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Статті в журналах з теми "Physical modelling synthesis"
Djoharian, Pirouz. "Material Design in Physical Modelling Sound Synthesis." Journal of New Music Research 30, no. 3 (September 1, 2001): 227–41. http://dx.doi.org/10.1076/jnmr.30.3.227.7470.
Повний текст джерелаPEARSON, MARK. "TAO: a physical modelling system and related issues." Organised Sound 1, no. 1 (April 1996): 43–50. http://dx.doi.org/10.1017/s1355771896000167.
Повний текст джерелаKRONLAND-MARTINET, R., Ph GUILLEMAIN, and S. YSTAD. "Modelling of natural sounds by time–frequency and wavelet representations." Organised Sound 2, no. 3 (November 1997): 179–91. http://dx.doi.org/10.1017/s1355771898009030.
Повний текст джерелаAbd Ghafar, Nurhanis Sofiah, Santhi Ulakanathan, Mahendran Samykano, Kumaran Kadirgama, Hussein A. Mohammed, and Wai Keng Ngui. "Template Synthesis of Ni Nanowires: Characterization and Modelling." Journal of Advanced Research in Fluid Mechanics and Thermal Sciences 77, no. 2 (November 14, 2020): 76–90. http://dx.doi.org/10.37934/arfmts.77.2.7690.
Повний текст джерелаAbeska, Yesim Yilmaz, and Levent Cavas. "Artificial neural network modelling of green synthesis of silver nanoparticles by honey." Neural Network World 32, no. 1 (2022): 1–14. http://dx.doi.org/10.14311/nnw.2022.32.001.
Повний текст джерелаMarvi, Z., S. Xu, G. Foroutan, K. Ostrikov, and I. Levchenko. "Plasma-deposited hydrogenated amorphous silicon films: multiscale modelling reveals key processes." RSC Advances 7, no. 31 (2017): 19189–96. http://dx.doi.org/10.1039/c7ra00478h.
Повний текст джерелаSzrek, Jarosław, Artur Muraszkowski, and Przemysław Sperzyński. "Type Synthesis, Modelling and Analysis of the Manipulator for Wheel-Legged Robot." Acta Mechanica et Automatica 10, no. 2 (June 1, 2016): 87–91. http://dx.doi.org/10.1515/ama-2016-0014.
Повний текст джерелаChatziioannou, Vasileios, Sebastian Schmutzhard, Montserrat Pàmies-Vilà, and Alex Hofmann. "Investigating Clarinet Articulation Using a Physical Model and an Artificial Blowing Machine." Acta Acustica united with Acustica 105, no. 4 (July 1, 2019): 682–94. http://dx.doi.org/10.3813/aaa.919348.
Повний текст джерелаNovitsky, Nikolay. "Mathematical modeling of hydraulic chains as cyber-physical objects." E3S Web of Conferences 216 (2020): 01091. http://dx.doi.org/10.1051/e3sconf/202021601091.
Повний текст джерелаd’Anterroches, Loïc, and Rafiqul Gani. "Group contribution based process flowsheet synthesis, design and modelling." Fluid Phase Equilibria 228-229 (February 2005): 141–46. http://dx.doi.org/10.1016/j.fluid.2004.08.018.
Повний текст джерелаДисертації з теми "Physical modelling synthesis"
Laird, Joel Augustus. "The physical modelling of drums using digital waveguides." Thesis, University of Bristol, 2001. http://hdl.handle.net/1983/ebd75b4b-bcdd-4cc7-b153-a6e0007682aa.
Повний текст джерелаWebb, Craig Jonathan. "Parallel computation techniques for virtual acoustics and physical modelling synthesis." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/15779.
Повний текст джерелаDesvages, Charlotte Genevieve Micheline. "Physical modelling of the bowed string and applications to sound synthesis." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31273.
Повний текст джерелаWalker, Andrew Peter. "Preparation, characterisation, and modelling of novel ammonia synthesis catalysts." Thesis, University of Cambridge, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.333351.
Повний текст джерелаDemoucron, Matthias. "On the control of virtual violins - Physical modelling and control of bowed string instruments." Phd thesis, Université Pierre et Marie Curie - Paris VI, 2008. http://tel.archives-ouvertes.fr/tel-00349920.
Повний текст джерелаVilleneuve, Jérôme. "Mise en oeuvre de méthodes de résolution du problème inverse dans le cadre de la synthèse sonore par modélisation physique masses-interactions." Thesis, Grenoble, 2013. http://www.theses.fr/2013GRENS041.
Повний текст джерелаAn “Inverse Problem”, usually consists in an inversion of the cause-to-effect relation. It's not about producing a “cause” phenomenon from a given “effect” phenomenon, but rather defining a “cause” phenomenon of which an observed effect would be the consequence. In the context of the CORDIS-ANIMA physical modeling and simulation formalism, and in particular within the GENESIS interface for sound synthesis and musical creation, both built by the ACROE-ICA laboratory, it is possible to identify such a problem: Considering a sound, which physical model could be built to produce it? This interrogation is fundamental if we consider the creative process engaged by the users of such tools. Indeed, being able to describe and to conceive the process which engenders a previously defined phenomenon or sonic (musical) event is an inherent need for the activity of musical creation. Reciprocally, disposing of elements for analyzing and decomposing the sound phenomenon's production chain allows to consider, by means of representation, direct processing, and re-composition, the production of very rich and expressive phenomena that present an intimate coherency with the natural sounds upon which the perceptive and cognitive experience are built.To approach this problem, we formulated and studied two underlying fundamental aspects. The first one covers the very description of the final result, the sound phenomenon. This description can be of different kinds and is often complex regarding objective and quantitative matters, therefore, our approach has consisted first in a reduction of the general problem by considering spectral content, or “modal structure”, defined by a phenomenological signal based approach. The second aspect concerns the functional and parametrical nature of models built with the CORDIS-ANIMA paradigm. Since all models are inherently a metaphor of an instrumental situation, each one must then be conceived as an interactive combination of an “instrument/instrumentist” couple. From these specifications we have defined ONE inverse problem, whose resolution required developing tools to interpret phenomenological data to parametrical data. Finally, this work has led to the implementation of these new tools in within the GENESIS software, as well as in its didactic environment. The resulting models fulfill coherence and clarity criteria and are intended to reintegrate the creative process. They do not constitute an end in themselves, rather a support proposed to the user in order to complete his process.As a conclusion to this work, we detail further directions that could be pursued in order to extend or possibly reformulate the inverse problem
Orelli, Paiva Guilherme. "Vibroacoustic Characterization and Sound Synthesis of the Viola Caipira." Thesis, Le Mans, 2017. http://www.theses.fr/2017LEMA1045/document.
Повний текст джерелаThe viola caipira is a type of Brazilian guitar widely used in popular music. It consists of ten metallic strings arranged in five pairs, tuned in unison or octave. The thesis work focuses on the analysis of the specificities of musical sounds produced by this instrument, which has been little studied in the literature.The analysis of the motions of plucked strings using a high speed camera shows the existance of sympathetic vibrations, which results in a sound halo, constituting an important perceptive feature. These measurements also reveal the existence of shocks between strings, which lead to very clearly audible consequences. Bridges mobilities are also measured using the wire-breaking method, which is simple to use and inexpensive since it does not require the use of a force sensor. Combined with a high-resolution modal analysis (ESPRIT method), these measurements enable to determine the modal shapes at the string/body coupling points and thus to characterize the instrument.A physical modelling, based on a modal approach, is carried out for sound synthesis purposes. It takes into account the strings motions according to 2 polarizations, the couplings with the body and the collisions between strings. This model is called a hybrid model because it combines an analytical approach to describe the vibrations of strings and experimental data describing the body. Simulations in the time domain reveal the main characteristics of the viola caipira
Gavazza, Giuseppe. "La synthèse par modèle physique comme outil de formalisation musicale." Thesis, Université Grenoble Alpes (ComUE), 2018. http://www.theses.fr/2018GREAS041.
Повний текст джерелаPhysical model synthesis offers an approach to composition alternative to the more usual signal processing. Considering the musical phenomenon as a "unicum" emerging from the interaction between the musicians and their instruments the physical model synthesis realizes and gives phenomenological and sensitive corporeality to the creative actions. By conceiving not as separate entities sound material and musical structure directs the potentialities of the computer and creates an original and fruitful dialectic between the formal (structural) and perceptual (cognitive).The sphere of action for my PhD concerns the development, formalisation and categorisation of structural models – created by physical modelling – useful for musical composition in the perspective to highlight the musical formalisation function associated with the CORDIS-ANIMA physical model simulation paradigm.The starting point for this work is 20 years of personal use as a composer, of the GENESIS physical model musical creation software developed by the ACROE-ICA laboratory.This experience has led me, through works both scientific (modelling) and artistic (music composition), to consider this environment not as a synthesis tool, but as a complex instrument, which allows to create a complete musical composition covering all three usual categories of acoustics and music: micro-formal (the tone, harmony, orchestration), mezzo-formal (the rhythm, melody, and the basic sequences/harmonic structures) and macro-formal (the higher level harmonic structure, the formal outline of the entire composition).My goal is not to propose the framework of a new music or a new aesthetic, but develop "well-tempered" instruments for a new practice of music creativity that explores and accomplishes better the potentialities of computer and digital technology. This also leads in the direction of broadening the dialectic instrumentality - writing music to a "supra instrumentality" [Cadoz6] and to post-scriptic outlook on musical creation [Cadoz7]
Kacem, Abbes. "Auralisation des transports ferroviaires en milieu urbain." Thesis, Université Grenoble Alpes (ComUE), 2019. http://www.theses.fr/2019GREAT049.
Повний текст джерелаRailway transportation represents an important source of noise pollution in urban areas. Both the development of new infrastructures and the increase in traffic raise the number of people impacted. As a result, reduction of railway traffic noise remains an active research field. The work carried out on the subject has been mainly focused on the estimation of sound levels. Theoretical and empirical models have been proposed to accurately predict railway noise levels. However, averaged sound pressure levels may be difficult to translate in terms of perceived noise annoyance, due to the complexity of the involved phenomena. One way to assess perceived noise annoyance is to synthesize and render the time domain pressure signal perceived by a listener. Noise annoyance is then evaluated perceptually through listening tests. This approach is called auralization.The goal of this thesis is to develop auralization methods for acoustic emissions from railway vehicles in urban environments. Railway noise is radiated from many individual sources. In urban areas, the railway noise mainly consists of rolling and traction noise. This thesis focuses specifically on the audio synthesis of these sources.In order to assess different types of wheels and rails, the auralization method of the rolling noise is based on a physical model whose parameters may be varied. In this approach, the excitation of the wheel/rail system is modeled in the time domain. Three sound synthesis modules are proposed for the acoustic emission signals of the rail, wheel and sleepers. Each module accounts for the excitation force of the wheel/rail system. Comparisons of simulated pass-by noise levels with measured data show a good agreement with differences smaller than 2 dB(A) in terms of A-weighted sound pressure levels. The approach is also evaluated trough listening tests. It is shown that when properly configured, the proposed model yields very realistic sounds.Noise from the traction system components is auralized using a granular synthesis technique. The technique, previously developed for road traffic engine noise, is adapted to railway vehicle noise. It is shown to accurately synthesize the acoustic emissions of these components
Mullan, E. "Physical modelling sound synthes by digital waveguide extraction with application to computer games and virtual environments." Thesis, Queen's University Belfast, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580109.
Повний текст джерелаКниги з теми "Physical modelling synthesis"
Lorenzo, Pareschi, and Russo Giovanni, eds. Modelling and numerics of kinetic dissipative systems. Hauppauge, N.Y: Nova Science Publishers, 2005.
Знайти повний текст джерелаЧастини книг з теми "Physical modelling synthesis"
Pfeifle, Florian, and Rolf Bader. "Performance Controller for Physical Modelling FPGA Sound Synthesis of Musical Instruments." In Current Research in Systematic Musicology, 331–50. Heidelberg: Springer International Publishing, 2013. http://dx.doi.org/10.1007/978-3-319-00107-4_14.
Повний текст джерелаPollitz, Fred F. "Regional Seismic Wavefield Computation on a 3-D Heterogeneous Earth Model by Means of Coupled Traveling Wave Synthesis." In Earthquake Processes: Physical Modelling, Numerical Simulation and Data Analysis Part I, 2085–112. Basel: Birkhäuser Basel, 2002. http://dx.doi.org/10.1007/978-3-0348-8203-3_12.
Повний текст джерелаRezaul Karim, Md, Mesut Balaban, Hakan Aydın, Hilmi Ünlü, and M. Hikmet Yükselici. "Synthesis, Characterization and Modelling of Colloidal Quantum Dots." In Topics in Applied Physics, 117–53. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-93460-6_3.
Повний текст джерелаVan Mierlo, Simon, and Hans Vangheluwe. "Statecharts: A Formalism to Model, Simulate and Synthesize Reactive and Autonomous Timed Systems." In Foundations of Multi-Paradigm Modelling for Cyber-Physical Systems, 155–76. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43946-0_6.
Повний текст джерелаWodołażski, Artur. "Modelling of Carbon Monoxide and Carbon Dioxide Methanation under Industrial Condition." In Biogas: Recent Advances and Integrated Approaches [Working Title]. IntechOpen, 2020. http://dx.doi.org/10.5772/intechopen.85170.
Повний текст джерелаBoiko, Yana. "MODELLING AS A METHOD OF COGNITION IN THE HUMANITIESMODELLING AS A METHOD OF COGNITION IN THE HUMANITIES." In Development of scientific, technological and innovation space in Ukraine and EU countries. Publishing House “Baltija Publishing”, 2021. http://dx.doi.org/10.30525/978-9934-26-151-0-1.
Повний текст джерелаPokojski, Jerzy, Lech Knap, and Michał Trojgo. "Concept of an Assisting Tool in the Design and Development Process of a Product with the CPS – Case Study." In Advances in Transdisciplinary Engineering. IOS Press, 2019. http://dx.doi.org/10.3233/atde190112.
Повний текст джерелаVallverdú, Jordi, and David Casacuberta. "Modelling Hardwired Synthetic Emotions." In Handbook of Research on Synthetic Emotions and Sociable Robotics, 460–71. IGI Global, 2009. http://dx.doi.org/10.4018/978-1-60566-354-8.ch023.
Повний текст джерелаAnderson, Raymond A. "Back-Door." In Credit Intelligence & Modelling, 365–404. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192844194.003.0010.
Повний текст джерелаVan Miert, Sabine, Jan Creylman, and Geert R. Verheyen. "Mining a Nanoparticle Dataset, Compiled Within the MODENA-COST Action." In Research Anthology on Synthesis, Characterization, and Applications of Nanomaterials, 1706–24. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-8591-7.ch071.
Повний текст джерелаТези доповідей конференцій з теми "Physical modelling synthesis"
Puranik, Ninad Vijay, and Gary P. Scavone. "Physical modelling synthesis of a harmonium." In Fourth Vienna Talk on Music Acoustics. ASA, 2022. http://dx.doi.org/10.1121/2.0001679.
Повний текст джерелаJunco, S. J. "Bond Graphs: An Engineering Tool For Integrated Modeling, Analysis, Diagnosis And Controller Synthesis Of Physical Systems." In 20th Conference on Modelling and Simulation. ECMS, 2006. http://dx.doi.org/10.7148/2006-0121.
Повний текст джерелаGambini, Francesco, Massimo Conti, Simone Orcioni, Franco Ripa, and Marco Caldari. "Physical modelling in SystemC-WMS and real time synthesis of electric guitar effects." In 2007 Fifth Workshop on Intelligent Solutions in Embedded Systems. IEEE, 2007. http://dx.doi.org/10.1109/wises.2007.4408493.
Повний текст джерелаPanks, Andrew J., Michael J. Howes, and Christopher M. Snowden. "The synthesis of microwave and MM-wave transistor oscillators based on physical modelling." In 25th European Microwave Conference, 1995. IEEE, 1995. http://dx.doi.org/10.1109/euma.1995.337161.
Повний текст джерелаStarostin, Igor E., Sergey P. Khalyutin, Alexei V. Altoukhov, and Albert O. Davidov. "Parallelization Applied to the Synthesis Methodology and Operation of Complex Systems Based on the Analysis and Modelling of their Physical and Chemical Processes." In 2020 1st International Conference Problems of Informatics, Electronics, and Radio Engineering (PIERE). IEEE, 2020. http://dx.doi.org/10.1109/piere51041.2020.9314638.
Повний текст джерелаMukti, Muhammad Hary, Rachel Jean Pawling, and David Andrews. "The Network Block Approach Applied to the Initial Design of Submarine Distributed Ship Service Systems." In SNAME 14th International Marine Design Conference. SNAME, 2022. http://dx.doi.org/10.5957/imdc-2022-249.
Повний текст джерелаLindborg, PerMagnus. "Feeling Loki's Pain: Designing and Evaluating a DIY 3D Auditory Display for Geodata Sonification." In ICAD 2021: The 26th International Conference on Auditory Display. icad.org: International Community for Auditory Display, 2021. http://dx.doi.org/10.21785/icad2021.004.
Повний текст джерелаCoules, Harry, Christopher Simpson, and Mahmoud Mostafavi. "Combining Weld Residual Stress Predictions and Measurement for Use in Probabilistic Structural Integrity Assessments." In ASME 2022 Pressure Vessels & Piping Conference. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/pvp2022-84741.
Повний текст джерелаManion, Charles A., and Mark Fuge. "Potential Energy Surfaces for Conceptual Design and Analysis of Mechanical Systems." In ASME 2021 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/detc2021-70921.
Повний текст джерелаDi Domenico, Massimiliano, Peter Kutne, Clemens Naumann, Juergen Herzler, Rajesh Sadanandan, Michael Stoehr, Berthold Noll, and Manfred Aigner. "Numerical and Experimental Investigation of a Semi-Technical Scale Burner Employing Model Synthetic Fuels." In ASME Turbo Expo 2009: Power for Land, Sea, and Air. ASMEDC, 2009. http://dx.doi.org/10.1115/gt2009-59308.
Повний текст джерелаЗвіти організацій з теми "Physical modelling synthesis"
Corriveau, L., J. F. Montreuil, O. Blein, E. Potter, M. Ansari, J. Craven, R. Enkin, et al. Metasomatic iron and alkali calcic (MIAC) system frameworks: a TGI-6 task force to help de-risk exploration for IOCG, IOA and affiliated primary critical metal deposits. Natural Resources Canada/CMSS/Information Management, 2021. http://dx.doi.org/10.4095/329093.
Повний текст джерела