Книги з теми "Perception Psychological aspects"
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Jones, Mari Riess. Music perception. New York: Springer, 2010.
Blum, Lawrence A. Moral perception and particularity. Cambridge [England]: Cambridge University Press, 1994.
M, Williams A. Visual perception and Action in Sport. New York: E&FN Spon, 1999.
M, Williams A. Visual perception and action in sport. London: E & FN Spon, 1999.
Dumaurier, Elisabeth. La perception dans le domaine sonore. Issy-les-Moulineaux, France: EAP, 1990.
London, Justin. Hearing in time: Psychological aspects of musical meter. 2nd ed. New York: Oxford University Press, 2012.
Birren, Faber. Color perception in art. West Chester, Pa: Schiffer Pub., 1986.
Hilbert, David R. Color and color perception: A study in anthropocentric realism. Stanford, CA: Center for the Study of Language and Information, 1987.
Ebong, Maurice Okon. Environmental perception and human behaviour. Lagos, Nigeria: Published by Macmillan Nigeria Publishers for Nigerian Conservation Foundation, 1995.
Irène, Deliège, and Sloboda John A, eds. Perception and cognition of music. Hove, East Sussex: Psychology Press, 1997.
Bang, Molly. Picture this: Perception & composition. Boston: Little, Brown, 1991.
David, Butler. The musician's guide to perception and cognition. New York: Schirmer Books, 1992.
Slife, Brent D. Time and psychological explanation. Albany, NY: State University of New York Press, 1993.
Rodemann, Patricia. Patterns in interior environments: Perception, psychology, and practice. New York: J. Wiley & Sons, 1999.
Kleinschmidt, Harald. Perception and action in medieval Europe. Rochester, NY: Boydell Press, 2005.
Hargreaves, David J., Dorothy Miell, and Raymond A. R. MacDonald. Musical imaginations: Multidisciplinary perspectives on creativity, performance, and perception. Oxford: Oxford University Press, 2012.
Alan, Allport, ed. Language perception and production: Relationships between listening, speaking, reading and writing. London: Academic Press, 1987.
Beauchamp, James W. Analysis, synthesis, and perception of musical sounds: The sound of music. New York: Springer, 2010.
Uttal, William R. The perception of dotted forms. Hillsdale, N.J: L. Erlbaum Associates, 1987.
International, Conference on Event Perception and Action (3rd 1985 Uppsala Sweden). Action and perception in rhythm and music: Papers given at a symposium in the Third International Conference on Event Perception and Action. Stockholm, Sweden: Kungl, Musikaliska akademien, 1987.
Oldenburger Symposion zur Psychologischen Akustik (8th 2000). Contributions to psychological acoustics: Results of the eighth Oldenburg Symposium on Psychological Acoustics. Oldenburg: BIS, Bibliotheks- und Informationssystem der Universität Oldenburg, 2000.
1986), Oldenburger Symposion zur Psychologischen Akustik (4th. Contributions to psychological acoustics: Results of the fourth Oldenburg Symposium on Psychological Acoustics. Oldenburg: BIS, Bibliotheks- und Informationssystem der Universität Oldenburg, 1986.
Koslow, Robert Edward. Peripheral reaction time and depth perception as related to ball color. Eugene: Microform Publications,College of Human Development and Performance, University of Oregon, 1985.
Kahrmann, Klaus-Ove. Umkehrungen: Über den Zusammenhang von Wahrnehmen und Wirtschaften. Wiesbaden: VS Verlag für Sozialwissenschaften, 2010.
Edlund, Matthew. Psychological time and mental illness. New York: Gardner Press, 1987.
Berendt, Joachim Ernst. Ich höre, also bin ich: Hör-Übungen, Hör-Gedanken. Freiburg im Breisgau: H. Bauer, 1989.
Zuili, Nadine. Promenades autour de la temporalité: Psychologie scientifique : à quoi, à qui sert la recherche. Paris: L'Harmattan, 2003.
Ulrike, Lehmkuhl, ed. Die Bedeutung der Zeit: Zeiterleben und Zeiterfahrung aus Sicht der Individualpsychologie. Göttingen: Vandenhoeck & Ruprecht, 2005.
White, Peter A. Psychological metaphysics. London: Routledge, 1993.
Bigand, Emmanuel. L' organisation perceptive d'œuvres musicales tonales. [Paris]: Editions de la Maison des sciences de l'homme, 1993.
Tsur, Reuven. How do the sound patterns know they are expressive?: The poetic mode of speech perception. Jerusalem: Israel Science Publishers, 1987.
Baggley, John. Doors of perception: Icons and their spiritual significance. London: Mowbray, 1987.
Baggley, John. Doors of perception: Icons and their spiritual significance. Crestwood, NY: St. Vladimir's Seminary Press, 1995.
Baggley, John. Doors of perception: Icons and their spiritual significance. Crestwood, N.Y: St. Vladimir's Seminary Press, 1988.
Congrès de psychiatrie et de neurologie de langue française (83rd session 1985 Besançon, France). Les troubles de la perception de la musique d'origine neurologique: (les 3 niveaux de la désintégration de la perception musicale considérée comme une agnosie auditive). Paris: Masson, 1985.
Nagel, Frederik. Psychoacoustical and psychophysiological correlates of the emotional impact and the perception of music. Hannover: Center for Systems Neuroscience, 2007.
Francès, Robert. The perception of music. Hillsdale, N.J: L. Erlbaum, 1988.
J, Moore Brian C., Tyler Lorraine Komisarjevsky 1945-, and Marslen-Wilson William, eds. The perception of speech: From sound to meaning. Oxford: Oxford University Press, 2009.
Inge, Godøy Rolf, and Jørgensen Harald, eds. Musical imagery. Exton, PA: Swets & Zeitlinger Publishers, 2001.
Jones, Mari Riess, Arthur Popper, and Richard R. Fay. Music Perception. Springer, 2011.
Popper, Arthur N., Mari Riess Jones, and Richard R. Fay. Music Perception. Springer New York, 2012.
Blum, Lawrence A. Moral Perception and Particularity. Cambridge University Press, 2011.
Blum, Lawrence A. Moral Perception and Particularity. Cambridge University Press, 2010.
1937-, Davis Steven, and Vancouver Studies in Cognitive Science Conference (9th : 1996 : Simon Fraser University), eds. Color perception: Philosophical, psychological, artistic, and computational perspectives. New York: Oxford University Press, 2000.
Jackson, Robin, and A. Mark Williams. Perception and Decision-Making in Sport. Taylor & Francis Group, 2019.
Jackson, Robin, and A. Mark Williams. Perception and Decision-Making in Sport. Taylor & Francis Group, 2019.
Dowling, W. Jay, and Robert Frances. Perception of Music. Taylor & Francis Group, 2014.
Dowling, W. Jay, and Robert Frances. Perception of Music. Taylor & Francis Group, 2014.
Dowling, W. Jay, and Robert Frances. Perception of Music. Taylor & Francis Group, 2014.
Dowling, W. Jay, and Robert Frances. Perception of Music. Taylor & Francis Group, 2014.