Дисертації з теми "Poem film"
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Ireopoulos, Fil. "The film poem." Thesis, University of Kent, 2010. http://www.research.ucreative.ac.uk/id/eprint/1061.
Повний текст джерелаHaw, Matthew James. "Boudica & field notes towards a dynamic film-poem form." Thesis, Lancaster University, 2017. http://eprints.lancs.ac.uk/124994/.
Повний текст джерелаSperanza, Robert Scott. "Verses in the celluloid : poetry in film from 1910-2002, with special attention to the development of the film-poem." Thesis, University of Sheffield, 2002. http://etheses.whiterose.ac.uk/6018/.
Повний текст джерелаChallis, John David. "'The Knowledge', a collection of poetry, and, The poem noir : film noir in contemporary poetry." Thesis, University of Newcastle upon Tyne, 2015. http://hdl.handle.net/10443/3072.
Повний текст джерелаRobinson, Peter. "Shared intimacy : a study of Tony Harrison's public poetry with specific reference to his poetics, the political status of his work and his development of the genre of the film/poem." Thesis, University of Hull, 1998. http://hydra.hull.ac.uk/resources/hull:3868.
Повний текст джерелаMarcondes, Ciro Inácio. "Limite : o poema em filme." reponame:Repositório Institucional da UnB, 2008. http://repositorio.unb.br/handle/10482/3623.
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“Limite: o poema em filme” se propõe a investigar quais as relações entre a poesia no cinema e na literatura a partir do filme Limite (1931), de Mário Peixoto. O que faz com que um filme possa ser considerado um poema? Quais os antecedentes, dentre os elementos que compõem o fenômeno poético, que permitem que ele se expresse não apenas em palavras, mas também em imagens? Limite, o famoso clássico de vanguarda silencioso de Mário Peixoto, apresenta características específicas que nos conduzem a entendê-lo não como narrativo (não conta uma história), mas como poema, não apenas por sua estrutura não-usual, mas por sua carregada simbologia, que o distancia do enredo e o aproxima da sensibilidade, de idéias transcendentes e das relações paradoxais que se estabelecem entre o homem e as coisas. Isso conduz a uma investigação a respeito da própria natureza do poético, de sua insolúvel ambigüidade e de seu eterno projetar-se para os problemas sem solução. Por fim, o estudo de Limite se une à estética transcendental de Kant para procurar entender o filósofo a partir do filme, e o filme a partir do filósofo. _________________________________________________________________________________________ ABSTRACT
“Limite: poem on film” proposes to investigate which are the relations between poetry in cinema and literature starting from Mário Peixoto’s film Limite (1931) as a paradigm. What makes a film to be considered a poem? Which are the antecedents, between the elements that compose the poetic phenomenon, that allows poetry to express not only in words, but also in images? Limite, Mário Peixoto’s famous avant-garde silent classic, shows specific characteristics that lead us to understand it not as a narrative film (it doesn’t tell a story), but as a poem-structured composition, not only because of its nonusual structure, but also for its heavy symbology, that distances it from an usual plot and approximates it to sensibility, to transcendent ideas and to paradoxal relations between men and things. That lead to an investigation of the poetics own nature, of its inextricable ambiguity and of its eternal projecting to insoluble problems. Finally, this Limite study joins to Kant’s transcendental aesthetics trying to understand the philosopher from the film’s contingencies, and the film from the philosopher’s contingencies.
ANTONIOLI, ROSARIA. "IL MITO DI ARMIDORO. Giovanni Soranzo e il suo poema milanese (1611)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/287.
Повний текст джерелаThe first chapter deals with cultural and literary aspects of Milan at the beginning of XVII century, through the confrontation of two poems, published in 1611 by the same editor Giacomo Como: the Risorgente Roma of the Milanese author Giovan Ambrogio Biffi and the Armidoro, wrote by the Venetian poet Giovanni Soranzo. Both Biffi and Soranzo were protected from Francesco d'Adda, earl of Sale's county, patron of artists, amateur painter and knight, who delighted in organizing tournaments. This kind of entertainment, very frequent in the Italian courts of that period, is argument of the second chapter. After the reading of chronicles about chivalrous performances, played in Milan by count of Sale from 1605 till 1606 to celebrate the birth of Spanish prince, we know that Armidoro is the mask of Francesco d'Adda. At the same time we detected many important sources of the Soranzo's poem: the commentaries of Federico Follino and Pompeo Brambilla on the marriage between Francesco Gonzaga and Margherita di Savoia (1608), and the Ingrate's ballet of Ottavio Rinuccini, performed in that occasion with music of Claudio Monteverdi. The third chapter consists on analysis of Armidoro, the poem of about 36.500 lines that Soranzo wrote in competition with Ariosto's Orlando furioso and Tasso's Gerusalemme liberata.
McGrady, Christopher Dwain. "Linking Rheological and Processing Behavior to Molecular Structure in Sparsely-Branched Polyethylenes Using Constitutive Relationships." Diss., Virginia Tech, 2009. http://hdl.handle.net/10919/37924.
Повний текст джерелаPh. D.
Seay, Christopher Wayne. "The Role of Branching Topology on Rheological Properties and its Effect on Film-Casting Performance." Diss., Virginia Tech, 2008. http://hdl.handle.net/10919/37671.
Повний текст джерелаPh. D.
Kryszak, Cynthia. ""Un chien andalou", un "filme poema": Analisis del prologo." Thesis, University of Ottawa (Canada), 2003. http://hdl.handle.net/10393/26382.
Повний текст джерелаEthridge, Benjamin Kane. "Causes of unease: Horror rhetoric in fiction and film." CSUSB ScholarWorks, 2004. https://scholarworks.lib.csusb.edu/etd-project/2766.
Повний текст джерелаWarth, Eva-Maria. ""The haunted palace" : Edgar Allan Poe und der amerikanische Horrorfilm, 1909-1969 /." Trier : WVT, Wissenschaftlicher Verl. Trier, 1990. http://catalogue.bnf.fr/ark:/12148/cb35562232t.
Повний текст джерелаSimmons, Jennifer Beth. "Visions of feminist (pom(o)nanism) masturbating female postmodern subjectivity in american television and film /." [Gainesville, Fla.] : University of Florida, 2004. http://purl.fcla.edu/fcla/etd/UFE0004890.
Повний текст джерелаSAMARINI, FRANCESCO. "POEMI SACRI NEL DUCATO DI MILANO." Doctoral thesis, Università Cattolica del Sacro Cuore, 2016. http://hdl.handle.net/10280/11128.
Повний текст джерелаThe so-called “sacred poem” was one of the most successful genres of the Italian literature between the 16th and the 18th century, but the works belonging to this category have usually been ignored by critics. My research aims at studying a limited part of this enormous literary production, considering the vernacular poems published in the Duchy of Milan between 1566 and 1706. On the basis of a meticulous analysis of the texts, often scarcely studied or completely unknown, I intend to determine the features of the sacred epic in the Milanese environment, which was strongly influenced by the cultural policy promoted by Carlo and Federico Borromeo. The authors of the poems are Sisto Poncello, Giovanni Maria Paroli, Cesare Della Porta, Ettore Colombo, Annibale Guasco, Giacomo Turamini, Antonio da Brugnato, Bernardino Baldi, Antonio Biaguazzone, Giulio Fe', Lelio Guidiccioni, Ambrogio Ferro, Francesco Antonio Tomasi, Francesco Pallavicini, Stefano Rossi, Giacinto Faggi, Giuseppe De Maltraversi, Pietro Paolo Giletti, Alessandro Ghirardelli, Basilio Bertucci.
Christol, Florent. "Massacres et mascarades : « Hop-Frog » d'Edgar Poe (1849) et le film d'horreur américain contemporain (1964-1984)." Thesis, Poitiers, 2013. http://www.theses.fr/2013POIT5014.
Повний текст джерелаThe slasher movie is a horror film sub-genre featuring a masked killer supposedly punishing teenage sexuality. Extremely popular among teens from 1978 to 1984, it is generally discarded by serious critics as a spectacle of gratuitous violence. However, the genre can be granted some legitimacy once it is seen as a contemporary form of a cultural archetype which we call "foolkiller". This archetype revolves around a freak avenging its own humiliation at the hands of bullies and punishing irresponsible acts endangering the weakest people in a community. Culturally speaking, this archetype has roots in the medieval practice of "rough music", a masked demonstration organized to humiliate some wrongdoer and to punish moral transgressions in the community. In order to access this cultural reference, it is necessary to show that the attention given the slasher film has concealed the existence of another genre, comprising slasher films but also movies such as Willard (1971), Carrie (1976), and Fade to Black (1980), whose protagonist is a victim avenging its persecution. This plot can also be found in "Hop-Frog", a short-story written by Edgar Allan Poe in 1849. It tells the story of a jester dwarf bullied by a cruel king. We argue that this tale is a prototypical artifact of the foolkiller archetype, which also informs the genre concealed by the slasher film. The cultural frame of this short story enables us to understand how the archetype functions and its relationship to what René Girard calls a "sacrificial crisis". Such a crisis is at work within 1970's American culture, which explains why the archetype reappears during this time.The slasher movie is a horror film sub-genre featuring a masked killer supposedly punishing teenage sexuality. Extremely popular among teens from 1978 to 1984, it is generally discarded by serious critics as a spectacle of gratuitous violence. However, the genre can be granted some legitimacy once it is seen as a contemporary form of a cultural archetype which we call "foolkiller". This archetype revolves around a freak avenging its own humiliation at the hands of bullies and punishing irresponsible acts endangering the weakest people in a community. Culturally speaking, this archetype has roots in the medieval practice of “rough music”, a masked demonstration organized to humiliate some wrongdoer and to punish moral transgressions in the community. In order to access this cultural reference, it is necessary to show that the attention given the slasher film has concealed the existence of another genre, comprising slasher films but also movies such as Willard (1971), Carrie (1976), and Fade to Black (1980), whose protagonist is a victim avenging its persecution. This plot can also be found in "Hop-Frog", a short-story written by Edgar Allan Poe in 1849. It tells the story of a jester dwarf bullied by a cruel king. We argue that this tale is a prototypical artifact of the foolkiller archetype, which also informs the genre concealed by the slasher film. The cultural frame of this short story enables us to understand how the archetype functions and its relationship to what René Girard calls a "sacrificial crisis". Such a crisis is at work within 1970's American culture, which explains why the archetype reappears during this time
Colombo, Paolo. ""Il tempo dei lunghi poemi". Percorsi di storia di un genere letterario (1814-1850)." Doctoral thesis, Università degli studi di Trento, 2020. http://hdl.handle.net/11572/255367.
Повний текст джерелаPalladini, Irene <1974>. "Il marchio della bestia per una fenomenologia dell'orrore nella narrativa di Tozzi e Poe." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2007. http://amsdottorato.unibo.it/37/.
Повний текст джерелаKlöfver, Christian. "Dikterna i Andrej Tarkovskijs Spegeln." Thesis, Stockholms universitet, Slaviska språk, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-125586.
Повний текст джерелаRAMPAZZO, ELENA. "La poesia di Paolo Buzzi dagli esordi al Poema dei Quarantanni: temi e tensioni liriche fra tradizione e Futurismo." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/1036.
Повний текст джерелаThe dissertation analyzes the Poetry of Paolo Buzzi from "Rapsodie leopardiane" until "Poema dei Quarantanni" (1898-1922), identifying lyrical themes and tensions present throughout the time period examined. Since Buzzi is known as a futurist poet, the dissertation analyzes in particular its production attributable to the forefront, to understand how he, considered instances of the first collection, was the intention of futurism.
Johnson, Matthew B. "Investigations of the Processing-Structure-Property Relationships of Selected Semicrystalline Polymers." Diss., Virginia Tech, 2000. http://hdl.handle.net/10919/29009.
Повний текст джерелаPh. D.
Páez, Muñoz Dennis. "Poesía y video. El poema en la pantalla-esfera: poetas y poéticas en registros audiovisuales: el caso de Chile: 1967-2016." Doctoral thesis, Universitat Autònoma de Barcelona, 2017. http://hdl.handle.net/10803/458693.
Повний текст джерелаThe following work explores the tensions between poetry, film and video, as well as the presence of the poet in these media. The poetical world and the universe of audiovisual media intertwine under three genres or lines of study. The study of the poem, as well as that of the figure of the vate in these intermedia works, will get us close to certain contemporary platforms in which the poet and the poem emerge through multiple prisms. Making of the virtues of the digital era their own for their (re)presentation on the screen. To develop the research, close to 50 audiovisual archives were compiled. From them three categories or incipient audiovisual genres were revealed in relationship to poetry and Chilean poets–under notions of biographical documentary, fictional poets/poetics, and video-poems. Limited to the geographical context of Chile and covering a temporal lapse of half a century –from the premiere of the documentary Yo soy Pablo Neruda (Mantell, 1967) to the film Poesía sin fin (Jodorowsky, 2016)-they uncover the existence of diverse modes of materialising both the poem and the poet in the screen. These have varied through time in a continued, slow and scarcely noticed evolution. Yet from its amplitude and diversity it has been gradually building up as an archive.
Chemello, Maurício. "O efeito como fim: guias da composição." Pontifícia Universidade Católica do Rio Grande do Sul, 2008. http://hdl.handle.net/10923/4226.
Повний текст джерелаThis dissertation examines the assumption that there is an expectation of the author to cause an effect on the reader. It presents it as part of the process of short story´s composition and like the principally element responsible for the qualification of the literary text. The work is organized into three areas: 1) short story aspects; 2) effect aspects; 3) fusion: the short story and the effect. It identifies short story's characteristics and the way theoretical texts analize the effect as its constituent element. The following texts were used as reference: Julio Cortázar, Ricardo Piglia, Aristoteles and Edgar Allan Poe, in addition with the theory of the effect of Wolfgang Iser
A presente dissertação analisa o pressuposto de que há uma expectativa do autor em provocar um efeito no leitor. Apresenta-o como parte do processo de composição do conto e elemento responsável pela qualificação do texto literário. O estudo divide-se em três eixos: 1) aspectos do conto; 2) aspectos do efeito; 3) fusão: o conto e o efeito. Identifica características do conto e o modo como os textos teóricos analisam o efeito como seu elemento constitutivo. Foram utilizados os estudos de Julio Cortázar, Ricardo Piglia, Aristóteles e Edgar Allan Poe, além da teoria do efeito, de Wolfgang Iser.
Ciccarella, Erica. "Per una storia del mal francese nel Rinascimento italiano. Tra letteratura e medicina (1494-1629)." Doctoral thesis, Università degli studi di Trento, 2019. http://hdl.handle.net/11572/243448.
Повний текст джерелаLa presente ricerca ha lo scopo di fornire una mappatura della diffusione del motivo del mal francese nella letteratura del pieno e del tardo Rinascimento italiano. A questo proposito si sono presi in considerazione i testi letterari e medico-scientifici redatti a partire dallo scoppio dell’epidemia, il 1494, fino agli anni ’30 del Seicento. Le linee tematiche individuate sono state: il racconto testimonianza dei poeti «infranciosati», che intreccia generi e codici retorici differenti (Antonio Cammelli, Niccolò Campani, Agnolo Firenzuola), la produzione satirico-burlesca di capitoli in lode di «cose ignobili», che crea una sorta di filone interno alla letteratura dedicata al mal francese (Giovan Francesco Bini, Agnolo Firenzuola, il Grappa, Giovan Francesco Ferrari e altre «pelate»), il rapporto tra un sapere medico misogino e una certa letteratura anticlassicista, (Pietro Aretino, Francisco Delicado, Maestro Andrea Veneziano, Lorenzo Venier), e il legame che unisce l’epos alla narrazione del mal francese (Girolamo Fracastoro e Giovan Battista Lalli). Data la generosità del corpus analizzato e il dialogo costante tra le istanze letterarie e quelle del sapere medico, la ricerca è stata condotta utilizzando sia i metodi interpretativi della critica stilistica sia gli apporti della storia della medicina e della storia delle idee. A questo proposito si è dimostrato che il mal francese poteva diventare l’occasione privilegiata per una riflessione sul moderno, ma anche allegoria politica della corruzione degli Stati italiani all’indomani della discesa di Carlo VIII. Inoltre, la natura venerea aveva dato adito da una parte a un riaggiornamento dei topoi misogini sia in campo medico che in quello letterario, e dall’altra alla nascita di scritture autobiografiche che raccontavano le conseguenze personali e sociali della condizione di infranciosato.
Chemello, Maur?cio. "O efeito como fim : guias da composi??o." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2008. http://tede2.pucrs.br/tede2/handle/tede/1869.
Повний текст джерелаA presente disserta??o analisa o pressuposto de que h? uma expectativa do autor em provocar um efeito no leitor. Apresenta-o como parte do processo de composi??o do conto e elemento respons?vel pela qualifica??o do texto liter?rio. O estudo divide-se em tr?s eixos: 1) aspectos do conto; 2) aspectos do efeito; 3) fus?o: o conto e o efeito. Identifica caracter?sticas do conto e o modo como os textos te?ricos analisam o efeito como seu elemento constitutivo. Foram utilizados os estudos de Julio Cort?zar, Ricardo Piglia, Arist?teles e Edgar Allan Poe, al?m da teoria do efeito, de Wolfgang Iser.
Chen, Luyi, and Sofia Poggi. "Breaking the Stereotype of Chinese Acquisitions in Italy : An Empirical Study on Italian Target Firm Performance and the Influential Factors Affecting it." Thesis, Uppsala universitet, Företagsekonomiska institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-414725.
Повний текст джерелаKapadia, Ninna. "Re-Story : The O.T.M.I* project*O.T.M.I = Obsolete Technical Mechanical Item." Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5234.
Повний текст джерелаLima, Gilberto de. "Estudo de um novo eletr?lito polim?rico s?lido em forma de filme autossustent?vel: Poli(?xido de etileno)-tungstato de s?dio." PROGRAMA DE P?S-GRADUA??O EM QU?MICA, 2016. https://repositorio.ufrn.br/jspui/handle/123456789/21476.
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Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior (CAPES)
Filmes polim?ricos autossustent?veis baseados em um novo eletr?lito polim?rico s?lido (EPS), tendo como matriz hospedeira o poli(?xido de etileno) (POE) e como agente dopante o tungstato de s?dio (Na2WO4), foram obtidos para diferentes composi??es do sal (m = 0,20; 0,26; 0,30; 0,40; 0,50 e 1,31 mg). Os filmes foram caracterizados por DRX, FTIR, MEV/EDS, TG/DTG, DSC e EI. Os difratogramas de raios X confirmaram a natureza semicristalina do pol?mero e sugeriram que a adi??o do sal provoca uma redu??o na cristalinidade dos filmes. Os dados de FTIR permitiram a an?lise da intera??o entre os ?ons do sal e as cadeias polim?ricas. As micrografias obtidas por MEV demonstraram morfologia esferul?tica intercaladas por liga??es interlamelares para todas as composi??es estudadas. O estudo de TG/DTG mostrou que a decomposi??o t?rmica do eletr?lito ocorre em uma ?nica etapa com a adi??o do sal aumentando a estabilidade t?rmica dos filmes. Os dados de TG/DTG permitiram, ainda, o estudo cin?tico da decomposi??o t?rmica do eletr?lito por meio dos m?todos de Briodo (BR), Coats-Redfern (CR) e Horowitz-Metzger (HM) sugerindo uma cin?tica de 1? ordem para a rea??o de decomposi??o t?rmica dos filmes, assim como, a determina??o dos par?metros termodin?micos de ativa??o: E*, ?H*, ?S* e ?G*. O grau de cristalinidade foi determinado atrav?s dos dados de DSC e mostrou uma redu??o ap?s a adi??o do sal ao pol?mero. O eletr?lito POE/Na2WO4 exibiu um m?ximo de condutividade i?nica de 3,24x10-4 S.cm-1, a temperatura ambiente, para o filme com 1,31 mg do sal. Atrav?s dos dados de imped?ncia foi poss?vel o estudo de relaxa??o das cadeias do POE, assim como, a difus?o do sal entre estas cadeias. Os diagramas de imped?ncia, nos formatos Bode e Nyquist, permitiram o ajuste dos dados experimentais ? circuitos el?tricos equivalentes o que facilitou a associa??o dos componentes dos circuitos aos fen?menos f?sicos e qu?micos observados para os filmes e revelaram que, ap?s a adi??o do sal ao pol?mero, os filmes t?m suas propriedades el?tricas melhoradas.
Self-sustainable polymeric films based on new solid polymer electrolyte, having the poly(ethylene oxide) (PEO) as host matrix and sodium tungstate as doping agent (Na2WO4), were obtained from different salt compositions (m = 0.20; 0.26; 0.30; 0.40; 0.50 and 1.31 mg). The films were characterized through XRD, FTIR, SEM/EDS, TG/DTG, DSC and IS. X-ray diffraction showed the semi crystalline nature of the polymer and confirmed that the addition of salt induces reduction in the crystalinity of the films. FTIR data allowed the identification of the interaction between salt ions and polymer chains and confirmed that these interactions are of a physical nature. The micrographs obtained through SEM showed spherulitic morphology interleaved by interlayered bonds for all of the compositions studied. The TG/DTG study revealed that the thermal decomposition of the electrolyte almost happens at a single stage with the addition of salt, increasing the thermal stability of the films. TG/DTG data also allowed the kinetic study of the thermal decomposition of the electrolyte through Broido (BR), Coats-Redfern (CR) and Horowitz-Metzger (HM) methods, suggesting a first-order kinetic for the reaction of the thermal decomposition of the films, as well as the setting of pre-exponential factor, A, and the thermodynamic activation parameters: E*, ?H*, ?S* and ?G*. The crystallinity degree was determined through DSC data and showed a reduction after the addition of salt to the polymer. The polymer has its conductivity increased after addition of the salt with the PEO-Na2WO4 electrolyte exhibiting maximum of ionic conductivity of 3.24x10-4 S cm-1, to room temperature, for the film with 1.31 mg of salt (F6 film). The impedance data allowed the study on relaxation on PEO chains, even as the diffusion of salt between these chains. The impedance diagrams, on Bode and Nyquist formats, enabled the adjustment of the experimental data to equivalent electric circuits, which facilitated the association of the circuit components to the physical and chemical phenomena observed for the films and revealed that, after the addition of salt to the polymer, the films have their electrical properties enhanced.
Roberts, Phillip Christopher. "Madeline Usher: An Opera in One Act." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395398280.
Повний текст джерелаROSSINI, FRANCESCO. ""IO PER ME SONO UN'OMBRA". GIOVAN BATTISTA STROZZI IL GIOVANE (1551 - 1634) FRA POESIA E RIFLESSIONE LETTERARIA." Doctoral thesis, Università Cattolica del Sacro Cuore, 2019. http://hdl.handle.net/10280/58409.
Повний текст джерелаThe thesis proposes a monographic study on the Florentine Giovan Battista Strozzi the Younger also known as the Blind (1551-1634). He was a writer with connections in cultural circles across Renaissance Italy, including Medici’s Florence, Barberini’s Rome, Borromean Milan and the Roman cenacles of the Aldobrandini and the Humorists. The thesis consists of three chapters. The first chapter focuses on the participation of Strozzi the Younger in the activities of two lively groups in his hometown: the Florentine Academy and the Alterati Academy. The second chapter discusses his poetical works – for the most part still unpublished –, including dozens of versified epistles in loose hendecasyllables, an unfinished poem in honor of Amerigo Vespucci, as well as a rich corpus of madrigals. The drafting of this last corpus proceeded together with Strozzi the Younger’s theoretical speculation around the new sixteenth-century appearance of this ancient lyrical genre. The third section considers the contribution of Strozzi the Younger to the discussions on poetics (Dante’s ‘Comedy’, the heroic poem, the Aristotelian units) that went on in Italian literary circles in the second half of the sixteenth century. In this work, we aimed to restore the appropriate historical depth to each of the writings examined, through the exegesis of texts combined with the biographical reconstruction conducted on a large number of published and unpublished epistolary documents. We also tried to reconstruct the different cultural contexts in which these writings were composed and attempted to analyze the dense network of relationships, both human and literary, that loomed in the background. The thesis is completed by a bibliography of ancient and modern works, an index of manuscripts and an index of names.
Kolich, Tomáš. "Makabrózní, mysteriózní, monstrózní. Architektura a prostředí v gotickém hororu." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-353862.
Повний текст джерелаBilbrough, Paola. "Givers, takers, framers : the ethics of auto/biographical documentary." Thesis, 2015. https://vuir.vu.edu.au/26229/.
Повний текст джерела