Дисертації з теми "Poetry, essays and songs"
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Atha, Tammy Jolene. "Songs of Amy & Other Poems." Miami University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=miami1511979906462235.
Повний текст джерелаĆurčin, Milan. "Srpska narodna pesma u nemačkoj književnosti." Beograd : Narodna biblioteka Srbije, 1987. http://catalog.hathitrust.org/api/volumes/oclc/18487273.html.
Повний текст джерелаIncludes bibliographical references (p. [169]-189) and index.
Elder, Hilary Elizabeth. "The Song of Songs in late Elizabethan, Jacobean and Caroline poetry." Thesis, Durham University, 2009. http://etheses.dur.ac.uk/2165/.
Повний текст джерелаNewman, Vivien B. E. "Women's poetry of the First World War : songs of wartime lives." Thesis, University of Essex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.401045.
Повний текст джерелаFlanagan, Victoria C. "If Not the Body; Null Hypothesis: Essays." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5409.
Повний текст джерелаNeff-Mayson, Heather. "Redemption songs : the voice of protest in the poetry of Afro-Americans /." Bern : Francke, 1989. http://catalogue.bnf.fr/ark:/12148/cb355192701.
Повний текст джерелаHolmquest, Heather. "Structure, Musical Forces, and Musica Ficta in Fourteenth-Century Monophonic Songs." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/18703.
Повний текст джерелаBeard, Ellen Leslie. "Rob Donn MacKay : finding the music in the songs." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/20991.
Повний текст джерелаWoodward, Mark E. McNeil Ryan Woodward Mark E. Aubuchon Rachel McKenney W. Thomas. "Three songs for unaccompanied choir." Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/6259.
Повний текст джерелаKim, Kil Won. "A detailed study of Reynaldo Hahn's settings of the poetry of Paul Verlaine /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 1996.
Знайти повний текст джерелаWong, Gloria Ngar-Yan. "Conversations with a loved one : poetry, melody and social change in Hani dialogue songs." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/17413.
Повний текст джерелаBlizzard, Amy. "The nightingale in poetry and music." Thesis, connect to online resource. Access restricted to the University of North Texas campus, 2003. http://www.library.unt.edu/theses/open/20031/blizzard%5Famy/index.htm.
Повний текст джерелаAccompanied by 3 recitals, recorded Nov. 28, 1994, Mar. 5, 2001, and Feb. 17, 2003. Recording for June 10, 1996 missing. Includes bibliographical references (p. 71-74).
FREITAS, DANIELA SILVA DE. "ESSAYS ON RAP AND SLAM POETRY IN CONTEMPORARY SÃO PAULO." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2018. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34815@1.
Повний текст джерелаCOORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
PROGRAMA DE DOUTORADO SANDUÍCHE NO EXTERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTITUIÇÕES COMUNITÁRIAS DE ENSINO PARTICULARES
Ensaios sobre o rap e o slam na São Paulo contemporânea analisa algumas das transformações ocorridas no período entre 1997 - ano de lançamento do álbum Sobrevivendo no Inferno, do Racionais MC s - e o momento atual, o ano de 2017, no que diz respeito à palavra cantada na cultura hip-hop em São Paulo. Como essa cena atualmente tem como característica central a sua multiplicidade, esta tese compõe-se por ensaios relativamente independentes sobre diferentes produções artísticas que têm em comum o apreço pelo chamado quinto elemento da cultura hip-hop: o conhecimento, e seus ideais de construção de comunidade e cidadania. Cada uma dessas produções lida com essas questões de forma distinta, às vezes dentro de um circuito independente, outras através da disputa pela ocupação de espaços dentro do circuito tradicional. Os textos estudados aqui - o trabalho do grupo Racionais MC s e dos rappers Criolo, Emicida, Karol Conka e Rico Dalasam, e o Slam Resistência - apontam para a forte interrelação entre poesia e técnica existente no movimento hip-hop paulista. Eles querem ser poiesis, no sentido em que querem produzir não só poesia, mas também vida. O argumento central desta tese é que este processo poético passa pela utilização de novas linguagens e pela criação de novas lógicas e percursos para os sistemas de produção, recepção, curadoria e promoção da arte hoje.
Essays on Rap and Slam Poetry in Contemporary São Paulo aims to analyze some of the transformations that have happened within the hip-hop movement in São Paulo in regards to the realm of the sung word or palavra cantada, namely rap and slam poetry, during the last twenty years - from the release of Racionais MC s Sobrevivendo no Inferno to the present moment. As the contemporary hip-hop scene in São Paulo is defined by its multiplicity, this dissertation is composed by separate essays that discuss and analyze different artistic productions. The respect for the fifth element of hip-hop culture - knowledge and its ideals of community-building, collectivity and citizenship - is what brings these productions together. Each of them deal with these matters differently, sometimes inside an independent circuit, other times fighting to occupy spaces within the mainstream. The works analyzed here, namely the work of rappers Racionais MC s, Criolo, Emicida, Karol Conka and Rico Dalasam as well as the poetry slam Slam Resistência, point to the strong interconnection between poetry and technique in São Paulo s hip-hop culture. These works want to be poiesis, in the sense that they want to produce not only poetry but also life. The thesis presented here is that such a poetic process entails the use of new languages and the creation of new logics and paths for the systems of production, reception, curatorship and promotion of art today.
Rekleitis, Konstantinos. "Portfolio of compositions." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/8303.
Повний текст джерелаKlinck, Anne L. (Anne Lingard). "Women's songs and their cultic background in archaic Greece." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26286.
Повний текст джерелаIt is not possible to reconstruct a paradigmatic thiasos which lies behind the women's songs, but certain characteristic features merge, especially the pervasiveness of homoerotic attachments and the combination of a personal, affective, with a social, religious function. In general, women's groups in ancient Greece must have served as a counterbalance to the prevailing male order. However, while some of the women's thiasoi provide a vehicle for the release of female aggression, the function of the present group is essentially harmonious and integrative.
Rådelius, Elias. "Songs of an epidemic : responding to HIV/AIDS through song, poetry and drama in Nakuru, Kenya." Thesis, Södertörns högskola, Institutionen för naturvetenskap, miljö och teknik, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-18248.
Повний текст джерелаSeal, Jill. "Psalms, sonnets and spiritual songs : some traditions and innovations in English religious poetry, c. 1560-1611." Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363689.
Повний текст джерелаWoolner, Christina. "The labour of love songs : voicing intimacy in Somaliland." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/286359.
Повний текст джерелаKuutma, K. "A Sámi ethnography and a Seto epic : two collaborative representations in their historical contexts /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/6583.
Повний текст джерелаMarts, Stephanie Leah. "John Duke's Assimilation of Poetry and Music: An Analysis of Two Art Songs with Text by E.E. Cummings." Thesis, The University of Arizona, 2013. http://hdl.handle.net/10150/311794.
Повний текст джерелаRobertson, Patricia C. "Artsong : a brief survey of artsong literature, composers and musico-poetic structure accompanied by a performance-based interpretation workbook." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1118240.
Повний текст джерелаSchool of Music
Kelly, Catriona. "Innokenty Fedorovich Annensky and the classical ideal : poetry, translations, drama and literary essays." Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:402cf752-742c-4447-ae0c-ffeace85f95c.
Повний текст джерелаBerg, Gabrielle Rachelle van den. "Minstrel poetry from the Pamir mountains : a study on the songs and poems of the Ismâí̂lîs of Tajik Badakhshan /." [S.l.] : [s.n.], 1997. http://catalogue.bnf.fr/ark:/12148/cb37091706f.
Повний текст джерелаTezzon, Valeria. "The Sympotic Songs of Elephantine (P.Berol. 13270). New Edition, Translation, and Commentary." Doctoral thesis, Humboldt-Universität zu Berlin, 2019. http://dx.doi.org/10.18452/19772.
Повний текст джерелаThis work provides a comprehensive study of a papyrus of the Berlin Papyrus Collection (P.Berol. 13270) and of verses contained therein. The work is divided into three sections. Given a description of the context of found and of the papyrus itself, the first part aims to develop a new overall interpretation of the text and frames the manufact within the context of the symposium in Hellenistic Egypt. By analyzing language, style, and content of the verses, I identified two thematic and stylistic units: a first section (lines 1-8) consists of the beginning of a women's chorus song where an extensive symposial metaphor is employed. The style features a very allusive and metaphorical lexicon. Both style and dialect used in the first part of the verse are compatible with the choral songs of the VI.-V. Century B. C., as numerous parallels and assonances to the songs Pindars, Bacchylides 'and Ibycus' can be detected. Starting from line 9, the text drastically changes both in content and style. The following lines contain a second section of verses featuring the image of the ship in the storm. Moreover, the second unit is characterized by a less riddling diction. The last ten lines written below the paragraphos contain an elegy that can be ascribed to the category of sympotic normative elegies and that is relevant to a definition of the sympotic ethos. In the second part of my work, I have provided a new diplomatic transcription, a critical edition, and translation of the text. The third part consists of a linguistic-literary commentary, which provides explanations of the text as well as a thorough discussion of possible parallel passages.
Jackson, Janet Ruth. "A coat of ashes: A collection of poems, incorporating a metafictional narrative - and - Poetry, Daoism, physics and systems theory: a poetics: A set of critical essays." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2018. https://ro.ecu.edu.au/theses/2125.
Повний текст джерелаKimbell, Sara E. "The Romantic Pilgrim: Narrative Structure in Samuel Barber's Hermit Songs." Youngstown State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1274965990.
Повний текст джерелаBassett, Dennis M. "The Five Song Collections of John David Earnest Set to the Poetry of Robert Bode: A Performer's Perspective." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1243567209.
Повний текст джерелаMorales, Lara Jose J. "Cyclical thought in the Nahuatl (Aztec) world." Diss., Online access via UMI:, 2007.
Знайти повний текст джерелаGoussias, Giannoula. "Heroes and heroic life in the Iliad and Akritic folk-song /." Title page, table of contents and abstract only, 1992. http://web4.library.adelaide.edu.au/theses/09ARM/09armg717.pdf.
Повний текст джерелаKarlsson, Fredrik. "The Meeting of Childhood and Colonialism in William Blake’s Songs of Innocence and of Experience." Thesis, Karlstads universitet, Fakulteten för humaniora och samhällsvetenskap (from 2013), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-66163.
Повний текст джерелаI Songs of Innocence and of Experience visar William Blake på motsättningarna mellan barndom och de vuxnas värld. Denna uppsats kopplar detta tema till kolonialism, en annan framstående social fråga som behandlas i diktsamlingen. Syftet med denna uppsats är att besvara frågan om vad skillnaden blir när det är ett svart barn istället för ett vitt som framställs i dikterna. Genom att först analysera hur barn i allmänhet framställs, följt av en kort diskussion om hur Blake hanterar problemet med kolonialismen leder denna uppsats fram till en avslutande diskussion kring vad som händer när två stora teman som barndom och kolonialism möts. Den avslutande diskussionen framhäver att genom Blakes användande av ironi så gör han den samtida polariseringen av orden ”svart” och ”vit” till åtlöje. Den svarta pojken i ”The Little Black Boy” blir Blakes perfekta symbol för att kritisera de samtida frågorna kring barns utsatthet och kolonialism i en och samma dikt.
Etherton, Caitlin. "On Earth | Onionlight." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5820.
Повний текст джерелаLehóczky, Ágnes. "Poetry, the geometry of the living substance : four essays on Ágnes Nemes Nagy (Part one) ; Rememberer (Part two)." Thesis, University of East Anglia, 2011. https://ueaeprints.uea.ac.uk/32640/.
Повний текст джерелаSchwartz, Alexandra T. "Warming Up in Waves." Cleveland State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=csu1556914327871456.
Повний текст джерелаGaldino, Roberto Carlos. "A porta da saida : a poetica das canções de Torquato Neto." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270028.
Повний текст джерелаDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-11T03:01:29Z (GMT). No. of bitstreams: 1 Galdino_RobertoCarlos_M.pdf: 566706 bytes, checksum: ffa65cd4536e53831ec5f0e219a3f819 (MD5) Previous issue date: 2008
Resumo: Nosso estudo debruça-se por sobre as canções de Torquato Neto, anteriores a sua participação no Tropicalismo, que tem um perfil semelhante à canção engajada, de protesto, de meados da década de 1960, e durante seu envolvimento com o movimento, tomando-as como uma entrada para o questionamento dos discursos críticos estabelecidos sobre a sua poética. Procuramos estabelecer um diálogo entre a nossa escuta das canções e as leituras críticas que as tomam isoladamente, como texto poético apenas. De modo a questionar os dois pólos extremos em que é confinada sua poética: Ou o poeta é visto enquanto um artista de vanguarda continuador de uma certa tradição do novo, de inventividade e rigor construtivo; ou como romântico libertário radical, que por coerência com seu projeto poético-existencial, renuncia a vida
Abstract: Our study bends over Torquato Neto¿s songs, prior to his participation at the Tropicalism, which has a similar profile of the activist song, of protest, in the middle of the 1960s, and during his involvement with the movement, turning them into a beginning of questioning the established critical discourses about his poetry. We try to establish a dialogue between our listening to the songs and the critical readings which consider them separately, as a poetic text only. So that we can question the two opposite extremes in which his poetry is confined to: either the poet is seen as an avant-garde artist who continues a certain tradition again, of ingenuity and constructive rigidity, or as a romantic radical libertarian who, in accordance with his political-existential project, abandons his life
Mestrado
Literatura Brasileira
Mestre em Teoria e História Literária
Haak, Sarah. "Great Wounds: A Collection of Essays and Prose." Ohio University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1554996583436946.
Повний текст джерелаDickon, Bryon J. "Speak it into Existence: Essays on the Body and Gender in the Contemporary Works of Trans and Gender Non-Conforming Poets." University of Akron / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=akron1573232403906373.
Повний текст джерелаInjejikian, Hasmig. "Sayat Nova and Armenian ashoogh musical tradition." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59269.
Повний текст джерелаProfessor Nigoghos Tahmizian's analysis of Sayat Nova melodies was used as a starting point. Furthermore, through analysis based primarily on available secondary sources, certain conclusions have been obtained: such as, the unity of rhythm/meter with language conventions, presence of specific melodic patterns, cadential endings, intervallic patterns and ranges in Sayat Nova melodies, as characterised by individual tzayn codifications. Further research is suggested to clarify codification of poetic forms, tzayn designations, and specifically, to solidify accentuation conventions of the Armenian language and of its dialects.
Pauley, Cassandra C. "Alexander Pope's Opus Magnum as Palladian Monument." [Tampa, Fla. : s.n.], 2003. http://purl.fcla.edu/fcla/etd/SFE0000082.
Повний текст джерелаSilva, Susana Aparecida da. "Ct 5,9-16: a mais bela entre as mulheres descreve o seu amado." Pontifícia Universidade Católica de São Paulo, 2016. https://tede2.pucsp.br/handle/handle/18373.
Повний текст джерелаCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This research aims to exegetical analysis on Ct 5,9-16. This section contains a description of the female beloved by the male beloved. To the question of Jerusalem's daughters about the male beloved superiority (v. 9), the female beloved responds with a song, a wasf in which exalts your loved above all men (v. 10). For this, she describes some physical traits (vv. 10-15), starting from the head (v. 11), holding up in the face of some details (vv. 12-13), passes through the hands, trunk and legs (vv. 14-15) and concludes with an exclamation affection and admiration (v. 16). As a canon and considered inspired book, the words written in language and poetic style seems to contain not only a description of the erotic male figure, but also contains images with a theological symbolism referring to the God of the Old Israel. It is therefore specific purpose of this study to understand and interpret Ct 5.9 to 16, in order to understand how the Israel of God is revealed through the loving description of the beloved, not only exalts the figure of the male human body, but also refers the poetic symbols of the divine character
A presente pesquisa tem como finalidade a análise exegética de Ct 5,9-16. Este trecho contém uma descrição do amado por parte da amada. À questão das filhas de Jerusalém a respeito da superioridade do amado (v. 9), a amada responde com um cântico, um wasf, no qual exalta o seu amado acima de todos os homens (v. 10). Para isto, ela descreve alguns traços corporais (vv. 10-15), partindo da cabeça (v. 11), detendo-se em alguns detalhes da face (vv. 12-13), passa pelas mãos, o tronco e as pernas (vv. 14-15) e conclui com uma exclamação de afeto e admiração (v. 16). Como um livro canônico e considerado inspirado, o trecho escrito em linguagem e estilo poético parece conter não somente uma descrição erótica da figura masculina, mas também contém imagens com um simbolismo teológico referente ao Deus do Antigo Israel. Portanto, é objetivo específico do presente estudo compreender e interpretar Ct 5,9-16, no sentido de entender como o Deus de Israel se revela através da descrição amorosa da amada, que não somente exalta a figura do corpo humano masculino, mas também remete aos símbolos poéticos dos caracteres divinos
Navàs, Farré Marina. "Ramon de Cornet: l'autor, l'obra i la circulació manuscrita." Doctoral thesis, Universitat de Girona, 2019. http://hdl.handle.net/10803/668661.
Повний текст джерелаAquest estudi té l’objectiu d’oferir una anàlisi de conjunt de la figura de Ramon de Cornet, de la seva obra i de la seva tradició manuscrita. Ramon de Cornet és el poeta occità més important del segle XIV, amb un vast corpus conservat i una tradició manuscrita molt superior a la dels seus contemporanis. Tot pegat el configura com un personatge clau a l’hora de definir i revaloritzar la poètica de l’època, a cavall entre la lírica trobadoresca i la lírica premarquiana, sovint silenciada o titllada de decadent. Aquest treball es divideix en quatre parts: a la primera es distingeix entre l’autor i el personatge literari. A la segona part es presenta la xarxa de circulació de la seva obra. Els destinataris dels seus poemes testimonien una recepció de la cultura de tall trobadoresc que s’estén més enllà del Consistori de Tolosa i que permet dibuixar un mapa de corts occitanes i altres focus de difusió que han estat tradicionalment oblidats. La tercera part és una anàlisi de conjunta de la seva obra. Aquesta, caracteritzada per la varietat i l’eclecticisme, és el millor exemple per il·lustrar la lírica tardotrobadoresca i l’evolució que va experimentar. La quarta part presenta la recensió i descripció dels testimonis manuscrits, que tingueren una circulació notable a Catalunya, i una anàlisi del conjunt de la tradició que va més enllà del propi Cornet. Finalment, un apèndix musical en CD reprodueix cinc peces de Cornet musicades per a l’ocasió a partir de la melodia conservada dels seus models i musicals.
Ivana, Knežević. "Хришћанско и паганско у делу Растка Петровића". Phd thesis, Univerzitet u Novom Sadu, Filozofski fakultet u Novom Sadu, 2016. http://www.cris.uns.ac.rs/record.jsf?recordId=101028&source=NDLTD&language=en.
Повний текст джерелаThe main subject of this PhD thesis was to identify and shed the light on the dominant form of avant-garde and the Christian identity in the work of Rastko Petrovic. Rastko always acted from the perspective of someone who was closely familiar with the art, with history and its unpredictable and unjust political projects. Trying to understand its causes and consequences, Rastko Petrovic has repeatedly stressed the need for the integral and comprehensive man, culture and society in general, both in terms of his own people, and at the regional and global levels. Rastko’s commitment to the idea that the emerging World is connected with the ideology of boyhood, means that the man as an individual has culminated in Divine Child event, and only through that event has fully met the purpose towards which it has always aspired. The essential and not only secondary and accidental determination of man is to transcend himself and strive towards God. An a priori analysis should have the central role within this transcendence of the structure of human beings with its ability to recognize in them the openness and the ability to properly hear and understand the avant-garde / Christian message. Tradition is in the eyes of Rastko Petrovic the only true stronghold of such transcendence and affirmation of one true and credible human being and adequate freedom where absolute freedom and absolute authority are not contradictory properties, but an expression of the one same being. Rastko’s ideological European claims may be characterized as a great intellectual effort and endeavor to create, adopt and incorporate a new (renewed) cultural and religious myth which, as such, projects in prehistory, and then self-regulates many contemporary phenomena.
Schindler, Karl W. (Karl Wayne). "The War Poems: An Intermedia Composition for Chamber Orchestra and Chorus." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc278847/.
Повний текст джерелаPollack, Alexander Gregory. "Half-virgin." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5010.
Повний текст джерелаID: 029809539; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Includes reading list (p. 156-159).; Thesis (M.F.A.)--University of Central Florida, 2011.
M.F.A.
Masters
English
Arts and Humanities
Creative Writing
Reeder, Connie. "Jack is Dead." ScholarWorks@UNO, 2008. http://scholarworks.uno.edu/td/669.
Повний текст джерелаMariño, León Sebastián. "Juan Arañés. Poesía y música "alla spagnola" en Roma. Estudio y edición crítica." Doctoral thesis, Universitat de Barcelona, 2022. http://hdl.handle.net/10803/673669.
Повний текст джерелаDuring the early years of the 17th century, music in particular influenced the conception of the Romancero lírico (Lyric Ballad) collection, both with regard to the proliferation of its poems, and to the modification and future transformation of its form. Because of the simple technique with which it was played, and of its easy accessibility, the guitar became the ideal instrument to accompany the sung tunes and dances that fed on the poetic and musical texts constituting the period’s heritage and sonorous environment. The close relationship between the guitar and the style that it helped to propagate, allowed this instrument to become paradigmatic of the era’s Spanish music. In Italy as well as in France, given the influential presence of Spaniards primarily at the respective Courts, the fondness for music alla spagnola (in the Spanish style) grew rapidly. These pieces that brought together the simple strumming of the guitar, traditional poetic texts, and the sound particular to the guitar, became widely known through numerous manuscripts and successful printings. One interesting book printed by Robletti in Roman stands out in these circumstances: Libro segundo de tonos y villancicos (Second Book of Sung Ballads and Strophic Songs), by Juan Arañés. The volume is dedicated to the 3rd Duke of Pastrana, Ruy Gómez de Silva y Mendoza, named in 1623 King Philip IV’s ambassador to the Eternal City. The compositions within this book, together with other Arañés manuscript compositions conserved in Rome, synthesize the varied palette of inspiration, dissemination, and development of the period’s sung poetry, and are the reflection of the poetic-musical context well known to the Duke. This dissertation provides a study together with a carefully detailed critical edition of the poetry and music of all of Juan Arañés’ secular pieces in Spanish. The present interdisciplinary research has as its objective to foster an understanding of the literary, musical, and historical ambience when these poems, conserved in musical form, were written and composed. These, in turn, form part of the Peninsula’s literary, lyrical and artistic patrimony during the Golden Age.
Fliege, Daniel. "L'évangélisme poétique. La codification de la poésie spirituelle de Marguerite de Navarre et de Vittoria Colonna." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL050.
Повний текст джерелаThe thesis deals with the poetry of Marguerite of Navarre and Vittoria Colonna. It focuses on the codification of their spiritual poetry and examines how traditional literary forms are combined with new religious ideas and how they are transformed. To do this, the theoretical part of this thesis develops a conception of code that is then applied to the poems of the two poets. In a historical part, the thesis explores evangelism in Italy. It examines whether there is an evangelical code in Italy comparable to the French evangelical code. The thesis then examines the spiritual sonnets of Vittoria Colonna. These poems are edited and translated in an appendix. The study also analyses Clément Marot's poem "Le Balladin". The corpus of texts by Marguerite of Navarre includes the rondeaux, the dizains and the chansons spirituelles. The thesis focuses on the analysis of the codification and of the interdependence of literary form and religious thought
Panzeca, Andrea. "You Don't Have to Be Good." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/1979.
Повний текст джерелаGenshaft, Carole Miller. "Symphonic poem a case study in museum education /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1196175987.
Повний текст джерелаRodrigues, Telmo. "For a lark : the poetry of songs." Doctoral thesis, 2014. http://hdl.handle.net/10451/19949.
Повний текст джерелаIt is commonly accepted that art is humanity’s highest achievement and a definite proof of distinction between humans and other animals. In that sense, the higher the artistic accomplishment, the more sublime the human. The premise for my thesis is that a distinction between high and low art is useless, and, as such, other distinctions must be put in place in order to qualify human beings and the environments they inhabit. My overall argument is that it is not the extraordinary but the ordinary that distinguishes human beings not only from other animals but also among themselves. Ordinariness is the central aspect of our lives and a decisive part of who we are. Many different aspects out of our control condition choices we make, and we are usually led to believe that those aspects are what is relevant for assessing our lives; nevertheless, it is what we choose that is decisive. Taking pop music as an instance of low art, how and why we relate to some things and not others will be discussed; by approximating pop music to the practices of poetry, an instance of high art, it will be shown that most intellectual thought put in the creation of one type of art is present in the other: allegiance to one or the other is a matter of personal choice, not of constituency.
É comum aceitar a ideia de que a arte é aquilo que a humanidade tem de mais nobre e a demonstração absoluta de que os humanos são diferentes de outros animais. Desse ponto de vista, quanto mais nobre a arte mais sublime o ser humano. A premissa da minha tese é a de que a distinção entre arte erudita e arte popular é inútil e, assim sendo, devem ser consideradas outras distinções para qualificar seres humanos e os vários espaços que habitam. O meu argumento geral pressupõe que não é o extraordinário mas antes o comum que nos distingue não só de outros animais mas também de outros especímenes humanos. Aquilo que é central nas nossas vidas, e um aspecto crucial para sermos quem somos, é aquilo que fazemos normalmente. Sendo que as nossas escolhas podem ser condicionadas por muitas variáveis, temos por hábito pensar que o que é importante para compreendermos a nossa vida são essas variáveis; no entanto, são as nossas escolhas que importam. Tomando a música pop como um exemplo de arte popular, serão discutidas as formas e razões que nos levam a apreciar algumas coisas em detrimento de outras; ao aproximar a música pop das práticas da poesia (uma arte erudita), pretende-se mostrar que a maior parte das considerações que dão origem a uma são idênticas às que originam a outra: a inclinação para uma ou para a outra depende da escolha pessoal, não de predisposição biológica.
Fundação para a Ciência e a Tecnologia (FCT)
Hart, Carolyn. "Form and poetry in selected songs of Barbara Pentland." Thesis, 1994. http://hdl.handle.net/2429/7227.
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