Дисертації з теми "Performance and Installation Art"
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Bacon, Julie. "La performance-installation et les relations d'acte-archivage." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2001. http://theses.uqac.ca.
Повний текст джерелаLough, Alex Joseph. "Sonic Activation: a Multimedia Performance-Installation." FIU Digital Commons, 2016. http://digitalcommons.fiu.edu/etd/2632.
Повний текст джерелаLeong, Sau Mun Dawn-joy. "Scheherazade's sea: a mixed media, multi-sensory installation and performance." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B47295909.
Повний текст джерелаpublished_or_final_version
Music
Master
Master of Philosophy
Sadeghi, Seyedeh Tara. "De la violence dans l'art contemporain à partir des oeuvres de Valie Export, Marie-Jo Lafontaine, Ana Mendieta et quelques autres." Thesis, Aix-Marseille, 2018. http://www.theses.fr/2018AIXM0670.
Повний текст джерелаFrom the plastic reflections, this research aims to study links between violence and contemporary art. Violence has different perspectives. It is primarily a physical force that generates numbers of tangible effects. Then it is a concept that allows philosophers, psychologists, writers and artists to explore a vast field of research in their domain.The first part is going to study the history of visual art from the XIth century to our days and then take a look at the figurative art in Iran. The second part aims to study the use of the body in contemporary art, especially in installation, as the subject of physical violence based on historical and psychological facts. The tird part, dedicated to performance, will analyze representations of violent acts in artistical works and reveals the essential role of violence on our visual concepts. Then, in the last part, which speak about video art, we will examine videos where the violence is a permanent action that, moreover, reflect on the artists and allows us to take an interest in more recent works
Tanoai, Tuafale. "Story telling as koha consolidating community memories : [an exegesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Art and Design, 2009] /." Click here to access this resource online, 2009. http://hdl.handle.net/10292/783.
Повний текст джерелаHaute, Lucile. "Performer dans les environnements mixtes : Actualisation de l'espace programmé." Thesis, Saint-Etienne, 2014. http://www.theses.fr/2014STET2197/document.
Повний текст джерелаMixed environments are devices, stagings, installations, which hybridize what is tangible and what is digital, physical space and informational or fictional space. These environments allow for their experimenters to be here and now, but also simultaneously linked to an elsewhere or to another temporality. They borrow as much from the magic of the spectacle as from the engineer’s technologies. When they allow to create or to give access to other worlds, they join with performance. These worlds can be 3D platforms or fictions. Mixed environments are defined less by spectacular issues than by performative, fictional and plastic ones. The technical dimensions, be they digital technologies, the ceremonial formatting or stage design, join with the plastic dimensions. To perform in these environments is to search for, allow or provoke temporary states of the body that are related to the specific context of a demonstration. Aside from their public presentation, this dissertation work will also address these forms, which invite to multiple and singular experimentations, as well as the different ways they are explored, by the performers or by the experimenters
pettersson, pontus. "an ecology of things/thinking." Thesis, Konstfack, Institutionen för Konst (K), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6254.
Повний текст джерелаOen, Karin Grace. "Admonition and the academy : installation, video, and performance art in Reform Era China." Thesis, Massachusetts Institute of Technology, 2012. http://hdl.handle.net/1721.1/77871.
Повний текст джерелаCataloged from PDF version of thesis.
Includes bibliographical references (p. 201-214).
China's Reform Era (1978-present) has seen the reinvigoration of academic, and artistic practice, and a rapprochement between the Chinese Communist Party and the intellectual elite. At its beginnings in the early- to mid-1980s the new availability of foreign texts and media led to Culture Fever, a widespread phenomenon throughout the intellectual and artistic spheres characterized by enthusiasm for the philosophy, literature, and art of the West and pre-Communist China and the simultaneous uptake of discrete Western and Confucian philosophies. These discussions often addressed modernity and modernism in China, a crucial homology to early twentieth century Chinese negotiations in literature and the arts and the development of an amalgamated "Chinese modernism" comprised of elements of both Confucian and Western philosophy and aesthetics. As this dissertation argues, key early experimental works of the Reform Era by Zhang Peili, Wu Shanzhuan, and Zhang Huan reveal a proclivity for subtle and indirect admonitory messages about China's socio-political climate - a contemporary inhabitation of the traditional elite scholar-artist and his obligation to criticize immoral or unjust policies or actions. This admonitory practice was built by artists educated in elite academies (specifically, the Central Academy of Fine Art in Beijing and the Zhejiang Academy of Fine Art in Hangzhou) yet utilized completely new and non-academic media. What this thesis terms as an "art of admonition" utilized traditional tropes, including direct remonstrations of officials, withdrawal from official life in protest, and the concept of the "middle hermit" - a scholar who admonishes official policy subtly and indirectly. The experimental practices of artists after their graduation from elite academies stemmed from the extra-curricular resources made available to them, especially the schools' libraries. The connection of these unofficial works to the official academies, their validation by art market success, and the subsequent official endorsement accorded to these and other artists in the later Reform Era blurs the distinctions between official and unofficial artistic practice in China, suggesting a strong endorsement of the dissident artist's role as "middle hermit."
by Karin Grace Oen.
Ph.D.in History, Theory, and Criticism of Art and Architecture
Hindman, Julie Lynn. "Shadow of a Memory." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1317.
Повний текст джерелаHoltsclaw, Anita. "To see and be seen : cinematic constructions of gender and spectatorship in contemporary screen-based art." Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/76536/1/Anita_Holtsclaw_Thesis.pdf.
Повний текст джерелаWinter, Sarah J. "The monadic environment : evoking emotion and memory in participatory performance." Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/78684/2/Sarah%20Winter%20Exegesis.pdf.
Повний текст джерелаBacon, Julie Louise. "Recollecting the poetry and politics of archival spaces : an exploration of performance and installation art in the museum." Thesis, University of Ulster, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.431003.
Повний текст джерелаRye, Caroline. "Living cameras : a study of live bodies and mediatized images in multi-media performance and installation art practice." Thesis, Edinburgh Napier University, 2000. http://researchrepository.napier.ac.uk/Output/5886.
Повний текст джерелаBraddock, Christopher. "The artist will be present performing partial objects and subjects : a thesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Doctor of Philosophy (PhD), 2008." Click here to access this resource online, 2008. http://hdl.handle.net/10292/441.
Повний текст джерелаHannan, Holis. "Transcendence." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1316.
Повний текст джерелаYes, Melissa R. "Space Program." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1494286481799127.
Повний текст джерелаO'Shaughnessy, Francis. "L'art performance et l'installation : épuiser l'objet /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2007. http://theses.uqac.ca.
Повний текст джерелаLa p. de t. porte en outre: Mémoire présenté à l'Université du Québec à Chicoutimi comme exigence partielle de la maîtrise en arts plastiques. CaQQUQ Bibliogr.: f. [71-73]. Document électronique également accessible en format PDF. CaQQUQ
Findlay, Jules. "Mrs Gallagher, Acts of disobedience : performance and installation in rural New Zealand : this exegesis is submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design), 2007 /." Click here to access this resource online, 2007. http://repositoryaut.lconz.ac.nz/theses/1366/.
Повний текст джерелаAppendix 4 contains 2 DVDs. Includes bibliographical references. Also held in print (55 leaves : col. ill. ; 22 x 30 cm. + 2 DVDs) in City Campus Collection (T 709.93 FIN)
Escobar, Mayte. "The Body As Border: El Cuerpo Como Frontera." CSUSB ScholarWorks, 2015. https://scholarworks.lib.csusb.edu/etd/247.
Повний текст джерелаTsuda, Carlos Eduardo. "Arte sonora e espaço: estética e novas possibilidades poéticas." Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/18142.
Повний текст джерелаSound Art and Space: Aesthetics and New Poetic Possibilities (Goals) discusses the processes of hybridization between sound and space from a historical overview through areas such as music, architecture, visual arts, sound engineering and performance. Given the diversity of approaches to the topic, this dissertation intends to present alternative perspectives, focusing on the emergence of Sound Art. (Theoretical and Methodological Aspects) By dealing with changes in the ways of understanding sound, both in the world of contemporary music and in visual arts, the research describes different formats of the relationship between sound and space, which acquired new meanings in art installation after more recent experiments with sound. Moreover, it examines the forms of perception of sound and how they differ from other languages, since they imply specificities in their ways of spatialization. The concepts discussed here are applied in the analysis of relevant examples for the historical understanding of sound art and the relation between space and sound. (Results) These analysis serve as a theoretical basis for more in-‐ depth case studies, in which the author reflects about his creativive process in different works, such as the sound creation and composition for the contemporary dance spetacle Branco and the sound installation Promenade
Arte Sonora e Espaço: Estética e Novas Possibilidades Poéticas (Objetivos) discute os processos de hibridização entre som e espaço, a partir de um percurso histórico por áreas como a música, a arquitetura, as artes visuais, a engenharia acústica e a performance. Diante da diversidade de abordagens sobre o tema, a dissertação busca relacionar as diferentes perspectivas a partir de um recorte baseado no surgimento da Arte Sonora. (Aspectos Teórico-‐Metodológicos) Tratando das mudanças referentes às diferentes maneiras como o som passa a ser entendido, tanto no universo da música contemporânea como no das artes, a pesquisa intenta demonstrar como a relação entre som e espaço ganha novos sentidos diante das formas instalativas típicas nas experiências mais recentes com som. Além disso, examina diferentes modalidades de percepção do som, e de que modo estes diferem das demais linguagens, implicando em especificidades no que tocante às formas de espacialização. Os conceitos discutidos são aplicados na análise de exemplos pertinentes para o entendimento histórico da arte sonora e das relações entre som e espaço. (Resultados) Estas análises servem como ponto de partida para estudos de caso mais aprofundados em que o autor reflete sobre seu processo no desenvolvimento de obras, tais como a composição sonora para o espetáculo de dança contemporânea Branco e a instalação sonora Promenade
Delaporte, Marie-Laure. "L’artiste à la caméra : hybridité et transversalité artistiques (1962-2015)." Thesis, Paris 10, 2016. http://www.theses.fr/2016PA100145.
Повний текст джерелаSince the 1960’s the link between filmic and artistic practices has intensified. From now on artists and performers use the movie camera not only to record their practice but to transform and reveal it. Artist’s film becomes a way to discuss with the other arts and to create hybrid and transversal shapes. This dissertation aims to demonstrate that the artist with a movie camera, is a category in its own way, which goes beyond the documentary of recording the piece. It renews the body’s image through the camera’s eye, between presentation and representation with the pieces of Carolee Schneemann, Yvonne Rainer and Bruce Nauman. The artist’s film achieves to go beyond the medium’s specificity by glorifying sculpture and installation, by creating shapes and spaces of in-between, moving the visitor as did Robert Smithson or Anthony McCall, by revealing invisible aspects. We would like to understand how film can become a model of thinking for the other arts as well as for the medium of exhibition which reactivated according to new temporal and spatial principles. The artist with a movie camera goes beyond the thresholds of dance and opera, challenges the body and the perception of the visitor facing the definition of the screens et de exhibition’s condition like the ones of the pieces made by Matthew Barney, Bill Viola or Pierre Huyghe
McBride, Kenneth. "Eastern European time-based art during and after Communism." Thesis, University of Plymouth, 2011. http://hdl.handle.net/10026.1/486.
Повний текст джерелаFuelling, Christopher J. "The Ariadne project : a companion paper to the creative thesis 698 composition and performance of the opera/installation, Ariadne." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/845926.
Повний текст джерелаDepartment of Art
Edvalson, Eric John. "Cozy Mart: Convenient Aesthetics." BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6207.
Повний текст джерелаDurán, Gamba Mildred. "L'expression de la violence dans l'art actuel en Amérique Latine : notamment en Colombie, à Cuba et au Chili de 1995 à 2005 (dessin, peinture, sculpture, photographie, vidéo, installation et performance)." Paris 1, 2008. http://www.theses.fr/2008PA010587.
Повний текст джерелаJones, Rhiannon. "The artistry of conversation." Thesis, Nottingham Trent University, 2016. http://irep.ntu.ac.uk/id/eprint/31333/.
Повний текст джерелаOllestad, Dana. "Auto Tune." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2812.
Повний текст джерелаSvrckova, Tatiana. "Nexus." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1341527229.
Повний текст джерелаCohen, Miriam Aby. "O desenho da cena como experiência: intersecções na prática artística contemporânea entre cenografia instalação expografia." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-24112015-104914/.
Повний текст джерелаBrings up the performance designer\'s attitude, as an independent artist able to develop and materialize own narratives. An artist who moves through various languages areas, whose production places the design for Performance as the protagonist in the context of visual arts, performing arts and exhibition design. This research project aims to Identify and analyze the intersections, the practice In-between of distinct languages, in which the designer expresses artistically through the theatre design, art installation and exhibition design. Adopts the term \'performance design\' to redefining and to refer to the practice in different areas and the intersections, assigning forward the concept of \'performance design as experience\' to address the relationship and impact between performance design and the human being. Highlights the author\'s production of this thesis, her \'performance designs\' as objects of analysis, developed during the current period of this research project - from 2011 to 2015; complementing, punctually, with relevant productions from other authors, which collaborate for analysis of the topic. Recent curatorial projects that demonstrate relevance and influence on contemporary artistic practices in the field of performance design are also analysed, emphasising those approaching the theatricality of the practice of Performance within the gallery and the Museum, establishing distinct possibilities of perception and interactivity. Through the approach of the today curator\'s role, discusses his influence on the validation of artistic processes, therefore, the recognition of the work by performance designers as \'art\'. This thesis seeks to support thinking on how to bearing creative processes lined up with the aesthetic demands, language and tools of artistic production of the performance designers today. Especially on how to motivate the artist to trigger inspiring processes that can combat stagnation and repetition, transforming their practices and provoking a continuous development; also possibly pointing to relevant aspects of their training.
Buzz, Lu La. "The states and status of clay : material, metamorphic and metaphorical values." Thesis, University of Plymouth, 2018. http://hdl.handle.net/10026.1/11639.
Повний текст джерелаBurczykowski, Ludovic. "Par-delà l'écran : dimension physique et espace numérique." Thesis, Paris 8, 2014. http://www.theses.fr/2014PA080020.
Повний текст джерелаIn digital arts, a practice is being developed by an increasing number of creators. This practice puts in relation an immaterial projected digital image, with a material medium, generally non standardized, that ensures a certain kind of independence or autonomy towards the image. In these creations, it’s about starting from a distinction, an opposition or a distance between a virtual element and a physical element, and by moving it closer, make emerging a sense that this type of creation is becoming susceptible to carry. Becoming a specific way to express a relationship to the word, this articulation is a way to express sensible world with its own singularity and specificities. The purpose of this thesis is to outline various approaches for creation, methods of implementation, and potential mechanisms of perception when this meeting between image, object and scene is on. Not only to understand the reason of the expansion of this growing practice in the early 21st century, but also to guide some possible working areas for productions or analysis of art works
Afonso, Chissangue Rebelo de Sant' Ana. "Ninhos, um sítio específico de criação e diálogo entre arte, teatro e ecologia." Master's thesis, Universidade de Évora, 2021. http://hdl.handle.net/10174/29130.
Повний текст джерелаBach, Caroline. "Quand l’art contemporain s’intéresse à l’économie : espaces de travail et formes économiques en question." Thesis, Montpellier 3, 2019. http://www.theses.fr/2019MON30088.
Повний текст джерелаIn a book entitled Art and Economy, Jean-Marc Huitorel stated, in his introductio,n that 'artist provides tools to read the world.' For the artists whose practice is looking outward and consists, among other things, into provide tools to understand the read (Allan Sekula or Alfredo Jarr, for instance), an approach with economy is inevitable, without, however becoming necessarily specialists. Whether through flows cartography or exploring global trade mechanisms, on a large scale, or whether through a different scale, exploring spaces and working conditions, they fit perfectly into the current 'heterodox' (which claims the plurality of approaches) and give full legitimacy to the dialogue between art and economy
Kim, Eun Ju. "D'un monde à l'autre : poé͏̈tique du passage, ou l'artiste au lieu de l'oeuvre." Paris 1, 2003. http://www.theses.fr/2003PA010571.
Повний текст джерелаHouse, Kayli. "Pilgrim carnival." Thesis, view full-text document. Access restricted to the University of North Texas campus, 2002. http://www.library.unt.edu/theses/open/20022/house%5Fkayli/index.htm.
Повний текст джерелаA two-week event in four parts: invitation, installation, reception, and thank-you card. Installation for 2 hosts, 2 ushers, photographer, 4 posers, exerciser, sound persons, and blindfolded guests, with a mix of live and recorded sounds. Includes instructions for performance. Includes bibliographical references (p. 66-67).
Lindner, Stacie M. "Janine Antoni finding a room of her own /." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-12012006-133229/.
Повний текст джерелаTitle from title screen. Susan Richmond, committee chair; Nancy Floyd, Maria P. Gindhart, committee members. Electronic text (127 p. : iil. (mostly col.)) : digital, PDF file. Description based on contents viewed June 20, 2007. Includes bibliographical references (p. 121-127).
Dawes, Jason. "The Value of Everything is Nothing." CSUSB ScholarWorks, 2014. https://scholarworks.lib.csusb.edu/etd/248.
Повний текст джерелаVan, Heerden Peter. "Trek : hitchhiking on the ox-wagon of destiny : voortrekker, draadtrekker, saamtrekker." Master's thesis, University of Cape Town, 2004. http://hdl.handle.net/11427/15431.
Повний текст джерелаAs a South African artist I am in power to influence some manner of change, through my art, to the structure of national thought and hence national identity. Through my live art installation TOTANDERKUNTUlT, I offered South Africans the opportunity to engage in the cathartic process of resolution and reconciliation through dialogue. The aim of this dialogue is to engender a new method of practice for a non-racialised approach to the development of an integrated cultural identity that South Africans can work towards. I am not proclaiming to have this identity defined. I am positing saamtrekking as a method of practice for an identity that can be practiced by all race, colours and creeds of South Africans. Saamtrekking is a coming together, it is the acknowledged acceptance of some manner of change towards transformation. It requires acknowledgement in order to be practiced, the subject must practice acts of transformative behaviour in order to transform.
Spangler, Ashley Kay. "Hon's Anatomy: The Heart of Niki de Saint Phalle's Oeuvre." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1555591478935112.
Повний текст джерелаLeal, Mariana Katona. "Pele como tinta: o corpo entre gesto e vinco." Universidade do Estado do Rio de Janeiro, 2011. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=3317.
Повний текст джерелаPele como tinta: o corpo entre gesto e vinco discute o gesto como meio sem finalidade, dentro da ideia de processo artístico, diante da relação envolvendo a prática artística do vídeo e da intervenção com experiências desenvolvidas durante o mestrado na linha de Processos Artísticos Contemporâneos, em trabalhos como Auto-retrato, Tarja, Peles institucionais e Onde fica o Galpão? Dentre os gestos trabalhados está o gesto desterritorializante, no qual a instituição de ensino é convocada como espaço onde suas fronteiras são tratadas como forma de se pensar o fazer artístico, assim como o conceito de instituição. Além desse, outro trabalho proposto é o que relaciona o vídeo e o frame em texturas temporais dinâmicas. O gesto de tinta registrado em vídeo é condicionado a uma volta da pintura fixa da tela. Em Peles a estrutura do vinco é requisitada para compor os afetos e as construções que norteiam a escrita do e no corpo
Skin as ink: the body between crease and gesture discusses the gesture as a purposeless means within the concept of the artistic process, given the relationship of artistic practice involving video and intervention experiments carried out during the author's Masters course in Contemporary Art in works such as Auto-retrato, Tarja,Peles institucionais e Onde fica o Galpão? Among the gestures discussed here is the deterritorializing gesture in which the educationall institution is evoked as a space whose borders are treated as a way of thinking about the artistic process as well as the institution as a concept. Furthermore, the other work proposed here correlates video and frame in dynamic temporal textures. The ink gesture recorded on video is conditioned to a return of the fixed painting on the screen. In Skins, the structure of the crease is required to compose the affects and constructions that guide the writing on and of the body
Garubba, Keith. "Art/Science and a Blended Inquiry." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1405436323.
Повний текст джерелаMcLain, Melanie. "Warm Compression – Damp Gestures." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2810.
Повний текст джерелаYang, So Yeon. "The quest of childhood memory /." Online version of thesis, 2009. http://hdl.handle.net/1850/10956.
Повний текст джерелаCanola, Pedro [UNESP]. "Corpo híbrido: corpo cotidiano e corpo artístico na prática da performance art." Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/126335.
Повний текст джерелаEsta dissertação apresenta uma reflexão sobre a produção de Performance Art Contemporânea, pensada enquanto Linguagem que surge de um movimento de troca e mistura de informações, diferentes linguagens e sistemas imersos no cotidiano, constituindo uma ação híbrida. Mais objetivamente, trata do tema do Corpo tal como é abordado nessa linguagem, discutindo-o enquanto Corpo Artístico e Corpo Cotidiano, bem como sua potencialidade como Corpomídia, abordando questões conceituais iluminadas com uma leitura de performances de Joseph Beuys, Bruce Nauman, Yoko Ono, Rodrigo Braga, Tehching Hsieh e deste autor Pedro Canola.
This text focuses on the production of Contemporary Performance Art, considered as a Language which arises from a movement of exchange and mixing of information, different languages and systems immersed in daily life, providing a hybrid action. More objectively, deals with the theme of the body as discussed in this language, while discussing the Artistic Body and Daily Body, as well as its potential as Corpomídia, addressing conceptual issues clarified by comments on Joseph Beuys, Bruce Nauman, Yoko Ono, Rodrigo Braga Tehching Hsieh and Pedro Canola performances.
Canola, Pedro 1987. "Corpo híbrido : corpo cotidiano e corpo artístico na prática da performance art /." São Paulo, 2015. http://hdl.handle.net/11449/126335.
Повний текст джерелаBanca: Lúcio José de Sá Leitão Agra
Banca: José Paiani Spaniol
Resumo: Esta dissertação apresenta uma reflexão sobre a produção de Performance Art Contemporânea, pensada enquanto Linguagem que surge de um movimento de troca e mistura de informações, diferentes linguagens e sistemas imersos no cotidiano, constituindo uma ação híbrida. Mais objetivamente, trata do tema do Corpo tal como é abordado nessa linguagem, discutindo-o enquanto Corpo Artístico e Corpo Cotidiano, bem como sua potencialidade como Corpomídia, abordando questões conceituais iluminadas com uma leitura de performances de Joseph Beuys, Bruce Nauman, Yoko Ono, Rodrigo Braga, Tehching Hsieh e deste autor Pedro Canola.
Abstract: This text focuses on the production of Contemporary Performance Art, considered as a Language which arises from a movement of exchange and mixing of information, different languages and systems immersed in daily life, providing a hybrid action. More objectively, deals with the theme of the body as discussed in this language, while discussing the Artistic Body and Daily Body, as well as its potential as Corpomídia, addressing conceptual issues clarified by comments on Joseph Beuys, Bruce Nauman, Yoko Ono, Rodrigo Braga Tehching Hsieh and Pedro Canola performances.
Mestre
Turner, Raewyn Mary. "SKEIN pick up styx : an investigation of a selection of olfactory communication cyphers and their relationship to world events : a thesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master in Art and Design (MA&D), 2008 /." Click here to access this resource online, 2008. http://hdl.handle.net/10292/712.
Повний текст джерелаSeevinck, Jennifer. "Emergence in interactive art." Thesis, University of Technology, Sydney, 2011.
Знайти повний текст джерелаPinxit, Vaughn. "Stillness: A meditation in new media art." Thesis, Queensland University of Technology, 2016. https://eprints.qut.edu.au/93556/1/Vaughn_Pinxit_Thesis.pdf.
Повний текст джерелаVictor, Suzann. "The Image Stammers." Thesis, View thesis, 1999. http://handle.uws.edu.au:8081/1959.7/454.
Повний текст джерелаKountoupes, Nicola. "Eating the allegory /." Online version of thesis, 2009. http://hdl.handle.net/1850/8218.
Повний текст джерела