical replicas and veiled dialogues, which are categories already discussed in Bakhtin's theory, but also other new modes dialogization, grounded in the dynamics of living and concrete language
Cabrera-Tejedor, Carlos. "From Hispalis to Ishbiliyya : the ancient port of Seville, from the Roman Empire to the end of the Islamic period (45 BC - AD 1248)." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:c0e09727-74a7-4a0d-8bf0-afdddfdc649b.
Повний текст джерелаHelzle, Martin. "Publii Ovidii Nasonis Epistularum ex Ponto liber IV a commentary on poems 1 to 7 and 16 /." Hildesheim ; New York : Olms, 1989. http://books.google.com/books?id=r45fAAAAMAAJ.
Повний текст джерелаBonfiglioli, Andrea. "Prospettive di sviluppo del trasporto ferroviario delle merci in Emilia - Romagna." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amslaurea.unibo.it/863/.
Повний текст джерелаTerzakis, Philio Generino. "As Ligações Perigosas na literatura e no cinema: ponto de vista e construção de sentidos." Universidade Federal da Paraíba, 2013. http://tede.biblioteca.ufpb.br:8080/handle/tede/6254.
Повний текст джерелаCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This work aims at presenting the results of our research on point of view and the creation of meanings in the novel Dangerous liaisons, by Choderlos de Laclos, and in two of its film adaptations: Dangerous liaisons 1960 (1959), by Roger Vadim, and Dangerous liaisons (1988), by Stephen Frears. Throughout the work, we try to carry out a comparative analysis between the source text and its two hypertexts, focusing on the question of narrative perspective and the meanings this category produces. We started with a discussion of film adaptation of literary works, so as to confirm that the question of fidelity has long been overcome, having been replaced by a rather more coherent and necessary debate that concerning the sociology of adaptation, that is, the context in which the adaptations are materialized. From this point we try to present a concept and a classification of point of view that enabled us to analyze the selected narratives. The constructed theoretical support was used in the investigation of both the novel by Laclos and the adaptations by Vadim and Frears. Our initial hypothesis is that point of view is the most responsible element, in each work, for the elaboration of different meanings of evil. Taking into account the considerable relevance of narratives in our everyday life, we understand the fundamental role of critical analysis of values conveyed by such stories, from which derives the significance of our research. We hope the research transcends the proposed analysis so as also to contribute with further critical readings of narratives that inhabit our everyday life.
Este trabalho tem como objetivo apresentar os resultados da nossa pesquisa sobre o ponto de vista e a criação de sentidos no romance As ligações perigosas, de Choderlos de Laclos, e em duas de suas adaptações fílmicas: Ligações amorosas 1960 (1959), de Roger Vadim, e Ligações perigosas (1988), de Stephen Frears. Nele, tentamos realizar uma análise comparativa entre o hipotexto e seus dois hipertextos, tendo como foco de atenção a questão da perspectiva narrativa e os significados por ela criados. Nosso ponto de partida foi a discussão sobre a adaptação para o cinema de obras literárias, durante a qual procuramos confirmar que a questão da fidelidade de transposição está há muito superada e já foi substituída pelo debate mais coerente e necessário sobre a sociologia da adaptação ou seja, sobre o contexto em que são realizadas as adaptações. A partir daí, procuramos apresentar um conceito e uma classificação da categoria do ponto de vista que nos permitisse realizar a análise das obras narrativas em questão. A base teórica construída foi utilizada na análise do romance de Laclos e das obras de Vadim e de Frears. Partimos da hipótese de que o ponto de vista é o maior responsável pela elaboração, em cada obra, de sentidos diferentes de mal. Levando-se em consideração a importância considerável das narrativas em nossa vida cotidiana, entendemos como é fundamental a análise crítica dos valores transmitidos por essas histórias, de onde a relevância de nossa pesquisa. Esperamos com ela não apenas realizar as análises propostas, mas ainda oferecer uma contribuição para a leitura cada vez mais crítica das narrativas que fazem parte de nosso dia-a-dia.
Duperron, Guillaume. "Arles et Lyon, ports fluviaux de l'Empire romain : le commerce sur l'axe rhodanien du Ier s. av. J.-C. au VIIe s. ap. J.-C." Thesis, Montpellier 3, 2014. http://www.theses.fr/2014MON30041.
Повний текст джерелаThe Rhône-Rhin axis is during the antiquity the theatre of an intense commercial activity, facilitated by a large use of many navigable waterways which that irrigate this vast space. The foundation, shortly after the middle of the 1st c. BC, of the roman colonies of Arles and Lyon, at the both extremities of the Rhone valley, is the prelude to the establishment, at the time of Augustus, of a new economic system, destined to the supply of the armies based at the Germanic limes, which will lead a considerable increase of the commercial traffics. In the following time, during several centuries, these both port urban centers will polarize the long-distance exchanges, as shown particularly by the epigraphic data. More recently, the development of ceramology has allowed a complementary approach to the trade, based on the study of his material remains. This discipline offers the possibility to assess the nature of the exchanged products, their provenances and their relative proportions, just as to clarify the evolutions of these different characteristics in time.In Lyon, the last three decades have been marked by a considerable expansion of the archeological researches, thanks to which an extensive ceramological documentation on the whole roman period is now available. On the other side, in Arles, several important excavations have given these last years some very rich levels of harbor and urban rubbish dumps of which study, conducted within the framework of this thesis, complete considerably the knowledge on the arlesian material features. Moreover, the recent discovery, off the coast of the Saintes-Maries-de-la-Mer, of one of the outer harbour of the city offers an interesting complementary documentation.On the basis of the material data from both big ports of Arles and Lyon, punctually completed by which of them of the others sites of the Rhône valley, it has been possible to make a vast diachronic synthesis on the rhodanian trade, taking into account as well the products transported in amphorae as the ceramic dishes. This large knowledge assessment allows following the developments of the trade on this axis between the 1st century BC and the 7th century AD, but also to identify several persistent gaps and to suggest some research leads
Fontaine, Souen. "Formes, usages et circulation du verre en Méditerranée nord-occidentale entre le Ier siècle av. n.è et le Ier siècle de n.è : L’apport du mobilier des sites littoraux de Narbonnaise orientale." Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM3109.
Повний текст джерелаSporadically distributed in the western Mediterranean at the beginning of the first century BC, crockery and glass containers come in consumption patterns during the augustean decades and become, in less than a century, objects of daily use. The Narbonensis coastline, key point between Mediterranean and continental worlds, early influenced by Hellenistic and Roman culture, is an propitious area for the observation of this unprecedented transformation of the economy of the glass. The study focuses on the analysis of homogeneous assemblages, from dated contexts, allowing a chrono-quantitative approach. The corpus is constituted of batches from 18 sites from eastern Narbonensis (wrecks, harbour levels, domestic, military and funeral contexts). The presence of production unreferenced in usual typologies invites to propose a suitable typo-chronological tool for early Mediterranean contexts. A transversal approach allows defining four major stages in the evolution of production and consumption patterns. If, in the state of knowledge and because of the particularity of the patterns of production of glass, the emergence and development of trade flows are difficult to specify, the abundant assemblages from harbour levels (Arles, Fos, Marseille, Toulon), highlight the preponderance of common consumer products, travelling as goods more than as containers, in the trade of glass products in the western Mediterranean and along the Rhone axis
Earl, Graeme Peter. "Constructed places : Roman architecture and the mind's eye : a thesis on the application of spatial theories and computer visualisation to experience an Egyptian Red Sea port around AD 120." Thesis, University of Southampton, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400502.
Повний текст джерелаCabrero-Ravel, Laurence. "Notre-Dame du Port et la sculpture ornementale des églises romanes d'Auvergne, les chapitaux corinthiens et leurs dérivés : (fin XIe- XIIe siècle)." Besançon, 1996. http://www.theses.fr/1995BESA1042.
Повний текст джерелаMouchard, Jimmy. "Les sites portuaires gallo-romains et médiévaux de l'estuaire de la Seine." Rouen, 2008. http://www.theses.fr/2008ROUEL619.
Повний текст джерелаEstablished thanks to an inventory of manuscript, cartographic, and archeological data, as well as a lot of field work, this geoarcheological synthesis of Gallo-Roman and medieval port sites in the Seine estuary, makes it possible to lay emphasis on a proper typology, which is most adapted to this area. Such a typology reveals various structural , morphological aspects, whose traces are still visible in the present landscape. Through this diachronic study, a tension between man and the river is quite obvious, and this tension is characterized by the judicious selection of the natural sites which are potentially favorable to any port activity. Let us also mention man's attempts at organizing facilities, managing, and mastering this ever-evolving area. Finally, big port complexes were also discovered—according to the period and in strategic fields, they gave rise to commerce and trade in the low Seine valley
Angelo, Anne-Sophie. "Le sens des personnages chez André Gide : (L'Immoraliste, la Porte étroite, Les Caves du Vatican et Les Faux-monnayeurs)." Paris 7, 2014. http://www.theses.fr/2014PA070080.
Повний текст джерелаThis study is based on four works published by Gide between 1902 and 1925, period of time during which Gide's reflexion about the nove) focuses on the character. It analyses the modalities of existence of the characters in each of them, and the way literary characters enable us to perceive and understand the world, and embody particular meanings and ideas. The first part is dedicated to the moral existence of the Gidian character. The concept of caractère (ethos) plays a key rote in Aristotelian philosophy, in 19th century egotism and psychology, and in Gide's creative process. The artist Gide, through what he calls de-personalization, seeks to define the form of his own personality: Gide perceives the identification with his characters as part of an experience. The characters also serves as a way to exemplify ethical points of view and psychological cases. The second part is concerned with the symbolic existence of the characters, which Gide reduces to a small amount of features, and organizes dichotomously: men and women, divine and evil, ability or inability to use language effectively. Such a construction harks back to symbolism, and provokes the reader to build a bridge between particular and general features of these characters. The third part focuses on the temporal existence of the characters whose caractères are revealed as time goes by, and become more defined as they confront other people and different environments. Parallel trajectories, heroic behaviors, and death enable the reader to judge, at a moral level, the evolution of the characters and their responsibility in the fictional world
Carpentras, Fabien. "Le cinéma comme moyen de contestation de l'"idéologie dominante" : vers une relecture du sens accordé à l’utilisation de la technique du plan-séquence dans le cinéma japonais à travers la mise en perspective d’une partie de la trajectoire cinématographique de Sômai Shinji 相米慎二 et de son passé d’activiste politique". Thesis, Lyon 3, 2013. http://www.theses.fr/2013LYO30056.
Повний текст джерелаThe present work, while examining the biographical trajectory of Japanese filmmaker Sômai Shinji from his past in the Japanese New Left to his first movies made in the 80s, is aimed at being a critical study of the significance regarding the use of the technique called “one scene-one shot” generally admitted in the context of Japanese cinema. The one scene-one shot is a method of mise-en-scène considered by several non-Japanese authors, like Noël Burch or Donald Richie, to be “essentially” Japanese because of what they think to be similarities with methods of representation usually found in kabuki theatre and Heian paintings. While we enhance the functions of protest and resistance this technique plays in the aesthetic of Sômai Shinji-who was an activist of the Japanese Fourth International from 1967 to 1971-films, we assess that the argument regarding the one scene-one shot as a method of filming particular to the Japanese sensibility-indeed, an expression of “Japaneseness”-is at best to be reconsidered. Sômai, because of his political past, was a filmmaker constantly struggling with the values of what we call the “dominant ideology”. His work cannot properly be understood unless we put the notions of conflicts and contradictions at the core of our analysis, departing from the traditionally peaceful and homogenous image that certain discourses usually express regarding the Japanese people. Beyond a reexamination of the significance traditionally given to the use of the one scene-one shot in the context of Japanese cinema-to which we associate filmmakers such as Mizoguchi Kenji and Sone Chûsei-, this dissertation questions the images of the nation, expressed through audiovisual means, as a homogenous and fixed community