Статті в журналах з теми "Operas"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся з топ-50 статей у журналах для дослідження на тему "Operas".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Переглядайте статті в журналах для різних дисциплін та оформлюйте правильно вашу бібліографію.
Xue, Chulan, Ruicong Ma, Zongchen Hou, and Shan Wang. "Study on accompaniment of dulcimer in Shandong Lv Opera and Wuyin Opera." SHS Web of Conferences 159 (2023): 02015. http://dx.doi.org/10.1051/shsconf/202315902015.
Kopecký, Jiří. "Karl Goldmark and Czech national opera: The final operas of Antonín Dvořák and Zdeněk Fibich." Studia Musicologica 57, no. 3-4 (September 2016): 349–59. http://dx.doi.org/10.1556/6.2016.57.3-4.4.
Babenko, Oksana Vasil'evna. "The origins of Russian Opera as the key to understanding modern opera art." Культура и искусство, no. 8 (August 2020): 76–86. http://dx.doi.org/10.7256/2454-0625.2020.8.33608.
Winkelhorn, Kathrine, and Anja Mølle Lindelof. "Fra glemte værker til iscenesættelse som form." Peripeti 13, no. 25 (May 28, 2021): 64–75. http://dx.doi.org/10.7146/peri.v13i25.109577.
BELLINI, ALICE. "MUSIC AND ‘MUSIC’ IN EIGHTEENTH-CENTURY META-OPERATIC SCORES." Eighteenth Century Music 6, no. 2 (August 3, 2009): 183–207. http://dx.doi.org/10.1017/s1478570609990030.
Park, Chang-min. "A Study of the Diversification of Materials of Korean New Operas: Focusing on selected works by the Creative Factory of Performing Arts." Academic Association of Global Cultural Contents 57 (November 30, 2023): 79–99. http://dx.doi.org/10.32611/jgcc.2023.11.57.79.
Xue Chen, Zheng. "The System of Dominant Themes in the Operas of Jin Xiang." Университетский научный журнал, no. 76 (October 24, 2023): 101–9. http://dx.doi.org/10.25807/22225064_2023_76_101.
Zheng, Meizhen, Peng Bai, Xiaodong Shi, Xun Zhou, and Yiting Yan. "FT-GAN: Fine-Grained Tune Modeling for Chinese Opera Synthesis." Proceedings of the AAAI Conference on Artificial Intelligence 38, no. 17 (March 24, 2024): 19697–705. http://dx.doi.org/10.1609/aaai.v38i17.29943.
Cochran, Zoey M. "Virile Condottieri On-screen and Emasculated Heroes on the Operatic Stage: Portraying Male Protagonists in Fascist Italy (1931-1937)." Revue musicale OICRM 5, no. 1 (April 9, 2018): 63–91. http://dx.doi.org/10.7202/1044444ar.
Krejčová, Kristýna, and Jana Spáčilová. "Dittersovy italské opery z Jánského Vrchu : současný stav pramenů." Musicologica Brunensia, no. 1 (2023): 47–71. http://dx.doi.org/10.5817/mb2023-1-4.
Zhang, Bin. "An Examination of the Relationship between the Origins of Drama Genres in the Context of the Musical Style of the Clapper Opera." Yixin Publisher 1, no. 1 (March 31, 2024): 7–16. http://dx.doi.org/10.59825/jms.2024.1.1.7.
Carskadden, Laura, and Jenine Brown. "Implicit and Explicit Biases for Gender in Opera Roles." Journal of Singing 80, no. 4 (March 2024): 409–15. http://dx.doi.org/10.53830/sing.00023.
Sumiati, Wina. "Islamic Love Stories: How Indonesian Soap Opperas Presented Islamic Version of Romantic Love in the 2000s." Tsaqofah 21, no. 1 (June 30, 2023): 41–52. http://dx.doi.org/10.32678/tsaqofah.v21i1.8378.
HOXBY, BLAIR. "The doleful airs of Euripides: The origins of opera and the spirit of tragedy reconsidered." Cambridge Opera Journal 17, no. 3 (November 2005): 253–69. http://dx.doi.org/10.1017/s0954586706002035.
Hume, Robert D. "The Morphology of Handel's Operas." Eighteenth-Century Life 46, no. 3 (September 1, 2022): 52–82. http://dx.doi.org/10.1215/00982601-9955324.
Fazakas, Ádám Sándor. "The Use of the Harmonium in Opera." Studia Universitatis Babeş-Bolyai Musica 69, no. 1 (June 10, 2024): 181–96. http://dx.doi.org/10.24193/subbmusica.2024.1.13.
Grutcynova, Anna Petrovna. "Ballet scenes in the operas of M. I. Glinka in the reviews of his contemporaries." Manuscript 17, no. 2 (April 3, 2024): 124–29. http://dx.doi.org/10.30853/mns20240018.
Mojžíšová, Olga. "“…I value my compositions a bit more highly than the theatre directorate does…” The Frequency of Performances of Smetana’s Operas at the Provisional Theatre and Payment He Received for Them." Musicalia 15, no. 1-2 (2023): 6–39. http://dx.doi.org/10.37520/muscz.2023.001.
Collins Wagumba and Dr Kamau Mwangi. "Re-Visiting TV Soap Opera Viewership in a Changing Broadcasting Dispensation in Nairobi." Kabarak Journal of Research & Innovation 11, no. 3 (October 10, 2021): 221–28. http://dx.doi.org/10.58216/kjri.v11i3.73.
Izvarina, О. M. "Opera directing in the Ukrainian Musical Theatre in 20s of 20th century." Musical art in the educological discourse, no. 3 (2018): 66–70. http://dx.doi.org/10.28925/2518-766x.2018.3.6670.
Rosmiati, Ana. "PILIHAN DIKSI DALAM PRODUCT PLACEMENT DALAM SINETRON TUKANG OJEK PENGKOLAN." Acintya : Jurnal Penelitian Seni Budaya 13, no. 2 (March 9, 2022): 129–43. http://dx.doi.org/10.33153/acy.v13i2.3998.
Ożarowska, Aleksandra. "Beyond the libretto." STRIDON: Studies in Translation and Interpreting 1, no. 2 (November 30, 2021): 49–63. http://dx.doi.org/10.4312/stridon.1.2.49-63.
Rushton, Julian. "‘La vittima è Idamante’: Did Mozart have a motive?" Cambridge Opera Journal 3, no. 1 (March 1991): 1–21. http://dx.doi.org/10.1017/s0954586700003347.
Anderson, Robert, and Nicholas John. "Operas." Musical Times 126, no. 1710 (August 1985): 465. http://dx.doi.org/10.2307/964318.
MacDonald, Hugh. "Operas." Musical Times 126, no. 1708 (June 1985): 351. http://dx.doi.org/10.2307/964037.
Spivakovskyi, Oleksandr. "Ukrainian performances of small form operas in the era of the 2000s." Ukrainian musicology 46 (October 27, 2020): 75–85. http://dx.doi.org/10.31318/0130-5298.2020.46.234597.
Over, Berthold. "How to Impress the Public: Farinelli's Venetian Debut in 1728–1729." Musicology Today 17, no. 1 (December 1, 2020): 14–33. http://dx.doi.org/10.2478/muso-2020-0002.
Sheppard, W. Anthony. "Blurring the Boundaries: Tan Dun's Tinte and The First Emperor." Journal of Musicology 26, no. 3 (2009): 285–326. http://dx.doi.org/10.1525/jm.2009.26.3.285.
Krzywoszyński, Przemysław. "Giovanni Simon Mayr – muzyka w służbie rewolucji?" Copernicus. De Musica 1, no. 1 (2022): 15–26. http://dx.doi.org/10.15804/cdm.2022.1.02.
Law, J. K. "At the Opera: Tales of the Great Operas." Opera Quarterly 20, no. 1 (January 1, 2004): 109–10. http://dx.doi.org/10.1093/oq/kbh009.
Katalinić, Vjera. "Die opern von Ivan Zajc zwischen nationalismus und Panslawismus." Studia Musicologica 52, no. 1-4 (March 1, 2011): 189–200. http://dx.doi.org/10.1556/smus.52.2011.1-4.14.
Stamatov, Peter. "Interpretive Activism and the Political Uses of Verdi's Operas in the 1840s." American Sociological Review 67, no. 3 (June 2002): 345–66. http://dx.doi.org/10.1177/000312240206700302.
Saylor, Eric. "Dramatic Applications of Folksong in Vaughan Williams's Operas Hugh the Drover and Sir John in Love." Journal of the Royal Musical Association 134, no. 1 (2009): 37–83. http://dx.doi.org/10.1080/14716930902756844.
Sikau, Lea Luka. "REHEARSING TIME." Tempo 78, no. 308 (April 2024): 46–54. http://dx.doi.org/10.1017/s0040298223000979.
Novak, Jelena. "Singing beyond the TV Screen: Documentary, News and Interviews as Operatic Material." Dramaturgias, no. 10 (May 29, 2019): 91–109. http://dx.doi.org/10.26512/dramaturgias.v0i10.24905.
Herzfeld, Gregor. "Poe and “Gothic Opera”." Edgar Allan Poe Review 16, no. 1 (April 1, 2015): 1–18. http://dx.doi.org/10.5325/edgallpoerev.16.1.00001.
GUAN, CHENGYUAN. "FEATURES OF FEMALE HEROIC IMAGES IN CHINESE FOLK OPERA." Культурный код, no. 2023-3 (2023): 51–64. http://dx.doi.org/10.36945/2658-3852-2023-3-51-64.
Grier, Francis. "Contessa perdono! Mozartian sexual betrayal and forgiveness." Musical Connections in Couple and Family Psychoanalysis 10, no. 1 (March 9, 2020): 28–41. http://dx.doi.org/10.33212/cfp.v10n1.2020.28.
Yazar, İlhan Uğur. "The Influence of Orientalism in the 18th and 19th Century Opera Librettos." Journal of Human Sciences 19, no. 2 (June 21, 2022): 300–310. http://dx.doi.org/10.14687/jhs.v19i2.6283.
Marković, Tatjana. "The myth on the “first national opera”: The cases of Serbia and Croatia." Studia Musicologica 52, no. 1-4 (March 1, 2011): 165–77. http://dx.doi.org/10.1556/smus.52.2011.1-4.12.
Thorburn, Sandy. "What News on the Rialto? Fundraising and Publicity for Operas in Seventeenth-Century Venice." Canadian University Music Review 23, no. 1-2 (March 6, 2013): 166–200. http://dx.doi.org/10.7202/1014523ar.
Rabb, Theodore K. "Opera, Musicology, and History." Journal of Interdisciplinary History 36, no. 3 (January 2006): 321–30. http://dx.doi.org/10.1162/002219506774929782.
Wingfield, Paul. "Janáček's speech-melody theory in concept and practice." Cambridge Opera Journal 4, no. 3 (November 1992): 281–301. http://dx.doi.org/10.1017/s0954586700003803.
Severn, John R. "Migration and Opera Old and New." Nordic Theatre Studies 34, no. 1 (June 20, 2023): 22–33. http://dx.doi.org/10.7146/nts.v34i1.137923.
Sun, Xun. "Representations of tenor arias from G. Puccini’s operas (“La bohème”, “Tosca” and “Turandot”) by masters of Russian and Chinese vocal schools." PHILHARMONICA. International Music Journal, no. 2 (February 2024): 1–14. http://dx.doi.org/10.7256/2453-613x.2024.2.70441.
Kim, Sangkyun, and Philip Long. "Touring TV Soap Operas: Genre in Film Tourism Research." Tourist Studies 12, no. 2 (May 30, 2012): 173–85. http://dx.doi.org/10.1177/1468797612449249.
Leicester, H. Marshall. "Discourse and the film text: Four readings of Carmen." Cambridge Opera Journal 6, no. 3 (November 1994): 245–82. http://dx.doi.org/10.1017/s0954586700004328.
Sheppard, Jennifer. "How theVixenlost its mores: gesture and music in Janáček's animal opera." Cambridge Opera Journal 22, no. 2 (July 2010): 147–74. http://dx.doi.org/10.1017/s0954586711000176.
Hunter, Mary, Daniel Heartz, and Thomas Bauman. "Mozart's Operas." Notes 48, no. 2 (December 1991): 486. http://dx.doi.org/10.2307/942044.
Waldoff, Jessica, and Daniel Heartz. "Mozart's Operas." Eighteenth-Century Studies 27, no. 3 (1994): 503. http://dx.doi.org/10.2307/2739371.