Статті в журналах з теми "Photography, Artistic"
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Dondero, Maria Giulia. "Photography as a Witness of Theatre." Recherches sémiotiques 28, no. 1-2 (October 7, 2010): 43–57. http://dx.doi.org/10.7202/044587ar.
Stamenković, Miloš. "Sports photography and its artistic dimensionality." Fizicko vaspitanje i sport kroz vekove 8, no. 2 (2021): 119–33. http://dx.doi.org/10.5937/spes2102119s.
Vellanki, Vivek. "Shifting the Frame: Theoretical and Methodological Explorations of Photography in Educational Research." Cultural Studies ↔ Critical Methodologies 22, no. 2 (December 28, 2021): 132–42. http://dx.doi.org/10.1177/15327086211045976.
Viditz-Ward, Vera. "Photography in Sierra Leone, 1850–1918." Africa 57, no. 4 (October 1987): 510–18. http://dx.doi.org/10.2307/1159896.
Colner, Miha, and Ivan Petrović. "Ivan Petrović, Photographer, Archivist and Artist: Interview with Ivan Petrović." Cabinet, Vol. 2, no. 2 (2017): 4–9. http://dx.doi.org/10.47659/m3.004.int.
Arana, Almudena, María Dolores Rodriguez Laso, María Ángeles Olazábal, and Maite Pérez-Alonso. "CONTEMPORARY ARTISTIC PHOTOGRAPHY." Studies in Conservation 49, sup2 (September 1, 2004): 215–44. http://dx.doi.org/10.1179/sic.2004.49.s2.046.
Virkki, Susanna. "Finnish Theatre Photography and the Influence of Technology." Nordic Theatre Studies 26, no. 2 (September 9, 2014): 60. http://dx.doi.org/10.7146/nts.v26i2.24310.
Kvietkauskas, Mindaugas. "From Shulhoyf to Montparnasse: Cultural Collage in Moshé Vorobeichic's Photography Book The Ghetto Lane in Wilna (1931)." Colloquia 48 (December 30, 2021): 170–93. http://dx.doi.org/10.51554/coll.21.48.11.
Aziz, Abdul, John Felix, and Candy Reggi Sonia. "EKSPLORASI VISUAL SITU CANGKUANG DALAM FOTOGRAFI SENI." Capture : Jurnal Seni Media Rekam 9, no. 1 (March 8, 2018): 1–11. http://dx.doi.org/10.33153/capture.v9i1.2052.
McHugh, Susan. "Video Dog Star: William Wegman, Aesthetic Agency, and the Animal in Experimental Video Art." Society & Animals 9, no. 3 (2001): 229–51. http://dx.doi.org/10.1163/156853001753644390.
Laroche, Hervé. "Observation as photography: A metaphor." M@n@gement 23, no. 3 (September 30, 2020): 79–99. http://dx.doi.org/10.37725/mgmt.v23i3.5513.
Rusli, Edial. "IMAJINASI KE IMAJINASI VISUAL FOTOGRAFI." REKAM: Jurnal Fotografi, Televisi, dan Animasi 12, no. 2 (January 20, 2017): 91. http://dx.doi.org/10.24821/rekam.v12i2.1426.
Soyref, Polina G. "The Test of Photography." Koinon 3, no. 2 (2022): 86–105. http://dx.doi.org/10.15826/koinon.2022.03.2.018.
Susanto, Andreas Arie. "Fotografi adalah Seni: Sanggahan terhadap Analisis Roger Scruton mengenai Keabsahan Nilai Seni dari Sebuah Foto." Journal of Urban Society's Arts 4, no. 1 (April 30, 2017): 49–60. http://dx.doi.org/10.24821/jousa.v4i1.1484.
Wolska, Anna. "HISTORY OF PHOTOGRAPHY ON THE EXAMPLE OF SELECTED PHOTOGRAPHIC TECHNIQUES. A PHOTOGRAPH AS AN OBJECT." Muzealnictwo 61 (August 26, 2020): 192–200. http://dx.doi.org/10.5604/01.3001.0014.3639.
Yaman, Hakan. "The Perception and Views of Photographers on Artistic Photography in Turkey." Harmonia: Journal of Arts Research and Education 18, no. 1 (August 30, 2018): 77–84. http://dx.doi.org/10.15294/harmonia.v18i1.14667.
YURGENEVA, ALEXANDRA L. "Replicability in Art Photography: From Pictorialism to NFT Art." Art and Science of Television 18, no. 2 (2022): 13–38. http://dx.doi.org/10.30628/1994-9529-2022-18.2-13-38.
Botar, Oliver A. I. "László Moholy-Nagy's New Vision and the Aestheticization of Scientific Photography in Weimar Germany." Science in Context 17, no. 4 (December 2004): 525–56. http://dx.doi.org/10.1017/s0269889704000250.
Хиневич, Р. В., В. О. Скляренко, and О. О. Слітюк. "PERSPECTIVE AS A MEANS OF COMPOSITIONAL EXPRESSIVENESS IN ARTISTIC PHOTOGRAPHY." Art and Design, no. 3 (February 3, 2023): 9–18. http://dx.doi.org/10.30857/2617-0272.2022.3.1.
Vissers, Nathalie, Pieter Moors, Dominique Genin, and Johan Wagemans. "Exploring the Role of Complexity, Content and Individual Differences in Aesthetic Reactions to Semi-Abstract Art Photographs." Art and Perception 8, no. 1 (March 4, 2020): 89–119. http://dx.doi.org/10.1163/22134913-20191139.
Foster, David William. "The antarctica photography of Adriana Lestido." INTERIN 25, no. 1 (December 6, 2019): 187–97. http://dx.doi.org/10.35168/1980-5276.utp.interin.2020.vol25.n1.pp187-197.
Xue, Xinyi. "Photography in the Late Qing Dynasty: A Comparative Study." Journal of Education, Humanities and Social Sciences 8 (February 7, 2023): 1–15. http://dx.doi.org/10.54097/ehss.v8i.4218.
Bayu Pramana, I. Made. "Photography As A Bridge To Intercultural Interaction In Bali During The Netherland Indies Colonial Period Of The 1920-1930S." Lekesan: Interdisciplinary Journal of Asia Pacific Arts 2, no. 2 (November 19, 2019): 54–58. http://dx.doi.org/10.31091/lekesan.v2i2.888.
Xiong, Xiao Jie. "Research on the Application of Computer Virtual Image Technology in Artistic Photography." Advanced Materials Research 846-847 (November 2013): 1355–58. http://dx.doi.org/10.4028/www.scientific.net/amr.846-847.1355.
Kirby, Alun. "No maps for these territories: exploring philosophy of memory through photography." Estudios de Filosofía, no. 64 (July 30, 2021): 47–71. http://dx.doi.org/10.17533/udea.ef.n64a03.
París Romia, Gemma. "Arte como Simulacro de una Realidad Lejana en la Obra de Gerhard Richter." Barcelona Investigación Arte Creación 8, no. 2 (June 3, 2020): 101. http://dx.doi.org/10.17583/brac.2020.3580.
Polańska, Anna. "Działania artystyczne w gdańskim środowisku fotograficznym promujące fotografię marynistyczną w latach 1948-1981." Porta Aurea, no. 17 (November 27, 2018): 179–217. http://dx.doi.org/10.26881/porta.2018.17.08.
Kusuma, Sigit Setya. "Colour Splash untuk Model Perempuan dalam Fotografi Ekspresi." REKAM: Jurnal Fotografi, Televisi, dan Animasi 12, no. 1 (November 21, 2016): 43. http://dx.doi.org/10.24821/rekam.v12i1.1383.
Kondratiev, E. A. "Punctum and Reinterpretation in Photography." Art & Culture Studies, no. 2 (June 2021): 38–59. http://dx.doi.org/10.51678/2226-0072-2021-2-38-59.
Prodanik, Nadezhda V. "Semantics and function of photography in the literary world of the novel “Idiot” by F.M. Dostoevsky." Philological Sciences. Scientific Essays of Higher Education, no. 4 (July 2022): 74–80. http://dx.doi.org/10.20339/phs.4-22.074.
Renger-Patzsch, Albert. "Heretical thoughts on artistic photography (1925)." History of Photography 21, no. 3 (September 1997): 179–81. http://dx.doi.org/10.1080/03087298.1997.10443825.
Colner, Miha. "Bojan Salaj, photographer: The Ambivalent Eclecticism of Contemporary Photography." Membrana Journal of Photography, Vol. 1, no. 1 (2016): 14–19. http://dx.doi.org/10.47659/m1.014.rev.
Dzwonkowska, Paulina. "Photography and sculpture:The multifaceted relation of sculpture to photography and new media in the light of the evolving concept of sculpture." Journal of Education Culture and Society 1, no. 1 (January 17, 2020): 26–36. http://dx.doi.org/10.15503/jecs20101.26.36.
Andrey S., Mukhin. "The synthesis of socio-cultural and technical-technological causality of realism in photography." Vestnik of Saint Petersburg State University of Culture, no. 1 (50) (2022): 66–74. http://dx.doi.org/10.30725/2619-0303-2022-1-66-74.
Nestayko, Markiyan. "Photos of Julian Dorosh on the pages of Lviv periodicals on the example of a magazine “Literature and Art”." Proceedings of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv, no. 14(30) (December 2022): 346–59. http://dx.doi.org/10.37222/2524-0315-2022-14(30)-14.
Pfautsch, Anne. "Documentary Photography from the German Democratic Republic as a Substitute Public." Humanities 7, no. 3 (September 10, 2018): 88. http://dx.doi.org/10.3390/h7030088.
Santo, Santo. "PERPADUAN SENI FOTOGRAFI DAN GAYA ART NOUVEAU." Jurnal Dimensi Seni Rupa dan Desain 15, no. 2 (February 1, 2019): 219. http://dx.doi.org/10.25105/dim.v15i2.5647.
م.د. اخلاص عبد القادر طاهر. "The aesthetics of artistic expression in productions of Islamic Photography School." journal of the college of basic education 26, no. 106 (February 29, 2020): 324–43. http://dx.doi.org/10.35950/cbej.v26i106.4870.
Forgács, Éva. "“This Is the Century of Light”: László Moholy-Nagy’s Painting and Photography Debate in i 10, 1927." Leonardo 50, no. 3 (June 2017): 274–79. http://dx.doi.org/10.1162/leon_a_01425.
Arruti, Nerea. "Tracing the Past: Marcelo Brodsky's Photography as Memory Art." Paragraph 30, no. 1 (March 2007): 101–20. http://dx.doi.org/10.3366/prg.2007.0011.
Colner, Miha. "Human Figure as an Object: Vanja Bučan, photographer." Instinct, Vol. 4, no. 1 (2019): 28–32. http://dx.doi.org/10.47659/m6.028.rev.
Zawojski, Piotr. "Fotografia i film w praktyce artystycznej oraz propozycjach teoretycznych Davida Hockneya." Artium Quaestiones 31, no. 1 (December 20, 2020): 101–22. http://dx.doi.org/10.14746/aq.2020.31.4.
Laine, Anna. "Complementarity between Art and Anthropology: Experiences among kolam makers in South India." Suomen Antropologi: Journal of the Finnish Anthropological Society 34, no. 2 (January 1, 2009): 58–60. http://dx.doi.org/10.30676/jfas.116522.
Irwandi, Irwandi, G. R. Lono Lastoro Simatupang, and Soeprapto Soedjono. "SEJARAH SINGKAT STUDIO FOTOGRAFI POTRET DI YOGYAKARTA 1945-1975: SUMBER DAYA MANUSIA, TEKNOLOGI, DAN KREASI ARTISTIKNYA." REKAM: Jurnal Fotografi, Televisi, dan Animasi 11, no. 2 (March 18, 2016): 125. http://dx.doi.org/10.24821/rekam.v11i2.1298.
Polizzotto, Leonard. "Hard-Copy Imaging Options." Microscopy Today 2, no. 5 (August 1994): 14. http://dx.doi.org/10.1017/s155192950006627x.
Ben-Choreen, Tal-Or K. "Emergence of Fine Art Photography in Israel in the 1970s to the 1990s Through Pedagogical and Social Links with the United States." Contemporary Review of the Middle East 6, no. 3-4 (September 2019): 252–65. http://dx.doi.org/10.1177/2347798919872588.
Okpoko, Chinwe, and Mpho Chaka. "Exploratory view of the synergy between photojournalism and fine-art photography." IKENGA International Journal of Institute of African Studies 23, no. 2 (June 30, 2022): 1–23. http://dx.doi.org/10.53836/ijia/2022/23/2/003.
Brett, Donna West. "Operation Overlord: Civilian Photography and Artistic Mediation." Photography and Culture 14, no. 3 (July 3, 2021): 371–93. http://dx.doi.org/10.1080/17514517.2021.1927368.
Sawant, Shukla. "The Trace Beneath: The Photographic Residue in the Early Twentieth-century Paintings of the “Bombay School”." BioScope: South Asian Screen Studies 8, no. 1 (June 2017): 1–29. http://dx.doi.org/10.1177/0974927617700768.
Kanicki, Witold. "Blackfaced white: rasowe przypadki negatywu." Artium Quaestiones, no. 28 (May 22, 2018): 111–36. http://dx.doi.org/10.14746/aq.2017.28.5.