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Статті в журналах з теми "Oppeano"

Автор: Grafiati

Опубліковано: 11 березня 2023

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1

Nicosia, Cristiano, Federico Polisca, Christopher Miller, Bertrand Ligouis, Susan Mentzer, Claudia Mangani, and Federica Gonzato. "High-resolution sediment analysis reveals Middle Bronze Age byre-houses at the site of Oppeano (Verona province, NE Italy)." PLOS ONE 17, no. 8 (August 31, 2022): e0272561. http://dx.doi.org/10.1371/journal.pone.0272561.

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High-resolution sediment analysis allowed us to identify two Middle Bronze Age (MBA 1, 1650–1550 cal a BCE) byre-houses at the waterlogged site of Oppeano “4D”, south of Verona (Veneto region, NE Italy). The site lies in a low-lying valley incised by the Adige River in its LGM alluvial fan. In this fluvio-palustrine environment burial and taphonomic conditions were such that the archaeological record was extremely well preserved. The wooden elements making up basal parts of nine ‘huts’ were in fact exposed at Oppeano, and so were their internal accretion deposits. These featured finely laminated dung units deriving from the stalling of small herbivores, possibly ovicaprids, intercalated with repeated accumulations of wood ash. This was produced in large and multi-stratified hearths that were exposed within each hut. Organic petrology provided evidence of the production of wood tar inside one of the studied structures. At Oppeano 4D it was thus demonstrated that these structures were not just byres or stables, but spaces that housed humans together with animals at least during some periods of the year, hence byre-houses. The identification of byre-houses in a Middle Bronze Age settlement is key for the reconstruction of socio-economic aspects of Bronze Age economy and production systems.

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2

NICHOLLS, PETER. "Of Being Ethical: Reflections on George Oppen." Journal of American Studies 31, no. 2 (August 1997): 153–70. http://dx.doi.org/10.1017/s0021875897005616.

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The poems of George Oppen continue to occupy a marginal place in most literary histories, even though his work encapsulates some of the major shifts in American writing between high modernism and contemporary Language poetry. In part this marginalization is due to the habit of tying Oppen to Louis Zukofsky's shortlived “Objectivist” tendency of the thirties. Oppen did indeed publish his first collection, Discrete Series, in 1934, and with a strong endorsement from Ezra Pound (“I salute a serious craftsman, a sensibility which is not every man's sensibility and which has not been got out of any other man's books”). Yet after this propitious start Oppen fell silent for twenty-five years, jettisoning poetry for politics. He and his wife Mary were members of the Communist Party between 1936 and 1941, their activities eventually attracting close scrutiny from the FBI. In 1949, Oppen and his family opted for political exile in Mexico to avoid harrassment. They would not return until 1958; only then did Oppen begin writing poetry again, initiating a sequence of major volumes, from The Materials (1962) to Primitive (1978).

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3

Hebben, Miriam. "Bimmerle blickt stärker auf das Markengeschäft." Lebensmittel Zeitung 73, no. 5 (2021): 17. http://dx.doi.org/10.51202/0947-7527-2021-5-017.

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Oppenau. Der Obstbrenner Bimmerle baut sein Markengeschäft aus. Nach dem Erfolg mit einem eigenen Gin soll auch der Hard Seltzer Buzz für Wachstum sorgen. Noch bleibt die junge Kategorie allerdings hinter den Erwartungen.

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4

NICHOLLS, PETER. "George Oppen in Exile: Mexico and Maritain (For Linda Oppen)." Journal of American Studies 39, no. 1 (April 2005): 1–18. http://dx.doi.org/10.1017/s0021875805009229.

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Анотація:

In 1960, George Oppen and his wife Mary settled in New York City after a period of nine years of political exile in Mexico. Oppen was the author of a slim volume of poems entitled Discrete Series, published back in 1934 with a then highly desirable preface by Ezra Pound. Few of Oppen's contemporaries, however, would remember him now as a poet, and back in New York he was having to reckon with what he would term in a later interview “my rejection of poetry for twenty or twenty-five years.”. For only at the end of the fifties, at the very end of the period spent in Mexico, had Oppen begun to write again. Success would come to him later in the decade, with the award of the Pulitzer Prize for Poetry, but, for the time being, as Oppen observed of the rather similar case of Basil Bunting, he felt as if he had returned to poetry “as from the dead.”

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5

MILLER, MATT. "Getting the Joke in “Of Being Numerous”: George Oppen as Heir to Walt Whitman's Public Poetics." Resources for American Literary Study 37 (January 1, 2014): 153–80. http://dx.doi.org/10.5325/resoamerlitestud.37.2014.0153.

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Abstract Although George Oppen once claimed that “Whitman has been no use to me,” a review of Oppen's poetry, letters, daybooks, and interviews reveals that Whitman was central to Oppen's poetics and to his most celebrated poem, “Of Being Numerous.” Using archival materials and recently published interviews, this essay provides a comprehensive overview of Oppen's engagement with Whitman, highlighting the sophistication and complexity of his response and addressing what Oppen meant when he described the conclusion to “Of Being Numerous” as in part “a joke on Whitman.” Using him variously as foil, icon, compatriot, and source text, Oppen presents a version of Whitman at odds with both the critical responses of previous modernists and the more enthusiastic interpretations of Oppen's contemporaries in the 1950s and 1960s.

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6

Lee, Hee Seon, Jeong Min Park, Kyu Hong Hwang, and Hyung Mi Lim. "Surface Functionalization of Zirconia Nanocrystals with Silane Coupling Agent and its Dispersion Behavior in O-Phenylphenoxyethyl Acrylate." Materials Science Forum 922 (May 2018): 20–25. http://dx.doi.org/10.4028/www.scientific.net/msf.922.20.

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Highly crystalline and dispersible zirconia, synthesized by solvothermal reaction of zirconium (IV) isopropoxide isopropanol complex in benzyl alcohol, were functionalized with silane coupling agent and dispersed with o-phenylphenoxyethyl acrylate (OPPEA). Silane coupling agents such as 3-aminopropyltriethoxysilane (APTES) of amino functional silane, decyltrimethoxysilane (DTMS) of alkyl functional silane and 3-(trimethoxysilyl) propyl methacrylate (MPS) of acrylate functional silane have been used to modify nanoparticle surfaces and obtain dispersion of nanoparticles within OPPEA. The surface modified zirconia was compared according to silane coupling agent, FT-IR and TGA demonstrated that APTES, DMTS and MPS are chemically attached to the surface of the zirconia. The MPS-zirconia is dispersed as about 5 nm sized, whereas the APTES-zirconia, DTMS-zirconia are agglomerated. The MPS-zirconia/tetrahydrofuran (THF) sol at 15wt% loading shows high transmittance of 68 % at 550 cm-1 and the 50wt% surface modified-zirconia/OPPEA sol show refractive index of 1.657.

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7

Condon, Katherine M. "Interview Sibylle von Oppeln-Bronikowski1." Statistical Journal of the IAOS 35, no. 3 (August 26, 2019): 345–51. http://dx.doi.org/10.3233/sji-199005.

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8

Degrowth, International. "Degrowth oppen letter." Revista de Estudos AntiUtilitaristas e PosColoniais 11, no. 1 (August 14, 2021): 206. http://dx.doi.org/10.51359/2179-7501.2021.250871.

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The Coronavirus pandemic has already taken countless lives and it is uncertain how it will develop in the future. While people on the front lines of healthcare and basic social provisioning are fighting against the spread of the virus, caring for the sick and keeping essential operations running, a large part of the economy has come to a standstill. While this situation is numbing and painful for many, creating fear and anxiety about those we love and the communities we are part of, it is also a moment to collectively bring new ideas forward.

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9

Cichon, Matthias E. "Schlesisches Güter-Adreßbuch 1917. Regierungsbezirk Oppeln." Das Historisch-Politische Buch (HPB) 69, no. 1-2 (January 1, 2021): 170–71. http://dx.doi.org/10.3790/hpb.69.1-2.170.

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10

Oppen, Mary, and Dennis Young. "Conversation with Mary Oppen." Iowa Review 18, no. 3 (October 1988): 18–47. http://dx.doi.org/10.17077/0021-065x.3657.

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11

Taggart, John. "Walk-Out: Rereading George Oppen." Chicago Review 44, no. 2 (1998): 29. http://dx.doi.org/10.2307/25304279.

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12

Krzysztof, Kaczmarek. "Der Dominikanerklosterkreis Brzeg (Brieg) im 16. Jahrhundert. Versuch einer Rekonstruktion." Archiwa, Biblioteki i Muzea Kościelne 115 (June 30, 2021): 149–74. http://dx.doi.org/10.31743/abmk.10664.

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Das Dominikanerkloster in Brieg endstand in der Mitte des 14. Jahrhundert. Das Heilig-Kreutz-Kloster war die letzte Stiftung des Dominikanerordens in mittelalterlichen Schlesien. In der Nähe dieses Klosters wurden auch andere Klōster gegrūndet (Breslau, Schweidnitz, Franckenstein, Löwen un Oppeln). Alle diese Klöster hatte Bezierke, in denen pastorale und wirtschaftliche Tätigkeit ausübten. Die Grenzen des Klosters in Brzeg umfasten des Gebiet am linken Ufer der Oder, zwischen Oława und Nysa Kłodzka, sowie Städte und Dōfer am rechten Ufer der Oder, zwischen Widawa und Prosna.

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13

Grudniewski, Jakub. "Members of the Governing Presidium in Opole in the Years 1871–1918." Historica. Revue pro historii a příbuzné vědy 13, no. 2 (December 2022): 120–41. http://dx.doi.org/10.15452/historica.2022.13.0006.

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The article focuses on a unexplored group of higher officials of the governing presidium in Opole (Oppeln) in 1871–1918. The archives of the Geheimes Staatsarchiv Preußischer Kulturbesitz in Berlin are used as the primary source for this research. The research is based mainly on the statistical method and the features such as social and regional origin, religion, professional qualifications, and different career paths are examined. The article also deals with the political involvement of officials and the criteria of their selection by higher authorities.

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14

Nicholls, Peter. "Modernising modernism: from Pound to Oppen." Critical Quarterly 44, no. 2 (July 2002): 41–58. http://dx.doi.org/10.1111/1467-8705.00414.

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15

WOODS, TIM. "George Oppen and the Public Sphere." Journal of American Studies 45, no. 3 (October 6, 2010): 443–62. http://dx.doi.org/10.1017/s0021875810001726.

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Анотація:

This article aims to demonstrate that it is less important to pigeonhole Oppen's poetics within modernism or postmodernism than it is to understand his poetic practice as a mode of critical public discourse participating in social debates concerning the state of democratic society in the 1960s. Adopting the framework of the Habermasian transformation of the public sphere allows us to understand the political impact of Oppen's volumes of poetry in the 1960s much more clearly, if we construe them as part of a distinct political engagement that reaches beyond his earlier modernist allegiances. The main argument here is that Oppen's middle and later poetry straddles a larger paradigmatic shift that occurs within the 1960s from a politics of subjectivity that is focussed upon the autonomy of the self to a politics of the self that stresses community and relational ethics. Within this context, it can be seen that a volume like Of Being Numerous addresses itself to the question of how to live as both a unique and yet a social being, and how to retain one's individuality whilst also participating within a community. The urgency and pressure of that question characterizes all three volumes of his poetry published in the 1960s, and is explored through a comparative analysis of the discourse of individuality and community in Oppen's poems and various documents of the 1960s.

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16

Tamáska, Máté. "Opole/Oppeln. Szilézia történeti-topográfiai városatlasz-sorozatának új kötete." Tér és Társadalom 26, no. 1 (February 28, 2012): 139–42. http://dx.doi.org/10.17649/tet.26.1.2036.

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17

Nicholls, Peter. "George Oppen and the Poetics of Quotation." Revue Française d Etudes Américaines 103, no. 1 (2005): 23. http://dx.doi.org/10.3917/rfea.103.0023.

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18

Ku, Taehun. "“A poem as object”: Oppen and Olson." Journal of American Studies 49, no. 1 (May 31, 2017): 5–22. http://dx.doi.org/10.22505/jas.2017.49.1.01.

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19

Longenbach, James. "Bernstein, Graham, Oppen, Voigt, C. D. Wright." Yale Review 90, no. 4 (June 28, 2008): 171–84. http://dx.doi.org/10.1111/0044-0124.00669.

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20

Stephen Burt. "George Oppen and the Limits of Words." Modernism/modernity 15, no. 3 (2008): 557–65. http://dx.doi.org/10.1353/mod.0.0007.

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21

Paris. "Of Being George Oppen: A Review of Peter Nicholls's George Oppen and the Fate of Modernism." Journal of Modern Literature 34, no. 1 (2010): 182. http://dx.doi.org/10.2979/jml.2010.34.1.182.

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22

Oszytko, Janusz. "Nazistowscy przywódcy przedwojennego Opola i opozycja antyhitlerowska w latach 1933–1945 w świetle akt z Instytutu Pamięci Narodowej oraz z Archiwum Państwowego w Opolu." Opolskie Studia Administracyjno-Prawne 16, no. 4 (1) (September 17, 2019): 157–98. http://dx.doi.org/10.25167/osap.1211.

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The article is a new contribution to the local history of Opole of 1933–1945 in the light of not known and not published archival documents about the pre-war Nazi leaders of the Opole Regency and the anti-Hitler opposition as well. Those documents are stored both in the State Archive in Opole (file: Gestapo Oppeln) and in the Institute of National Remembrance (IPN Archive – various archive files). The first part of the article describes the Nazi elite of the Opole Regency in the period of 1933–1945. This interesting and complicated history of Opole and Opole region concerns the operation of the NSDAP monoparty, as well as its affiliated organizations and repressive organs of a totalitarian state. This part of the article was developed mainly from various files from the Institute of National Remembrance. The second part describes the anti-Hitler opposition in the Opole Regency in the period of 1933–1945. Very interesting and also not known in the scientific circulation are materials about political opponents, collected by Gestapostelle Oppeln, which are right now being published by the author of the article, following the previous article about the files relating to the Jews (dealt with in articles by J. Oszytko) and to the Poles (in a book by Dermin and Popiołek) which were kept by the Gestapo in Opole. To summarize, the article casts light on the history of the city, with respect to, on the one hand, the rise of German totalitarianism changing into one-party domination of the NSDAP party, and – on the other hand – the scope of persecution of parties and persons standing in opposition to Hitler’s rule in our city and region.

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23

Nicholls, Peter. "George Oppen: The New or the Avant-Garde?" Journal of Modern Literature 28, no. 4 (2005): 1–12. http://dx.doi.org/10.1353/jml.2005.0057.

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24

Middleton, Peter. "Open Oppen: linguistic fragmentation and the poetic proposition." Textual Practice 24, no. 4 (August 2010): 623–48. http://dx.doi.org/10.1080/0950236x.2010.499649.

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25

Keil, Siegtried. "Nachruf auf Prof. D. Dr. Dietrich von Oppen." Zeitschrift für Evangelische Ethik 50, no. 1 (February 1, 2006): 145–46. http://dx.doi.org/10.14315/zee-2006-0121.

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26

Hoffman, Eric. "A Poetry of Action: George Oppen and Communism." American Communist History 6, no. 1 (June 2007): 1–28. http://dx.doi.org/10.1080/14743890701398627.

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27

COOPER, SIMON. "Handmade by Poverty: Worker Correspondence, Objectivist Poetics and the Pathos of the Readymade." Journal of American Studies 50, no. 4 (August 19, 2015): 1089–107. http://dx.doi.org/10.1017/s002187581500119x.

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Worker correspondence was a form of found poetry employed by radical left writers during the 1930s. Readers' letters to publications such as New Masses and the Daily Worker were reworked with end stops and presented as free verse. This essay examines the practice of worker correspondence as a form of readymade, a consciously avant-gardist collision of politics and “high” culture. This examination is put forward as a reflection on current thinking on the literary left of the Depression decade and – along the way – suggests points of contact with the Objectivist poetics of George Oppen, Louis Zukofsky and Charles Reznikoff.

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28

McCabe, Brian F. "Thinking Poetics: Essays on George Oppen (review)." Rocky Mountain Review 66, no. 1 (2012): 102–8. http://dx.doi.org/10.1353/rmr.2012.0004.

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29

Ebel, Friedrich. "Ilpo Tapani Piirainen - Winfried Waßen (Hgg.), Der Sachsenspiegel aus Oppeln und Krakau." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 116, no. 1 (August 1, 1999): 569–71. http://dx.doi.org/10.7767/zrgga.1999.116.1.569.

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30

SPINKS, LEE. "Oppen's Pragmatism." Journal of American Studies 43, no. 3 (December 2009): 477–95. http://dx.doi.org/10.1017/s002187580999082x.

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Анотація:

This article offers a revisionist reading of the aesthetic of the American modernist poet George Oppen. It seeks, in the first instance, to supplement those established readings of Oppen that have concluded that his work is most profitably understood in the discursive contexts of American literary modernism and modern European Continental philosophy by arguing that such approaches overlook a key indigenous intellectual influence upon his corpus: that body of philosophical inquiry and cultural self-reflection that has come to be known as American pragmatism. The article attempts to rectify this omission by making two simultaneous and complementary suggestions: first, that pragmatic thought opens up a number of formal and semantic questions – indeed, a number of questions about the relationship between form and meaning – that have been too little considered in recent work on American poetry; and second, that something crucial to Oppen's poetry remains unthinkable without sustained attention to the questions and claims that pragmatism places at the very heart of its endeavour. While the relationship between pragmatist thought and Oppen's poetics helps to illuminate a set of concerns that lies at the very core of his aesthetic, the paper will argue, it also reciprocally exposes the limitations of an influential genealogical vision of American literary modernism. To support this contention it examines the ways in which a certain literary version of American intellectual history has reinterpreted the pragmatism of William James in the image of an Emersonian linguistic scepticism in order to establish the historical centrality of a broadly Romantic genealogy of American modernism. The paper concludes by suggesting that a renewed attention to the specific forms and modalities of Oppen's poetry demonstrates not only the inadequacy of this version of literary history to a particular tradition of American poetics, but also promises to recover the force and distinctiveness of the American pragmatist inheritance for succeeding generations of writers.

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31

Matuszyk, Mateusz. "Gunter Scholze, “Wir hatten Glück!”." Wrocławski Rocznik Historii Mówionej 5 (October 30, 2015): 229–57. http://dx.doi.org/10.26774/wrhm.101.

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In his narrative, Professor Gunter Scholze talks both about the escape and relocation from the Silesia region to the British Occupation Zone of Occupation in Germany after WWII, and about his family’s difficult beginnings in North Rhine-Westphalia, which after the war became a new Heimat for him and his family. The Scholze family began their exodus in January 1945, when little Gunter was evacuated from Oppeln together with his mother and brother. Till the end of the war the three of them wandered all over Silesia searching for a safe place to stay. When the war ended, they found themselves in Bad Kudova, a place where many Silesian refugees found shelter. This was also the place where they were rejoined with the father. On 9th June, 1945, in accordance with the Potsdam agreement, the whole family were resettled to the British Zone of Occupation in Germany. Professor Scholze often underlines how lucky his family were throughout this time.

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32

Kalck, Xavier. "L’effet de longueur dans un poème tardif de George Oppen." Revue Française d Etudes Américaines 147, no. 2 (2016): 44. http://dx.doi.org/10.3917/rfea.147.0044.

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33

Neill, Edward. "George Oppen and the Fate of Modernism by Peter Nicholls." Modern Language Review 104, no. 1 (2009): 193–95. http://dx.doi.org/10.1353/mlr.2009.0373.

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34

Esteve, Mary. "Shipwreck and Autonomy: Rawls, Riesman, and Oppen in the 1960s." Yale Journal of Criticism 18, no. 2 (2005): 323–49. http://dx.doi.org/10.1353/yale.2006.0005.

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35

Beard, Jessica. "Thinking Poetics: Essays on George Oppen ed. by Steve Shoemaker." Journal of the Midwest Modern Language Association 44, no. 2 (2011): 159–62. http://dx.doi.org/10.1353/mml.2011.0010.

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36

JENKINS, G. MATTHEW. "Saying Obligation: George Oppen's Poetry and Levinasian Ethics." Journal of American Studies 37, no. 3 (December 2003): 407–33. http://dx.doi.org/10.1017/s0021875803007163.

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Анотація:

Because of his work in the 1930s with tenant and labour organizations and his lyrical critique of the consequences of modern technological progress, George Oppen and his poetry have always been labelled as uniquely “moral” or “ethical” by his closest readers and critics. Poems such as The Materials (1962) and the Pulitzer Prize-winning Of Being Numerous (1968) minimalistically present us with the social and material reality of markedly twentieth-century issues: urban experience, nuclear apocalypse, and the persistence of poverty amid wide-spread wealth, just to name a few. And this thematic concern with ethical issues has been one of the main impetuses behind many of the studies of Oppen's ethics.

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37

David B. Hobbs. "A Brief Introduction to 21 Poems by George Oppen." Journal of Modern Literature 40, no. 1 (2016): 1. http://dx.doi.org/10.2979/jmodelite.40.1.01.

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38

Suberchicot, Alain. "Le rudimentaire et le primitif dans l’œuvre poétique de George Oppen." Revue Française d'Etudes Américaines 32, no. 1 (1987): 205–14. http://dx.doi.org/10.3406/rfea.1987.1272.

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39

Kitses, Jasmine. "“Round / Shiny Fixed / Alternatives”: Tracing the Colon in Pound and Oppen." Modern Philology 113, no. 2 (November 2015): 267–93. http://dx.doi.org/10.1086/682960.

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40

Lahiri, Shuvendu K., and Madanlal Musuvathi. "An Efficient Nelson-Oppen Decision Procedure for Difference Constraints over Rationals." Electronic Notes in Theoretical Computer Science 144, no. 2 (January 2006): 27–41. http://dx.doi.org/10.1016/j.entcs.2005.12.004.

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41

BERGER, MARTIN, KOHEI HONDA, and NOBUKO YOSHIDA. "A logical analysis of aliasing in imperative higher-order functions." Journal of Functional Programming 17, no. 4-5 (July 2007): 473–546. http://dx.doi.org/10.1017/s0956796807006417.

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AbstractWe present a compositional programme logic for call-by-value imperative higher-order functions with general forms of aliasing, which can arise from the use of reference names as function parameters, return values, content of references and parts of data structures. The programme logic extends our earlier logic for alias-free imperative higher-order functions with new operators which serve as building blocks for clean structural reasoning about programms and data structures in the presence of aliasing. This has been an open issue since the pioneering work by Cartwright–Oppen and Morris twenty-five years ago. We illustrate usage of the logic for description and reasoning through concrete examples including a higher-order polymorphic Quicksort. The logical status of the new operators is clarified by translating them into (in)equalities of reference names.

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42

Romano, Connie, Jillian Sacré, Siege Pflug, and Murray Sam. "Conceptual hydrogeological model for a landfill in a floodplain environment: case study of the JV Industries and Fairway Landfill, Shxwhá:y Village First Nation, Chilliwack, B.C." Canadian Geotechnical Journal 52, no. 4 (April 2015): 479–89. http://dx.doi.org/10.1139/cgj-2014-0115.

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The characteristics of floodplains of major rivers are of interest to many shoreline communities due to issues related to flooding, water demand, and land use. Studies of the hydrogeological conditions within these environments can improve our understanding of these settings. The case study of the JV Industries and Fairway Landfill, located within the floodplain of the Fraser River, highlights the complex groundwater flow dynamics in such an environment. In particular, the study examined the potential for substantial changes to both groundwater flow and groundwater quality during or immediately following the spring freshet due to the presence of permeable, extensive, and hydraulically well-connected floodplain deposits. During spring and early summer, groundwater flow across the landfill is controlled primarily by the Fraser River freshet and the direction of flow varies spatially across the site. During the winter, groundwater flow is controlled primarily by regional topography and is directed to the southwest towards the nearest topographic depression, the remnant Coco-oppelo Slough. In the intervening months, the flow directions are transitional between the winter and spring – early summer flow patterns. The changes in the groundwater flow patterns were inferred to temporally affect the groundwater quality downgradient of the landfill.

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43

Moe. "“Not anyone's Eden”: A Critical Introduction to New Poems by George Oppen." Journal of Modern Literature 43, no. 4 (2020): 18. http://dx.doi.org/10.2979/jmodelite.43.4.02.

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44

Wilkinson, John. "The Glass Enclosure: Transparency and Glitter in the Poetry of George Oppen." Critical Inquiry 36, no. 2 (January 2010): 218–38. http://dx.doi.org/10.1086/648524.

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45

Tom Fisher. "A Political Poetics: George Oppen and the Essential Life of the Poem." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 65, no. 2 (2009): 83–98. http://dx.doi.org/10.1353/arq.0.0039.

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46

Hoffman, Eric. "“A Poetry of Action: George Oppen and Communism”: Responses and Further Investigations." American Communist History 9, no. 2 (August 1, 2010): 187–99. http://dx.doi.org/10.1080/14743892.2010.498962.

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47

Van Eijkeren, Marijke. "Patricia van Oppen: ‘De implementatie van onderzoek naar de praktijk moet beter’." Psychopraktijk 7, no. 2 (April 2015): 14–18. http://dx.doi.org/10.1007/s13170-015-0032-z.

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48

Park, Jeong Min, Hee Seon Lee, and Hyung Mi Lim. "Preparation and Characterization of Nanosize ZrO₂ Particle for Highly Refractive Index Nanocomposite Depending on Zirconium Precursor and Concentration." Materials Science Forum 922 (May 2018): 26–31. http://dx.doi.org/10.4028/www.scientific.net/msf.922.26.

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The ZrO2 nanoparticles for highly refractive index nanocomposite are synthesized according to reaction temperature, zirconium precursor concentration, and kinds of precursor such as zirconium iso-propoxide (ZIP) and zirconium n-propoxide (ZNP). At lower reaction temperature the monoclinic phase is formed, whilst higher temperature favors the tetragonal and cubic phases. As the precursor concentration increased, the particle size of ZrO2 nanoparticle slightly increased. TEM images prove that the ZrO2 nanoparticles are spherical and monodisperse with a diameter of about 4 nm. The synthesized ZrO2 was modified methacryloxy propyltrimethoxy silane (MPS) for dispersibility in organic solvent. Fourier transform infrared spectroscopy (FT-IR) and thermogravimetric analysis (TGA) illustrate that MPS are chemically attached to the surface of the ZrO2. The ZrO2 synthesized from ZNP and ZIP dispersed in o-phenylphenoxyethyl acrylate (OPPEA) is the highly transparent and the refractive index of this nanocomposite is 1.649 and 1.670, respectively.

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49

Chystiak, Dmytro. "Betraying the Myth: Comparative Analysis of Russian and Ukrainian Translations of the Plays by Maurice Maeterlinck." Accueillir l’Autre dans sa langue. La traduction comme dispositif de médiation, no. 103 (September 17, 2021): 197–205. http://dx.doi.org/10.31861/pytlit2021.103.197.

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The history of Ukrainian and Russian translations of the playwright by Maurice Maeterlinck is full of well-known names like Lesya Ukrainka, Natalia Kobrynska, Valeriy Briussov and Nikolay Minskiy. Nevertheless some aspects of translations show several problems in misunderstanding of the realities of the French text. Our purpose was to make the comparative analysis of the Russian and Ukrainian translations of Ariane et Barbe-Bleue, a key text of the Maeterlinck’s theatre. The linguo-poetic and linguo-aesthetic analysis were used. The study have shown that the Slavonic translators have omitted the onomastic sign Ariadne revealed in the letters of the author to his German translator Friedrich von Oppeln-Bronikowski where the mythic sign is clearly presented in order to make a transvalorization of the mythological intertext. The original results of our study was used for our new translation of the play Ariane et Barbe-Bleue for the Ukrainian readers published in 2007 then our analysis was developed in the doctorate thesis dedicated to the mythological intertext in the first theatre by Maurice Maeterlinck and in the chapter of our thesis of doctor of science devoted to the study of Greek mythology in the poetry of the Belgian Nobel Prize winner.

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50

Herd, David. "'That they are there': George Oppen, Alain Badiou, and the Politics of Number." Comparative American Studies An International Journal 8, no. 1 (March 2010): 57–76. http://dx.doi.org/10.1179/147757010x12658885872378.

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