Дисертації з теми "Pirates – history"
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Snyder, Amanda J. "Pirates, Exiles, and Empire: English Seamen, Atlantic Expansion, and Jamaican Settlement, 1558-1658." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/857.
Повний текст джерелаLiu, Bingqing. "interaction between pirates and the government in Guangdong Province during the 1850s-1900s." Thesis, University of Macau, 2016. http://umaclib3.umac.mo/record=b3571287.
Повний текст джерелаTeye, Patrick N. "Barbary Pirates: Thomas Jefferson, William Eaton, and the Evolution of U.S. Diplomacy in the Mediterranean." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etd/1183.
Повний текст джерелаHewitt, Brett Alan. "PROSECUTING PIRATES: PROCEDURAL INCONSISTENCIES IN ENGLISH PIRACY TRIALS, 1701-1726." Case Western Reserve University School of Graduate Studies / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=case1496931879080006.
Повний текст джерелаSessions, Jamie. "Diplomacy of Pirates| Foreign Relations and Changes in the Legal Treatment of Piracy Under Henry VIII." Thesis, The University of Mississippi, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10616757.
Повний текст джерелаThis work examines Henry VIII’s contribution to the legal defining and treatment of piracy during his reign and his influence over subsequent Tudor monarchs’ own relationship with piracy and privateering. Through examination of the shift in legal language, piracy as a crime to a paid profession, and the ambiguous definition of who a pirate was it becomes clear that Henry’s reign witnessed a significant transformation in piracy which directly influenced diplomatic relations throughout Europe.
Anctil, Shawn. "Order and the Atlantic world: A study in the British war against the pirates, 1695--1725." Thesis, University of Ottawa (Canada), 2008. http://hdl.handle.net/10393/27952.
Повний текст джерелаHunter, Mark C. "The political economy of Anglo-American naval relations : pirates, slavers and the equatorial Atlantic, 1819 to 1863." Thesis, University of Hull, 2003. http://hydra.hull.ac.uk/resources/hull:5542.
Повний текст джерелаBilal, Kolby. "Black Pilots, Patriots, and Pirates: African-American Participation in the Virginia State and British Navies during the Revolutionary War in Virginia." W&M ScholarWorks, 2000. https://scholarworks.wm.edu/etd/1539626268.
Повний текст джерелаLung, Hong-kay, and 龍康琪. "Britain and the suppression of piracy on the coast of China with special reference to the vicinity of Hong Kong 1842-1870." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31224891.
Повний текст джерелаSiu, Kwok-kin Anthony, and 蕭國健. "Chinese piracy and coastal defence in the eighteen and early nineteen centuries with an emphasis on the Canton Delta." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B42575035.
Повний текст джерелаMauduit, Benjamin. "Election, héritage, apprentissage : la transmission chez les pirates dans la culture populaire anglophone." Thesis, Tours, 2017. http://www.theses.fr/2017TOUR2023/document.
Повний текст джерелаThe purpose of this work is to analyze the representations of pirate in English-speaking popular culture, representations whose foremost source of inspiration for such works is a historical context, and they tend to show pirates as rebels with claims to forms of democracy facing absolutist powers, turning election into a major principle that echoes different visions of political involvement in 20th- and 21st-century America. Along this tendency, the notion of an irresistible attraction towards piracy, due to blood ties, is developed into a form of legacy often leading to diverse forms of hybridization endlessly questioning the contents thus transmitted. Finally, whether election or legacy be dealt with, what is transmitted must be learnt, and the modalities of such learning vary even though they are embedded in a pattern recognizable throughout the cultural artifacts under examination
Ditchburn, David. "Merchants, pedlars and pirates : a history of Scotland's relations with Northern Germany and the Baltic in the later Middle Ages." Thesis, University of Edinburgh, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327783.
Повний текст джерелаAndersson, Anton. "Libertalia, bokstavligen och bildligt talat? : En studie av Captain Charles Johnsons verks skildringar av Libertalia genom nutida historikers tolkningar." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-71391.
Повний текст джерелаRiehle, Ashley. "“The transition from Maritime Knights to Enemies of Mankind”: As seen in the stories of William Kidd and Stede Bonnet." University of Toledo / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1310064266.
Повний текст джерелаAl, Yat Law. "Merchants, seafarers and pirates: maritime societies of Southeast Fujian in the eyes of local officials from the late Ming period." HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/473.
Повний текст джерелаFox, Edward Theophilus. "'Piratical schemes and contracts' : pirate articles and their society 1660-1730." Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/14872.
Повний текст джерелаGoodall, Jamie LeAnne. "Navigating the Atlantic World: Piracy, Illicit Trade, and the Construction of Commercial Networks, 1650-1791." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1452157113.
Повний текст джерелаAvila, Beth Eileen. "“I Would Prevent You from Further Violence”: Women, Pirates, and the Problem of Violence in the Antebellum American Imagination." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1480437024266303.
Повний текст джерелаPsaltopoulos, Brigitte. "L'écriture de José Manuel Fajardo : entre roman d'aventure et roman historique." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE2021/document.
Повний текст джерелаThis thesis introduces the trilogy by José Manuel Fajardo (1957) composed of Carta del fin del mundo (1996), El Converso (1998) and Mi nombre es Jamaica (2010).These three works are part of the historical adventure novel sub-genre. Focusing on time, space and characters, this research work is aimed at making a distinction between history and adventure in these three works that refer to significant periods in the history of Spain (the conquest, the Golden Age). The numerous references to the expulsion of the Moriscos or the Sephardic diaspora show the author's willingness to work as a historian by saving fromoblivion some parts of Spanish history neglected by official history. This historical exploitation goes hand in hand with fictionalizing the historical matter _such as the discovery of America or piracy in the seventeenth century in the Caribbean and the Mediterranean seas_ which makes it possible for the author to create adventure. This adventure is experienced by the heroes as a search for identity that leads them, through the crossing of countless spaces, to their promised land; whichgives them potent human depth
Meyers, Stacy. "“Emancipation from that Degrading Yoke”: Thomas Jefferson, William Eaton and “Barbary Piracy” from 1784 to 1805." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/448.
Повний текст джерелаSéébold, Éric. "Hors 1976-1981 : cinq ans d'édition marginale et pirate." Paris 8, 1993. http://www.theses.fr/1993PA080816.
Повний текст джерелаThis thesis aims at clarifying the processes of a very small publishing house (non-profit making association, under the 1901 french act), set up in 1976 and which stop all activities in 1981. This association published magazines, original books and portfolios. It also reprinted in secret various texts, mainly from xxth century writers, unavailable for various reasons. Based on the 49 titles published and the documents archived (circulars, correspondence, accounting documents, official documents concerning the association and its publishing procedures), the study focusses on 3 points : - history of the activity, - analysis of options and behavioural aspects, dealing as well with edition and financial issues as with work methods and techniques (typesetting, printing, binding, distribution). The analysis is supplemented by a comparison between the micro-publishing house and similar publishing houses operating at the same period. - setting up of a "reasoned" catalog of the publications, including particulars and a physical description, and chapters describing the special characteristics relating to content and distribution or elements pertaining to post-publishing (critics, new editions. . . )
Baumann, Matthew J. "An investigation into the date of the Piraeus Apollo." Thesis, The University of Arizona, 2003. http://hdl.handle.net/10150/292062.
Повний текст джерелаPerron, Jean-François. "Flibustiers, corsaires et pirates : l'impact de leurs actions sur le déclin de l'Empire espagnol d'Amérique au XVIIe siècle." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ57906.pdf.
Повний текст джерелаBloomer, Jennifer Allyn. "Towards an architecture of desire : the (s) crypt of Joyce and Piranesi." Diss., Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/23414.
Повний текст джерелаCangalaya, Rios Andrea Isabel. "Avances técnicos entre las películas de animación digital “Piratas en el Callao” (2005) y “El Delfín, historia de un soñador” (2009)." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2017. https://hdl.handle.net/20.500.12672/7443.
Повний текст джерелаLa investigación se centra en el estudio de “Piratas en el Callao” y “El Delfín, historia de un soñador” reconociendo importantes avances a nivel técnico que provienen de la incorporación de nuevos equipos tecnológicos, programas y sistemas más adecuados para la creación de estas películas. Sin lugar a dudas, la experiencia es también un elemento clave dentro del contexto. El análisis principal sobre el manejo de los principios y de las técnicas se sostiene en la revisión exhaustiva de cada filme y en las diferentes entrevistas a sus realizadores y a conocedores de la materia. Además, se incluyen una serie de imágenes con la finalidad de explicar y entender mejor el contenido. Finalmente, se dibujan algunas ideas o propuestas que permitirán encarar los problemas en cuestión.
Tesis
Filho, Rubens Araujo Menezes de Souza. "Os donos das ideias: história e conflitos do direito autoral, do copyright e das patentes na crise contemporânea do capital: da rodada Uruguai (1986) aos partidos piratas (2006)." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-12122014-184858/.
Повний текст джерелаThrough the historical analysis of the \"intellectual property\", in particular patents, copyright and authors rights, this thesis deals with the crisis of contemporary capitalism, and analyzes the covert increasing trend of states, that with the use of computer technology and the intensification of laws, become increasingly authoritarian, eroding civil rights and liberties secured by populations long ago. To reach this objective the history of computers, the Internet, the Free Software Movement, the Pirate Parties, the Free Software movement in Brazil, the intellectual property laws in the Western world and the globalization of trade and finance are reconstituted
Treguer, Félix. "Pouvoir et résistance dans l’espace public : une contre-histoire d’Internet (XVe -XXIe siècle)." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0117/document.
Повний текст джерелаTaking contemporary debates on freedom of expression and privacy in the digital age as a starting point, this thesis revisits the history of the Internet at the intersection of legal history, political theory and history of science and technology. Through a long-time study of the clash between power and resistance strategies associated with communication technologies, it aims to contribute to the history of the public sphere and of digital activism. From the inception of the printing press on, the first part provides an overview of the forms of control of the public sphere developed under the modern state power, and of their extension under liberal-representative regimes (15th 21st century). In the second part, the study follows the antagonist utopias that shaped the development of computing technologies to explain the pro found ambivalence of their political appropriations, these technologies being construed both as an instrument of technocratic domination and a tool for emancipation (1930-1990). The third part analyses early controversies around the protection of civil rights online and the growth of digital activism, as the Internet becomes a locus of political struggles in a period marked by neoliberal globalization (1990-2001). Finally, the fourth part surveys recent Internet control measures adopted in the name of the "war on terror" and the repression of some segments of digital activism to illustrate the illiberal drift in state practices (2001-2017). The study thus aims to advance a collective thinking on one of the key questions identified by Michel Foucault in his writings on power: "How can the growth of capabilities" – and more specifically those brought about by "techniques of communication" – "be disconnected from the intensification of power relations?"
Charlier, Thierry. "Les relations entre la République de Venise et les Habsbourg : la guerre des Uscoques (1615-1618)." Paris 4, 2000. http://www.theses.fr/2000PA040068.
Повний текст джерелаSILVA, Gerson Santos e. "Encantados da “fortaleza” insular: D. Sebastião, natureza em uma história cultural na Amazônia." Universidade Federal do Pará, 2007. http://repositorio.ufpa.br/jspui/handle/2011/4217.
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Quando se fala em cultura popular, vem ao pensamento do censo comum, música, folclore, dança. Raramente se pensa em literatura, mas lembra-se da religiosidade que permeia todos esses primeiros. Nessas concepções não se lembram de colocar a história, ou melhor, as histórias que foram produzidas pelos sujeitos que construíram todas essas manifestações e ideias. Aqui se procurou fazer um esforço de pensar historicamente a formação de uma religiosidade constituída no meio da região amazônica, na perspectiva de um olhar do povo, aquele a que se refere quando se fala em cultura popular. De um espaço do interior dessa região, a cidade de São João de Pirabas, procuramos ver como essa religiosidade, representada na natureza e a partir dela, se liga a uma história mais ampla com a figura de um rei Português, D. Sebastião, religiões como a pajelança cabocla e afro-brasileiras. Além do esforço de intelectuais de, também, mostrar essas religiões a partir do pensamento dos sujeitos que a fizeram, tornando-a muitas vezes, uma resposta, uma alternativa e ao mesmo tempo parte da religião cristã imposta aos nossos antepassados que a reelaboraram, juntamente com a construção de suas histórias.
When we apeak about popular culture, come to our thought of the commom sense, music, folklore and dance. We rarelly think in literature, but remember the religiosity that envolve all of these firsts. On that conception we don‟t remember to put the history, or better, the history that was produced for the people that made all of these manifestation and ideas. Here we try to think historically the genesis of a religiousness made in the middle of the Amazon region, with perspective of a sight of the people, the one who refers to when we speak about popular culture. From a site of the countryside of this region, São João de Pirabas city, we tried to see how this religiousness, represents in the nature and from it, to link a wider history with a Portuguese king character, D. Sebastian, religions with shamanism caboclo and afro-brasilian. Beyond the efforts of intelectuals and, also, show these religions from the thoughts of the people who made it, become it the most of the time, and answer, an alternative and at the same time part of the christian religion stabilished to our ancestrals that relaborated, as one the build of their history.
Wallhammar, Johan. "Searching for the Grandiose." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-228495.
Повний текст джерелаNazerian, Simon. "Kan strålar av ljus tyda det förflutna? : Användning av Reflectance Transformation Imaging (RTI) för att tyda runinskrifter på Pireus-lejonet." Thesis, Stockholms universitet, Arkeologiska forskningslaboratoriet, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-100721.
Повний текст джерелаFiallo, Kaminski Ricardo. "Egendom och Stöld : Den juridiska hegemonins svårigheter med teknikens nya matematik." Thesis, Linköping University, Linköping University, Department of Social and Welfare Studies, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-19101.
Повний текст джерелаGenom att analysera domstolsmaterialet från rättegången mot fildelningssiten The Pirat Bay, i relation till en idéhistorisk diskussion om äganderätt, har uppsatsen funnit att den liberala tanketraditionen och dess juridiska institutioner står inför en betydelseglidning vad gället begreppsparet ”Egendom” och ”Stöld”. Det har visat sig att Lockes naturtillstånd, varseblivningen av ”det oändliga” på jorden, har skiftat plats; från ”naturen” ut till ”cyberspace”, vilket har resulterat i att fildelningstekniken skapat en ny matematik som omöjliggör tidigare egendomsdefinition.
Russell, Lucy. "Domesticating Winckelmann : his critical legacy in Italian art scholarship, 1755-1834." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:8e2d3058-1ae8-46ab-8fab-8f2c9b473860.
Повний текст джерела"The Economic and Military Impact of Privateers and Pirates on Britain’s Rise as a World Power." Master's thesis, 2020. http://hdl.handle.net/2286/R.I.57220.
Повний текст джерелаDissertation/Thesis
Masters Thesis History 2020
"When piracy meets the Internet: the diverse film consumption of China in an unorthodox globalization." 2008. http://library.cuhk.edu.hk/record=b5896813.
Повний текст джерелаThesis (M.Phil.)--Chinese University of Hong Kong, 2008.
Includes bibliographical references (leaves 111-124).
Abstracts in English and Chinese.
Abstract --- p.i
Acknowledgement --- p.iv
Table of Contents --- p.v
Chapter Chapter One: --- Chinese Film Piracy Consumption and Media Globalization --- p.1
Introduction: The Rampant Film Piracy in China --- p.1
Literature Review --- p.4
Focuses in Chinese Film Piracy --- p.4
Four Theoretical Positions in Media Globalization --- p.7
Summary --- p.17
Chapter Chapter Two: --- Problematics of Chinese Film Piracy Consumption --- p.19
Two Concepts --- p.19
Diversity --- p.19
Filmic Gene Pool --- p.20
Two Arguments and One Deduction --- p.23
The Argument for the Expanding Global Capital --- p.23
The Argument for National Protectionism --- p.25
The Long Tail --- p.26
The Theoretical Deduction for the Chinese Case --- p.27
Research Questions --- p.28
Methodological Note --- p.28
Chapter Chapter Three: --- A Re-Examination of Chinese Film Piracy Market --- p.32
The Myth of Market Access --- p.32
State Censorship Overlooked --- p.34
The First-Release Obsession --- p.35
An Internet Take-over? --- p.38
Summary --- p.39
Chapter Chapter Four: --- "In Search of the “Invisible"" Audience/Viewers" --- p.42
The “Official´ح Audience --- p.42
Chinese Film Audiences Re-Captured --- p.45
Sketches on the ´بInvisible´ة Viewers --- p.51
Conclusion --- p.56
Chapter Chapter Five: --- Structural Analysis for Chinese Film Piracy Consumption --- p.58
Chinese Piracy Viewers: An Idle Spare of the Nexus? --- p.58
The Film Piracy Market in China --- p.61
Summary --- p.63
Chapter Chapter Six: --- A Brief History of Chinese Piracy Consumption --- p.67
Video Hall (Mid-1980s to Mid-1990s) --- p.68
Epoch of the Videodisc (Since mid-1990s) --- p.70
Online Movie Forums and Blogs (1998-Present) --- p.73
Online Social Networks of Cinephiles (2004-Present) --- p.76
The Accompanying Print Media (1999-Present) --- p.78
Conclusion --- p.82
Chapter Chapter Seven: --- The Chinese Public Cine-Space --- p.83
The Publicness of Piracy Viewing --- p.83
A Public Cine-Space --- p.84
Cultural Public Sphere: The Concept --- p.84
The Chinese Internet --- p.85
The Chinese Online Film Critics --- p.87
The Chinese Public Cine-Space --- p.89
A Trajectory of the Online Cine-Space --- p.90
Mechanism towards Diversity --- p.93
The Techno-Divide --- p.98
Chapter Chapter Eight: --- Conclusion --- p.100
Contributions --- p.100
Historical Account of Chinese Film Piracy Consumption --- p.100
Inclusive Model for Diversity of Cultural Market --- p.101
Weaknesses and Future Suggestions --- p.103
Final Remark --- p.106
Appendix A --- p.108
Bibliography --- p.111