Статті в журналах з теми "Piano music 19th century"
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Cha, Hosung. "A Study on Intermezzo in 19th-century Piano music." Music Theory Forum 22, no. 2 (December 31, 2015): 57–80. http://dx.doi.org/10.15571/mtf.2015.22.2.57.
Повний текст джерелаCha, Hosung. "A Study on Intermezzo in 19th-century Piano music." Yonsei Music Research 22, no. 2 (December 31, 2015): 57–80. http://dx.doi.org/10.16940/ymr.2015.12.57.
Повний текст джерелаTudor, Brînduşa. "The Piano, A Perfect Musical Instrument – Beginnings and Evolution (18th – 19th Centuries)." Review of Artistic Education 17, no. 1 (March 1, 2019): 100–105. http://dx.doi.org/10.2478/rae-2019-0010.
Повний текст джерелаAtlas, Raphael. "Spelling in early 19th‐century piano music: A guide to performance." Journal of Musicological Research 10, no. 3-4 (December 1990): 199–237. http://dx.doi.org/10.1080/01411899108574635.
Повний текст джерелаGlushkova, Svetlana. "PIANO WORKS OF THE POLTAVA COMPOSERS IN THE EDUCATIONAL REPERTOIRE OF THE MUSICAL INSTRUMENT." Aesthetics and Ethics of Pedagogical Action, no. 18 (September 9, 2018): 123–33. http://dx.doi.org/10.33989/2226-4051.2018.18.176330.
Повний текст джерелаKokanović Marković, Marijana. "Dance in the Salons: Waltzes, Polkas and Quadrilles in Serbian Piano Music of the 19th Century." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 133 (March 21, 2022): 120–33. http://dx.doi.org/10.31318/2522-4190.2022.133.257328.
Повний текст джерелаNagode, Aleš. "Benjamin Ipavec‘s Solo Songs on German Texts: Slovenian Patriot to German Muse." Musicological Annual 54, no. 1 (June 29, 2018): 23–30. http://dx.doi.org/10.4312/mz.54.1.23-30.
Повний текст джерелаOta, Mineo. "Bartók’s wrists and 19th-century performance practice: An essay on the historicity of piano technique." Studia Musicologica 53, no. 1-3 (September 1, 2012): 161–70. http://dx.doi.org/10.1556/smus.53.2012.1-3.12.
Повний текст джерелаRoguska, Agnieszka. "Piano in the land of unsaid love – musical contexts of emotional lives of married female characters in Thomas Mann’s Buddenbrooks and Sándor Márai’s Embers." Notes Muzyczny 1, no. 15 (June 21, 2021): 125–39. http://dx.doi.org/10.5604/01.3001.0014.9693.
Повний текст джерелаTemperley, David. "The origins of syncopation in American popular music." Popular Music 40, no. 1 (February 2021): 18–41. http://dx.doi.org/10.1017/s0261143021000283.
Повний текст джерелаRadzetskaya, Olga V. "Educational and Methodical Literature for Piano in the Catalogues of Music Publishers of the Second Half of the 19th — Early 20th Century." Observatory of Culture 18, no. 6 (December 21, 2021): 628–37. http://dx.doi.org/10.25281/2072-3156-2021-18-6-628-637.
Повний текст джерелаMaszczyńska, Dominika. "Nannette and Johann Andreas Streicher - their role in shaping musical life in Vienna in the early 19th century." Notes Muzyczny 1, no. 13 (June 9, 2020): 49–80. http://dx.doi.org/10.5604/01.3001.0014.1937.
Повний текст джерелаClark, Maribeth. "The Quadrille as Embodied Musical Experience in 19th-Century Paris." Journal of Musicology 19, no. 3 (2002): 503–26. http://dx.doi.org/10.1525/jm.2002.19.3.503.
Повний текст джерелаBashmakova, N. V., та K. V. Kravchenko. "CAPRICCIOʼS GENRE IN MANDOLIN MUSIC AT THE END OF THE 19th – THE EARLY OF THE 20th CENTURIES (for example of the concert pieces by С. Munier)". Музикознавча думка Дніпропетровщини, № 14 (21 січня 2019): 60–71. http://dx.doi.org/10.15421/221822.
Повний текст джерелаGajdošíková, Jana. "European and Czech Salon Piano Music in the Second Half of the 19th Century." Musicologica Olomucensia 12, no. 1 (December 11, 2010): 95–100. http://dx.doi.org/10.5507/mo.2010.013.
Повний текст джерелаPutri, Ni Made Ayu Dwara. "Karang Boma: Musical Composition Based on History, Painting and Kawi Dalang Art Creativity Theory." Jurnal Seni Musik 11, no. 1 (June 30, 2022): 86–91. http://dx.doi.org/10.15294/jsm.v11i1.54280.
Повний текст джерелаYang, Fan, and Yu Shi. "Brief Analysis on the Present Situation and Future Development of Piano Education in China." Lifelong Education 9, no. 6 (September 28, 2020): 81. http://dx.doi.org/10.18282/le.v9i6.1305.
Повний текст джерелаUtz, Christian. "Zur Poetik und Interpretation des offenen Schlusses." Die Musikforschung 73, no. 4 (September 22, 2021): 324–54. http://dx.doi.org/10.52412/mf.2020.h4.3.
Повний текст джерелаRadzetskaya, Olga V. "Educational and Methodical Literature for the Clavier and Piano in the History of Russian Music Publishing of the Second Half of the 18th — Early 20th Century." Observatory of Culture 17, no. 6 (February 10, 2021): 657–68. http://dx.doi.org/10.25281/2072-3156-2020-17-6-657-668.
Повний текст джерелаPopielska, Klaudia. "Sylwetka twórcza Aleksandra Zarzyckiego – zapomnianego kompozytora doby romantyzmu." Kwartalnik Młodych Muzykologów UJ, no. 46 (3) (2020): 23–39. http://dx.doi.org/10.4467/23537094kmmuj.20.010.12852.
Повний текст джерелаWu, Di. "A Study of Clara Schumann's Piano Music Performance, Composition and Teaching under the Feminist Movement." Journal of Education, Humanities and Social Sciences 5 (November 23, 2022): 22–27. http://dx.doi.org/10.54097/ehss.v5i.2878.
Повний текст джерелаPetri-Preis, Axel. "EMILY HOWARD'S LOVELACE TRILOGY: A MUSICAL HOMAGE TO A MATHEMATICAL PIONEER." Tempo 67, no. 265 (July 2013): 28–36. http://dx.doi.org/10.1017/s0040298213000442.
Повний текст джерелаMegyery, Noémi. "A „Sárga zongoraszoba”. Rippl-Rónai zenei festészete." Kaposvári Rippl-Rónai Múzeum Közleményei, no. 5 (2018): 291–312. http://dx.doi.org/10.26080/krrmkozl.2018.5.291.
Повний текст джерелаStanisławska, Dorota. "The history of Polish viola literature – the 19th and 20th centuries." Notes Muzyczny 2, no. 16 (December 30, 2021): 101–16. http://dx.doi.org/10.5604/01.3001.0015.5493.
Повний текст джерелаBraasch, Jonas. "Why did wind instruments stop evolving?" Journal of the Acoustical Society of America 151, no. 4 (April 2022): A182. http://dx.doi.org/10.1121/10.0011033.
Повний текст джерелаLewandowski, Stephan. "Ambros Rieder (1771‒1855) and the Art of Preluding." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 134 (November 17, 2022): 101–11. http://dx.doi.org/10.31318/2522-4190.2022.134.269621.
Повний текст джерелаKlendiy, O. M. "Interpretative aspect of C. Saint‑Saëns’s piano music." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, no. 56 (July 10, 2020): 136–53. http://dx.doi.org/10.34064/khnum1-56.09.
Повний текст джерелаUrsachi, Doina Dimitriu. "9. The Romantic German Lied – An Overview." Review of Artistic Education 21, no. 1 (June 1, 2021): 71–77. http://dx.doi.org/10.2478/rae-2021-0009.
Повний текст джерелаГрохотов, С. В. "Wilhelm von Lenz. Die großen Pianoforte-Virtuosen unserer Zeit aus persönlicher Bekanntschaft. Carl Tausig." Научный вестник Московской консерватории, no. 4(35) (December 19, 2018): 8–33. http://dx.doi.org/10.26176/mosconsv.2018.35.4.01.
Повний текст джерелаGaripova, Ninel F. "Amateur Piano Music-Making and the Ufa Section of the Imperial Russian Musical Society." ICONI, no. 1 (2019): 73–82. http://dx.doi.org/10.33779/2658-4824.2019.1.073-082.
Повний текст джерелаSzabó, Eszter. "Friendship of Well-known and Undeservedly Forgotten Masters in Late 19th and Early 20th Century Russian Piano Music. The Life and Work of Medtner, Rachmaninoff, and Scriabin." Studia Universitatis Babeş-Bolyai Musica 66, no. 2 (December 2021): 123–32. http://dx.doi.org/10.24193/subbmusica.2021.2.09.
Повний текст джерелаWald, Melanie. "„Ein curios melancholisches Stückchen“: Die düstere Seite von Haydns fis-Moll Sinfonie Hob. I:45 und einige Gedanken zur pantomime in der Instrumentalmusik." Studia Musicologica 51, no. 1-2 (March 1, 2010): 79–90. http://dx.doi.org/10.1556/smus.51.2010.1-2.6.
Повний текст джерелаDesai, Boman. "The Boy Brahms." 19th-Century Music 27, no. 2 (2003): 132–36. http://dx.doi.org/10.1525/ncm.2003.27.2.132.
Повний текст джерелаOleh, Klendii. "The Semantics of Virtuosity in Genre-Stylistic System of C. Saint-Saëns’s Album for Piano op. 72." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 52, no. 52 (October 3, 2019): 38–52. http://dx.doi.org/10.34064/khnum1-52.03.
Повний текст джерелаBailey, Candace. "Noel Lester, Piano Portraits from 19th-Century America. Centaur 2250, 1995./Maria Ferrente and Lincoln Mayorga, Best Kept Secrets: A Treasury of Passionate American Song Heard in 19th Century American Salons and Concert Venues. Massachusetts: Maria Ferrante, 2007." Journal of the Society for American Music 8, no. 2 (May 2014): 270–73. http://dx.doi.org/10.1017/s1752196314000157.
Повний текст джерелаBarut, Adil Koray. "M. DE FALLA, M. PONCE VE J. RODRIGO’NUN ESERLERİNDE BULUNMUŞ ORTAK TEMATİK MOTİFİN İNCELENMESİ." e-Journal of New World Sciences Academy 15, no. 4 (October 31, 2020): 242–57. http://dx.doi.org/10.12739/nwsa.2020.15.4.d0264.
Повний текст джерелаWaszak, Zbigniew. "Franz Liszt – a world citizen or a Hungarian patriot? Hungarian Rhapsodies as an example of implementing the concept of national music." Notes Muzyczny 1, no. 9 (June 20, 2018): 107–22. http://dx.doi.org/10.5604/01.3001.0012.9901.
Повний текст джерелаSerdiuk, Ya O. "Chamber music works by Amanda Maier in the context of European Romanticism." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, no. 56 (July 10, 2020): 121–35. http://dx.doi.org/10.34064/khnum1-56.08.
Повний текст джерелаCvejić, Žarko. "From men to machines and back: Automata and the reception of virtuosity in European instrumental art music, c.1815-c.1850." New Sound, no. 48-2 (2016): 65–80. http://dx.doi.org/10.5937/newso1648065c.
Повний текст джерелаYang, Fuyin. "“Passatempi musicali” by GuillaumeLouis Cottrau as the way Neapolitan song actualization in 19th century music." Aspects of Historical Musicology 19, no. 19 (February 7, 2020): 268–84. http://dx.doi.org/10.34064/khnum2-19.15.
Повний текст джерелаYaroslava, Serdiuk. "Evolution of Amanda Maier’s chamber music work." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 63, no. 63 (January 23, 2023): 124–43. http://dx.doi.org/10.34064/khnum1-63.07.
Повний текст джерелаVartanov, Sergei. "The “from despair to immortality of soul” concept in the interpretation of Beethoven’s Sonata op.111." PHILHARMONICA. International Music Journal, no. 4 (April 2020): 85–104. http://dx.doi.org/10.7256/2453-613x.2020.4.33070.
Повний текст джерелаAhisheva, Kseniia. "Three Preludes for piano by G. Gershwin in the context of the composer’s instrumental creativity." Aspects of Historical Musicology 19, no. 19 (February 7, 2020): 449–65. http://dx.doi.org/10.34064/khnum2-19.26.
Повний текст джерелаBurel, O. V. "About compositions for piano and orchestra by Ch.-M. Widor. Background." Aspects of Historical Musicology 13, no. 13 (September 15, 2018): 45–60. http://dx.doi.org/10.34064/khnum2-13.04.
Повний текст джерелаDubka, O. S. "Sonata for the trombone of the second half of the 16th – the beginning of the 19th centuries in the context of historical and national traditions of development of the genre." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, no. 54 (December 10, 2019): 55–70. http://dx.doi.org/10.34064/khnum1-54.04.
Повний текст джерелаShchetynsky, O. S. "Musical iconography of Annunciation: personal experience." Aspects of Historical Musicology 17, no. 17 (September 15, 2019): 74–89. http://dx.doi.org/10.34064/khnum2-17.05.
Повний текст джерелаLian, Yuanmei. "“Zwei Venetianische Lieder” by R. Schumann in the tradition of Austro-German romantic song." Aspects of Historical Musicology 18, no. 18 (December 28, 2019): 73–88. http://dx.doi.org/10.34064/khnum2-18.05.
Повний текст джерелаLinnik, M. S. "Refl ection of the scientifi c-critical position of R. Genika in his letters to N. Findeisen." Aspects of Historical Musicology 13, no. 13 (September 15, 2018): 14–26. http://dx.doi.org/10.34064/khnum2-13.02.
Повний текст джерелаHinson, Maurice, R. Larry Todd, and David Burge. "Nineteenth-Century Piano Music." Notes 48, no. 3 (March 1992): 913. http://dx.doi.org/10.2307/941733.
Повний текст джерелаKuzmina, O. A. "Opera for children-performers in the work of contemporary choir conductors." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, no. 56 (July 10, 2020): 281–98. http://dx.doi.org/10.34064/khnum1-56.18.
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