Статті в журналах з теми "Painting, Abstract"
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Novák, Josef. "Abstract Painting." International Philosophical Quarterly 60, no. 3 (2020): 287–306. http://dx.doi.org/10.5840/ipq2020715152.
Sarkar, Asmita, and Aileen Blaney. "Material Metaphor and Reflexivity in Contemporary Painting: A Practice-based Investigation." Journal of Aesthetic Education 57, no. 1 (April 1, 2023): 98–119. http://dx.doi.org/10.5406/15437809.57.1.07.
Liu, Xu, and Taig Youn Cho. "Neuroaesthetic Study on Mondrian's Painting Style." Korea Institute of Design Research Society 7, no. 3 (September 30, 2022): 149–61. http://dx.doi.org/10.46248/kidrs.2022.3.149.
Franzini, Elio. "Painting and Difference (abstract)." Chiasmi International 1 (1999): 198. http://dx.doi.org/10.5840/chiasmi1999145.
Key, Joan. "Future Use: Abstract Painting." Third Text 23, no. 5 (September 2009): 557–63. http://dx.doi.org/10.1080/09528820903184666.
Johnson-Laird, P. N., and Keith Oatley. "Emotions, Simulation, and Abstract Art." Art & Perception 9, no. 3 (October 25, 2021): 260–92. http://dx.doi.org/10.1163/22134913-bja10029.
Albertazzi, Liliana, Luisa Canal, Rocco Micciolo, and Massimo Vescovi. "Calligraphy and Klee’s Abstract Painting: A Study on Categorical Ambiguity." Art & Perception 3, no. 3 (2015): 239–63. http://dx.doi.org/10.1163/22134913-00002036.
Actis-Grosso, Rossana, Carlotta Lega, Alessandro Zani, Olga Daneyko, Zaira Cattaneo, and Daniele Zavagno. "Can music be figurative? Exploring the possibility of crossmodal similarities between music and visual arts." Psihologija 50, no. 3 (2017): 285–306. http://dx.doi.org/10.2298/psi1703285a.
Wei, Hua. "Aesthetic Consciousness of Literati Painting and its Application in Urban Planning." Open House International 44, no. 3 (September 1, 2019): 92–95. http://dx.doi.org/10.1108/ohi-03-2019-b0024.
Tian, Weifei. "Emotional information transmission of color in image oil painting." Journal of Intelligent Systems 31, no. 1 (January 1, 2022): 428–39. http://dx.doi.org/10.1515/jisys-2022-0026.
Ning, Xiaomeng. "Landscape Painting in the Tang Dynasty: On “Changes” and the Historical Constitution of the Concept." Culture and Dialogue 10, no. 2 (November 29, 2022): 158–79. http://dx.doi.org/10.1163/24683949-12340123.
Maclagan, David. "Archetypal psychology and non-figurative painting." International Journal of Jungian Studies 7, no. 1 (January 2, 2015): 33–40. http://dx.doi.org/10.1080/19409052.2014.921227.
Limbert, Wendy M., and Donald J. Polzella. "Effects of Music on the Perception of Paintings." Empirical Studies of the Arts 16, no. 1 (January 1998): 33–39. http://dx.doi.org/10.2190/v8bl-gbjk-tlfp-r321.
Uz, Ayfer. "Resimde Duygu ve Gerilimin Çekiciliği Francis Bacon (1909-1992)." Journal of Social Research and Behavioral Sciences 7, no. 13 (November 29, 2021): 703–18. http://dx.doi.org/10.52096/jsrbs.6.1.7.13.36.
Vasiliu, O., D. Vasile, F. Androne, M. Patrascu, and E. Morariu. "Between creativity and death: Abstract expressionists and alcohol use disorders." European Psychiatry 41, S1 (April 2017): S519—S520. http://dx.doi.org/10.1016/j.eurpsy.2017.01.687.
Conger, William. "Abstract painting and integrationist linguistics." Language Sciences 33, no. 4 (July 2011): 654–61. http://dx.doi.org/10.1016/j.langsci.2011.04.011.
Wang, Cheng-hua. "One Painting, Two Emperors, and Their Cultural Agendas." Archives of Asian Art 70, no. 1 (April 1, 2020): 85–117. http://dx.doi.org/10.1215/00666637-8124988.
Maskarinec, Malika. "Allegory and Analogy in Menzel’s The Iron Rolling Mill." Zeitschrift für Kunstgeschichte 84, no. 1 (March 1, 2021): 58–77. http://dx.doi.org/10.1515/zkg-2021-1003.
Hulea, Lavinia. "Pre-Raphaelites Painting Shakespeare’s Women." Gender Studies 11, no. 1 (December 1, 2012): 126–34. http://dx.doi.org/10.2478/v10320-012-0033-6.
Murillo Ligorred, Víctor. "La pintura como huella: fotografía y pintura en la obra de Gerhard Richter." Laocoonte. Revista de Estética y Teoría de las Artes, no. 5 (December 13, 2018): 264. http://dx.doi.org/10.7203/laocoonte.0.5.12430.
Wertz, S. K. "Visual Art and Pragmatic Truth: Georgia O’Keeffe at the Helm." Journal of Aesthetic Education 55, no. 4 (December 1, 2021): 51–59. http://dx.doi.org/10.5406/jaesteduc.55.4.0051.
Feller, C., E. R. Landa, A. Toland, and G. Wessolek. "Case studies of soil in art." SOIL 1, no. 2 (August 13, 2015): 543–59. http://dx.doi.org/10.5194/soil-1-543-2015.
Geyskens, Tomas. "Painting as Hysteria: Deleuze on Bacon." Deleuze Studies 2, no. 2 (December 2008): 140–54. http://dx.doi.org/10.3366/e1750224108000251.
Virgoe, April. "Nexus, veil: Robert Ryman and the equivocal spaces of abstraction." Journal of Contemporary Painting 7, no. 1 (October 1, 2021): 39–59. http://dx.doi.org/10.1386/jcp_00031_1.
Alya, Shopia Himatul. "Lukisan Pemandangan: Teknik Spon Dalam Karya Seni Lukis Jelekong." Aksara: Jurnal Ilmu Pendidikan Nonformal 7, no. 1 (January 2, 2021): 103. http://dx.doi.org/10.37905/aksara.7.1.103-110.2021.
Kawabata, Hideaki, and Semir Zeki. "Neural Correlates of Beauty." Journal of Neurophysiology 91, no. 4 (April 2004): 1699–705. http://dx.doi.org/10.1152/jn.00696.2003.
Gautam, Manju. "COORDINATION OF COLOR AND RAGA: IN THE CONTEXT OF KANGRA PAINTINGS." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (December 31, 2014): 1–2. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3587.
Feller, C., E. R. Landa, A. Toland, and G. Wessolek. "From soil in art towards Soil Art." SOIL Discussions 2, no. 1 (February 9, 2015): 85–132. http://dx.doi.org/10.5194/soild-2-85-2015.
Ying, Fang Tian, Yan Shi, and Li Ning Yao. "DrawLight: Learning Colors by Creating Physically Interactive and Immersive Lighting." Applied Mechanics and Materials 121-126 (October 2011): 1443–45. http://dx.doi.org/10.4028/www.scientific.net/amm.121-126.1443.
Bai, Ruyi, and Xiaoying Guo. "Automatic orientation detection of abstract painting." Knowledge-Based Systems 227 (September 2021): 107240. http://dx.doi.org/10.1016/j.knosys.2021.107240.
Bhardwaj, Kumkum, and Monika Yadav. ""COLOR COMBINATION IN ABSTRACT PAINTING STYLE"." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (December 31, 2014): 1–2. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3627.
Cazeaux, C. "SYNAESTHESIA AND EPISTEMOLOGY IN ABSTRACT PAINTING." British Journal of Aesthetics 39, no. 3 (March 1, 1999): 241–51. http://dx.doi.org/10.1093/bjaesthetics/39.3.241.
Kaneda, Shirley. "The feminine in abstract painting reconsidered." Women & Performance: a journal of feminist theory 27, no. 3 (September 2, 2017): 339–45. http://dx.doi.org/10.1080/0740770x.2017.1364938.
Zhang, Kang. "From Abstract Painting to Information Visualization." IEEE Computer Graphics and Applications 27, no. 3 (May 2007): 12–16. http://dx.doi.org/10.1109/mcg.2007.58.
Linrothe, Rob. "Hidden in Plain Sight." Archives of Asian Art 70, no. 2 (October 1, 2020): 225–44. http://dx.doi.org/10.1215/00666637-8620384.
de Bolla, Peter. "Pierre Bonnard: Bringing Painting to Life." boundary 2 49, no. 2 (May 1, 2022): 243–70. http://dx.doi.org/10.1215/01903659-9644583.
Danalov, Ilker. "Esoteric Painting by Hilma af Klint." Visual Studies 6, no. 3 (December 13, 2022): 285–97. http://dx.doi.org/10.54664/aimf4981.
Hihab, Ramdani Quraiss. "Sebuah Perancangan Sistem Informasi Pemasaran dan Penjualan Lukisan pada Polesan Art Galeri." Ultima InfoSys : Jurnal Ilmu Sistem Informasi 10, no. 1 (August 30, 2019): 36–42. http://dx.doi.org/10.31937/si.v10i1.1115.
De la Cuétara San Luis, Isabel, and Concepción San Luis Costas. "¿Elicita emociones a pintura abstracta? / Can abstract painting elicit emotions?" Revista Internacional de Cultura Visual 5, no. 2 (December 12, 2018): 53–60. http://dx.doi.org/10.37467/gka-revvisual.v5.1737.
Pullins, David. "“Quelques misérables places à remplir”Locating Shaped Painting in Eighteenth-Century France." Zeitschrift für Kunstgeschichte 80, no. 4 (December 30, 2017): 544–71. http://dx.doi.org/10.1515/zkg-2017-0029.
Krauss, Rosalind E. "Beyond Painting." October, no. 181 (2022): 3–6. http://dx.doi.org/10.1162/octo_a_00464.
Brinkmann, Hanna, Louis Williams, Raphael Rosenberg, and Eugene McSorley. "Does ‘Action Viewing’ Really Exist? Perceived Dynamism and Viewing Behaviour." Art and Perception 8, no. 1 (March 4, 2020): 27–48. http://dx.doi.org/10.1163/22134913-20191128.
Kopley, Richard. "Hawthorne at the Peabody Essex Museum." Nathaniel Hawthorne Review 46, no. 1 (October 2020): 87–91. http://dx.doi.org/10.5325/nathhawtrevi.46.1.0087.
Bisanz, Elize. "The abstract structure of the aesthetic sign." Sign Systems Studies 30, no. 2 (December 31, 2002): 707–23. http://dx.doi.org/10.12697/sss.2002.30.2.21.
Cramer, Florian. "Hiding in Plain Sight. Amy Suo Wu’s The Kandinsky." INMATERIAL. Diseño, Arte y Sociedad 2, no. 4 (December 20, 2017): 104–16. http://dx.doi.org/10.46516/inmaterial.v2.40.
Seo, Seongrok. "Acceptance and Settlement of Korean Abstract Painting." Journal of Basic Design & Art 21, no. 1 (February 28, 2020): 261–79. http://dx.doi.org/10.47294/ksbda.21.1.20.
Cheetham, Mark A. "Plato’s Poison and Sérusier’s Emergent Abstract Painting." RACAR : Revue d'art canadienne 17, no. 1 (1990): 64. http://dx.doi.org/10.7202/1073157ar.
Tkachuk, Ilona. "Painting perception models of art groups «Zhyvopysnyi zapovidnyk» and «Paryzka komuna»." Bulletin of Lviv National Academy of Arts, no. 39 (2019): 19–37. http://dx.doi.org/10.37131/2524-0943-2019-39-02.
Stoia, Adrian. "Images of Chalices in Transylvanian Panel Paintings." Review of Ecumenical Studies Sibiu 6, no. 1 (December 1, 2014): 121–35. http://dx.doi.org/10.2478/ress-2014-0107.
Irmawati, Ofi, Hariyanto Hariyanto, and Abdurahman Prasetyo. "Penciptaan Seni Lukis Naturalistik Wayang Topeng Jatiduwur." INVENSI 7, no. 2 (December 16, 2022): 115–29. http://dx.doi.org/10.24821/invensi.v7i2.6330.