Статті в журналах з теми "Performance dansée"
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Plancke, Carine. "Rythmomimisme et gestuelle dansée." Anthropologie et Sociétés 36, no. 3 (February 19, 2013): 137–52. http://dx.doi.org/10.7202/1014169ar.
Levac, Manon. "Les résonances de l’intime par la rencontre corps-voix-texte chez l’interprète en danse." L’Annuaire théâtral, no. 60 (August 15, 2018): 105–16. http://dx.doi.org/10.7202/1050924ar.
Briand, Michel, Johannes Odenthal, Karin Schlapbach, Tedi Tafel, and Raffaella Viccei. "L’Ekphrasis de la performance dansée : de la description d’un objet au récit d’une interaction." Perspective, no. 2 (December 30, 2020): 19–50. http://dx.doi.org/10.4000/perspective.19951.
Guillebaud, Christine. "L'art de la multimodalité." Anthropologie et Sociétés 38, no. 1 (July 10, 2014): 25–45. http://dx.doi.org/10.7202/1025807ar.
Pichette, Marie-Hélène. "Apport de l’étude de la performance à la compréhension d’une pratique musicale." Terrains 9 (September 22, 2011): 135–43. http://dx.doi.org/10.7202/1005898ar.
Sutton, Jane S., and Nkanyiso Mpofu. "Figuring Reconciliation: Dancing With the Enemy." Windsor Yearbook of Access to Justice 25, no. 2 (February 1, 2007): 291. http://dx.doi.org/10.22329/wyaj.v25i2.4616.
Dor, Garance. "Aurore Després (dir.), Gestes en éclats. Art, danse et performance." Interfaces, no. 40 (December 21, 2018): 203–5. http://dx.doi.org/10.4000/interfaces.610.
Perrin, Claire, and Maëlle Guerry. "Danse et corps hors norme : une performance artistique de la vulnérabilité." Ligeia N° 121-124, no. 1 (2013): 37. http://dx.doi.org/10.3917/lige.121.0037.
Renard, Johanna. "The Grand Union’s Improvisation Laboratory." Emulations - Revue de sciences sociales, no. 9 (September 10, 2018): 43–55. http://dx.doi.org/10.14428/emulations.009.003.
Cramer, Franz Anton. "Experience as Artifact: Transformations of the Immaterial." Dance Research Journal 46, no. 3 (December 2014): 24–31. http://dx.doi.org/10.1017/s0149767714000503.
Hilari, Johanna, and Julia Wehren. "Social Choreography as a Cultural Commoning Practice: Becoming Part of Urban Transformation in Une danse ancienne." Arts 13, no. 2 (April 9, 2024): 70. http://dx.doi.org/10.3390/arts13020070.
Agid, Roméo, and Sally Gardner. "Quand la danse interprète les gestes (des) sportifs." Cahiers de danse N° 1, no. 2 (October 20, 2023): 20–25. http://dx.doi.org/10.3917/cdd.001a.0020.
Lippi, Silvia. "Le corps, la femme et la danse érotique : performance sexuelle ou idéal ?" Champ psychosomatique 51, no. 3 (2008): 97. http://dx.doi.org/10.3917/cpsy.051.0097.
Bident, Christophe. "Danse, performance, violence, non-sens... le vrai-faux débat du festival d'Avignon." La pensée de midi N° 17, no. 1 (January 1, 2006): 150–52. http://dx.doi.org/10.3917/lpm.017.0150.
Boulba, Pauline L. "Traduire Jill Johnston." Cahiers de danse N° 0, no. 1 (April 5, 2023): 14–17. http://dx.doi.org/10.3917/cdd.001.0014.
Djebbari, Elina. "La relation musique-danse dans le genre du ballet au Mali : organisation, évolution et émancipation." Les Cahiers de la Société québécoise de recherche en musique 13, no. 1-2 (September 21, 2012): 21–26. http://dx.doi.org/10.7202/1012346ar.
Fink, Robert. ""Rigoroso (♪ = 126)": "The Rite of Spring" and the Forging of a Modernist Performing Style." Journal of the American Musicological Society 52, no. 2 (1999): 299–362. http://dx.doi.org/10.2307/832000.
Delavaud-Roux, Marie-Hélène. "De la musique et de la danse thérapie dans la thymélè d'Epidaure?" Dramaturgias, no. 10 (May 29, 2019): 471–79. http://dx.doi.org/10.26512/dramaturgias.v0i10.24899.
SIMONSON, MARY. "Visualizing Music in the Silent Era: The Collaborative Experiments of Visual Symphony Productions." Journal of the Society for American Music 12, no. 1 (January 25, 2018): 2–36. http://dx.doi.org/10.1017/s1752196317000505.
Sørensen, Anders Ravn. "At designe danskhed: Forestillinger om nationen på danske pengesedler." Kulturstudier 4, no. 1 (May 29, 2013): 118. http://dx.doi.org/10.7146/ks.v4i1.8143.
Kasai, Aya, Philippe Chéhère, Rie Harada, Nonoko Kameyama, and Julie Salgues. "La danse du détour: A collaborative arts performance with people touched by Minamata disease." Journal of Applied Arts & Health 14, no. 2 (July 1, 2023): 207–25. http://dx.doi.org/10.1386/jaah_00139_1.
Hiscock, Andrew. "Moving Shakespeare: La danse narrative and adapting to the Bard." Cahiers Élisabéthains: A Journal of English Renaissance Studies 102, no. 1 (March 30, 2020): 18–37. http://dx.doi.org/10.1177/0184767820914513.
Eliot, Karen. "‘Where Burns the Artist's Soul’: Tamara Karsavina's Writings on Artistry and Expression." Dance Research 42, no. 1 (May 2024): 78–97. http://dx.doi.org/10.3366/drs.2024.0418.
Li, Qidong. "Research on the Authenticity Deviation and Personalized Style in Horowitz’s Second Adaptation: Taking the Piano Piece Danse Macabre as an Example." Yixin Publisher 1, no. 1 (March 31, 2024): 45–53. http://dx.doi.org/10.59825/jet.2024.1.1.45.
Chaganti, Seeta. "Proleptic Steps: Rethinking Historical Period in the Fifteenth-Century Dance Manual." Dance Research Journal 44, no. 2 (2012): 29–47. http://dx.doi.org/10.1017/s0149767712000095.
Anwar, Anwar, Aulia Nurul Izmi, and Agung Widhi Kurniawan. "PENGARUH KETERAMPILAN, PENGETAHUAN DAN KEMAMPUAN SDM TERHADAP KINERJA KARYAWAN AGROINDUSTRI DANGKE DI KELURAHAN MATARAN KECAMATAN ANGGERAJA." SIBATIK JOURNAL: Jurnal Ilmiah Bidang Sosial, Ekonomi, Budaya, Teknologi, dan Pendidikan 2, no. 2 (January 5, 2023): 349–60. http://dx.doi.org/10.54443/sibatik.v2i2.534.
Chung, EunJu. "A Study on the Type of Site-Specific Dance Performance : Focusing on the Concept of Site of Post-Modern Dance." Journal of Dance Society for Documentation & History 60 (March 31, 2021): 269–88. http://dx.doi.org/10.26861/sddh.2021.60.269.
Røllum-Larsen, Claus. "J.S. Bach og Danmark. En studie i den danske præsentation og musikfaglige behandling af Bachs værker indtil 1950." Fund og Forskning i Det Kongelige Biblioteks Samlinger 54 (March 3, 2015): 305. http://dx.doi.org/10.7146/fof.v54i0.118887.
Calame, Claude. "Récit héroïque et pratique religieuse. Le passé poétique des cités grecques classiques." Annales. Histoire, Sciences Sociales 61, no. 3 (June 2006): 525–51. http://dx.doi.org/10.1017/s0395264900003164.
Maurin, Frédéric. "L’impermanence est-elle soluble dans le répertoire?" L’Annuaire théâtral, no. 53-54 (June 9, 2015): 75–90. http://dx.doi.org/10.7202/1031154ar.
Misler, Nicoletta. "Seven Steps, Seven Veils: Salomé in Russia." Experiment 17, no. 1 (2011): 155–84. http://dx.doi.org/10.1163/221173011x611888.
Forcolin, Francesca. "Magali Nachtergael et Lucille Toth (dir.), Danse contemporaine et littérature. Entre fictions et performances écrites." Studi Francesi, no. 177 (LIX | III) (December 1, 2015): 654–55. http://dx.doi.org/10.4000/studifrancesi.1516.
Morris, Geraldine. "Is it a Petipa dance we are watching?" Dance Research 37, no. 2 (November 2019): 220–38. http://dx.doi.org/10.3366/drs.2019.0274.
Wightman, Megan. "« Parfois j’ai conscience d’être moi ». L’identité plurielle chez Maurice Béjart, entre mémoires et autofiction." Voix Plurielles 17, no. 1 (April 27, 2020): 159–70. http://dx.doi.org/10.26522/vp.v17i1.2478.
Genetti, Stefano. "« Vu autrement »." Samuel Beckett Today / Aujourd’hui 34, no. 2 (August 24, 2022): 259–72. http://dx.doi.org/10.1163/18757405-03402006.
Park, Mi-Jin. "현대무용공연의 마케팅믹스 전략과 관람객 관람요인의 관계". Korea Journal of Sport 18, № 3 (30 вересня 2020): 133–46. http://dx.doi.org/10.46669/kss.2020.18.3.012.
Kékesi Kun, Árpád. "The Danse Macabre of “Democratic Dictatorship”: Sławomir Mrožek’s Tango in State-Socialist Hungary." Theatron 17, no. 4 (2023): 62–74. http://dx.doi.org/10.55502/the.2023.4.62.
LEONHARDT, NIC. "‘From the Land of the White Elephant through the Gay Cities of Europe and America’: Re-routing the World Tour of the Boosra Mahin Siamese Theatre Troupe (1900)." Theatre Research International 40, no. 2 (June 2, 2015): 140–55. http://dx.doi.org/10.1017/s0307883315000024.
Légeret, Katia. "Briller, obscurcir ou aveugler ? La lumière dans le théâtre et la danse contemporaine." Figures de l'Art. Revue d'études esthétiques 17, no. 1 (2009): 259–74. http://dx.doi.org/10.3406/fdart.2009.883.
Pradel, Lucie. "Patrimoine partagé et carnaval caribéen." Ethnologies 34, no. 1-2 (August 6, 2014): 251–71. http://dx.doi.org/10.7202/1026153ar.
Jan, Corentin. "Un Tanztheater pour le XXI e siècle ? Pratiques corporelles et grotesque queer-féministe dans les spectacles de Florentina Holzinger." Allemagne d'aujourd'hui N° 245, no. 3 (September 28, 2023): 143–54. http://dx.doi.org/10.3917/all.245.0143.
Rewa, Natalie, and Michael J. Sidnell. "Montreal: Festival de Theatre des Ameriques, May-June, 1995." Canadian Theatre Review 86 (March 1996): 51–55. http://dx.doi.org/10.3138/ctr.86.009.
Thibault, Sara, and Hervé Guay. "Sorties du théâtre : pratique de l’interartistique chez Brigitte Haentjens." L’Annuaire théâtral, no. 61 (August 28, 2018): 131–48. http://dx.doi.org/10.7202/1051030ar.
Muller-Jaecki, Marie-Paule. "Altérité et inclusion. Du corps propre au corps social en classe de langue : emprunts à la danse contemporaine." Voix Plurielles 10, no. 2 (November 28, 2013): 9–21. http://dx.doi.org/10.26522/vp.v10i2.837.
NYE, EDWARD. "‘Choreography’ is Narrative: The Programmes of the Eighteenth-Century Ballet d'Action." Dance Research 26, no. 1 (April 2008): 42–59. http://dx.doi.org/10.3366/e0264287508000054.
Hamayon, Roberte N. "Faire des bonds fait-il voler l’âme ?" Ethnologies 25, no. 1 (October 20, 2003): 29–53. http://dx.doi.org/10.7202/007125ar.
Despotovich, Brett, Robert Hengeveld, Risa Horowitz, Brandy Leary, Lynne Quarmby, and Susan Stewart. "An Other North: The Arctic Circle Summer Solstice Expedition 2017." RACAR : Revue d'art canadienne 43, no. 1 (August 7, 2018): 53–62. http://dx.doi.org/10.7202/1050820ar.
Cooksey, Sybil Newton. "Revenant Motion." liquid blackness 6, no. 2 (October 1, 2022): 88–117. http://dx.doi.org/10.1215/26923874-9930303.
Glasgow, V. L., S. A. Edwards, T. G. McEvoy, and M. Shanks. "The effect of feeding a diet high in fibre during the rearing period on reproduction in gilts." Proceedings of the British Society of Animal Science 1999 (1999): 67. http://dx.doi.org/10.1017/s1752756200002222.
Deslauriers, Rosaline. "Quand l’homme et l’image se disputent le plateau : la compagnie de théâtre Les Deux Mondes et ses machinations." L’Annuaire théâtral, no. 42 (May 5, 2010): 107–22. http://dx.doi.org/10.7202/041693ar.