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1
Groth. "Political Narratives / Narrations of the Political: An Introduction." Narrative Culture 6, no. 1 (2019): 1. http://dx.doi.org/10.13110/narrcult.6.1.0001.
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2
Othman, Sakar Dlshad, and Najm Khalid Alwany. "The Routes and forms of Narrating Political Events in Mardin Ibrahim’s Novels." Halabja University Journal 7, no. 1 (March 30, 2022): 1–17. http://dx.doi.org/10.32410/huj-10401.
Повний текст джерелаАнотація:
This research is entitled (The Routes and forms of Narrating Political Events in Mardin Ibrahim’s Novels). The aim of this research is to discuss the narration techniques, alongside this, the political events bad consequences on the nations’ destiny is highlighted, especially those nations referred to in the novels of our framework. In this research, it is attempted to accurately clarify the narration time trends like rising route, falling route and twisting route, as well as clarifying the narration forms of the political events, like amalgamating and blending form, turn taking form and circular form. According to this research, it is realized that Mardin Ibrahim’s novels have strong and effective construction with reference to the events levels and their narrations. One of the findings of this research is that the falling route is generally used more than the other routes, and amalgamating and blending form is more broadly used than the other forms to enrich the novels.
3
Bietti, Lucas, and Ricardo Medina Audelo. "How History Shapes Memories in Autobiographical Narratives." Social and Education History 1, no. 3 (October 23, 2012): 222–47. http://dx.doi.org/10.4471/hse.2012.15.
Повний текст джерелаАнотація:
This article examines the interaction between the processes of autobiographic memory in relation to the military dictatorship of 1976-1983 in Argentina and the narrations constructed and communicated by these practices. In this context the article goes over the experiences of a former political dissident in 1970s in Argentina and constructs a self-narration which leads to a sense of this life in history. The results of the connection and synchronization of the autobiographical experiences in a much broader social context made them much more meaningful. Thus, these autobiographical narratives also indicate the ways in which significant historical events mold individual subjectivities.
4
Ziółkowski, Jacek. "Wróg w politycznych narracjach antagonizmu manichejskiego." Wrocławskie Studia Politologiczne 22 (October 17, 2017): 92–107. http://dx.doi.org/10.19195/1643-0328.22.7.
Повний текст джерелаАнотація:
Enemy in political narrations of manichaean antagonismThe text is an attempt to draw the reader attention to the importance of mechanisms and potential effects of political narrations of Manichaean antagonism. The author assesses that these type of narrations, particularly when they grow to the status of the official political propaganda, constitute the significant threat to liberal democracy. An axiological antagonism is determining the creation of a state of political war, makes impossible the dialogue and the cooperation between political groups. The rival is taken as the enemy, and political arche is an aspiration to destroy him. Such a scheme is a great challenge for the political pluralism. Antagonistic narrations, especially marked with Gnostic and Manichaean elements most often apply manipulative reductions in complex reality, relying on such public instructions as: low political competence, mistrust, authoritarian and paranoid tendencies.
5
Corsani, Antonella, Christophe Degoutin, François Matheron, and Giovanna Zapperi. "Narrations postcoloniales." Multitudes 29, no. 2 (2007): 15. http://dx.doi.org/10.3917/mult.029.0015.
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6
Colvin, Christopher J. "Ambivalent Narrations: Pursuing the Political through Traumatic Storytelling." PoLAR: Political and Legal Anthropology Review 27, no. 1 (May 2004): 72–89. http://dx.doi.org/10.1525/pol.2004.27.1.72.
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7
Ahmadvand, Fatemeh, Alireza Ashtari Tafreshi, and Ahmad Rabbanikhah. "The Position of Qur’an and Hadith in Islamic Political Thought: The Case Study of Siraj al-Muluk by Abubakr al-Turtushi (D. 520 AH)." International Journal of Multicultural and Multireligious Understanding 9, no. 2 (February 3, 2022): 215. http://dx.doi.org/10.18415/ijmmu.v9i2.3395.
Повний текст джерелаАнотація:
Siraj al-Muluk by Abubakr al-Turtushi, the Faqih of 5th century AH, is one of the most outstanding Islamic works of political thought describing his political theory. A great part of the language of theory in the work is based on the most trustful Islamic text or Qur’an; also Islamic narrations (hadith) have a good position in this language. The authenticity of Qur’an and Hadith, has helped the theory in presenting its ethical – political epistemology, virtual thought, the framework of theoretical and practical ethics, and political strategies to control the society and shaping the frames of government. The methodology of this research is using the approach of Thomas Spragens in understanding Turtushi`s political thought and the position of the concept of language through it. About the versis of Qur’an and the narrations, turtushi`s analytical view has been studied here. This research shows that the structured and selected use of verses and prophetic narrations, is the bases of Turtushi`s work; he has shaped the most part of his theory by the authenticity of verses and narrations. By this war, the practical part of his theory is the political repeat of Qur’an and Hadith which has made the theory an ethical one.
8
Gazerani, Saghi. "Old Garment from a New Tailor: The Reception and Reshaping of Epic Material in Early Medieval Iran." Journal of Persianate Studies 6, no. 1-2 (2013): 178–96. http://dx.doi.org/10.1163/18747167-12341246.
Повний текст джерелаАнотація:
Abstract The corpus of epic material produced in the New Persian language, best known by Ferdowsi’s Shāhnāma, is preoccupied with narrating Iran’s past. In this article, the production milieu of the epic material during post-Conquest Iran is explored. This is undertaken by tracing the sources of the Sistani Cycle of Epics, a body of literature, which recounts the stories of Rostam, his ancestors and his progeny. The discussion of the sources of this body of epics reveals what seems to be an abundant interest in narrating multiple, diverse and contradictory events of Iran’s pre-Islamic past. The existence of a plethora of varying narrations raises several questions such as the impetus for transmission of these varying narratives, and the nature of Iranian historiography.
9
Olivero, Martina. "Tragic Narrative Strategies in Contemporary American Cinema. Eastwood-Penn-Grey (1995-2001)." Panoptikum, no. 19 (June 30, 2018): 43–55. http://dx.doi.org/10.26881/pan.2018.19.03.
Повний текст джерелаАнотація:
Tragedies were performed for the first time in ancient Greece between the sixth and fifth century BC. A century later, Aristotle in the Poetics gave his famous definition of tragedy, transforming it into a narrative genre. Our aim is primarily to introduce and analyse some characteristics of the tragic scheme. Three main elements will be taken into consideration. We will see that at the very heart of the tragic narration there is “something” unrepresentable, unbearable and nameless that Lacan, in the VII seminar on ethics, names Das Ding or La Chose, The Thing. After that, we will consider the representation of an ethical power which disputes the traditional and institutionalised order. Thirdly, the presence of sacred forces will be evoked to contextualise the ancien and contemporary tragic narrations in a mythical, pre-logical, pre-textual framework. However, in order to identify any forms of tragic narratives in the contemporary era, a consideration of the medium itself cannot be avoided, as tragedies were shown and affected large crowds of people and had a substantial political role. Cinema is thus revealed to be the most privileged media device to present modern tragic narrations and their typical aesthetic solutions. In this article, we will discuss three examples of tragic narratives in mainstream American cinema from the last three decades. Works by Sean Penn (The Pledge, 2001), James Grey (Little Odessa, 1995) and Clint Eastwood (Midnight in the garden of good and evil, 1997) will be investigated.
10
Ghulam Mustafa Nukhba. "Exploring the Analytical Approach in Analyzing Prophetic Hadith: Methodologies and Insights from Hadith Critics." Integrated Journal for Research in Arts and Humanities 3, no. 4 (July 11, 2023): 29–37. http://dx.doi.org/10.55544/ijrah.3.4.4.
Повний текст джерелаАнотація:
This study aims to analyze and explain prophetic traditions using an analytical approach. It addresses the problem encountered in the study, and this approach belongs to the methodologies associated with the humanities and social sciences. The researcher followed a descriptive and analytical methodology in conducting this research, utilizing library resources, relying on primary books and relevant scientific articles to crystallize the concept of the analytical approach. This research is one of the few fundamental studies in terms of purpose and methodology. Its data analysis method is qualitative, based on logic and content analysis to observe and analyze the phenomenon by presenting its elements and concepts.
This study revealed that the analytical approach is one of the most important methodologies in Islamic sciences, especially among scholars of prophetic traditions. Therefore, their critical and explanatory work is clearly based on a systematic methodology, particularly the analytical approach they heavily rely on. The methodology of scholars in analyzing narrations includes examining both the chain of narrators and the text. Through an examination of the analysis methodologies of hadith critics, it was found that analysis focuses on two significant aspects: studying the circumstances, behaviors, and beliefs of narrators, and analyzing the content of the narrations to determine the reliability of the narrator.
The analytical approach is one of the methodologies associated with the humanities and social sciences. By this, we mean sciences that rely on rules or frameworks to analyze phenomena, such as religious sciences, linguistic sciences, political sciences, legal sciences, economic sciences, and others. Through an examination of the analysis methodologies of hadith critics, it was found that analysis focuses on two significant aspects: studying the circumstances, behaviors, and beliefs of narrators, as well as examining the methods of reception and performance, where they utilize the experimental analytical approach. Additionally, they consider the uniqueness of a narrator in narrating a specific narration and the deviation of trustworthiness from other trustworthy narrators. Moreover, analyzing the content of the narrations to determine the reliability of the narrator is also undertaken.
11
Sebre, Sandra. "Political and relational: Autobiographical narrations of Latvian women across three generations." Journal of Baltic Studies 36, no. 1 (March 2005): 69–82. http://dx.doi.org/10.1080/01629770400000251.
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12
Gürtler, Konrad, and Manuel Rivera. "New Departures—Or a Spanner in the Works? Exploring Narratives of Impact-Driven Sustainability Research." Sustainability 11, no. 22 (November 19, 2019): 6506. http://dx.doi.org/10.3390/su11226506.
Повний текст джерелаАнотація:
This article analyses the narratives of impact-driven transition research in the field of sustainability studies. It reconstructs patterns of narrations at a discourse level. Departing from the understanding that narrating is a fundamental mode of communication and education, this contribution is ultimately driven by the commitment to understand how narrativity can be improved in order to reach more effective rhetoric for sustainability research. The article starts by describing the dilemma sustainability researchers might find themselves in regarding their position vis-à-vis society and politics. This dilemma seems to shape the narratives researchers use for describing their work. After conceptualizing narratives on a structural level, findings from a comprehensive qualitative interview study are presented and discussed. We find that sustainability researchers can be clustered in five different types, depending on their affinity or distance to real-world sustainability processes, their propensity to either incremental reforms or transformative change and the relationship between environmental and social concerns in the context of the sustainability concept. Furthermore, we find that critical-constructive transformative research encounters challenges when narrating about its position vis-à-vis society and policy-making in the process of formulating goals and working towards them. We identified a tension between leaning stronger either towards independent, critical goal formulation or towards an engagement with actual political processes. Maintaining the ability to change roles between the process-involved and the process-observing sustainability researcher might be a promising way out for those dedicated to workings towards sustainability transitions.
13
Ozturk, Emrah. "MAGIC AND SPELL IN FANTASY: HISTORICAL CONTEXTS OF SUPERNATURAL ELEMENTS IN FANTASY GENRE NARRATIONS." International Journal of Advanced Research 11, no. 11 (November 30, 2023): 874–81. http://dx.doi.org/10.21474/ijar01/17889.
Повний текст джерелаАнотація:
This paper will examine the usage and functions of the magic concept in fantastic narrations with the consideration of importance of supernatural in history.Magic and spell are different versions of supernatural. Theyall represent different structures of society in certain historical periods of humanity. While magic highlights the primitive era of civilizations, spell& occultism became important with the invention of writing. Defining and analyzing the supernatural types will also help to understand power relations, consensus reality and dominant ideology in society. With the acknowledgments of supernatural types in history, paper will make a study of fantastic genre in order to find the link between usage of supernatural in narrations and their political – economicalrelations.Paper will ask the question of does analyzing the supernatural elements in narration help to understand texts discourse? and in the conclusion section it will try to give an answer. As a version of supernatural, magic has a link with matriarchy.Till witch hunt, magic can be accepted as a way of resistance of women against to patriarchy. In this point, paper will investigate of the connection between the usage of magic in fantasy and matriarchal theory.
14
Gusfa, Heni, and Fransiskus Emilus D. Kadjuand. "Political Agonism for Indonesian Cyberpolitic: Critical Cyberculture to Political Campaign of 2019 Indonesian Presidential Election in Twitter." Nyimak: Journal of Communication 4, no. 2 (September 24, 2020): 211. http://dx.doi.org/10.31000/nyimak.v4i2.2685.
Повний текст джерелаАнотація:
In this era of third-generation media, political battles not only occur in the real world but also occur in cyberspace. Various strategies and products of political campaigns using social media have become commonplace in political communication. This happens because along with the disruption of public communication media, conventional campaign ideas and models have also expanded into cyber channels and shaped cyber politics reality. The uniqueness of this research is antagonistic narratives such as hoax, ethnicity, religion, race, intergroup, and provocation in the 2019 Presidential Election political campaign on Twitter from January 1st, 2019 to April 13th, 2019. This research intends to critically analyze the narrative of political campaigns on Twitter using the Agonism Cyber-politic approach. The method used in this research is Multimodal Critical Cyberculture Analysis to analyze the multimodality text (text and image components), Using hashtags to amplificated a political narration, and the antagonism narrations that develops on Twitter by supporting accounts of Jokowi and Prabowo. The results showed that the @jokowi and @prabowo accounts were the accounts with the highest engagement in spreading political campaign narratives on Twitter. The @jokowi account uses optimistic narratives, while @prabowo tends to use pessimistic narratives. Nevertheless, there are so many antagonism narratives like hoax, fake news, propaganda, and politicization of SARA which are specified by anonymous accounts. These antagonistic narratives are more developed in cyber politics discourse on Twitter. The result is horizontal conflict among Indonesian people. The community represented by netizens experienced division and formed two clusters. This fact certainly reduces the meaning of Indonesian democracy which should be substantive to mere procedural. It was found out that the concept of agonistic politics becomes practice of Indonesian democracy, based on the philosophy of the Indonesian nation Keywords: Jokowi, Prabowo, 2019 Presidential Election, political campaign, twitter, cyber politic, Indonesian cyber-democracy ABSTRAKDi era media generasi ketiga sekarang ini, pertarungan politik tidak hanya terjadi di dunia nyata, tetapi juga terjadi di dunia maya. Berbagai strategi dan produk kampanye politik menggunakan media sosial menjadi hal yang lumrah dalam komunikasi politik. Hal ini terjadi karena seiring dengan terganggunya media komunikasi publik, ide dan model kampanye konvensional juga merambah ke saluran siber dan membentuk realitas politik siber. Keunikan dari penelitian ini adalah narasi antagonis seperti hoax, etnisitas, agama, ras, antargolongan, dan provokasi dalam kampanye politik Pilpres 2019 di Twitter dari 1 Januari hingga 13 April 2019. Penelitian ini ingin menganalisis secara kritis narasi kampanye politik di Twitter dengan pendekatan Agonism Cyber-politic. Metode yang digunakan dalam penelitian ini adalah Multimodal Critical Cyberculture Analysis, bertujuan untuk menganalisis teks multimodal (komponen teks dan gambar), penggunaan hashtag untuk memperkuat narasi politik, dan narasi antagonisme yang berkembang di Twitter dengan mendukung akun Jokowi dan Prabowo. Hasil penelitian menunjukkan bahwa akun @jokowi dan @prabowo merupakan akun yang paling banyak terlibat dalam menyebarkan narasi kampanye politik di Twitter. Akun @jokowi menggunakan narasi optimis, sedangkan @prabowo cenderung menggunakan narasi pesimistis. Namun demikian, banyak ditemukan narasi antagonisme, seperti hoax, fake news, propaganda, dan politisasi SARA yang dibocorkan oleh akun anonim. Narasi antagonis ini lebih berkembang dalam wacana politik dunia maya di Twitter. Akibatnya terjadi konflik horizontal dalam kehidupan (politik) masyarakat Indonesia. Komunitas yang diwakili oleh netizen mengalami perpecahan dan membentuk dua kluster. Fakta ini tentu mereduksi makna demokrasi Indonesia yang semestinya substantif menjadi sekadar prosedural. Konsep politik agonistik sendiri sudah menjadi bagian dari praktik demokrasi di Indonesia yang berlandaskan pada falsafah bangsa Indonesia.Kata Kunci: Jokowi, Prabowo, Pilpres 2019, kampanye politik, Twitter, politik siber, demokrasi siber Indonesia
15
Gudehus, Christian. "Germany's Meta-narrative Memory Culture: Skeptical Narratives and Minotaurs." German Politics and Society 26, no. 4 (December 1, 2008): 99–112. http://dx.doi.org/10.3167/gps.2008.260406.
Повний текст джерелаАнотація:
This article is based on the findings of an empirical study that is being conducted in Austria, Poland, and Germany. The material consists of a total of sixty group discussions with families, people of different age groups, as well as individuals dealing professionally with history and memory, including historians, teachers, politicians, journalists, displaced persons, and Jewish communities. Even if there are differences within every country, one clearly can observe dominant country-specific ways of speaking about the past. The German discourse could be described as a meta-narrative. Germans do not speak mainly about the past itself, but rather about how it should or should not be represented. The narrations are highly skeptical and unheroic. By contrast, the Polish discourse is almost devoid of skeptical narratives. Notions such as “historical truth,” “national pride” and “national history” were dominant in the discussions. The article concludes by noting that even though the modes of narrating the past are different in Germany and Poland, its function remains untouched: the past is always a resource for the construction of coherence and meaning.
16
Jobst, Kerstin S. "A Sacral and Mythical Landscape: The Crimea in the East European Context." Prace Filologiczne. Literaturoznawstwo, no. 9(12) cz.1 (July 4, 2019): 11–32. http://dx.doi.org/10.32798/pflit.105.
Повний текст джерелаАнотація:
The Crimean peninsula plays a decisive role as a mythical place both in literature(e.g. by Goethe, Pushkin, Mickiewicz) and in many (pre-)national contexts and narratives: in the early modern period, for instance, the Polish nobility had developed the idea of its Sarmatian ancestry, an ethnos which in antiquity settled in the Black Sea area and the peninsula. German-speaking intellectuals in the 19th century developed an “enthusiasm for the Crimean Goths”.They believed that they had discovered their ancestors in the Gothic Crimean inhabitants, who had been extinct since early modern times. But above all the National Socialists attempted to legitimize their political claims to the peninsula. The mythical and legendary narrations associated with the Crimea in Russian culture, however, were particularly effective: The alleged baptism of Grand Duke Vladimir in Chersones in 988, which is said to have brought Christianity to the Kievan Ruś, plays a central role here, as do the numerous writers who drew inspiration from the Crimea. These narratives were used also by Russian political agents to legitimize the annexation of the Crimea in 2014.
17
Majewski, Piotr. "Cuius regio, eius historia – macedońska historiografia i narracje tożsamościowe w latach 1944–2011." Sprawy Narodowościowe, no. 39 (February 15, 2022): 105–21. http://dx.doi.org/10.11649/sn.2011.024.
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Cuius regio, eius historia – Macedonian Historiography and Identity Narratives, 1944–2011Macedonian historians – by calling upon certain past events perceived as traumatic and mobilizing deep-rooted stereotypes and prejudices against the neighboring countries – sought to manipulate public opinion. It seems that also today many representatives of the Macedonian elite still see the fight for position in the historical culture as a primary aim of their existence in the public sphere. They linked the current political and social situation to the so-called historical traditions and saw Macedonian national identity threatened by Albanian, Bulgarian, Greek, and Serbian nationalists. Past and current events are explained in such a way that they became part of mythological narrations.
18
Thunberg, Sara, and Kjerstin Andersson Bruck. "Young victims’ positioning: Narrations of victimhood and support." International Review of Victimology 26, no. 2 (June 18, 2019): 196–211. http://dx.doi.org/10.1177/0269758019854950.
Повний текст джерелаАнотація:
The present study aims to analyze how young people narratively negotiate their position as victims, how their social surroundings react to their victim positioning and what types of support they are offered. It is argued that those who position themselves as innocent victims receive support, while those who do not position themselves as such are left to fend for themselves. It is concluded that receiving support functions as a way for young victims to keep intact their narratives of who they are; while young people who did not receive support and acceptance for their positioning needed to re-negotiate their narrative to make sense of who they are after the victimization. Thereby, the victimizing event was incorporated into their narrative identity.
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Gyelník, Teodor. "Borders, De-Borderization and Migration Narratives in Hungary." Przegląd Strategiczny, no. 14 (December 29, 2021): 127–43. http://dx.doi.org/10.14746/ps.2021.1.8.
Повний текст джерелаАнотація:
The events and processes of the recent decades drive us to awake from the hypnotic illusion of the ‘end of history’. The ‘return of history’ is not only a necessary step that has to be taken, but it is ontologically inevitable. Blinded by the mobile army of metaphors, metonyms and anthropomorphisms, we need to see that the processes of the 21st century are no different from the old politics which were recorded in history, thus it is unavoidable to think within the ‘dialectics of Old and New’. Globalization, relativization of values, removal of borders and the re-narration of borders in previously unseen areas lead us to an existential zero point. Borders play significant self-determining and self-definition role in our life and society, thus their relocation, reorientation and blurring of their meaning is a question that has to be analysed and closely watched. Together with the narration of borders, the narration of security plays major role. Migration and the question of open, permeable borders have become one of the most important security narrations of our everyday life.
20
Lee, Hye-Min. "Transformation and Reconstruction of Historical Narratives: Analysis of Narrations About Otto II’s Battle in Calabria." Korean Society For German History 50 (August 31, 2022): 111–58. http://dx.doi.org/10.17995/kjgs.2022.8.50.111.
Повний текст джерелаАнотація:
In Sigebert of Gembloux’s Chronica, the record of the year 982 is not a mere compilation of an episcopal biography written by Alpert of Metz, to whom the author refers as his source. In this short chapter, Sigebert not only recounts “the flight and escape of the emperor (die Flucht und Rettung des Kaisers)” during Otto II’s battle in Calabria, but he also implies a political interpretation, as Alpert did before him, by highlighting the anti-Byzantine episode in which Theophano frivolously insults the Ottonian troops.
However, the same historical event of 982 has different implications when specific historical contexts and intentions of two authors’ writings are taken into account: Alpert intended to advocate for the bishop Dietrich of Metz who supported Henry II against the young emperor Otto III and his mother Theophano. On the other hand, Sigebert’s writing can be read under the perspective of the Two Emperors’ Problem (Zweikaiserproblem). Even though the context of the Crusade can also be discerned in this passage, Sigebert presents the principal agents of conflicts as the Ottonians and the Byzantines, assigning the Saracens to a supporting role. Other slight variations are also found in Sigebert’s narration when compared to the text written by Alpert such as in the case of the reason of Otto II’s campaign in Southern Italy, the existence of the Slav “merchant”, and the second flight of Otto II from the Byzantine ship. Sigebert’s writing is not so much a faithful summary of Alpert’s text as it is a meticulous reconstruction of a historical narrative within the framework of his Universal history which seeks to uncover the historical meaning and role of the Medieval German Empire.
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Kushnir, Ostap. "Messianic Narrations in Contemporary Russian Statecraft and Foreign Policy." Central European Journal of International and Security Studies 13, no. 1 (March 22, 2019): 37–60. http://dx.doi.org/10.51870/cejiss.a130108.
Повний текст джерелаАнотація:
The article aims to uncover the nature and distinctive features of the contemporary messianic narrations in the Russian public discourse, as well as estimate their impact on the actual policy-making. For this reason, the article scrutinizes the political philosophy of Aleksandr Dugin, Nataliia Narochnitskaia, Egor Kholmogorov, and Vadim Tsymburskii. Their major messages are contrasted and compared to a variety of recent developments in Russia’s domestic and foreign policies. The hypothesis is put forward that the messianic narrations are furtive, though unalienable factors which propel and justify Russian domestic and foreign policies. Therefore, it is always worth considering Russian policy-making through the prism of the nation-wide religious self-identification, as well as acknowledging a number of “eschatological duties” which derive from this self-identification. Finally, the article provides an overview to the western scholarly perspectives on Russian messianism with a specific emphasis on British and US contributors.
22
Cole, Cheryl L., and Amy Hribar. "Celebrity Feminism: Nike Style Post-Fordism, Transcendence, and Consumer Power." Sociology of Sport Journal 12, no. 4 (December 1995): 347–69. http://dx.doi.org/10.1123/ssj.12.4.347.
Повний текст джерелаАнотація:
We interrogate Nike’s implication in the developments of 1980s and 1990s popular feminisms by contextualizing and examining the advertising strategies deployed by Nike in its efforts to seduce women consumers. Although Nike is represented as progressive and pro-women, we demonstrate Nike’s alliance with normative forces dominating 1980s America. We suggest that Nike’s solicitation relies on the logic of addiction, which demonized those people most affected by post-Fordist dynamics. While Nike’s narrations of “empowerment” appeal to a deep, authentic self located at the crossroads of power and lifestyle, we suggest that these narratives offer ways of thinking/identities that impede political action. Finally, we consider the relations among Nike, celebrity feminism, and the complex and invisible dynamics that enable transnationals to exploit Third World women workers.
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Kamath, Anant. "Book review: Gita Chadha and Renny Thomas, ed. 2023. Mapping Scientific Method: Disciplinary Narrations." Contributions to Indian Sociology 57, no. 1-2 (February 2023): 147–49. http://dx.doi.org/10.1177/00699659231209662.
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OKTAN, Yusuf. "The Sectarian Tendency in the Interpretation of the Narratives Regarding the Ancestry of Mahdī." İslami İlimler Dergisi 16, no. 2 (November 24, 2021): 7–30. http://dx.doi.org/10.34082/islamiilimler.1025730.
Повний текст джерелаАнотація:
It is stated in the narrations that Mahdī, who is declared to come in the endo of times, will bring peace to humanity and establish the broken justice. Thus, the Mahdī expectation was effective in the first centuries of the Hijrī when political and sectarian events were intense. The ancestry of this savior, who is reported to be the descendant of Prophet Muhammed (Pbuh), appears to be in conflict with the sects. The lineage of the absent (ghâib) 12th Imam Muhammed b. Hasan, who is believed to be a Mahdī in the Shiite creed, is based on Husayn. However, the nattations in the Shiite sources that Mahdī will be a descendant of Hasan causes an intra-sectarian problem. In addition, the fact that claims of Mahdī in the context of imam and caliphate were seen in the generation of ʻAli's sons after the death of Prophet Muhammed shows that this expectation was not made exclusive to the generation of Husayn. Also, the narratives that Hasan made peace by leaving the caliphate to Muʻawiya and that this event was reported by Prophet Muhammed, brought Hasan to the forefront in the Sunnī viewpoint. Thus, these narratives have become one of the most important arguments used in the claim that Mahdī will come from Hasan’s lineage in the Sunnī world. In line with the aforementioned information, the article aims to reveal the sectarian tendency in the narrations that point to the lineage of Mahdī between Imami Shīʻa and Ahl al-Sunnah and their interpretation.
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Sayan-Cengiz, Feyda, and Selin Akyüz. "Performances of Populist Radical Right and Political Masculinities." Moving the Social 65 (August 9, 2021): 37–59. http://dx.doi.org/10.46586/mts.65.2021.37-59.
Повний текст джерелаАнотація:
Recent years have witnessed a growing interest in the study of populism, with increas- ing scholarly attention to the discursive, stylistic and performative aspects of different populisms. This study discusses the “discursive and stylistic turn”1 in populism studies and highlights the centrality of performances of masculinities to the populist reper- toire. Upon this framework, we explore the ways in which masculinities play out in shaping the discursive, stylistic and performative repertoires of European populist rad- ical right (PRR). The conceptualisation of political masculinities is used as an analyti- cal lens that helps us see the gendered structure of discourses and performances in two dissimilar cases of PRR leaders, namely Viktor Orbán, the Prime Minister of Hungary and Geert Wilders, the leader of the Party for Freedom (PVV) of the Netherlands. We employ a comparative perspective so as to identify how performances of masculinity work in radical right populisms of dissimilar historical trajectories in terms of the loca- tion of gender in culture. We focus on Orbán’s and Wilders’ narrations of themselves; of their understanding of ‘the people’ whom they claim to represent; and of their relation with ‘the people’. A re-reading of the use of narratives, metaphors, gestures, emotions through an analysis of the two leaders’ interviews, speeches, texts and media performances reveal their masculinist ‘brave bad boy’ performances, the ways they draw boundaries between ‘outsiders and insiders’, and the ways in which they claim to embody the people, and to be ‘men of the people’.
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Peghini, Julie. "Narrations de l'altrit l'le Maurice." International Journal of Francophone Studies 13, no. 3 (February 1, 2011): 435–50. http://dx.doi.org/10.1386/ijfs.13.3-4.435/1.
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Wu, Boyan. "Narrating History and Memory: A Comparative Reading of Shujuan and Boku in Geling Yans The Flowers of War and Murakami Harukis Killing Commendatore." Communications in Humanities Research 6, no. 1 (September 14, 2023): 399–406. http://dx.doi.org/10.54254/2753-7064/6/20230329.
Повний текст джерелаАнотація:
According to Pierre Noras argument on the relationship between memory and history, these two concepts are not synonyms but antonyms. In the modern world, critical history begins from rational reflection, and it represses memory, which correlates more to the personal narrative field. The memory theory gives us the insight to reexamine the narration in literary works reflecting the war memory. This paper demonstrates different voices in narrating the individualized traumatic memory of the Nanking Massacre through the comparative reading between fictional works of Murakami Haruki and Geling Yan, Killing Commendatore and The Flowers of War. Shujuan, the protagonist in the novella of Yan, is both the observer and survivor of the massacre. Her storyline obtains two heterogeneous narratives that respectively belong to the field of personal memory and history; while her responsibility of memorizing the unrecorded experience makes her to pick a historical view to narrate her past. Boku, the first-person protagonist in Murakamis fiction, on the other hand, is a contemporary character with no experience or direct memory of the war. However, he gets connected with the war memory through the Murakami-style surreal experience. His experience demonstrates how personal memory can console the trauma after the war, usually neglected by the grand history. In the paper, I argue that although the two authors are from different cultural backgrounds and apply different styles, their narrations that focus on the personal memory field show the consoling power that connects the past and present and heals the trauma left by the war. Further, their fictions still contribute to the political and historical discussions on Nanking, presenting the power against revisionists and bridging the conflicts inside the discussions around such a traumatic historical issue.
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Anzera, Giuseppe, Giovanna Gianturco, and Alessandra Massa. "Security branding and digital narrations. Security issues representation on Twitter." International Review of Sociology 29, no. 1 (January 2, 2019): 80–101. http://dx.doi.org/10.1080/03906701.2018.1532656.
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Brichzin, Jenni. "Materializations through political work." Social Studies of Science 50, no. 2 (November 28, 2019): 271–91. http://dx.doi.org/10.1177/0306312719891626.
Повний текст джерелаАнотація:
This article investigates the opposition between politics and work in common political understandings by engaging with the materiality of politics in parliaments. It demonstrates the need for current research on politics to deal with problems similar to those faced by early laboratory studies investigating scientific practice. At the same time, the paper highlights a crucial difference between research on science and research on politics: The common understanding of politics appears to face an influential double bind, with truthful rationality on one side and democratic legitimacy on the other. In an effort to overcome this double bind, political work is introduced as a form of work that deals with transitions between matters of fact and matters of concern by materializing forceful ideas. Ethnographic research on four parliamentary levels in Germany retraces how political actors struggle to produce these forceful ideas, which have the ability to assemble groups and move people. By dealing with the plethora of vastly diverse matters of concern populating parliaments, parliamentary actors resort to rapid shifts between different work modes, namely the political game, the settling of issues, and political composition. Each of these modes engages differently with the main resources – the law, the positions of political opponents, scientific facts and narrations – to materialize political ideas and thus aims to shift the composition of reality.
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Szczygiel, Premyslaw. "Protesting parents as a significant social and educational phenomenon." International Journal about Parents in Education 12 (April 21, 2023): 26–35. http://dx.doi.org/10.54195/ijpe.14110.
Повний текст джерелаАнотація:
The aim of this paper is to give the initial analysis of the phenomenon of protesting parents within a wider study on the learning potential of rebellion. This thread appeared due course the induction of the category “socialization to rebellion” from the empirical material. In this research project, the author uses a biographical perspective proposed by Danuta Urbaniak-Zając. The empirical material is analysed in a “transverse” way. First, individual biographies are analysed. Then all empirical material is compared with respect to differences and similarities. In the narrations of the “rebellious” people several threads about their childhood and participation in protests along with their parents were discovered. The analysed narrations show that protesting parents could potentially have played an important role in shaping the involvement of respondents in social and political affairs. It can be seen as an important citizen education issue.
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Lucas, Scott. "Where are the Legal Hadīth? A Study of the Musannaf of Ibn Abī Shayba." Islamic Law and Society 15, no. 3 (2008): 283–314. http://dx.doi.org/10.1163/156851908x299232.
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AbstractThe Musannaf of Ibn Abī Shayba provides unparalleled access into the legal thought of the "Companions of hadīth" in 2nd/8th and early 3rd/9th century Iraq. This article consists of a quantitative analysis of 3628 narrations found in the Musannaf in the books on zakāt, divorce, and hadd crimes. It demonstrates that the Prophet Muhammad was an important authority in the Musannaf, but that he appears in only 8.7% of the narrations examined. Furthermore, it shows that the "Companions of hadīth" relied upon the legal opinions of many of the same Companions and Successors whom Joseph Schacht identified as the primary authorities for the "Companions of ra'y". It also identifies a division within the "Companions of hadīth" between those who, like Ibn Abī Shayba, categorically reject the opinions of post-Successor jurists, and others who accept them.
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Secler, Bartłomiej. "Narracje alternatywne i marginalne w uchwałach rocznicowych sejmu i senatu rzeczypospolitej polskiej w latach 2009-2019." Politeja 18, no. 1(70) (February 1, 2021): 209–26. http://dx.doi.org/10.12797/politeja.18.2021.70.16.
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Alternative and Marginal Narrations in the Anniversary Resolutions of the Sejm and Senate of the Republic of Poland in 2009-2019. Example of Resolutions Commemorating the 70th and 80th Anniversaries of the Outbreak of the Second World War
Historical anniversaries generate breakthroughs, mark systemic and political turns, and remind us of the events and characters from the past. The subject of the article are the anniversary resolutions of the Sejm and the Senate of the Republic of Poland, which I define as a tool for shaping the politics of memory and collective memory that are one of the forms of commemorating the past and serving the political authorities as means for its interpretation. I assume that the choice of anniversaries and historical figures that deserve to be commemorated is dictated by the ideological and political orientation of political parties and groups. In the above context, it is worth asking the question – referring to the title of the article – should the anniversary resolutions of the Sejm and the Senate of the Republic of Poland, their form, content, as well as way of proceeding and adopting them be considered as important and momentous narratives, or rather as alternative and marginal ones? The considerations will be illustrated with ex amples of resolutions adopted on the occasion of the 70th and 80th anniversaries of the outbreak of the Second World War.
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Lozares, Carlos, and Joan Miquel Verd. "Une approche reticulaire de la dynamique temporaire dans les narrations biographiques." Bulletin of Sociological Methodology/Bulletin de Méthodologie Sociologique 99, no. 1 (July 2008): 34–53. http://dx.doi.org/10.1177/075910630809900104.
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Peres, P. "Traversing PostColoniality: Pepetela and the Narrations of Nation." Luso-Brazilian Review 40, no. 2 (December 1, 2003): 111–17. http://dx.doi.org/10.3368/lbr.40.2.111.
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Udasmoro, Wening. "When the Teens Narrate the Selves in Indonesian Literature: Gender, Subject, and Power." Lingua Cultura 12, no. 1 (February 28, 2018): 53. http://dx.doi.org/10.21512/lc.v12i1.1961.
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The subjects that participated in the production of meaning in the literature included authors, publishers, and illustrators. The aim of this article was to investigate the role and the exercise of the power of these different subjects in trying to construct teenager identities through teen’s literature in different eras of Indonesia. Different teenager literature was analyzed since The New Order to the Reformasi Era of Indonesian political rule. This research used the Critical Discourse Analysis method, which examined all social and cultural products as discourse. Discourse in this context was the construction that contained within it components that require attention. The analysis shows that there is an environment of gender, middle-and upperclass production, consumption, and the reproduction of narration by those different subjects. All of them compete because they have different agendas. However, they also negotiate and work collaboratively through their own narrations, because they all have the same objective of acquiring financial benefit.
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Costa, Lucy, Jijian Voronka, Danielle Landry, Jenna Reid, Becky Mcfarlane, David Reville, and Kathryn Church. "“Recovering our Stories”: A Small Act of Resistance." Studies in Social Justice 6, no. 1 (October 16, 2012): 85–101. http://dx.doi.org/10.26522/ssj.v6i1.1070.
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This paper describes a community event organized in response to the appropriation and overreliance on the psychiatric patient “personal story” within mental health organizations. The sharing of experiences through stories by individuals who self-identify as having “lived experience” has been central to the history of organizing for change in and outside of the psychiatric system. However, in the last decade, personal stories have increasingly been used by the psychiatric system to bolster research, education, and fundraising interests. We explore how personal stories from consumer/survivors have been harnessed by mental health organizations to further their interests and in so doing have shifted these narrations from “agents of change” towards one of “disability tourism” or “patient porn.” We mark the ethical dilemmas of narrative cooptation and consumption, and query how stories of resistance can be reclaimed not as personal recovery narratives but rather as a tool for socio-political change.
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Zawadzka, Anna. "Zdzieranie masek. Sposoby pisania o żydowskich komunistach." Studia Litteraria et Historica, no. 2 (June 30, 2014): 236–62. http://dx.doi.org/10.11649/slh.2013.010.
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Tearing Off the Masks: Narratives on Jewish CommunistsThe paper presents an analysis of the contemporary Polish debate on Jewish communists. The analysis was performed in the framework of colonialist theories. I deconstructed narrations about Jewish communists, which belong in the Polish political mainstream, and are regarded as moderate, objective and devoid of any ideology. The tropes shared by the colonialist discourse and the debate on Jewish communists are: orientalisation, eroticisation, infantilisation, presenting the object of research outside the historical context, abolishing the context of social and political inequalities, and declaring the victims guilty of the violence they experience. Zdzieranie masek. Sposoby pisania o żydowskich komunistachNiniejszy tekst jest próbą analizy współczesnego polskiego dyskursu o żydowskich komunistach za pomocą narzędzi wypracowanych przez badaczki i badaczy dyskursów kolonialnych. Dekonstruowane tutaj narracje o żydowskich komunistach przynależą do głównego nurtu polskiej sfery publicznej i postrzegane są w jego obrębie jako eksperckie, wyważone, niepodporządkowane żadnej ideologii. Tropami, które łączą dyskurs kolonialny i dyskurs o żydowskich komunistach, są między innymi: orientalizacja, erotyzacja, infantylizacja, prezentacja przedmiotu badań poza kontekstem historycznym, unieważnienie kontekstu politycznych i społecznych nierówności, wreszcie obarczenie opisywanych winą za przemoc, której doświadczają.
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Marković, Tatjana. "Narrations of a nation: Montenegrin self-representation through (re) construction of cultural memory." Musicological Annual 51, no. 2 (June 17, 2015): 139–48. http://dx.doi.org/10.4312/mz.51.2.139-148.
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The paper considers a multi-levelled process of construction and reconstruction of Montenegrin cultural memory through the medieval national history revived in the 19th century theatre play Balkanska carica (Balkan empress, 1884) by the Prince and the first Montenegrin king Nikola I Petrović Njegoš, the opera with the same name by Dionisio de Sarno-San Giorgio (1891) and then one more time in 2006, when the opera was premiered, in the given political and cultural contexts.
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Schneider, Thomas F. "Narrating the war in pictures: German photo books on World War I and the construction of pictorial war narrations." Journal of War & Culture Studies 4, no. 1 (June 2011): 31–49. http://dx.doi.org/10.1386/jwcs.4.1.31_1.
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Mayer, Claude-Hélène, Ricardo Makhura, Angela Akii, Tracy Dateling, Patience Dineo, Tasneem Ebrahim, Elaine Jordaan, et al. "Narrations on intercultural experiences in South African contact zones." International Journal of Intercultural Relations 84 (September 2021): 130–41. http://dx.doi.org/10.1016/j.ijintrel.2021.07.006.
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Tseng, Ching-pin. "Exhibiting Imprisoned Memories: The Construction of Site-specific Narrations in the Jing-Mei White Terror Memorial Park, Taiwan." Athens Journal of Architecture 8, no. 2 (March 29, 2022): 153–74. http://dx.doi.org/10.30958/aja.8-2-4.
Повний текст джерелаАнотація:
In Chiang Kai-shek’s early governance of Taiwan, many political events occurred which violated human rights. During this ‘White Terror’ era, military commanders were authorized with powers to restrict the islanders’ freedom, as well as prohibit public assemblies. Taiwanese who acted against the martial law would be committing offences of public order, or even offences of treason. The Jing-Mei White Terror Memorial Park was once the place where such political victims were held in custody and imprisoned. Until the lift of martial law, these inhuman events were not revealed to the public, and the two courts, the Ren-Ai Building (仁愛樓, the detention centers), barracks and other public buildings on the site recently have been transformed into parts of the National Human Rights Museum, Taiwan. As many political persecutions occurred and were implemented in the two courts and previous jails of the detention centers, the transformation of the site into a memorial park suggests the site-specificity of memory recollection through exhibiting the built environments, historical archives, and victims’ leftovers. This paper intends to discuss the construction of spatial narrations and the means of patching up fragmented memories of these political events, as well as examining the exhibition settings for stimulating visitors’ perceptions of the victims’ sufferings. Finally, as young generations in Taiwan didn’t experience such political oppressions, the paper would ask what sort of immersive channels could be utilized to recall the imprisoned memories and to forge some sufferers’ traumatic experiences for visitors.
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Piseri, Federico. "«She’s leaving home, bye bye». The Sixties, the Birth of the Teenagers and a New Generational Narration." Rivista di Storia dell’Educazione 7, no. 1 (July 9, 2020): 31–40. http://dx.doi.org/10.36253/rse-9392.
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The article proposes a reading and interpretation of the generational conflict of the Sixties using rock music as its main source of investigation. Being halfway between mass consumption product and cultural product, the pop music of the time has significantly defined one of the generational narrations of the baby boomers, the counter-cultural one, which has become a generational myth, strong enough to darken other parallel narrations and annihilate those of the following generation. The lyrics of the songs, the musical scenes, the youth subcultures that sprung from them are analysed in their constant exchange with the youth of the time in the United Kingdom and in the United States. We can read in them the rapid changes that took a significant part of a generation from an empty aesthetic, according to the detractors, to the strong social and political commitment, imposing its will to emerge and to change the social patterns and first of all the bonds of the family defined in the first half of the twentieth century.
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Challet, Vincent. "When the town becomes a stage: royal entries and municipal power in medieval Montpellier (14th-15th Centuries)." Culture & History Digital Journal 11, no. 2 (November 16, 2022): e017. http://dx.doi.org/10.3989/chdj.2022.017.
Повний текст джерелаАнотація:
The urban chronicle of Montpellier known under the nickname of the “Petit Thalamus” (1204-1423) is the oldest one written in a vernacular language all over Western Europe; it contains the narrations of many princely, royal and even pontifical and imperial entries in the town. It allows us to question the emergence and the evolution of a ritual, not so much from the point of view of the monarchy but of the urban authorities. More than the ritual itself, the study of these narrations, compared when possible to other urban sources, reveals the process of memory selection by the consulate of Montpellier, magnifying some of the entries-especially the pontifical one made by Urbain V in 1367-and leaving some others into oblivion. It also highlights the flexibility of a civic ceremony-which can, sometimes, be turned into a mere performance deprived of political meaning-used by the magistrates to reinforce their own power on urban spaces and to inscribe their domination into the streets, the minds of the inhabitants and the memory of the community.
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Stojanovic, Dragana. "Holocaust and the ethics of tourism: Memorial places in narrations of responsibility." Filozofija i drustvo 33, no. 3 (2022): 551–66. http://dx.doi.org/10.2298/fid2203551s.
Повний текст джерелаАнотація:
The issue of Holocaust tourism might be a quite sensitive, but nevertheless very important topic in the domain of the Holocaust remembrance. As tourism is often associated with leisure activities, it is quite challenging to put tourism into darker contexts of history and death. Also, different people coming to the Holocaust-related places with different motives make the issue of designing educational tours even more complex. This paper will try to expose questions related to dark tourism, Holocaust tourism, auratic memorial places, and to discuss ethical approaches to the Holocaust memory in the beginning of the 21st century. The text argues for the tourist experience as a memorable and educational tool with an active transformational potential, which will turn the visitor into a witness who further contributes to survival of the legacy of the Holocaust in the future.
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Lerner, Adam B. "The uses and abuses of victimhood nationalism in international politics." European Journal of International Relations 26, no. 1 (May 17, 2019): 62–87. http://dx.doi.org/10.1177/1354066119850249.
Повний текст джерелаАнотація:
Contemporary populist movements have inspired political pundits in various contexts to opine on the resurgence of victimhood culture, in which groups demonstrate heightened sensitivity to slights and attempt to evoke sympathy from third parties to their conflicts. Although reference to victimhood’s politics oftentimes surfaces examples of egregious microaggressions, when victimhood claims are scaled up to the realm of nationalisms, oftentimes so too are their consequences. Current literature on victimhood in international politics, though, lacks a unifying theorisation suitable for the comparative analysis of victimhood nationalisms as important identities in the international arena. This gap prevents scholarship from investigating how the severity of perceived or real suffering relates to the formation of victimhood, as well as how victimhood nationalisms legitimize the projection of grievances onto third parties, potentially sowing new conflicts. This article theorises victimhood nationalism as a powerful identity narrative with two key constitutive elements. First, drawing on the narrative identity approach, it outlines how victimhood nationalisms are constructed via narrations of perceived or real collective trauma. Second, it argues that victimhood nationalist narratives, unlike other narratives of collective trauma, break down the idealized victim–perpetrator relationship and project grievances onto otherwise uninvolved international actors, including other nation-states. The article concludes by offering comparative case studies of Slobodan Milošević’s and David Ben-Gurion’s respective invocations of victimhood nationalism to illustrate the empirical applicability of this theorization, as well as victimhood nationalism’s importance in international politics across time and space.
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Fêo Rodrigues, Isabel P. B. "«Our Ancestors came from many Bloods». Gendered Narrations of a Hybrid Nation." Lusotopie 12, no. 1 (September 1, 2005): 217–32. http://dx.doi.org/10.1163/176830805774719728.
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Budziszewska, Magdalena, and Karolina Hansen. "“Anger Detracts From Beauty”: Gender Differences in Adolescents’ Narratives About Anger." Journal of Adolescent Research 35, no. 5 (April 29, 2019): 635–64. http://dx.doi.org/10.1177/0743558419845870.
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In a mixed-design narrative study, we explore how adolescent boys and girls represent experiences of anger and how their narrations are linked to self-esteem and anxiety. Polish teens from three nonurban public schools ( N = 101, 55% female, Mage= 15.5) wrote narrative accounts of their typical anger experience. We use a thematic analysis framework to analyze the patterns in these narratives. Boys and girls told stories within school, family, and relationship contexts. However, boys provided more stories that focused on the theme of everyday incidental instances of anger, whereas girls provided more stories focused on the theme of negative inner experiences. In-depth analysis resulted in the emergence of two complex narrative patterns: Anger as Outburst and Anger as Burden. Anger as Outburst described heated anger related to difficulties in self-control and aggression and was more characteristic of boys. Anger as Burden contained stories of prolonged anger related to negative self-evaluation and was more characteristic of girls. Anger as Burden was also related to higher anxiety and lower self-esteem. We conclude that in the given cultural context, adolescents lack positive narratives to frame their anger adaptively.
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Vilkul, Tatiana. "“Bokhmit” in the Rus Primary Chronicle and Chronographic Texts." ISTORIYA 12, no. 12-1 (110) (2021): 0. http://dx.doi.org/10.18254/s207987840018228-9.
Повний текст джерелаАнотація:
The presentation of the religion of “Bokhmit” (i.e. Muhammad) by the Bulgarian missionaries at the court of Prince Vladimir, reported by the Rus Primary Chronicle s.a. 986, is based upon the Slavonic translation of the Chronicle of George Hamartolos. The same Hamartolos’ text is preserved, in somewhat modified form, in the Chronograph according to the Great Narration. The author compares in detail the narrations by the Greek and the Rus chroniclers. Such a comparison highlights the intentions of the latter: what he opted to use, and what he omitted when composing the legendary narrative of the choice of the faith by Vladimir. The resulting narration was very mundane so that even dogmatic questions were reported as “not to eat pork, not to drink wine”, etc. The understanding of the principles of the composition helps to clarify the very devisings of the choice of the faith, including the dialogue of Vladimir with the Germans (“nemtsy”). Two possible ways of the formation of this narrative are suggested in the paper.
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Salahuddin, Ambreen. "Feminine or Patriarchal: Story of Adam and Eve in Urdu Novels by Women Writers." Journal of Islamic Thought and Civilization 13, no. 2 (December 6, 2023): 231–41. http://dx.doi.org/10.32350/jitc.132.15.
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The current research attempted to analyze the novels written by eminent women writers in the Urdu language, that is, Bano Qudsia, Jamila Hashmi, and Khadija Mastoor, to understand the usage and interpretation of religious narrative of Adam and Hawwa in their writings [Eve]. The study focused on narrations, such as creating Eve from Adam’s rib and expulsion of Adam and Hawwa from heaven. Jamila Hashmi, Bano Qudsia, and Khadija Mastoor’s notable novels have been included in the current study. The main objective was to ascertain if the symbolic and metaphorical usage and interpretation of creation of Eve in these works, is feminine or otherwise. Moreover, the study also showed that the feminine expression which is called as ‘nisaai’ in Urdu, is a myth when seen in connection with the interpretation of religious narration of Adam and Eve’s tale. The theoretical lens of feminist theology was used and critique of Fatema Mernissi and Riffat Hassan was referred to for this purpose. It may be concluded that the understanding of these particular religious’ narratives and their symbolic and metaphorical usage, is inspired by and received from pure patriarchal interpretation of religious texts. Moreover, it has not been challenged by, or seen in the light of any feminist critique of patriarchal interpretations of religious texts, by the woman writers included in this study. Additionally, the presence of pure patriarchal interpretation of other religious symbols was observed while exploring works included in the current study. The patriarchal narrative has not been challenged in any way by the women novelists as far as the religious texts or their usage in their works is concerned.
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Detering, Nicolas. "Heroischer Fatalismus." Volume 60 · 2019 60, no. 1 (November 14, 2019): 317–38. http://dx.doi.org/10.3790/ljb.60.1.317.
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The article re-evaluates the notion of heroic agency by arguing that many instances of heroism in early 20th century German literature rely not on great deeds, but on images of fatalist persistence. After a discussion of the conceptual elements and traditions of heroic persistence, the essay surveys variants of its semanticization between Nietzsche’s amor fati and German exile narrations of the 1940s. The perusal shows that ›heroic attentism‹ in modernist literature is less dependent on the respective political affiliations of the authors, but rather on the concept’s ability to adapt to discursive trends and remain applicable to different historical experiences.