Добірка наукової літератури з теми "Photography and blindness"
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Статті в журналах з теми "Photography and blindness"
Baker, George. "Sharing Seeing." October 174 (December 2020): 163–75. http://dx.doi.org/10.1162/octo_a_00412.
Повний текст джерелаDokumaci, Arseli. "Vision Portraits." Film Quarterly 76, no. 2 (2022): 48–54. http://dx.doi.org/10.1525/fq.2022.76.2.48.
Повний текст джерелаFomenko, Andrey N. "Beyond the Threshold of the Visible: The Photographic Objects of Alexander Ugay." Vestnik of Saint Petersburg University. Arts 11, no. 2 (2021): 263–87. http://dx.doi.org/10.21638/spbu15.2021.206.
Повний текст джерелаMcCulloch, Douglas. "Shot in the Dark: Blindness and the Zero Point of Photography." Afterimage 39, no. 6 (May 1, 2012): 7–10. http://dx.doi.org/10.1525/aft.2012.39.6.7.
Повний текст джерелаHowie, Elizabeth. "Contesting plant-blindness with photography: Michael “Nick” Nichols’s portrait of a giant sequoia." photographies 14, no. 3 (September 2, 2021): 521–35. http://dx.doi.org/10.1080/17540763.2021.1960411.
Повний текст джерелаNouzeilles, Gabriela. "Theaters of Pain: Violence and Photography." PMLA/Publications of the Modern Language Association of America 131, no. 3 (May 2016): 711–21. http://dx.doi.org/10.1632/pmla.2016.131.3.711.
Повний текст джерелаGajiwala, Uday R., Swapnil Pachchigar, Dhaval Patel, Ishwar Mistry, Yash Oza, Dhaval Kundaria, and Shamanna B R. "Non-mydriatic fundus photography as an alternative to indirect ophthalmoscopy for screening of diabetic retinopathy in community settings: a comparative pilot study in rural and tribal India." BMJ Open 12, no. 4 (April 2022): e058485. http://dx.doi.org/10.1136/bmjopen-2021-058485.
Повний текст джерелаO’Brien, Kieran S., Raghunandan Byanju, Ram Prasad Kandel, Bimal Poudyal, Mariya Gautam, John A. Gonzales, Travis C. Porco, et al. "Village-Integrated Eye Worker trial (VIEW): rationale and design of a cluster-randomised trial to prevent corneal ulcers in resource-limited settings." BMJ Open 8, no. 8 (August 2018): e021556. http://dx.doi.org/10.1136/bmjopen-2018-021556.
Повний текст джерелаKim, Hyeong-Min, Kwangsic Joo, Jinu Han, and Se-Joon Woo. "Clinical and Genetic Characteristics of Korean Congenital Stationary Night Blindness Patients." Genes 12, no. 6 (May 21, 2021): 789. http://dx.doi.org/10.3390/genes12060789.
Повний текст джерелаPieczynski, Janusz, and Andrzej Grzybowski. "Review of Diabetic Retinopathy Screening Methods and Programmes Adopted in Different Parts of the World." European Ophthalmic Review 09, no. 01 (2015): 49. http://dx.doi.org/10.17925/eor.2015.09.01.49.
Повний текст джерелаДисертації з теми "Photography and blindness"
MOTA, SERGIO LUIZ RIBEIRO. "WHAT LEADS SIGHT TO BLINDNESS: LITERATURE, FILM, PHOTOGRAPHY AND OTHER VISUAL MEDIA." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2003. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=4832@1.
Повний текст джерелаEm O que destina o olhar à cegueira, discutem-se algumas representações do olhar cego como condição contemporânea, em textos ficcionais e teóricos, filmes e outras mediações imagéticas. Um dos objetivos do estudo é procurar respostas para as perguntas: de que maneira falar de cegueira diante da predominância de uma civilização da imagem? Ou estar diante de um olhar que se deforma ao perceber um mundo onde as imagens são cada vez mais numerosas, porém mais diversificadas e mais intercambiáveis? Na investigação de diversos textos, percebem-se as implicações do olhar deformado na experiência acelerada das imagens contemporâneas. É esta reflexão crucial que ecoa ao longo do texto, na revisão de algumas perspectivas possíveis para pensar o problema da cegueira como ganho, como outro ponto de vista, como nova possibilidade de visão, como antídoto para o acúmulo sem limite do excesso. E ainda: tendo o cuidado de não repetir os clichês do gênero que descobrem a espantosa capacidade de os cegos exercitarem sua percepção diante do mundo que se lhes apresenta como retrato de uma negação: a negação do visual.
In What leads the look to blindness we find discussions about some representations of the blind look as a contemporary condition in fictional and theoretical texts, films and other images mediations. One of the essays goals is to look for answers to the following questions: how to talk about blindness in a civilization where the image is predominant? Or how to confront ourselves with a world vision that is ever transforming while facing images that are always increasing, though more diversified and interchangeable? .In the process of reviewing several texts on the subject we find the implications of the transformed vision in the accelerated experience of contemporary images. This is the crucial reflection that echoes in the text, in the review of some possible perspectives to think the blindness issue as a gain, as another point of view, as a new possibility of seeing, as an antidote to the unlimited excess. Yet more: taking care of not repeating the gender clichés when unfold the amazing ability the blind have when exercising their perception before the world that presents itself as a denial portrait: the visual denial.
Caldas, Maria Cecília Caxambú. "Olha o que eu vi : vivência de fotografia com pessoas com deficiência visual." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284594.
Повний текст джерелаDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-21T22:15:38Z (GMT). No. of bitstreams: 1 Caldas_MariaCeciliaCaxambu_M.pdf: 1214871 bytes, checksum: 8d8338ba8b72c4e7da9634aa2d289d9e (MD5) Previous issue date: 2012
Resumo: A pesquisa trata sobre fotografia para deficientes visuais - indivíduos cegos e com baixa visão. Relatos na literatura mostram que a pratica fotográfica para deficientes visuais acrescenta experiências com as quais esses indivíduos anteriormente não tinham oportunidade de contato. O objetivo desta pesquisa foi investigar a relação de pessoas com deficiência visual com a fotografia. A partir da perspectiva dos participantes da pesquisa, nosso intuito foi apreender o que consideram significativo para a pessoa com deficiência visual, considerando como foco a fotografia. Buscamos entender como as falas sobre a produção fotográfica de interlocutores não deficientes (aquelas pessoas que descrevem as imagens para os deficientes visuais) encaminham novas possibilidades de compreensão das imagens. Os métodos usados no estudo foram trazidos de praticas de outros casos similares dentro desta temática, investigados durante o desenvolvimento do estudo, incluindo: observação de grupos e de exposições, atuação pratica e interlocução verbal com públicos especiais. Os resultados mostram que a associação entre a descrição verbal e o toque que segue a trajetória das linhas principais em relevo na imagem contribui para o acesso a fotografia, uma atividade presente no cotidiano de todas as pessoas. Essa pratica ajuda a abrir caminhos, não somente para a fotografia propriamente dita, mas também para a compreensão das múltiplas imagens que se apresentam diariamente para todas as pessoas na vida moderna
Abstract: This study addresses the issue of photography for people with visual impairments - blindness and low vision. Reports in the literature show that the practice of photography enables people with visual impairments to have experiences that they would not ordinarily have had. The aim of this study was to investigate how people with visual impairments can relate to photography. Based on the perspective of the participants in the study, our aim was to apprehend what they consider to be meaningful for persons with visual impairments regarding photography. We attempted to understand how enunciations about photographic production by the non disabled communication partner (those persons that described the images for the participants with visual impairments) generated new possibilities for understanding the images. The methods used in the study were borrowed from practices used in similar cases regarding this theme, and were investigated while the study was underway. They included observation of groups and exhibits, workshop practicum and verbal exchanges with special groups. The results showed that the association between verbal description and touching a trajectory of the main lines in relief on the image helped to enable access to photography, an activity that is present in the everyday lives of everyone. This practice can significantly open pathways not only to photography itself, but also to the understanding of multiple images that present themselves daily to all people in modern life
Mestrado
Artes Visuais
Mestre em Artes
Kaszynski, Elizabeth. "The Myth of Emmetropia: Perception in Rhetorical Studies." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc149616/.
Повний текст джерелаAlexander, Henry George. "Factors associated with diabetic retinopathy requiring treatment on fundal photography in participants of the Cape Town diabetic retinopathy screening programme." University of the Western Cape, 2016. http://hdl.handle.net/11394/5498.
Повний текст джерелаBACKGROUND AND RATIONALE: The Cape Town Metro District Health Service (MDHS) has introduced a Diabetic RetinopathyScreening (DRS) programme incorporating retinal fundal photography in diabetic services at primary health care (PHC) facilities. Hitherto, coverage of the DRS programme has been less than optimal in part due to volumes of diabetic patients attending PHC facilities. The aim of this study was to identify possible sub-groups of patients, attending the Cape Town DRS Programme, who are at most risk of diabetic retinopathy and might be prioritised for early diabetic retinopathy detection and subsequent sight-saving treatment. METHODOLOGY: A case-control study of risk factors for treatment-requiring diabetic retinopathy was conducted. This research sampled participants from the DRS programme provided by the MDHS eye care team to Type II diabetics attending public PHC facilities within the Klipfontein and Mitchells Plain Sub-Districts. Based on fundal images, cases were selected as those requiring ophthalmological treatment; and controls (three matched per case by area of residence) as those judged as not requiring ophthalmological treatment for diabetic retinopathy. Data on possible risk factors (clinical, laboratory) were extracted from the patients' folders. RESULT: The study included 453 participants, of whom 113 (24.9%) were cases and 340 (75.1%) were controls. Three factors were significantly associated with treatment-requiring diabetic retinopathy on multivariate analysis: Insulin dependency (OR of 2.96, 95% CI: 1.75 – 5.00); duration of diabetes of more than 10 years (OR of 3.44, 95% CI: 2.06 – 5.74) and sustained hyperglycaemia over the past six months (OR of 3.73, 95% CI: 1.69 – 8.22). A screening algorithm combining these criteria had a sensitivity of 61.2% (95% CI: 51.9 – 70.5). CONCLUSION: The findings indicate that a sub-set of patients attending the DRS programme in the Klipfontein and Mitchells Plain Sub-Districts have a greater likelihood of presenting with treatment-requiring diabetic retinopathy. Further research is required to develop a tool that is sufficiently sensitive to safely prioritise patients for fundal screening.
National Research Foundation (NRF)
Dudragne, Julie. "Desseins polymorphes, une approche poétique de la lumière : dessiner la lumière." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010565.
Повний текст джерелаThe narrative outline of a practice is sometimes sketched by the presence of a simple letter, like a humble dot can reveal the existence of a line.The "e" appears again in the drawing, adorns it with a multiplicity of meanings, giving it the weight never acquired of an autonomous sketch. (There is distinction in French language between the words "dessein" and "dessin" which one I play). At a time of heightened technical reproducibility and through a phenomenon - drawing the Light - the ambition and its tradition question themselves.The Drawing, on a sinuous path, crosses some excessive borders/frontiers, announcing his "transversality". The movement immanent to the material used and the hybridization as an intrinsic concept of the actual creative process, always at the service of the graphic element, will push the Drawing in many directions within and across disciplines - inviting origins, ideas, technical concepts and processes - but also physical. The light produced by the graphic experience, movements between visible and invisible, can be found not only in the sign but also in the photographic index and questions our perception.The research forn brightness and contrast in shades, often with black and white tons, gives an infinite range of potential variations to the creative/esthetic space/arena. This exhaustive potential is threatened by the ultimate act of creativity : the choice, shaping the spatial dispositions of light into multiple graphic compositions.Despite certain technical processes and their evolution, play, phantasy and light phenomenon' poetics protecting the Drawing' secret : an intimate characteristic in which onirism, as a wayto resist, appears. Working with light today - in a secret of a blind act, blinded, blinding - questions the Authenticity as a concept, creating an uneasy relationship to the aura, always between appearance and disappearance facing its previously announced loss
Wang, Yi-Ting, and 王怡婷. "Insight in Blindness – Rethinking Photographic Images from the Perspectives of Uncanny." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/bf7pr6.
Повний текст джерела國立交通大學
應用藝術研究所
104
This dissertation starts from the perspectives of the Uncanny. To start, the first part re-reads and re-thinks three iconic theses: Sigmund Freud’s ‘The Uncanny’, H. T. A. Hoffman’s ’The Sandman’, and Ernst Jentsch’s ‘On the Psychology of the Uncanny’. Based on and inspired by Jentsch and Freud's separate discussion on the immanence of the uncanny, the author’s perspective is formed serving as the later interpretational basis which is grounded in the aspects of psychology and psychoanalysis. To extend, the discussion turns to the re-reading of W. J. T. Mitchell’s pictorial theory. In “What Do Pictures Want”, Mitchell denotes concisely what the picture wants and what the sensual condition of the Pictorial Uncanny is. This dissertation extends on the critical consideration of the photographic image, discussing the question, “What do photographic images want?” From the viewpoint of the blending and co-existence of Heimlich and Unheimlich, the author contemplates on the new semantics square of pictorial uncanny as the initial step. Secondly, from the following three dimensions: the body of photographic image, the life form of photographic image, and the photographic ecosystem, the author illustrates how the photographic image is cognizes as an actual life form that therefore makes people feel uncanny via three essential elements: object, image and media. To conclude, this dissertation re-thinks on the photographic image and concludes the following four opinions: 1. The uncanny of photographic is the process to see when blindfolded. 2. What the photographic uncanny wants is to uncover the concealed. 3. Nathanel’s three forms of the blind in the ‘Sandman’ are as follows: “You see through the eyes not belonging to you.”, “You cannot see that you don’t have eyes. (the gaze of the blind)” , and “You see your own eyes are watching you. (the double looks back on you)”, which can be considered as the paradox of the photographic uncanny. 4. The uncanny of photography is mingled and woven with the cognitional and sensual status, which is close to the in-between status of the longing for Heimlich and the anxiety of Unheimlich.
Книги з теми "Photography and blindness"
author, Díaz Jorge, ed. Ojos que no ven: Look not with the eyes. Chile]: [Fodo Nacional de Desarrollo Cultural y las Artes], 2018.
Знайти повний текст джерелаWilde, Sanne de. The island of the colorblind. Lichtervelde: Kannibaal bvba / Hannibal, 2017.
Знайти повний текст джерелаImperial County. Kehrer Verlag Heidelberg, Klaus Kehrer, 2017.
Знайти повний текст джерелаIsland of the Colorblind. Kehrer Verlag Heidelberg, Klaus Kehrer, 2017.
Знайти повний текст джерелаЧастини книг з теми "Photography and blindness"
"The Blindness of Reference." In Baudelaire and Photography, 73–82. Routledge, 2017. http://dx.doi.org/10.4324/9781315096537-9.
Повний текст джерелаRoy, David K., and Prashant Amrelia. "The screening episode: visual acuity, mydriasis, and digital photography." In Diabetic Retinopathy: Screening to Treatment (Oxford Diabetes Library), 89–100. Oxford University Press, 2020. http://dx.doi.org/10.1093/med/9780198834458.003.0010.
Повний текст джерелаCipolletta, Giorgio. "Ubiquitous Self." In Virtual and Augmented Reality in Education, Art, and Museums, 93–115. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-1796-3.ch006.
Повний текст джерелаFlaherty, George F. "Revenge of Dust." In Hotel Mexico. University of California Press, 2016. http://dx.doi.org/10.1525/california/9780520291065.003.0003.
Повний текст джерела