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Статті в журналах з теми "Piano – Physiologie"

Автор: Grafiati

Опубліковано: 5 березня 2024

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1

Sutulova, Nataliia. "Piano sound phenomenon in English-language scientific discourse." Aspects of Historical Musicology 27, no. 27 (2022): 24–39. http://dx.doi.org/10.34064/khnum2-27.02.

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Statement of the problem. The process of achieving an aesthetically appealing and artistically true piano sound has long been a subject of research for musicians. In recent decades, domestic performance practice has relied on this issue mostly on the professional literature created back in the Soviet period. But the process of integrating Ukrainian musical education and performance into the European and world cultural space requires the study of alternative sources, primarily English-language ones, that reflect the experience of performers in different countries of the world, as well as correl

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2

Tworko, Paulina. "Fizjologia i ergonomia gry na fortepianie." Kwartalnik Młodych Muzykologów UJ, no. 47 (4) (2020): 229–54. http://dx.doi.org/10.4467/23537094kmmuj.20.025.13211.

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Ergonomics and Physiology of Piano Playing Much has been said about performance, styles and interpretation. However, we should ask ourselves where they come from, what they depend on, and what factors influence them. The answer is much more complex. This article deals with the problem of piano technique as an element on which interpretation, sound and expression depend to a large extent. The piano is an instrument with incredible tonal possibilities, but it requires fingering skills, the ability to “feel” the key and certain physical strength which is directly related to the technique we use.

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3

Probst, Stephanie. "From Machine to Musical Instrument." Journal of Musicology 38, no. 3 (2021): 329–63. http://dx.doi.org/10.1525/jm.2021.38.3.329.

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Media histories of music often frame technological innovation in the early twentieth century within a general zeal for automated musical reproduction. The engineering efforts of the Aeolian Company and its Pianola counter such narratives by fostering active music-making rather than passive listening. As a pneumatically powered attachment to a piano, the Pianola was initially limited to reproducing strictly mechanical renditions of music from perforated paper rolls. But the invention of the Metrostyle in 1903, a hand lever to achieve tempo-specific effects, significantly refined the musical cap

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4

Pascual-Leone, A., D. Nguyet, L. G. Cohen, J. P. Brasil-Neto, A. Cammarota, and M. Hallett. "Modulation of muscle responses evoked by transcranial magnetic stimulation during the acquisition of new fine motor skills." Journal of Neurophysiology 74, no. 3 (1995): 1037–45. http://dx.doi.org/10.1152/jn.1995.74.3.1037.

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1. We used transcranial magnetic stimulation (TMS) to study the role of plastic changes of the human motor system in the acquisition of new fine motor skills. We mapped the cortical motor areas targeting the contralateral long finger flexor and extensor muscles in subjects learning a one-handed, five-finger exercise on the piano. In a second experiment, we studied the different effects of mental and physical practice of the same five-finger exercise on the modulation of the cortical motor areas targeting muscles involved in the task. 2. Over the course of 5 days, as subjects learned the one-ha

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5

Ferrario, Virgilio F., Chiara Macrì, Emilia Biffi, Paolo Pollice, and Chiarella Sforza. "Three-Dimensional Analysis of Hand and Finger Movements during Piano Playing." Medical Problems of Performing Artists 22, no. 1 (2007): 18–23. http://dx.doi.org/10.21091/mppa.2007.1004.

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The movements required for piano playing usually involve low impact loads that do not exceed physiologic limits of human body, but their repetition may provoke microtrauma leading to overuse injuries. Experience may allow a pianist to modify the motor patterns used for a performance, allowing the highest accuracy with minimum effort. In the present study, hand and finger movement patterns were analyzed in 19 pianists (8 concert players, 11 students and teachers) while they played 16 measures of a minuet. The threedimensional coordinates of their right hand and fingers were obtained by a motion

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6

Tseng, Yu-Ting, Chia-Liang Tsai, and Fu-Chen Chen. "Wrist proprioceptive acuity is linked to fine motor function in children undergoing piano training." Journal of Neurophysiology 124, no. 6 (2020): 2052–59. http://dx.doi.org/10.1152/jn.00282.2020.

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We document that improved proprioceptive acuity is a common feature in young pianists. This proprioceptive improvement is associated with both proprioceptive processing and proprioceptive-motor integration. Higher wrist proprioceptive acuity in young pianists is linked to enhanced manual dexterity, which suggests that intensive piano training may improve untrained fine motor skills.

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7

Nakahara, Hidehiro, Shinichi Furuya, Peter R. Francis, and Hiroshi Kinoshita. "Psycho-physiological responses to expressive piano performance." International Journal of Psychophysiology 75, no. 3 (2010): 268–76. http://dx.doi.org/10.1016/j.ijpsycho.2009.12.008.

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8

Winges, Sara A., Shinichi Furuya, Nathaniel J. Faber, and Martha Flanders. "Patterns of muscle activity for digital coarticulation." Journal of Neurophysiology 110, no. 1 (2013): 230–42. http://dx.doi.org/10.1152/jn.00973.2012.

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Анотація:

Although piano playing is a highly skilled task, basic features of motor pattern generation may be shared across tasks involving fine movements, such as handling coins, fingering food, or using a touch screen. The scripted and sequential nature of piano playing offered the opportunity to quantify the neuromuscular basis of coarticulation, i.e., the manner in which the muscle activation for one sequential element is altered to facilitate production of the preceding and subsequent elements. Ten pianists were asked to play selected pieces with the right hand at a uniform tempo. Key-press times we

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9

Draucker, Shannon. "Music Physiology, Erotic Encounters, and Queer Reading Practices in Teleny." Victorian Literature and Culture 50, no. 1 (2021): 141–72. http://dx.doi.org/10.1017/s1060150320000145.

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While music often appears as a “code” for sexual desire in Victorian literature, this article explores music's presence in a text for which no veiled language was needed: the anonymously published pornographic novella Teleny (1893). The authors of Teleny invoke emerging scientific discourses about music physiology to draw explicit parallels between musical and sexual encounters—as when the protagonist Camille orgasms in response to the vibrations of his lover's piano music. In such moments, Teleny offers an insistent defense of queer desire as a natural process rooted in the organic and often

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10

Kostyuk, Aleksei A., and Galina V. Alekseeva. "Emotions as a Phenomenon of Vocal and Opera Music." Problemy muzykal'noi nauki / Music Scholarship, no. 1 (2023): 168–77. http://dx.doi.org/10.56620/2782-3598.2023.1.168-177.

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The article examines the phenomenon of emotions as one of the leading patterns of creation of the vocal score of the singer-actor, the communicative intermediary between the composer, the librettist, the singer-actor and the listener-viewer. Opera as a synthetic art unites together music, poetry, production, scenography, the art of face-paint and costumes. By means of melody, its rhythmical and intonational texture builds up and ciphers those emotions which the singer must arouse from the listener-viewer. Frequently composers in the piano-vocal scores of their operas have provided descriptions

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11

Kirchner, Joann Marie. "A Qualitative Inquiry into Musical Performance Anxiety." Medical Problems of Performing Artists 18, no. 2 (2003): 78–82. http://dx.doi.org/10.21091/mppa.2003.2015.

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This study examined the experience of performance anxiety in solo piano playing from the perspective of the participants. Research questions focusing on the following categories were addressed: (1) What does the experience of performance anxiety feel like to a solo pianist? (2) What are the ways in which performance anxiety manifests itself? A qualitative methodology was employed in this study. Six pianists on the faculties of southwestern colleges and universities were chosen selectively for participation. A survey questionnaire and an individual interview were used to collect data. The resea

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12

Dawson, William J. "Performing Arts Medicine-–A Bibliographic Retrospective of the Early Literature: An Historical Examination of Bibliographic References Pre-1975." Medical Problems of Performing Artists 28, no. 1 (2013): 47–53. http://dx.doi.org/10.21091/mppa.2013.1008.

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Performing arts medicine (PAM) emerged as a medical specialty around 1985. Prior to this time, relatively few publications addressed the identification and concerns of musicians’ and dancers’ medical problems. To determine what number and types of publications occurred prior to the actual beginnings of PAM as a discipline, and to determine how these original topics compared with present-day publications, a retrospective review of the current bibliographic database of the Performing Arts Medicine Association (PAMA) was undertaken. Out of a total of 12,600 entries to date, 489 references were fo

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13

Krasovskaya, Elena P. "Development of Concentration Future Musician-Teacher in the Class of Solo Musical and Instrumental Performance." Musical Art and Education 7, no. 1 (2019): 132–52. http://dx.doi.org/10.31862/2309-1428-2019-7-1-132-152.

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The article examines the basic characteristics of concentration as most important property of attention of future teachers-musicians and the methods which help its effective formation during piano lessons. Studying of scientific approaches to this concept of a context of physiology, the general psychology, pedagogy showed that concentration acts as the most important psychological condition of deeper understanding of objects and the phenomena, optimum course of cognitive and practical activities of the person, especially in the course of the learning and creativity. A person activity, enthusia

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14

Houdayer, E., M. Cursi, A. Nuara, et al. "ID 261 – Motor cortex plasticity after short-term piano training in adults." Clinical Neurophysiology 127, no. 3 (2016): e95-e96. http://dx.doi.org/10.1016/j.clinph.2015.11.321.

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15

Gaertner, Henriette, and Renzo Pozzo. "Feedback on force, Sound and video sequence of keystroke during piano playing." International Journal of Psychophysiology 108 (October 2016): 27. http://dx.doi.org/10.1016/j.ijpsycho.2016.07.085.

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16

Vitouch, O., C. Lamm, H. Bauer, and E. Vanecek. "484 Functional mapping in time and space: A SPT investigation of piano playing." International Journal of Psychophysiology 30, no. 1-2 (1998): 186. http://dx.doi.org/10.1016/s0167-8760(98)90483-4.

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17

Zhu, Wei-Na, Jun-Jun Zhang, Hai-Wei Liu, Xiao-Jun Ding, Yuan-Ye Ma, and Chang-Le Zhou. "Differential cognitive responses to guqin music and piano music in Chinese subjects: an event-related potential study." Neuroscience Bulletin 24, no. 1 (2008): 21–28. http://dx.doi.org/10.1007/s12264-008-0928-2.

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18

Straffi, Laura, Raffaella Chieffo, Alberto Inuggi, Francesca Spagnolo, Giancarlo Comi, and Letizia Leocani. "P030 Long-term cortical plasticity of interhemispheric inhibition in piano players: a transcranial magnetic stimulation study." Clinical Neurophysiology 119 (May 2008): S78—S79. http://dx.doi.org/10.1016/s1388-2457(08)60301-6.

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19

Houdayer, E., M. Cursi, A. Nuara, et al. "101. Functional changes of cortical motor circuits after piano training in adults: TMS and EEG evidence." Clinical Neurophysiology 127, no. 4 (2016): e155. http://dx.doi.org/10.1016/j.clinph.2015.09.109.

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20

Gärtner, H., and R. Pozzo. "Visual-auditory and force feedback in piano playing to improve the regulatory processes and performance of students." International Journal of Psychophysiology 188 (June 2023): 61. http://dx.doi.org/10.1016/j.ijpsycho.2023.05.157.

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21

Kent-Braun, J. A., A. V. Ng, J. W. Doyle, and T. F. Towse. "Human skeletal muscle responses vary with age and gender during fatigue due to incremental isometric exercise." Journal of Applied Physiology 93, no. 5 (2002): 1813–23. http://dx.doi.org/10.1152/japplphysiol.00091.2002.

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The purpose of this study was to compare the magnitude and mechanisms of ankle dorsiflexor muscle fatigue in 20 young (33 ± 6 yr, mean ± SD) and 21 older (75 ± 6 yr) healthy men and women of similar physical activity status. Noninvasive measures of central and peripheral (neuromuscular junction, sarcolemma) muscle activation, muscle contractile function, and intramuscular energy metabolism were made before, during, and after incremental isometric exercise. Older subjects fatigued less than young ( P < 0.01); there was no effect of gender on fatigue ( P = 0.24). For all subjects combined, fa

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22

MacRitchie, Jennifer, Steffen A. Herff, Andrea Procopio, and Peter E. Keller. "Negotiating between individual and joint goals in ensemble musical performance." Quarterly Journal of Experimental Psychology 71, no. 7 (2018): 1535–51. http://dx.doi.org/10.1080/17470218.2017.1339098.

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Successful joint action requires negotiation, especially in the event of goal incongruence. This article addresses goal incongruence in joint musical performance by manipulating the congruence of score instructions (congruent/incongruent) regarding tempo (speed) and dynamics (sound intensity) given to piano duos. The aim is to investigate how co-performers negotiate incongruent instructions for tempo and dynamics by balancing the prioritisation of individual goals versus the joint outcome and how this negotiation is modulated by musical expertise and personality (locus of control). In total, 1

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23

Hwi, L. P., and J. W. Ting. "36. Practicing medicine and music II: Ophthalmology and music." Clinical & Investigative Medicine 30, no. 4 (2007): 46. http://dx.doi.org/10.25011/cim.v30i4.2796.

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Cecil Cameron Ewing (1925-2006) was a lecturer and head of ophthalmology at the University of Saskatchewan. Throughout his Canadian career, he was an active researcher who published several articles on retinoschisis and was the editor of the Canadian Journal of Ophthalmology. For his contributions to Canadian ophthalmology, the Canadian Ophthalmological Society awarded Ewing a silver medal. Throughout his celebrated medical career, Ewing maintained his passion for music. His love for music led him to be an active member in choir, orchestra, opera and chamber music in which he sang and played t

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24

Pozzo, Renzo, and Henriette Gaertner. "The Coordination Between Pedal and Finger Forces During Piano Playing in Classical Passage With Respect to the Quality of Sound." International Journal of Psychophysiology 168 (October 2021): S159. http://dx.doi.org/10.1016/j.ijpsycho.2021.07.446.

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25

Pozzo, Renzo. "The Coordination Between Pedal and Finger Forces During Piano Playing in Classical Passage With Respect to the Quality of Sound." International Journal of Psychophysiology 168 (October 2021): S50. http://dx.doi.org/10.1016/j.ijpsycho.2021.07.149.

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26

Reschechtko, Sasha, and Mark L. Latash. "Stability of hand force production. II. Ascending and descending synergies." Journal of Neurophysiology 120, no. 3 (2018): 1045–60. http://dx.doi.org/10.1152/jn.00045.2018.

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We combined the theory of neural control of movement with referent coordinates and the uncontrolled manifold hypothesis to investigate multifinger coordination. We tested hypotheses related to stabilization of performance by covarying control variables, translated into apparent stiffness and referent coordinate, at different levels of an assumed hierarchy of control. Subjects produced an accurate combination of total force and total moment of force with the four fingers under visual feedback on both variables and after feedback was partly or completely removed. The “inverse piano” device was u

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27

Tryfonidou, M. A., M. A. Oosterlaken-Dijksterhuis, J. A. Mol, T. S. G. A. M. van den Ingh, W. E. van den Brom, and H. A. W. Hazewinkel. "24-Hydroxylase: potential key regulator in hypervitaminosis D3in growing dogs." American Journal of Physiology-Endocrinology and Metabolism 284, no. 3 (2003): E505—E513. http://dx.doi.org/10.1152/ajpendo.00236.2002.

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A group of growing dogs supplemented with cholecalciferol (vitamin D3; HVitD) was studied vs. a control group (CVitD; 54,000 vs. 470 IU vitamin D3/kg diet, respectively) from 3 to 21 wk of age. There were no differences in plasma levels of Piand growth-regulating hormones between groups and no signs of vitamin D3intoxication in HVitD. For the duration of the study in HVitD vs. CVitD, plasma 25-hydroxycholecalciferol levels increased 30- to 75-fold; plasma 24,25-dihydroxycholecalciferol levels increased 12- to 16-fold and were accompanied by increased renal 24-hydroxylase gene expression, indic

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28

Rieznik, Olena. "Children’s orchestral set “Harmonika” by H. T. Statyvkin as a source of developing initial skills of ensemble and orchestral music playing for preschool children." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 64, no. 64 (2022): 75–91. http://dx.doi.org/10.34064/khnum1-64.05.

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The figure of Hennadii Tymofiyovych Statyvkin as a reformer of the methodology of teaching the button accordion has always interested researchers for its versatility: ideas of restructuring the educational process of primary music education; experimental introduction of new methodological principles in the educational process; introduction of a seven-year period of training for button accordionists in children’s music schools; production of special training children’s selectable and ready-made button accordions; development and publication of a new curriculum and teaching aids. The above-menti

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29

Lega, Carlotta, Zaira Cattaneo, Noemi Ancona, Tomaso Vecchi, and Luca Rinaldi. "Instrumental expertise and musical timbre modulate the spatial representation of pitch." Quarterly Journal of Experimental Psychology 73, no. 8 (2020): 1162–72. http://dx.doi.org/10.1177/1747021819897779.

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Humans show a tendency to represent pitch in a spatial format. A classical finding supporting this spatial representation is the Spatial–Musical Association of Response Codes (SMARC) effect, reflecting faster responses to low tones when pressing a left/bottom-side key and to high tones when pressing a right/top-side key. Despite available evidence suggesting that the horizontal and vertical SMARC effect may be differently modulated by instrumental expertise and musical timbre, no study has so far directly explored this hypothesis in a unified framework. Here, we investigated this possibility b

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30

Azarpaikan, Atefeh, Hamid Reza Taherii Torbati, Mehdi Sohrabi, Reza Boostani, and Majid Ghoshuni. "The Effect of Parietal and Cerebellar Transcranial Direct Current Stimulation on Bimanual Coordinated Adaptive Motor Learning." Journal of Psychophysiology 35, no. 1 (2021): 1–14. http://dx.doi.org/10.1027/0269-8803/a000254.

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Abstract. Many daily activities, such as typing, eating, playing the piano, and passing the ball in volleyball, require the proficient coordination of both hands. In this study, the effects of anodal transcranial direct current stimulation (atDCS) on the acquisition, retention, and transfer of bimanual adaptive motor tasks were investigated. To this end, 64 volunteers ( Mage = 24.36 years; SD = 2.51; 16 females) participated in this double-blind study and were categorized randomly into 4 groups. During the pretest, posttest, 24-h and 48-h retention, and transfer tests, two forms of bimanual co

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31

Shumilina, Olha. "PIANO SONATS BY SIGNOR BER FROM KRAKOW MANUSCRIPTS AND CZECH MUSIC CULTURE OF THE SECOND HALF OF 18TH CENTURY." Ukrainian music 41, no. 3 (2021): 24–32. http://dx.doi.org/10.32782/2224-0926-2021-3-2.

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32

Telekhovska, Sofiia. "MANIFESTATIONS OF THE CHARACTERISTICS OF THE ROMANTIC STYLE ON THE EXAMPLE OF THE EVOLUTION OF BEETHOVEN'S PIANO SONATA FORMS." Ukrainian music 42, no. 4 (2021): 189–91. http://dx.doi.org/10.32782/2224-0926-2021-4-11.

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33

Bermúdez, L., M. A. Enciso, G. Rojas, R. Alvis, and M. Valdivia. "195 EVIDENCE OF SEASONALITY IN SEMEN CHARACTERISTICS OF CAPTIVE ANDEAN HAIRY ARMADILLO (CHAETOPHRACTUS NATIONI)." Reproduction, Fertility and Development 22, no. 1 (2010): 256. http://dx.doi.org/10.1071/rdv22n1ab195.

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Chaetophractus nationi is an armadillo species that inhabits in the high Andes of Peru, Chile, and Bolivia at altitudes of over 3000 m. The main threats to this species are habitat loss and over-hunting; in the last 10 years it has been estimated that the population has declined by 30%. The species is categorized as Vulnerable (VU, A2d) by International Union for Conservation of Nature (IUCN) and Peruvian legislation (DS-034-2004-AG) and is listed in appendix II of Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES). Chaetophractus nationi is 1 of 7 species

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34

Galliani, Anna. "Una prosa liberata. Nel condominio di carne di Valerio Magrelli." DILEF. Rivista digitale del Dipartimento di Lettere e Filosofia, no. 3 (July 10, 2023): 1–17. http://dx.doi.org/10.35948/dilef/2023.4326.

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Valerio Magrelli è uno dei più importanti scrittori italiani della nostra contemporaneità. La sua prima raccolta poetica, Ora serrata retinae, esce nel 1980 (e poi, a seguire, Nature e Venature, Esercizi di tiptologia, Didascalie per la lettura di un giornale, Disturbi del sistema binario, Il sangue amaro). Ma nel 2003 pubblica un libro in prosa, Nel condominio di carne, che segna inesorabilmente un momento di svolta per Magrelli, aprendo all’autore anche le vie della narrativa (si pensi a La vicevita, Addio al calcio, Geologia di un padre). Un testo davvero bizzarro, centaurico, tra prosa e p

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35

Ting, Olivia. "Between Piano and Forte: Hearing with Aids." Leonardo, January 25, 2024, 149–57. http://dx.doi.org/10.1162/leon_a_02496.

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Abstract The author connects reviving her piano practice after a 20-year hiatus with her deaf right ear “learning” to hear again with a cochlear implant. She touches upon parallels between the physiology of the instrument and her own body, and how they inform the inquiry for her Leonardo CripTech Incubator/Thoughtworks residency project Song Without Words.

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36

Ito, Kanami, Tatsunori Watanabe, Takayuki Horinouchi, et al. "Higher synchronization stability with piano experience: relationship with finger and presentation modality." Journal of Physiological Anthropology 42, no. 1 (2023). http://dx.doi.org/10.1186/s40101-023-00327-2.

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Abstract Background Synchronous finger tapping to external sensory stimuli is more stable for audiovisual combined stimuli than sole auditory or visual stimuli. In addition, piano players are superior in synchronous tapping and manipulating the ring and little fingers as compared to inexperienced individuals. However, it is currently unknown whether the ability to synchronize to external sensory stimuli with the ring finger is at the level of the index finger in piano players. The aim of this study was to compare the effect of piano experience on synchronization stability between the index and

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37

Lafferty, Margaret A., Amy Mackley, Pam Green, Deborah Ottenthal, Robert Locke, and Ursula Guillen. "Can Mozart Improve Weight Gain and Development of Feeding Skills in Premature Infants? A Randomized Trial." American Journal of Perinatology, June 22, 2021. http://dx.doi.org/10.1055/s-0041-1731279.

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Objective The study aimed to assess in a prospective randomized study the effect of Mozart's music on time to regain birth weight (BW) and development of oral feeding skills in babies born between 280/7 and 316/7 weeks of gestation. Study Design Healthy premature infants born between 280/7 and 316/7 completed weeks of gestation were randomized within 3 days of birth to either music or no music exposure. Infants in the music group were exposed to Mozart's double piano sonata twice per day for 14 days. The primary outcome was time to regain birth weight. The secondary outcome was development of

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Doi, Hirokazu, Kazuki Yamaguchi, and Shoma Sugisaki. "EXPRESS: Timbral Perception is Influenced by Unconscious Presentation of Hands Playing Musical Instruments." Quarterly Journal of Experimental Psychology, September 10, 2021, 174702182110480. http://dx.doi.org/10.1177/17470218211048032.

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Timbre is an integral dimension of musical sound quality, and people accumulate knowledge about timbre of sounds generated by various musical instruments throughout their life. Recent studies have proposed the possibility that musical sound is crossmodally integrated with visual information related to the sound. However, little is known about the influence of visual information on musical timbre perception. The present study investigated the automaticity of crossmodal integration between musical timbre and visual image of hands playing musical instruments. In the experiment, an image of hands

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Weinstein-Reiman, Michael. "Printing Piano Pedagogy: Experimental Psychology and Marie Jaëll's Theory of Touch." Nineteenth-Century Music Review, May 11, 2020, 1–27. http://dx.doi.org/10.1017/s1479409819000715.

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In her 1899 pedagogy manual Touch: Piano Instruction on the Basis of Physiology, the composer and pianist Marie Jaëll (1846–1925) describes pianistic touch as a ‘polyphony of sensations’, a synthesis of vibrations that is both physical and psychical. This article examines Jaëll's recourse to nineteenth-century experimental science, specifically experimental psychology, to develop a theory of pianistic touch. Touch, Jaëll contends, necessitates a pianist's attention to haptic and aural impulses in an elusive, ‘simultaneous and successive’ process that collates the pianist's tangible sensation o

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Aranceta-Garza, Alejandra, Alessandro Russo, Samuel D’Emanuele, Francesca Serafino, and Roberto Merletti. "High Density Surface Electromyography Activity of the Lumbar Erector Spinae Muscles and Comfort/Discomfort Assessment in Piano Players: Comparison of Two Chairs." Frontiers in Physiology 12 (December 1, 2021). http://dx.doi.org/10.3389/fphys.2021.743730.

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Introduction: At a professional level, pianists have a high prevalence of playing-related musculoskeletal disorders. This exploratory crossover study was carried out to assess and compare quantitatively [using high density surface electromyography (HDsEMG)], and qualitatively (using musculoskeletal questionnaires) the activity of the lumbar erector spinae muscles (ESM) and the comfort/discomfort in 16 pianists sitting on a standard piano stool (SS) and on an alternative chair (A-chair) with lumbar support and a trunk-thigh angle between 105° and 135°.Materials and Methods: The subjects played

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Jha, Shreya, Nicolette Stogios, Adriana Sarmento de Oliveira, Scott Thomas, and Robert P. Nolan. "Getting Into the Zone: A Pilot Study of Autonomic-Cardiac Modulation and Flow State During Piano Performance." Frontiers in Psychiatry 13 (April 13, 2022). http://dx.doi.org/10.3389/fpsyt.2022.853733.

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BackgroundMusic performance anxiety is a common experience among elite and professional musicians and impedes performers from achieving flow state, or a state of focused, sustained engagement that promotes optimal performance.ObjectiveThe aim of this study was to use heart rate variability (HRV) to determine the psychophysiological underpinnings of optimal music performance.MethodsWe assessed HRV to study how autonomic-cardiac modulation was associated with flow during piano performance. Twenty-two pianists (15–22 years) with at least a Grade 8 Royal Conservatory of Music certification prepare

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Börner, Hendrik, Gerolamo Carboni, Xiaoxiao Cheng, et al. "Physically interacting humans regulate muscle coactivation to improve visuo-haptic perception." Journal of Neurophysiology, January 18, 2023. http://dx.doi.org/10.1152/jn.00420.2022.

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When moving a piano or dancing tango with a partner, how should I control my arm muscles to sense their movements and follow or guide them smoothly? Here we observe how physically connected pairs tracking a moving target with the arm modify muscle coactivation with their visual acuity and the partner's performance. They coactivate muscles to stiffen the arm when the partner's performance is worse, and relax with blurry visual feedback. Computational modelling shows that this adaptive sensing property cannot be explained by the minimization of movement error hypothesis that has previously expla

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Асатрян, Ани Оганнесовна. ""GENERAL PIANO" SUBJECT TEACHING PECULIARITIES IN MUSIC HIGHER EDUCATION INSTITUTIONS." Innovations and Tendencies of State-of-Art Science, no. 20 (June 20, 2022). http://dx.doi.org/10.32743/netherlandsconf.2022.6.20.342457.

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Laczika, Klaus, Oliver P. Graber, Gerhard Tucek, et al. "“Il flauto magico” still works: Mozart’s secret of ventilation." Multidisciplinary Respiratory Medicine 8 (March 19, 2019). http://dx.doi.org/10.4081/mrm.2013.498.

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Background: Synchronisation/coupling between respiratory patterns and musical structure. Methods: Healthy professional musicians and members of the audience were studied during a performance of W.A. Mozart’s Piano Concerto KV 449. Electrocardiogram (ECG)/Heart Rate Variability (HRV) data recording (Schiller: MedilogWAR12, ECG-channels: 3, sampling rate: 4096 Hz, 16 Bit) was carried out and a simultaneous synchronized high definition video/audio recording was made. The breathing-specific data were subsequently extracted using Electrocardiogram-derived respiration (EDR; Software: Schiller

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Voudouris, Dimitris, Immo Schuetz, Tabea Schinke, and Katja Fiehler. "Pupil dilation scales with movement distance of real but not of imagined reaching movements." Journal of Neurophysiology, June 7, 2023. http://dx.doi.org/10.1152/jn.00024.2023.

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Pupillary responses have been reliably identified for cognitive and motor tasks, but less is known about their relation to mentally simulated movements (known as motor imagery). Previous work found pupil dilations during the execution of simple finger movements, where peak pupillary dilation scaled with the complexity of the finger movement and force required. Recently, pupillary dilations were reported during imagery of grasping and piano playing. Here we examined whether pupillary responses are sensitive to the dynamics of the underlying motor task for both executed and imagined reach moveme

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Xue, Biyun, and Jiameng Wang. "Effects of piano music of different tempos on heart rate and autonomic nervous system during the recovery period after high‐intensity exercise." Annals of Noninvasive Electrocardiology, June 16, 2022. http://dx.doi.org/10.1111/anec.12981.

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Chew, E., P. Taggart, and P. Lambiase. "P478Cardiac response to live music performance: effect of large-scale musical structure on action potential duration." EP Europace 22, Supplement_1 (2020). http://dx.doi.org/10.1093/europace/euaa162.136.

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Abstract Funding Acknowledgements This work has received funding from the ERC under the EU’s Horizon 2020 R&I programme (Grant agreement No. 788960) Background Strong emotions can trigger cardiac arrhythmias, but the heart-brain mechanism by which they do so is not well understood. Music induces strong emotions, precipitated by musical changes and intensified during live performance; it thus serves as a powerful tool through which to investigate heart-brain interaction. However, existing studies use short, artificial or pre-recorded music excerpts, out of context and classified into singul

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