Дисертації з теми "Pierre de Montrouge (Church)"
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Samaretz, Nicolas <1994>. "The Church of Saint-Pierre in Beaulieu-sur-Dordogne." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17280.
Повний текст джерелаPoitra, Steven Percy. "The spirituality of Pierre de Bérulle." PDXScholar, 1986. https://pdxscholar.library.pdx.edu/open_access_etds/3630.
Повний текст джерелаAnders, A. David. "Providence and predestination in the theology of Pierre Viret a study of Reformed doctrine /." Theological Research Exchange Network (TREN), 1995. http://www.tren.com.
Повний текст джерелаVenier, Claudio. "Ideas on perspective and ritual : the open and individual nature of Le Corbusier's Firminy Church." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69701.
Повний текст джерелаMichelson, David A. "La Perpétuité de la Foi the appeal to Eastern Christianity of Jean Claude's eucharistic polemics, viewed in its French Reformation and Counter Reformation contexts /." Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.
Повний текст джерелаMoureau, Emmanuel. "Bâtir pour l'éternité : le cardinal Pierre des Prés (1280-1361) et la collégiale Saint-Martin de Montpezat-de-Quercy." Thesis, Toulouse 2, 2018. http://www.theses.fr/2018TOU20022/document.
Повний текст джерелаDuring the papacy of Avignon, so most cardinals are buried either in the pontifical city, or in their country of origin, some of them choose contrary to founding in their place of origin not only one religious community but also of the buildings to accommodate their tomb. They imitate in that the successive popes, in particular Clement V and Clement VI. In parallel, develops at the 14th century, under the impulse of John XXII, the creation of secular collegial news in the South of France.Pierre des Prés (1280-1361), quercynois, is a close relation of John XXII. Lawyer, it gains the confidence of the pope who created it cardinal in 1321, then invests it in 1325 load of vice-chancellor of the Church. The first part of this work is devoted to a biography of this character and also shows his desire to socially raise the members of its family.The cardinal des Prés is also, just like of other cardinals among his contemporaries, the founder of a religious community, charged to take care on his skin. If it chose secular canons, others privileged the orders Beggars. These is the choice which is examined and studied in the second part. To shelter these monks, Pierre des Prés made build a church in his native village, Montpezat-of-Quercy. Classified with the title as of Historic buildings by 1840, this building proved little known. Our study replaces collegial church Saint Martin in her context of construction, between 1337 and 1343, but also presents the materials used, the techniques employed, the job management and the men who have work on the project. Lastly, the last part tackles the question of the memory of the cardinal, built thanks to his tomb and with the many objects offered by him to its collegial chapter. Thanks to the latter, the memory of Pierre des Prés was transmitted of century in century, thus agreeing with the worms of Pétrarque: the fame overcomes death
Walker, Michael Joseph. "La Grande Arche des Fugitifs?,/i> Huguenots in the Dutch Republic After 1685." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2900.
Повний текст джерелаMoulis, Cédric. "Bâtir en Lorraine méridionale (XIe-XIIe siècles) : chantier et mise en œuvre des matériaux." Thesis, Université de Lorraine, 2018. http://www.theses.fr/2018LORR0184/document.
Повний текст джерелаThanks to steps forward on art history regarding the Romanesque architecture in the Lorraine region, this thesis revisits a number of sites in terms of archaeological issues related to the art of building. Fourteen monographs of churches, abbeys or castles, plus a hundred or so sites explored in the ancient diocese of Toul, make it possible to understand the use of building materials, primarily stone and wood. This can be done along nine themes related to construction: how to define location, proportionate, extract, cut, assemble, build, vault, scaffold, cover. This work highlights the know-how of architects, quarrymen, stonecutters, masons or carpenters involved in projects that have been neglected as they are often too modest to attract the attention of researchers.In fact, this topic has not been so far the subject of substantial studies for the geographical area and the chronological period involved. We have highlighted buildings for which plan and volume vary from one place to the other, although they all fit well with the known Romanesque canons. Specificities are prevalent in the Toul area, the Saintois or the Vallage. They are distinguished first by the density of remains in comparison with the rest of the Lorraine. This testifies to the vitality of these three entities during the 12th century in particular. It seems also related to the lithic resources available in these sectors.Examination of the materials and locations of available resources in the area highlights an economy based on short distribution channels, whereas materials rarely come from more than five kilometers away from the construction site, with the possible exception of pine wood and mortar. Physico-chemical analyzes have completed the research. They have often made it possible to reconsider the datings proposed by art historians, aging the buildings by several tens of years.On the sites themselves, we often provide the first observations in the archeology of buildings carried out so far, especially for rural buildings of low volume or for parts of buildings which are difficult to access, either in ruin or still in use. In light of these explorations, a new field of research is emerging and has to extended: the use of wood in the masonry and the carpentry. More traces remain than thought of at the beginning of the investigation. In a more general way, we notice an evolution in the technicality of the building sites, and their rationalization, which encompasses first the religious buildings at the end of the 11th century, before extending to the castle construction during the 12th century, and later to the small country churches. From a similar perspective, we demonstrate that local know-how is more often used than grand architectural concepts developed on more prestigious buildings and in regions of more political importance.We have also taken special care to put the Man and his gesture back in the center of the construction process. Most of the time, studies in this area are concerned with motivations and consequences of an action, be it political, artistic or editorial. We have focused more on technicality. How to go from motivation (the will to build) to realization (reception of the finished work) ? More than the point of arrival, it is the process that has been at the center of our concerns. Thus, we can imagine the position of the stonecutter in front of his stone, the position of his hand, the movement he infuses to the tool. How to organize the facings and how to differentiate the first stone laid from the last? How to respond to architectural constraints ? How to develop the scaffolding ? Here again, certain local peculiarities have appeared, probably showing a movement of workers to the various sites according to the opening of the construction works. Finally, our work brings new heuristic tools to the attention of researchers making the reading of the wall facings less tedious and more rational
Chambert-Protat, Pierre. "Florus de Lyon, lecteur des Pères : documentation et travaux patristiques dans l'Eglise de Lyon au IXe siècle." Thesis, Paris, EPHE, 2016. http://www.theses.fr/2016EPHE4052.
Повний текст джерелаAn unusual amount of manuscripts that belonged to the Cathedral library of Lyons in the IXth century has been preserved, among which a number were firsthand used or produced by its prominent intellectual figure, the deacon Florus (floruit ca. 825—855). As we also know several large compilations that were gathered by the very same, Florus represents a rare double opportunity to investigate both a Carolingian cathedral library and the work methods of a Carolingian scholar. Numerous comparisons and crosscheckings can strengthen and supply informations regarding the books that were used and circulated at the time, but also regarding the men that read and circulated them, and clarify how Florus’s work on the Fathers has spread in the manuscript tradition (first part). Such analyses depict Florus as a man of his time, who was educated in a certain environment and to use certain methods; but who was then driven, all along his career, by his own experience and taste, to evolve his own methods in the pursuing of his own projects (second part). A historiography study is also held, which was never undertaken before, and reveals the how and why of Florus’s rediscovery in the XVIIth century, and then again in the XXth. Florus’s part and his work library’s, in the intellectual history and in the history of ancient texts transmission, is thus better circumscribed and more precisely described, as is unvailed the course of his own intellectual evolution
Buvron, Jean-Marcel. "Le renouveau musical dans les cathédrales en France de 1801 à 1860 - Le Mans -." Thesis, Tours, 2013. http://www.theses.fr/2013TOUR2003.
Повний текст джерелаIn 1857, Joseph d’Ortigue saw that the music schools attached to French cathedrals in the first half of the 19th century could never play the part they had had for centuries, until they were closed in 1791. Though they were at first officially aided, all the cathedrals failed when they tried to revive their musical activity : the catholic church did not succeed in giving back to their celebrations the brilliance of music and song that had been theirs before the Revolution. Studying the Le Mans music school from 1801 to 1860 – it was « one of the first to be re-estblished and one of the most flourishing » –, this thesis analyses the main causes of this inevitable failure: the uncertainty of financial resources, the evolution of habits of thought as regarded religion, the incomplete training of the new generation of church musicians, as well as the changes in musical tastes. In the years 1830-1840, the liturgy and its music are hotly argued about by those in favour of an expressive music and those advocating a restoration of plain chant. The musical revival in cathedrals – notably in Le Mans – was eventually achieved only after a reform of the liturgy defining which music is most suitable for divine worship. With the return of the Roman liturgy and Gregorian chant, over fifty years were necessary for religious ceremonies to gain in coherency what they had lost in brilliance
BIANCHI, ANDREA. "HETERODOXY AND RATIONAL THEOLOGY: JEAN LE CLERC AND ORIGEN." Doctoral thesis, Università Cattolica del Sacro Cuore, 2020. http://hdl.handle.net/10280/73305.
Повний текст джерелаThe present thesis analyses the reception of the thought of Origen of Alexandria (c. 184-c. 253) in Jean Le Clerc (1657-1736). Its particular focus is on Origen's conception of freedom and the theological doctrines related to it. The goal of this thesis is to uncover, through Le Clerc's use of Origen, some of the argumentative practices and the intellectual dynamics of the time, in particular in religious, especially inter-confessional, debates. This thesis is divided into three main parts. The first part has mainly an introductory character and looks at the epistemological assumptions of Le Clerc and his relationship with intellectual and religious authorities of the past. The second part reviews the various ways in which Le Clerc quoted, referred to or otherwise made use of the thought or the name of Origen in his vast production. This part provides a first result in that it frames, in general, Le Clerc's reception of Origen. This step is, at the same time, also preparatory for the material contained in part three. In the third part, only the material is considered which is strictly related to Origen's idea of freedom and the related theological doctrines of original sin, grace/predestination, and the problem of evil. The result of this analysis, as it appears form the examination of argumentative practices in the previous sections, is that Le Clerc was no simple "Origenist" but neither was he was fully uncommitted to the Origenian cause. A full commitment to Origen, despite this strong sympathy, was still hindered by Le Clerc's epistemological, scriptural and theological outlook.
BIANCHI, ANDREA. "HETERODOXY AND RATIONAL THEOLOGY: JEAN LE CLERC AND ORIGEN." Doctoral thesis, Università Cattolica del Sacro Cuore, 2020. http://hdl.handle.net/10280/73305.
Повний текст джерелаThe present thesis analyses the reception of the thought of Origen of Alexandria (c. 184-c. 253) in Jean Le Clerc (1657-1736). Its particular focus is on Origen's conception of freedom and the theological doctrines related to it. The goal of this thesis is to uncover, through Le Clerc's use of Origen, some of the argumentative practices and the intellectual dynamics of the time, in particular in religious, especially inter-confessional, debates. This thesis is divided into three main parts. The first part has mainly an introductory character and looks at the epistemological assumptions of Le Clerc and his relationship with intellectual and religious authorities of the past. The second part reviews the various ways in which Le Clerc quoted, referred to or otherwise made use of the thought or the name of Origen in his vast production. This part provides a first result in that it frames, in general, Le Clerc's reception of Origen. This step is, at the same time, also preparatory for the material contained in part three. In the third part, only the material is considered which is strictly related to Origen's idea of freedom and the related theological doctrines of original sin, grace/predestination, and the problem of evil. The result of this analysis, as it appears form the examination of argumentative practices in the previous sections, is that Le Clerc was no simple "Origenist" but neither was he was fully uncommitted to the Origenian cause. A full commitment to Origen, despite this strong sympathy, was still hindered by Le Clerc's epistemological, scriptural and theological outlook.
Bassi, Marie-Laure. "L'abbatiale de Baume-les-Messieurs à l'époque romane : histoire d'un chantier." Thesis, Besançon, 2013. http://www.theses.fr/2013BESA1006.
Повний текст джерелаThe Benedictine monastery of Baume-les-Messiers, attested in the textual sources at the end of the ninth century, is, along with Gingy, at the origin of the foundation of the abbey of Cluny. Two centuries later Balma figures among the preeminent monastic establishments in modern day Franche-Comté, and its church appears in the regional historiography as one of the stand out buildings of the Romanesque period. In spite of this, however, until recently the abbatial church still lacked a monographic study of the type that it was our intention to carry out, through the use of methods such as building archaeology. The archaeological investigations carried out between 2006 and 2012 have completely reshaped our understanding of the architectural layout of the earliest phase of the Romanesque church and have allowed us to identify a number construction phases. The study of the upstanding building, allied with the results of the archaeological excavations of the chancel, have revealed an initial phase of construction dateable to the beginning of the 11th century, which is characterised by an ambitious and hitherto unexpected architectural layout, in which the monumentality of the chevet is expressed through a series of five staggered chapels, framed by two imposing bell towers positioned at either extreme of the transept. A second Romanesque phase is discernable at a point in which the nave ensemble undergoes alteration, becoming vaulted. This modification is indicative of the early experimentation with vaulting that came about in the Jura, and more generally in the Saône valley, during the years 1020-1030. This second building campaign is also characterised by a considerable amount of experimentation in new forms of decorative features on the external walls, expressed through the inclusion of a series of lesenes and blind arcades. The architectural and decorative choices adopted throughout the course of the 11th century for the abbatial church of Saint-Pierre of Baume place the building firmly at the forefront of the new architectural expression of early Romanesque art, which was expanding more or less concomitantly, appearing in numerous centres throughout Europe. Moreover, this reconstruction of a large abbatial church from the 11th century onwards, conveys the wishes of a flourishing monastic community and reflects the power, albeit temporary, of the establishment
Raveton, Elsa-Chirine. "L'idée de simplicité divine : une lecture de Bonaventure et Thomas d'Aquin." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040138/document.
Повний текст джерелаThis study seeks to contribute to a better understanding and comprehension of the idea of divine simplicity, which means the absence in God of any composition. Cornerstone of medieval theological thinking, divine simplicity was rediscovered 35 years ago by philosophers of analytical leanings, who challenged its coherence. It has since formed the subject of abundant philosophical debate, however, the detour via the history of philosophy is necessary in order to draw out the network of concepts, arguments and issues, from where divine simplicity derives its meaning. After the study of the first development of this idea in ancient and patristic texts, and its treatment by Peter Lombard on the eve of the 4th Council of Lateran in 1215, which integrates for the first time divine simplicity in a genuin profession of faith of the magisterium, we shall focus on the works of Bonaventure of Bagnoregio and Thomas Aquinas, who grant this divine attribute a founding role in the study of the mystery of God. The idea of divine simplicity keeps being comprised in the dialectics of similarity and dissimilarity between Creator and creature. While Aquinas associates in an unilateral way absolute simplicity and transcendence of the uncreated, Bonaventure offers also created resemblances of divine simplicity which favour its intuition. Far from appearing incoherent, the idea of divine simplicity is a powerful means to open our minds to a level of superior reality, indeed mysterious, but nevertheless radiant
Kershaw, Alison. "The poetic of the Cosmic Christ in Thomas Traherne's 'The Kingdom of God'." University of Western Australia. School of Social and Cultural Studies, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0085.
Повний текст джерелаWhitcher, Gary Frederick. "'More than America': some New Zealand responses to American culture in the mid-twentieth century." Thesis, University of Canterbury. Humanities, 2011. http://hdl.handle.net/10092/6304.
Повний текст джерелаDixon, Susan Raglan. "The power of the gate the sculptured portal of St. Pierre, Moissac /." 1987. http://catalog.hathitrust.org/api/volumes/oclc/18799145.html.
Повний текст джерелаRoux, Anton. "Die implikasies van Pierre Babin se boek The new era in religious communication vir 'n kontemporêre jeugbedieningsmodel." Diss., 2000. http://hdl.handle.net/10500/17643.
Повний текст джерелаDie Jeugbediening binne die Nederduitse Gereforrneerde Kerk verkeer tans in 'n stroomversnelling, en roep om vemuwing en verandering. Onderliggend aan bierdie krisis wat ontstaan het, le die tydsgees van die postmodemisme. Laasgenoemde het 'n beslissende invloed op die wyse waarop die jongmense vandag die evangelie hoor en leer. Dit het ook 'n deurslaggewende invloed op geloofskommunikasie. Pierre Babin beredeneer in sy boek The New Era in Religious Communication vyf konsepte wat lig werp op die nuwe era wat aangebreek het in geloofskommunikasie en spreek daarrnee die krisis in hierdie nuwe era bevredigend aan. Hy benadruk die volgende hoofkonsepte, naamlik: • Die verskuiwing van die Gutenberg-era na die Oudiovisuele era • Die impak van die elektroniese media op geloof • Die weg van skoonheid • Die simboliese weg • Stereo-kategese. Die skrywer is van mening dat die hoofkonsepte, soos uitgewerk deur Babin, die basis le vir 'n effektiewe, kontemporere jeugbedieningsmodel vir die Suid-Afrikaanse konteks.
The ministering of the gospel to the youth within the Dutch Reformed Church finds itself in a rapid at present and is calling for rejuvenation and change. Underlying to this crisis, is the spirit of the times known as Post Modernism. The latter has a decisive influence on the way the youth of today hear and learn the gospel. It also has a conclusive impact on communicating religion. Pierre Babin argued in his book The New Era in Religious Communication five concepts which cast light on the new era which has arrived in the communication of religion. These address the crisis of the new era effectively. He emphasizes the following main concepts: • The shift from the Gutenberg era to the audiovisual era • The impact of the electronic era on faith • The way of beauty • The symbolic way • Stereo catechesis. The author is of the opinion that these concepts, as formulated by Babin, pave the way for an effective, contemporary model for ministering the gospel to the youth within the South African context.
Practical Theology
M. Diac. (Youth work)
Lavoie, Alex. "Les chartes de donations en Île-de-France au XIIe siècle : les exemples de l'abbaye Saint-Pierre-de-Montmartre et du prieuré Saint-Martin-des-Champs." Thèse, 2018. http://hdl.handle.net/1866/22030.
Повний текст джерелаMcLaren, Scott. "Books for the Instruction of the Nations: Shared Methodist Print Culture in Upper Canada and the Mid-Atlantic States, 1789-1851." Thesis, 2011. http://hdl.handle.net/1807/29810.
Повний текст джерела