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Статті в журналах з теми "Piano music 19th century"
Cha, Hosung. "A Study on Intermezzo in 19th-century Piano music." Music Theory Forum 22, no. 2 (December 31, 2015): 57–80. http://dx.doi.org/10.15571/mtf.2015.22.2.57.
Повний текст джерелаCha, Hosung. "A Study on Intermezzo in 19th-century Piano music." Yonsei Music Research 22, no. 2 (December 31, 2015): 57–80. http://dx.doi.org/10.16940/ymr.2015.12.57.
Повний текст джерелаTudor, Brînduşa. "The Piano, A Perfect Musical Instrument – Beginnings and Evolution (18th – 19th Centuries)." Review of Artistic Education 17, no. 1 (March 1, 2019): 100–105. http://dx.doi.org/10.2478/rae-2019-0010.
Повний текст джерелаAtlas, Raphael. "Spelling in early 19th‐century piano music: A guide to performance." Journal of Musicological Research 10, no. 3-4 (December 1990): 199–237. http://dx.doi.org/10.1080/01411899108574635.
Повний текст джерелаGlushkova, Svetlana. "PIANO WORKS OF THE POLTAVA COMPOSERS IN THE EDUCATIONAL REPERTOIRE OF THE MUSICAL INSTRUMENT." Aesthetics and Ethics of Pedagogical Action, no. 18 (September 9, 2018): 123–33. http://dx.doi.org/10.33989/2226-4051.2018.18.176330.
Повний текст джерелаKokanović Marković, Marijana. "Dance in the Salons: Waltzes, Polkas and Quadrilles in Serbian Piano Music of the 19th Century." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 133 (March 21, 2022): 120–33. http://dx.doi.org/10.31318/2522-4190.2022.133.257328.
Повний текст джерелаNagode, Aleš. "Benjamin Ipavec‘s Solo Songs on German Texts: Slovenian Patriot to German Muse." Musicological Annual 54, no. 1 (June 29, 2018): 23–30. http://dx.doi.org/10.4312/mz.54.1.23-30.
Повний текст джерелаOta, Mineo. "Bartók’s wrists and 19th-century performance practice: An essay on the historicity of piano technique." Studia Musicologica 53, no. 1-3 (September 1, 2012): 161–70. http://dx.doi.org/10.1556/smus.53.2012.1-3.12.
Повний текст джерелаRoguska, Agnieszka. "Piano in the land of unsaid love – musical contexts of emotional lives of married female characters in Thomas Mann’s Buddenbrooks and Sándor Márai’s Embers." Notes Muzyczny 1, no. 15 (June 21, 2021): 125–39. http://dx.doi.org/10.5604/01.3001.0014.9693.
Повний текст джерелаTemperley, David. "The origins of syncopation in American popular music." Popular Music 40, no. 1 (February 2021): 18–41. http://dx.doi.org/10.1017/s0261143021000283.
Повний текст джерелаДисертації з теми "Piano music 19th century"
Brown, Myron D. "The 19th Century Tarantella for Piano: A Pedagogical Guide to Performance and Leveling." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1302883737.
Повний текст джерела譚詠基 and Wing-Kei Ruth Tam. "Accent markings in Schubert's piano sonatas." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B31211902.
Повний текст джерелаForward, David William. "The keyboard repertory as a reflector of art nouveau in music /." Title page, contents and introduction only, 1993. http://web4.library.adelaide.edu.au/theses/09PH/09phf745.pdf.
Повний текст джерелаSanchez, Luis. "Piano literature by Argentine composers from the late nineteenth century through the twentieth century : an annotated catalog." Virtual Press, 2002. http://liblink.bsu.edu/uhtbin/catkey/1247895.
Повний текст джерелаSchool of Music
Peersen, Hild Breien. "Franz Berwald and his quartet for piano and winds: its historical, stylistic, and social context." The Ohio State University, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=osu1104257313.
Повний текст джерелаMoraly, Stéphanie. "La sonate française pour violon et piano (1868-1943). Identité d’un genre musical." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040020.
Повний текст джерелаA great number of sonatas for violin and piano were composed during the French Third Republic, among which are some well-known masterpieces, such as the Franck, Fauré, Debussy or Ravel sonatas. This thesis draws on an unpublished catalogue of four hundreds and twenty-one sonatas by two hundred and nighty-one composers (French or Belgian), and seeks to study and define this musical genre.The first part examines the historical and socio-cultural context that enabled the French violin sonata to reach its acme at the end of the 19th century. The author goes to the sources of the repertoire to establish the favorable juncture at which particular currents met; from nationalism, the reinvigoration of instrumental music, artistic salons, concert societies and leading composers, to the Franco-Belgian school of violin playing. The second part seeks to better characterize the repertoire by applying typological and statistical methods to the referenced catalogue of the encountered works. The third part endeavors to define the identity of these sonatas as a musical genre, based on elements of their musical language. Finally, the fourth part sheds new light on Proust’s Sonate de Vinteuil, through a detailed analysis of fifty sonatas. The appendices gather numerous documents, including the referenced catalogue of the sonatas, a catalogue of composers, analytical tables for fifty sonatas, and a CD recorded by the author playing the violin
Delespaul, Caroline. "Le piano-orchestral en France entre 1835 et 1849 : une écoute de l'oeuvre pianistique." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE2087.
Повний текст джерелаIn France, the idea of an orchestral piano was born during the first half of the 19th century. Since the early decades, many commentators recognized in the keyboard instrument the ability to reproduce the orchestra by itself and the writingsestablished a close relationship between the piano and the orchestra. In the collective unconscious, the piano soon became a "complete small orchestra" as the use of this qualifier as a common reference shows. In the shadow of this thought, the idea of including an “orchestral figure“ into the pianistic work was developed and thus the idea of an orchestral piano. The main challenge of this thesis will be to attempt to define the French orchestral piano through the study of its reception. Indeed, we hypothesise that some works for piano or some parts of them invite the listener to make a transfer of ideas between the piano and the orchestra or to recognize the orchestra on the keyboard. The orchestral piano would then be a listening to the pianistic work. As a phenomenon related to the reception of the work, the orchestral piano belongs to the domain of the verbalization of music and we therefore chose to study it through the prism of musical speech. Our ambition being to define the orchestral piano, we decided to question its elaboration and its foundations by focusing on its infancy. Our research will consequently extend from 1835 to 1849, a period corresponding to the recognition of the idea until the beginning of it being brought into question
Hansen, Mark R. (Mark Russell). "The Pedagogical Methods of Enrique Granados and Frank Marshall: an Illumination of Relevance to Performance Practice and Interpretation in Granados' Escenas Románticas, a Lecture Recital, together with Three Recitals of Selected Works of Schubert, Pofkofieff, Chopin, Poulenc, and Rachmaninoff." Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc332111/.
Повний текст джерелаMonroe, Jonathan. "A Selection of Nineteenth Century Trumpet Literature for Low F Trumpet: A Performance Edition of F.G.A. Dauverné's Variations op. 3 and Amilcare Ponchielli's Concerto per Tromba e Banda op. 123." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984202/.
Повний текст джерелаHernandez, Alberto Hector. "Puerto Rican piano music of the nineteenth century /." Access Digital Full Text version, 1990. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10936671.
Повний текст джерелаКниги з теми "Piano music 19th century"
Wetter-Smith, Brooks De. 19th century music of Denmark & Germany. Sedro-Woolley, WA: Crystal Records, 1987.
Знайти повний текст джерелаNowak, Grzegorz. Polish symphonic music of the 19th century. Warszawa: CD Accord ; distributed by PolyGram Polska, 1996.
Знайти повний текст джерелаWard, Keith. For the parlor and the concert stage: A guide to recent collections of American piano music from colonial times through the 19th century. Hillsdale, N.Y: Pendragon Press, 2010.
Знайти повний текст джерелаWard, Keith. For the parlor and the concert stage: A guide to recent collections of American piano music from colonial times through the 19th century. Hillsdale, N.Y: Pendragon Press, 2010.
Знайти повний текст джерелаCharles Valentin Alkan: His life and his music. Aldershot, Hants, England: Ashgate, 2006.
Знайти повний текст джерелаJ.G. Irmler: Eine Leipziger Pianoforte-Fabrik und die Klaviermusik des 19. Jahrhunderts = a Leipzig piano manufacturer and and [sic] 19th-century piano music. Grimma: Edition Waechterpappel, 2000.
Знайти повний текст джерелаInterpreting Chopin: Analysis and performance. Burlington, VT: Ashgate, 2014.
Знайти повний текст джерелаKies, Christopher R. A discussion of the harmonic organization in the first movement of Elliott Carter's Sonata for violoncello and piano in light of certain developments in 19th and early 20th century music. Ann Arbor, MI: University Microfilms International, 1986.
Знайти повний текст джерелаBurge, David. Twentieth-century piano music. New York: Schirmer Books, 1990.
Знайти повний текст джерелаBurge, David. Twentieth-century piano music. New York: Schirmer Books, 1990.
Знайти повний текст джерелаЧастини книг з теми "Piano music 19th century"
Braguinski, Nikita. "Since the 19th century." In Mathematical Music, 34–42. London: Focal Press, 2022. http://dx.doi.org/10.4324/9781003229254-7.
Повний текст джерелаGolding, Rosemary. "Arthur Johnstone, ‘Music in the 19th Century’." In Music in Nineteenth-Century Britain, 111–21. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003003915-13.
Повний текст джерелаNußbaumer, Thomas. "Instrumental Folk Music in Tyrol since the 19th Century." In Playing Multipart Music, 213–48. Wien: Böhlau Verlag, 2021. http://dx.doi.org/10.7767/9783205214106.213.
Повний текст джерелаGolding, Rosemary. "Anon., ‘The Ancient Music of Ireland Adapted to the Piano Forte’." In Music in Nineteenth-Century Britain, 345–47. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003003915-41.
Повний текст джерелаRossi, Arcangelo. "Kantianism and Physics from the 19th to the 20th Century." In Language, Quantum, Music, 293–301. Dordrecht: Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-017-2043-4_27.
Повний текст джерелаGolding, Rosemary. "Eleanor Geary, Musical Education; with Practical Observations on the Art of Piano-Forte Playing." In Music in Nineteenth-Century Britain, 279–84. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003003908-32.
Повний текст джерелаEggers, Katrin, and Michael Lehner. "Freedom and Form in Piano Improvisation in the Early 19th Century." In The Routledge Handbook of Philosophy and Improvisation in the Arts, 343–54. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003179443-28.
Повний текст джерелаZavlunov, Daniil. "Alexander Mosolov’s Piano Sonata No. 1 and Its Synthetic Modernism." In Analytical Approaches to 20th-Century Russian Music, 132–54. New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003000808-10.
Повний текст джерелаClarke, Sabrina. "Synaesthetic Associations and Gendered Nature Imagery: Female Agency in the Piano Music of Amy Beach." In A Century of Composition by Women, 27–51. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95557-1_2.
Повний текст джерелаAli Sanlıkol, Mehmet. "Methodology." In Reform, Notation and Ottoman music in Early 19th Century Istanbul, 101–7. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003357858-6.
Повний текст джерелаТези доповідей конференцій з теми "Piano music 19th century"
Shkolina, Marina Sergeevna. "Ornamenting of Music Texture in Russian Piano Pieces in 19th – Early 20th Century." In All-Russian Scientific Conference with International Participation, Chair Zivar Makhmudovna Guseinova. Publishing house Sreda, 2021. http://dx.doi.org/10.31483/r-99579.
Повний текст джерелаAdamyan, Anna. "DEVELOPMENT OF THE ARMENIAN PIANO MUSIC IN THE SECOND HALF OF THE 19TH CENTURY: FIRST ARMENIAN VIRTUOSO CONCERT PIECES IN DIKRAN TCHOUHADJIANS PIANO HERITAGE." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s14.032.
Повний текст джерелаKim, Ji Young. "Clara Schumann and Jenny Lind in 1850." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.85.
Повний текст джерелаQi, Ling. "Explanation of Chinese Piano Music National Character in the First Half of the 20th Century." In 2016 2nd International Conference on Education Technology, Management and Humanities Science. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/etmhs-16.2016.97.
Повний текст джерелаFanger, Yara, Ken Pfeuffer, Udo Helmbrecht, and Florian Alt. "PIANX – A Platform for Piano Players to Alleviate Music Performance Anxiety Using Mixed Reality." In MUM 2020: 19th International Conference on Mobile and Ubiquitous Multimedia. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3428361.3428394.
Повний текст джерелаSynofzik, Thomas. "„Würde Sie’s zu sehr ermüden zu begleiten?“ – Clara Schumann als Lied- und Kammermusikpartnerin." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.82.
Повний текст джерелаJohnson, Henry. "Chinese Music, Difference and Inter-community Relations in a 19th-century New Zealand Gold-mining Setting." In The Asian Conference on Asian Studies 2020. The International Academic Forum(IAFOR), 2020. http://dx.doi.org/10.22492/issn.2187-4735.2020.2.
Повний текст джерелаGünther, Martin. "Liedbegleitung und künstlerische Identität. Zur Zusammenarbeit Clara Schumanns mit Julius Stockhausen." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.84.
Повний текст джерелаHaug, Judith I. "»Manch eine*r liegt, morgens noch trunken, im Rosengarten« – Rekonstruktionen osmanischer Musikgeschichte in Gesangstextsammlungen." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.56.
Повний текст джерелаHuber, Annegret. "Die Pianistin spricht. Überlegungen zur Epistemologie von Vertonungsanalysen und ihrer Funktion in musikwissenschaftlicher Forschung." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.83.
Повний текст джерела